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Art and ideas for a changing world
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Recent posts
Announcing our 2027 programme: solo exhibitions of Pierre Alechinsky, Matt Copson, Adrian Piper, Gozo Yoshimasu and Lisa Brice, alongside a public sculpture by Cristina Iglesias.
Swipe to find details!
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[1, 3] Matt Copson, ‘Down Boy’, 2019. Courtesy the artist and Lodovico Corsini
[2] Pierre Alechinsky, ‘Central Park’, 1965. Photo: André Morain. © Pierre Alechinsky
[4] Adrian Piper, ‘The Probable Trust Registry: The Rules of the Game #1-3’, 2013 (detail). © Adrian Piper Research Archive Foundation. Courtesy of the artist and Staatliche Museen zu Berlin, Nationalgalerie
[5] Gozo Yoshimasu, ‘Voix I’, 2019–2021. © Gozo Yoshimasu. Courtesy Take Ninagawa, Tokyo
[6] Lisa Brice, ‘Untitled’, 2025. © Lisa Brice. Courtesy the Artist and Sadie Coles HQ, London. Photo: Katie Morrison
[7] Cristina Iglesias, ‘Bosque Mineral’, 2025. © Cristina Iglesias, VEGAP, Barcelona, 2025. Photo: Pau Fabregat
14 Oct 2026
Now open: ‘Change Ringing’ by Justin Caguiat.
Working directly with Serpentine South’s architecture and infrastructure, this exhibition considers how buildings accumulate memory, ritual and acts of transformation.
Caguiat presents a wide range of works, including a new series of thermochromic paintings that continually transform due to their layers of heat-sensitive pigment that reveal different forms as temperatures fluctuate.
A series of bronze bells cast in the shapes of various flowers and plant seeds ring throughout the galleries. The score, composed by Lily Pickett, draws on the principles of English ‘change ringing’, in which bells play mechanically in a continuous loop as pistons fire in sequential code. The walls gather and amplify the bells’ chimes, transforming the space into a listening instrument.
Serpentine South
8 October 2026 – 10 January 2027
Free admission
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‘Change Ringing’ is presented with major support from @bukhmanfoundation and @fundacionsandretto.
Images: Justin Caguiat: ‘Change Ringing’, installation view, Serpentine South, 2026. Photos: George Darrell
08 Oct 2026
Now open: ‘Amar Kanwar’
For over twenty years, artist Amar Kanwar has created lyrical films that move between documentary, travelogue and visual essay to explore the conditions of the Indian subcontinent.
Whilst charged with a regional specificity and deeply personal histories, Kanwar’s work grapples with some of the most pressing issues of our time, including social upheaval, displacement and the impulse towards violence.
By reckoning with the past to better comprehend the present, he ultimately reveals what unites us, regardless of geography or context.
In the exhibition’s darkened gallery spaces, you’ll encounter the feature-length film ‘Such a Morning’ (2017), the multi-screen installation ‘The Peacock’s Graveyard’ (2023) and the premiere of a multi-screen installation titled ‘The Charcoal Man’ (2026).
You might choose to spend a whole morning or afternoon in the exhibition, as the total running time is approximately 3 hours. Alternatively, you are welcome to visit the exhibition for as long as you wish and move between the works at your own pace – return whenever you like to explore more.
23 September 2026 – 31 January 2027
Serpentine North
Free entry
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Amar Kanwar’s exhibition is made possible by @s.p.lohia.foundation and The Rosenkranz Foundation.
Images: Amar Kanwar, installation view, Serpentine North, 2026. © Amar Kanwar. Photo: © Luke Walker
23 Sep 2026
“Sometimes the future is the past and the past is the present.” – Amar Kanwar
Look out for our film in which Kanwar speaks about his exhibition, coming to YouTube soon.
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Film by @marco_dare and @luca__giraudo
06 Nov 2026
We’re re-releasing some of our exhibition posters from the archive!
‘The Dirty Words Pictures, 1977’ by Gilbert & George (@gilbertandgeorgecentre) from 2002
‘This Not That’ by John Baldessari from 1995
‘Paintings from the 1960s and 70s’ by Bridget Riley from 1999
We’re excited to give you a second chance to take a piece of these landmark exhibitions home. Available to shop online and on-site.
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[1] © Gilbert & George 2026. Courtesy The Gilbert & George Centre.
[2] © 1995–2026 John Baldessari Family Foundation. Courtesy Estate of John Baldessari; Sprüth Magers
[3] © Bridget Riley 2026
05 Nov 2026
“I see different perspectives pushing against each other and they never settle into a cohesive compositional form. It’s pushing things to the edge of collapse on a structural level while still maintaining some sort of feeling of harmony.” – Justin Caguiat
Visit Caguiat’s exhibition ‘Change Ringing’ at Serpentine South until 10 January 2027. Free entry.
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Image: Justin Caguiat, ‘Angel’s Trumpet’, 2026. Courtesy The George Economou Collection; Greene Naftali and Modern Art. Photo: Arthur Gray
04 Nov 2026
“Justin Caguiat” goes on a walk in the park with Artistic Director @hansulrichobrist.
His exhibition ‘Change Ringing’ is on view at Serpentine South until 10 January 2027. Free entry.
30 Oct 2026
The catalogue for Amar Kanwar’s exhibition is, in his own words, a storybook for adults.
Designed by Sherna Dastur, it renders Kanwar’s films on the printed page in their full complexity, extending the exhibition beyond the gallery walls.
The catalogue also includes a detailed interview between Kanwar and Artistic Director @hansulrichobrist that traces conversations from 2008 to the present.
Available to shop online and on-site.
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Co-published with @buchhandlungwaltherfranzkoenig
Edited by @chris__bayley and @kit.gurnos
29 Oct 2026
Photographed by artist Justin Caguiat, this image documents the removal of plasterboard walls at Serpentine South.
For his exhibition ‘Change Ringing’, Caguiat engages directly with the building’s material history. Ahead of a planned renovation, the removal of the walls reveals the original brickwork, designed by architect James Grey West in 1934, as well as the alterations that transformed the building from a tea pavilion into art gallery.
Visit ‘Change Ringing’ at Serpentine South until 10 January 2027. Free entry.
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Image courtesy of the artist
27 Oct 2026
The Serpentine Pavilion 2026, ‘a serpentine’ designed by @lanzaatelier, closes today. Come by before 6pm for a final visit!
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Special thanks to our Headline Partner @goldmansachs for their 12th consecutive year of support
And to @rolex, Official Timepiece of the Serpentine Pavilion
Major Support is provided by @qatar_museums
Technical Advisors @aecom
Construction by @stageone
[1, 3] Andy Stagg
[2, 6] Iwan Baan
[4, 5] Hugo Glendinning
25 Oct 2026
Tomorrow is the final day to visit ‘Pénétrable BBL Jaune’ by Jésus Rafael Soto (@artistjesussoto)!
Find the interactive sculpture outside Serpentine South. We’re open 10am-6pm.
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‘Pénétrable BBL Jaune’ is made possible by Britannia Financial Group, and special thanks to Art in the Park Lead Supporter, Kenneth C. Griffin and Griffin Catalyst, and Major Supporter, Don Quixote Foundation.
Images: Jesús Rafael Soto, ‘Pénétrable BBL Jaune’ (1999; 2023 Edition). © Jesús Rafael Soto / ADAGP, Paris 2026. Courtesy Atelier Soto, Paris and Galerie Perrotin. Photos: George Darrell
24 Oct 2026
In Amar Kanwar’s film ‘Such a Morning’, an acclaimed maths professor retreats into an abandoned train carriage and blacks out its windows.
After many months acclimatising to the darkness, he begins to write letters to the outside world, conveying the lessons he learned within it.
Swipe to read excerpts from his first letter, addressed to the Chancellor of his university.
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Images: ‘Amar Kanwar’, installation view, Serpentine North, 2026. © Amar Kanwar. Photos: © Luke Walker
23 Oct 2026
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