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Advancing the art, craft and creative contributions of the Camera Operator. Established in 1979. Always accepting applications at SOC.org.
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๐ฎ๐ฌ๐ฎ๐ณ ๐ฆ๐ข๐ ๐ง๐๐๐๐ก๐๐๐๐ ๐๐๐๐๐๐ฉ๐๐ ๐๐ก๐ง ๐๐ช๐๐ฅ๐๐ฆโฃ
๐ฆ๐จ๐๐ ๐๐ฆ๐ฆ๐๐ข๐ก๐ฆ - ๐ก๐ข๐ช ๐ข๐ฃ๐๐ก โฃ
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We invite you to submit eligible technologies for the Society of Camera Operatorsโ Technical Achievement Award fromโฏ๐ก๐ผ๐๐ฒ๐บ๐ฏ๐ฒ๐ฟ ๐ญ๐ฎ, ๐ฎ๐ฌ๐ฎ๐ฒ, ๐๐ต๐ฟ๐ผ๐๐ด๐ต ๐๐ฎ๐ป๐๐ฎ๐ฟ๐ ๐ฎ๐ฑ, ๐ฎ๐ฌ๐ฎ๐ณ.โฏ The Award is for technology that is used by the camera operator and camera crew during production.โฃ ๐ in bio
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There is a fee of $925 USD per submission (Corporate members receive discounts โ email [email protected] to receive details).โฃ
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You are welcome to submit more than one technology product per company. Companies are encouraged to include a demonstration or in-the-field use video(s) during the online submission.โฃ The Technical Committee will review all submissions and then set up a review during Demo Day.โฃ
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Demo Day will be hosted Virtually on Sunday, February 21, 2027, where entrants will have the opportunity to present their technologies via a Zoom demonstration lasting no longer than 20 minutes for each submission. As many representatives as needed may participate in support of the entrantโs technology. Details and schedules regarding Demo Day will be sent once the submission period closes.โฃ
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๐๐ช๐๐ฅ๐ ๐๐ฅ๐๐ง๐๐ฅ๐๐ โฃ
To qualify for a Technical Achievement Award, the technical development and the company and/or individuals responsible for it must meet the following criteria for technical excellence. โฃ
The development must be at least one of the following: โฃ
โฃ
โช๏ธA completely new, important, and lasting device or technique, or โฃ
โช๏ธAn essential and lasting innovation that modifies existing equipment, product, or technique, or โฃ
โช๏ธA significant improvement on, or adjunct to, existing equipment/production equipment, or โฃ
โช๏ธEquipment that furthers the creativity and storytelling by the camera operator. โฃ
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๐๐ช๐๐ฅ๐ ๐ฆ๐๐๐๐๐ง๐๐ข๐ก & ๐๐ก๐ก๐ข๐จ๐ก๐๐๐ ๐๐ก๐ง
After the Demo Day, the technical jury will deliberate and select the Award recipient. The SOC Technical Achievement Award announcement will be included as a section of the SOC 2027 Awards Tribute Book, distributed live on March 6, 2027, in addition to receiving a CAMMY Award.
12 Nov 2026
The Fall 2026 issue of ๐๐ข๐ฎ๐ฆ๐ณ๐ข ๐๐ฑ๐ฆ๐ณ๐ข๐ต๐ฐ๐ณ ((OUT NOW)) takes readers behind the scenes of five very different productions, exploring the creativity, technical challenges, and collaboration that bring stories to the screen. A camera and Steadicam operator Jason Ewart, ACO, discusses filming ๐๐ณ๐ฐ๐ซ๐ฆ๐ค๐ต ๐๐ข๐ช๐ญ ๐๐ข๐ณ๐บ, from navigating practical spaceship sets to working alongside an alien puppet. On ๐๐ช๐ฅ๐ฐ๐ธโ๐ด ๐๐ข๐บ, Michael Fuchs, SOC, and John Garrett share how they balance horror and comedy while maintaining a consistent visual style across multiple directors. A visit to the set of ๐๐ฆ๐ฐ๐ณ๐จ๐ช๐ฆ & ๐๐ข๐ฏ๐ฅ๐บโ๐ด ๐๐ช๐ณ๐ด๐ต ๐๐ข๐ณ๐ณ๐ช๐ข๐จ๐ฆ explores the increasingly rare art of the live-audience, multi-camera sitcom, with insights from camera operators Jack Chisholm, Chris Hinojosa, Jamie Hitchcock, SOC, and Jon Purdy.โฃ
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A companion story, โFour Dollies on Set,โ brings in dolly grips Mark Pickens, Richard Esquivel, and Ravi Gahunia to discuss the showโs classical four-dolly setup. For the unsettling world of ๐๐ข๐ค๐ฌ๐ณ๐ฐ๐ฐ๐ฎ๐ด, Leonardo Harim, SOC, and John Fleming explain how they helped realize director Kane Parsonsโ distinctive vision within a sprawling, disorienting set. The issue also visits ๐๐ข๐ฎ๐ฆ ๐๐ฉ๐ข๐ฏ๐จ๐ฆ๐ณ, where five camera operators, Graham Ehlers Sheldon, Phillip Jackson, Lili Soto, Simone Williams, AJ Young, and director of photography Kevin Stiller discuss the challenges of filming a comedy game show that reinvents itself with every episode.โฃ
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Rounding out the issue, ๐๐๐ ๐ฐ๐ฏ ๐๐ฐ๐ค๐ช๐ข๐ญ highlights the Societyโs Inclusion Committeeโs Hispanic Heritage Month and Filipino American History Month celebrations, recognizing members and their contributions to the industry.โฃ
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Cover photo by Jonathan Olley, Amazon MGM Studiosโฃ
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READ at @societyofcameraoperators ((link in bio))โฃ
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๐ท๏ธโฃ
Society of Camera Operators - Camera Operator Magazine - camera operator - behind the scenes - camera opsโฃ
06 Nov 2026
A Message from SOC President Matthew Moriarty, SOCโฃ ((WATCH))โฃ
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Thank you to everyone who participated in our recent membership survey. Your feedback is invaluable as we continue to evaluate how Society of Camera Operators can best serve our members and the camera operating community.โฃ
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We recognize the challenges facing our industry. Many of our members are experiencing a lack of work, and the companies that have generously supported our organization over the years are facing challenges of their own.โฃ
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After careful consideration, the SOC Board of Governors has made the decision to recognize the 2027 SOC Awards recipients through a special tribute issue of ๐๐ข๐ฎ๐ฆ๐ณ๐ข ๐๐ฑ๐ฆ๐ณ๐ข๐ต๐ฐ๐ณ magazine, rather than a traditional awards ceremony.โฃ
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We will continue to honor excellence in camera operating, including SOC Lifetime Achievement Awards, Technical Achievement Awards, and Camera Operator of the Year in Film and Television.โฃ
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While the format will look different this year, our commitment to celebrating the achievements of our peers and the craft of camera operating remains unchanged.โฃ
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We encourage you to watch this message in its entirety to hear more about SOCโs decision, the insights from our membership survey, and our path forward.โฃ
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A special thank you to Cinemoves, our 2027 SOC Awards Patron Sponsor, for their continued support of SOC and the camera operating community.โฃ
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Ways to Get Involved & Stay Up to Date:โฃ
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Support the SOC Awards, our Nominees and Lifetime Recipients by sponsoring or advertising in the Awards Tribute Magazine. Link in SOCโs bio.โฃ
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Be the First to Know! Sign up to receive early Awards announcements, dates and updates about the 2027 SOC Awards as plans unfold. ((Sign up @ Link in bio)) โฃ
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Visit SOC.org for the latest updates, educational workshops, member events and sponsorship opportunities.โฃ
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๐ท๏ธโฃ
#SocietyofCameraOperators #SOCAwards
13 Oct 2026
Blending supernatural horror with offbeat comedy, Appleโs ๐๐ช๐ฅ๐ฐ๐ธโ๐ด ๐๐ข๐บ presents a unique challenge for its camera team. In this multimedia feature, A camera and Steadicam operator Michael Fuchs, SOC, and B camera operator John Garrett discuss balancing the showโs contrasting tones, maintaining a cohesive visual style across its monster-of-the-week storylines, and collaborating with a rotating roster of directors and cinematographers. The feature includes a video interview, behind-the-scenes photography, and a look at the camera equipment and lenses used to bring the cursed island community to life.โฃ
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Photo courtesy of Apple โฃ
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Read the story at SOC.org/co and the rest of the Fall 2026 ๐๐ข๐ฎ๐ฆ๐ณ๐ข ๐๐ฑ๐ฆ๐ณ๐ข๐ต๐ฐ๐ณ at ((link in SOCโs bio))โฃ
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Subscribe to Camera Operator for FREE at SOC.org.โฃ
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๐ท๏ธ โฃ
Society of Camera Operators - camera operator magazine - camera op - behind the scenes - Widowโs Bayโฃ
13 Nov 2026
Coming soonโฆ
@chapman_leonard
@nodofilm
@panavisionofficial
10 Nov 2026
Dueling Steadicams with @_steadikris_ !!!
10 Nov 2026
Operator to Operator: Camera operators David Emmerichs, SOC, and John โBuzzโ Moyer, SOC, reflect on the evolution of camera technology throughout their careers and the enduring importance of hands-on practice.โฃ
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๐@ARRI Rental, New Yorkโฃ
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Video editor: Andrew Michelโฃ
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๐ท๏ธโฃ
Society of Camera Operators - camera operator - camera op - behind the scenes
05 Nov 2026
From the ๐๐ข๐ฎ๐ฆ๐ณ๐ข ๐๐ฑ๐ฆ๐ณ๐ข๐ต๐ฐ๐ณ Archiveโโ๐๐ช๐ค๐ฌ, ๐๐ช๐ค๐ฌ . . . ๐๐ฐ๐ฐ๐ฎ! โ Lensing Larsonโโฃ
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From Steadicam and Technocrane to dolly work, handheld and musical performances, ๐๐ช๐ค๐ฌ, ๐๐ช๐ค๐ฌ... ๐๐ฐ๐ฐ๐ฎ! demanded an extraordinary range of camera techniques. Michael Fuchs, SOC takes us behind the scenes of the production and shares the creative and technical challenges of capturing Jonathan Larsonโs story.โฃ
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Photo by Macall Polayโฃ
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Read the story and the 2022 Spring Issue of ๐๐ข๐ฎ๐ฆ๐ณ๐ข ๐๐ฑ๐ฆ๐ณ๐ข๐ต๐ฐ๐ณ at Issuu.com > Search โCamera Operatorโโฃ
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Subscribe to Camera Operator for FREE at SOC.org.โฃ
โฃ
๐ท๏ธ โฃ
Society of CameraOperators - camera operator magazine - camera op - behind the scenes - Tick Tick Boom
30 Oct 2026
Photo by @joshknoller and @chromagraphcamera
28 Oct 2026
Wrapping Filipino American History Month, SOC is celebrating Gerald Nonatoโฃ
(@geraldnonadoez).โฃ
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Gerald Nonato is a Los Angeles-born and raised Camera Operator specializing in dynamic camera movement. Growing up on music videos and musicals, he was drawn to the long tracking Steadicam oners and sweeping jib shots that brought music and dance to life on screen. That early fascination with movement behind the lens eventually led him to work as a Steadicam, Gimbal, and Dolly Operator across live events, music videos, commercials, series, short films, red carpets, and sports documentaries.โฃ
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Before stepping behind the camera, Gerald was a dancer in the collegiate hip hop circuit. Hisbackground in dance gives him a deep understanding of musicality, rhythm, and choreography,which he brings to every project to create camera movement that feels intentional and connected to the performance.โฃ
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Dance Cinematography is a unique discipline, and Gerald especially values the collaboration it takes between the Director, Choreographer, Talent, and Camera Operator to translateโฃ
movement into something powerful on screen. He approaches the camera as another part ofโฃ the choreography, working alongside performers rather than simply capturing them.โฃ
Gerald is also proud to have worked on projects that celebrate a wide range of people, cultures, and perspectives. He believes in the ability of film, music, and movement to create meaningful representation while making work that leaves audiences feeling something.โฃ
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Slides:โฃ
1. International Dance League (@idl.global) Sydney 2026โฃ
Photo: @monmillenaโฃ
2. Gold Gala 2026 Director @colewalliserโฃ
Photo: @k_or_yโฃ
3. International Dance League (@idl.global) LA 2026 featuringโฃ
@brotherhoodcrew_โฃ
4. @Jackson Wang & @Ciara โSlowโ MV - Director: @danielcloudcampos & DP: @morganpierresusserโฃ
Photo: @masonrosephotoโฃ
5. @spaceandtimefilm - Directors: @keonemadrid @_marimadrid, DP: @steeevy, & Talent @keonemadrid @_marimadrid @ysapenarejoโฃ
Video: @gkohfilmsโฃ
6. NHL Media Week - Director :@jwilliamsstoryteller & DP: @michaelbollackeโฃ
Photo: @itsbenreel.movโฃ
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โPresented by the Inclusion Committeeโโฃ
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#SocietyofCameraOperators #FAHMโฃ
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28 Oct 2026
๐ฅ๐ฒ๐ด๐ถ๐๐๐ฟ๐ฎ๐๐ถ๐ผ๐ป ๐ก๐ผ๐ ๐ข๐ฝ๐ฒ๐ป ๐๐ผ ๐ก๐ผ๐ป-๐ ๐ฒ๐บ๐ฏ๐ฒ๐ฟ๐: SOC Speed Mentoring East Coastโฃ
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Interested in the SOC but not a member yet? Register now and get a taste of SOC education!โฃ
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Join SOC for a unique opportunity to connect one-on-one with veteran camera operators and gain real-world insight into the craft and career of camera operating.โฃ
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Whether you have questions about perfecting your shot, navigating set dynamics, or building a successful career behind the lens, come ready to learn from experienced professionals in the camera operating community.โฃ
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Attendees will be divided into small mentee groups for focused mentor rotations, followed by a wrap-up Q&A.โฃ
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Mentors include:โฃ
Barbie Leungโฃ
Jim McConkey, SOCโฃ
John โBuzzโ Moyer, SOCโฃ
Jeff Muhlstock, SOCโฃ
Lisa Sene, SOCโฃ
Katherine Castroโฃ
Tori Wills, SOCโฃ
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*Subject to change based on work schedules.โฃ
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๐
Saturday, November 7โฃ
โฐ 12pm - 4:00pmโฃ
๐ William Paterson University - Hamilton Hallโฃ
274 Pompton Rd, Wayne, NJ 07470โฃ
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Light snacks and beverages will be provided.โฃ
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Space is extremely limited. Because this event requires advance preparation and coordination, please register only if you are committed to attending.โฃ
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Register now at the link in bio.โฃ
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Questions? Contact [email protected]โฃ
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๐ท๏ธ โฃ
Society of Camera Operators - camera operator - camera ops - camera crew
26 Oct 2026
Continuing Filipino American History Month, SOC recognizes Eva Marie Paz, LPS, SOC (@evalectric).
What a privilege to do what I love and make a career out of running around with a camera, trusting my instincts and adding a little whimsy whenever Iโm on set!
Iโll never take for granted the trust directors and fellow cinematographers place in me, not only in my skills, but in my intuition and the little decisions I make to help tell their stories.
Iโve been camera operating in Manila since 2015, and it hasnโt always been sunshine and daisies.
When I entered the industry, there were only a handful of women in cinematography and camera operating. It was also a time when all the boys were, in fact, BEING BOYS. I had to blend in, cover myself up more and be louder so they could hear me speak. I felt I had to assert my dominance because I didnโt think theyโd take me seriously unless I acted like one of them.
It took blood, sweat and actual tears before people noticed me and offered me jobs my younger self would have been too scared to accept. I had to toughen up.
But as colleagues trusted me and my work, I slowly had to unlearn that part of myself. I wanted to remind myself that I am a girl and that girls can be strong AND feminine.
Many of the men Iโve worked with have become lifelong friends and collaborators. Iโve found the comfort to be fully myself. I no longer feel I have to choose between being tough and feminine, or being taken seriously and being myself.
So I started wearing whatever I wanted on set, getting my nails done, and the crazier, the better.
Times have changed, and Iโm grateful women entering the industry today donโt necessarily have to go through what I experienced. Iโm glad to witness a more inclusive space that celebrates talent and individuality.
My goal is to stay curious, keep evolving and hopefully stay fit enough to do this for many more years because camera operating apparently doubles as a workout!
Letโs keep on rolling, ladies!
FOOTAGE CREDITS
1. Creamsilk Commercial โ DOP @ikeavellana LPS; Director @robbiedinglasan
*Swipe for credits under each slide
โPresented by the Inclusion Committeeโโฃ
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2. Secret Ingredient, VIU Series โ
25 Oct 2026
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