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š # 1 photo + video installations in the worldš” Where technology meets art direction Experiential Photography+ Photo Activations Recent brand work ā
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www.smilebooth.com-
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Recent posts
Part 2 with @yslbeauty š@ysl
12 Apr 2026
Coachella has been one of those rare moments where everything just clicks. Working alongside Treehouse, NVE, and our crew at Smilebooth, all held together by Pinterest, it didnāt feel like typical marketing. It felt alive, playful, human.
We love that Pinterest doesnāt need to be the loudest voice in the room. They create the space and then gently turn the light toward everyone inside it, highlighting the supporting characters, which is the rest of us. That kind of trust changes everything.
The whole thing felt familiar in a way thatās hard to explain. Like writing letters at camp, putting stickers on your notebook, going to the mall with your friends, sitting at the makeup counter, taking photos just because you could. Lisa Frank meet sushi bar meet mall makeup counter meet futuristic photo shoot.
Thereās a quiet confidence in letting things be what they are. Just a moment you actually want to be in. Grateful to be part of something that feels honest, like remembering something you didnāt know you missed.
12 Apr 2026
We are photographers, producers, engineers, computer nerds, craftsmen, and artists. We embody the entire gamut of creativity. Our production teamās limit is the universe š
So donāt hold back; you can literally give us a call. We are built on love and connection, so we would be happy to talk about your wildest dreams with you.
Not just a photobooth company.
Creative connections in every major city.
#customactivations #brandactivation #experientialmarketing #smilebooth #nationwideproductions #roamingphotographer #eventproduction #brandmarketing #weloveyou
23 Apr 2024
Weāve entered āthe holiday season,ā which is a lovely way of saying the next two months belong to everyone who needs a couch or a photo booth. YEAH! Rentals and Smilebooth are looking busy, so here I am enjoying a personal moment in front of a rental van. I brought a camera so it could be billed as work. I miss you all preemptively. Letās get dinner in January and discuss how rested we thought weād be.
01 Nov 2026
I love people who get excited enough about an idea to actually make the thing. MaĆÆkor and Jean-Baptiste are doing that with K4MERA, and it was exciting to see them bring their camera to America for ComplexCon. Weāve kicked around a few ideas, and I love their enthusiasm for experimenting with photography. We love a multicam moment over here. Four cameras? You have my attention. Possibly my wallet. Go take a look at what theyāre building, enjoy the art, and get on their list if you want one. Always happy to cheer on people making something they care about. k4mera.world
01 Nov 2026
An evening with LACMA & Smilebooth, in support of the Future Artists Collective.
24 Oct 2026
day 1 of designing this yearās elvesā cottage. the cottage is already built, so iām taking last yearās set back to a blank canvas. current mantra: done is better than perfect.
iāll be sharing the whole process here, from set design to the final reveal. follow along for day 2...
@theelvescottage šSeattle
produced by @thelovelovelove__
powered by @smilebooth
19 Oct 2026
We love doing premieres, especially documentaries that give us something to talk about afterward.
Working with AI in one of my own companies has changed my sense of what feels attainable. Ideas that once seemed beyond our reach are becoming things we can explore, understand, and build. That makes me curious about Elizabeth Holmesās original ambition. What if she were starting today, with different tools and a scientific team able to explore those possibilities? Could something closer to what she envisioned eventually become real? Iām interested in holding that possibility open. Perhaps there was a worthwhile future she wanted to reach, even though she misrepresented what she had achieved. She should be accountable for fraud, and I can still wonder about the different path that might have been possible.
And then there are the children, whose need for their mother exists outside every argument about investors, technology, and guilt. They need her comfort, familiarity, and presence. They carry consequences they did nothing to create, and now their familyās private life becomes part of a permanent public story. The adults can agree to the cameras; the children cannot meaningfully choose the exposure that follows. I wonder whether anyone involved can fully anticipate what that will mean for them as they grow up.
Thereās something uncomfortable, even a little gross, about all of us buying tickets to watch that vulnerability and then passing judgment. It begins to feel like reality television, where private pain becomes entertainment. I wonder who benefits and who lives with the consequences after the audience moves on. I include myself in that discomfort, because Iām curious and excited to see the movie.
I havenāt seen You Can See Everything yet. These are the thoughts Iām bringing into it. I want to see what it opens up, what it challenges in me, and whether it helps me understand more deeply the people whose lives continue long after the credits.
18 Oct 2026
Kicked off NYFW with @cocorocha & @baggallini in Chelsea ā”ļøFilm & Digital // Part 1
Special thanks to @npopma15 and the whole Baggallini team for having me on this one !
11 Sep 2026
Such a memorable shoot! šļø
Still so much amazingness to show - thank you so much @tonygalephoto @vincivisuals @sony @sonyalpha @sprucepeak @stowemt @cristinaboner @romaoeh @ericalongnyc_hair @atsukoohtsu @rika.shimada @whitneykentchamberlin @mackenziehilton
08 Sep 2026
a day in the life: how to make people smile šøš
love unions @thelovelovelove__
photobooth @smilebooth
(we do brand activations too)
06 Sep 2026
The Shaky Faceā¢.
Some know it. Some donāt. Iād like to say I invented it. Nate may have invented it. But if Sam Harris is right, neither of us invented anything because free will is an illusion and the Shaky Face was simply waiting for the universe to violently move our cheeks around.
Pete Holmes, please weigh in.
For the uninitiated: you shake your face back and forth as hard as possible while we take your picture. In slow motion, it becomes less āphoto boothā and more āyour soul briefly trying to leave through your ears.ā
Shown here by one of Smileboothās great supporters, quietly behind the scenes for some of our most intimate Seattle events: Uriel Katz
Happy birthday, Uriel. Thanks for everything.
Now I need to listen to another episode of Sam Harris and determine whether I chose to write this.
I probably didnāt.
04 Sep 2026
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