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Contemporary art gallery representing leading artists in Australia, the Asia-Pacific and East Asia. Sydney | Melbourne | Singapore
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This November, discover current and upcoming exhibitions featuring Sullivan+Strumpf artists across major institutions, offsite projects and in our galleries in Naarm/Melbourne, Gadigal/Sydney and Singapore.
Explore the program via the link in bio or on our website.
@lindylee.13
@ramesh__mario
@powerhousemuseum
@lynda_draper
@siscowabunga
@terraexhibition
@atongatem
@jesscochrane_____
@kirsten_coelho_
@bukuartnow
@sethdbirchall
@alexseton_
04 Nov 2026
The latest issue of our gallery magazine is now available in print and online. This edition expands on the ideas and practices behind the gallery’s current and forthcoming exhibition program.
It brings together writing on Atong Atem, Sydney Ball, Seth Birchall, Kaye Brown, Maria Fernanda Cardoso, Sis Cowie, Lynda Draper, Lindy Lee, Michael Lindeman, Ramesh Mario Nithiyendran, Barbara Puruntatameri, Gemma Smith and Angela Tiatia.
This issue includes contributions from writers and arts practitioners across the Australasian arts community, including Sasha Blackman, Yvette Dal Pozzo, Max Delany, Jenn Ellis, Santilla Chingaipe, Henry Skerritt, Talia Smith, Mikala Tai, Astrid Lorange, Emmy Monaghan, Gary Warner, Dr Peter Hill as well as Jenn Ellis in The Last Word.
Read this issue online via the link in bio or purchase a copy now.
Designed by our friends @more__studio
Printed by @wearecarbon8
@atongatem
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@superfictions1
23 Oct 2026
Lynda Draper’s ‘Bloom’ opens next week at our Gadigal/Sydney gallery, join us for the opening 19 Nov 26.
‘Bloom’ presents new works that grew from Draper’s residency at Canberra Glassworks and resulting exhibition ‘GR’AFT’.
In plant propagation, grafting is the process of joining seperate plants to encourage new growth. In ‘GR’AFT’, the act of joining became both a material process and metaphor for collaboration.
‘Bloom’ takes the idea a step further, considering what might emerge from these unions of knowledge and material. The emphasis shifts from the graft itself to the growth that follows: emergence, unfolding, expansion and transformation.
Register your interest for a preview of the works via the link in bio.
Lynda Draper
‘Bloom’
19 Nov – 19 Dec 26
Sullivan+Strumpf Gadigal/Sydney
@lynda_draper
Pictured: Lynda Draper, 'Bloom II', 2026, bronze & hand-blown glass. 62 x 52 x 41 cm. Photography by Jess Maurer.
08 Nov 2026
"Between work around his Glenn Murcutt-designed house and conversations in the studio, we would sit on the veranda. There, Syd communed with a Superb Fairy-wren that seemed to know him, hopping through the native trees as their whistles passed back and forth. Looking into the bush, time felt strangely irrelevant. The scene might have belonged to the distant past or some future yet to come." – Michael Lindeman, 2026.
'As Much As You Can', featuring works from the Sydney Ball Estate and curated by Michael Lindeman, continues at the Gadigal/Sydney gallery until 14 Nov 26. Visit the link in bio to view the exhibition online.
Through these images explore a glimpse of Ball's home and studio, featuring works from across several decades and successive series. 'As Much As You Can' celebrates Sydney Ball's career and his contribution to Australian abstraction through the admiring lens of Michael Lindeman, friend and mentee of the late artist.
Sydney Ball
'As Much As You Can'
22 Oct – 14 Nov 26
Sullivan+Strumpf Gadigal/Sydney
Pictured: Photography by Tim Salisbury. In 2024 David Flack, @flackstudio_ visited Sydney Ball's studio and home ahead of curating 'The Weight of Colour' which exhibited in the Naarm/Melbourne gallery.
07 Nov 2026
On view: TERRA 2026 continues across UNESCO heritage sites in Burgundy, France until 15 Nov 26.
At the heart of TERRA 2026 is an exploration of Ecology, Ritual and Mapping: three interconnected lenses through which to consider how people understand, cultivate, mark and inhabit places.
Featuring works by Sullivan+Strumpf artists Atong Atem, Jess Cochrane, Kirsten Coelho, Wayilkpa Maymuru and Dawn Ng alongside leading international contemporary artists, TERRA transforms various iconic and historic private locations into considered exhibition spaces.
Curated by Jenn Ellis @jenncellis
Executive Director Milena Berman @milenaberman
@terraexhibition
@atongatem
@jesscochrane_____
@kirsten_coelho_
@bukuartnow
@dawn___ng
Pictured: Installation imagery by James Retrief, Courtesy of TERRA.
07 Nov 2026
Opening today: Ramesh Mario Nithiyendran’s new body of work, 'Carriers of Us', presents four significant sculptural works on the verdant rooftop garden at Powerhouse Parramatta.
Commissioned by Powerhouse, ‘Carriers of Us’ draws on Nithiyendran’s deep reflection, research and engagement with contemporary forms of Tamil idolatry and Tamil sculptural traditions from South India and Sri Lanka, where clay, bronze, water and ritual continually shape one another.
Exploring ideas of identity, transformation and cultural memory, each Carrier figure is cast in bronze and designed with modular elements. The figures embrace fluidity and change, while their weathered surfaces allow nature and time to become active collaborators in the artwork.
Ramesh Mario Nithiyendran
‘Carriers of Us’
Opens 07 Nov 26
Powerhouse Parramatta
@ramesh__mario
@powerhousemuseum
Pictured: 1/ Ramesh Mario Nithiyendran, 'Lovers, with Rain Harvesting', from the ‘Carriers of Us’ series, 2026. 2/ Ramesh Mario Nithiyendran, 'Guardian Figure with Mask', from the ‘Carriers of Us’ series, 2026. 3/ Ramesh Mario Nithiyendran, 'Self Portrait, with Creative Matter (Clay)', from the ‘Carriers of Us’ series, 2026. 4/ Ramesh Mario Nithiyendran, 'Multi-Headed Warrior Figure', from the ‘Carriers of Us’ series, 2026. Photography by Christian Capurro
06 Nov 2026
Opening next week: Lindy Lee’s ‘Inside One Nien’ opens at Sullivan+Strumpf Singapore.
Join us for opening celebrations in the gallery with Lindy Lee on Saturday 14 November from 2 – 5 PM. Register your interest for an online preview of the exhibition at the link in bio.
‘Inside One Nien’ extends Lee’s exploration of impermanence and transformation through radical steel sculptural works, a large-scale flung bronze, illuminated sculptures and more.
Across these forms, Lee relinquishes degrees of control to gravity, heat, water, fire and time allowing each material to record the conditions of its making and illustrate the great forces of existence.
Lindy Lee
‘Inside One Nien’
12 Nov – 12 Dec 26
Sullivan+Strumpf Singapore
@lindylee.13
Pictured: Lindy Lee, When the Moon Remembers (slide 1) | Was this the first light (slide 2) | When i was dreaming (slide 3), 2026, triptych, 152 x 306 cm (each print 152 x 102 cm)
05 Nov 2026
“Cowie's paintings bring together the art historical and the ephemeral, the haziness of dreams and the materiality of flesh. They are an invitation—to pause, look closer, and enter into the space of imagination.” – Cameron Hurst, 2026.
‘The Garden of Earthly Delights’, a solo exhibition from Sis Cowie opens 19 Nov at the Gadigal/Sydney gallery.
Drawing on the biblical narrative of Eden, alongside pagan motifs, folklore, Renaissance and Baroque painting, and personal, imagined worlds, Cowie constructs a realm that feels both ancient and entirely her own. Each painting operates as its own anecdote within Cowie’s broader constructed world.
Register your interest for a preview of the exhibition via the link in bio.
Sis Cowie
‘The Garden of Earthly Delights’
19 Nov – 19 Dec 26
Sullivan+Strumpf Gadigal/Sydney
@siscowabunga
@surveillancecam_
Pictured: Sis Cowie, Sprout, 2026, oil on canvas, 47 x 37 cm (framed).
04 Nov 2026
Opening tonight: Seth Birchall’s 'Unseen Cosmic Clock II'
Join us at the Naarm/Melbourne gallery for opening celebrations with the artist from 6 – 8 PM.
Extending his exploration of the environmental landscape, this body of work features new large-scale paintings including a major diptych, alongside works from his recent exhibition at the South East Centre for Contemporary Art (SECCA).
Featuring recurring imagery of marred olive trees, property markers and enclosed walls, moonlit skies, garden paths, and natural phenomena such as lightning. These elements form a visual language of fragility and endurance, with trees appearing throughout the works as silent witnesses to environmental degradation.
Join us for the opening reception with Seth Birchall tonight Wednesday 04 Nov, from 6 – 8 PM at our Collingwood gallery.
Seth Birchall
‘Unseen Cosmic Clock II’
04 Nov – 28 Nov 26
Sullivan+Strumpf Naarm/Melbourne
@sethdbirchall
Pictured: Seth Birchall, 'Unseen Cosmic Clock II', installation view, Sullivan+Strumpf Naarm/Melbourne. Photography Tom Goodman.
03 Nov 2026
Michael Lindeman’s ‘I Could Be Wrong’ continues at the Gadigal/Sydney Gallery until the 14 Nov 26. Visit the gallery or explore the works online in the viewing room via the link in bio.
Lindeman’s up-tempo finger-paintings on mirror lure viewers, with movement activating the work through light and reflection. ‘Regression Paintings’ reflect the artist’s entanglement in – and wry critique of – art world politics. Jarring text-based conceptualism appeals equally to intellect and sensation, casting the viewer as both spectator and subject.
Michael Lindeman
‘I Could Be Wrong’
22 Oct – 14 Nov 16
Sullivan+Strumpf Gadigal/Sydney
Pictured: Michael Lindeman, 'I Could Be Wrong', 2026, installation view, Sullivan+Strumpf Gadigal/Sydney. Photography by Simon Hewson.
02 Nov 2026
Forthcoming to the gallery: Lynda Draper’s ‘Bloom’ opens at our Gadigal/Sydney gallery 19 Nov 26. Register your interest for a preview of the works at the link in bio.
“‘Bloom’ signifies a confident moment in Draper’s new work, where conceptual and material forces have come to life. We see the result of rigorous testing, experimentation and growth.” – Yvette Dal Pozzo, 2026.
Draper continues to draw on ideas and formal languages developed in her work in the 1980-90s, however she comes to these languages with a host of new techniques and knowledge. A limited palette and highly worked surfaces evoke wax, confectionery or icing, creating a tactile, almost edible quality.
Lynda Draper
‘Bloom’
19 Nov – 19 Dec 26
Sullivan+Strumpf Gadigal/Sydney
@lynda_draper
Pictured: 1/ Lynda Draper, ‘Garland’, 2026. 2/ Lynda Draper, ‘Night Bramble’, 2026. 3/ Lynda Draper, ‘Night Bramble’, 2026. 4/ Lynda Draper, ‘Emerald Bramble’, 2026. Photographs by Jess Maurer.
01 Nov 2026
‘As Much As You Can’ featuring works from the Sydney Ball Estate, continues upstairs at our Gadigal/Sydney gallery until 14 November 26.
Curated by Michael Lindeman, the exhibition celebrates Ball’s innovation and his major contribution to Australian abstraction.
Bringing together works from across several decades, the exhibition traces connections between successive series while considering the contexts and conditions that shaped them.
Sydney Ball
'As Much As You Can'
22 Oct – 14 Nov 26
Sullivan+Strumpf Gadigal/Sydney
Pictured: Sydney Ball, 'As Much As You Can', 2026, installation view. Photography by Simon Hewson.
01 Nov 2026
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