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Dedicated to talent in all forms, ages, nationalities. Opinions my own. #sarahslist
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#lfw#linkinbio#thelvmhpodcast#sarahmower#anderschristianmadsen#systemcollections#phoebeenglish#innovator#repurpose#reuse
Recent posts
My grandparents went on holiday to Germany in 1938. Grandpa was a photographer. He snapped these boy teenagers with long hair and massive attitude. I need a German historian to understand who they were. The Anti-Nazi Eidelweiss Pirates ? Help please.
28 Oct 2026
Welcome to the very first episode of the LVMH Prize podcast, a conversation that takes you behind the scenes and into the minds of those shaping the future of fashion.
Joining us for this first conversation are two long-standing LVMH Prize experts, Julie Gilhart and Sarah Mower, who share their perspective on taking the leap, what they look for in emerging talent, and why designers shouldn’t wait for the perfect moment to apply.
Julie Gilhart is a widely respected fashion industry veteran and creative business advisor who has played an important role in shaping the future of emerging talents . She also supports several philanthropic projects and is a strong advocate of sustainability in fashion.
Sarah Mower MBE is a renowned fashion critic for Vogue US and a long-standing supporter of the next generation of designers through her many roles in the industry. She has also authored several books on fashion houses. Together they have been on the international committee of the Prize Experts from the very first edition in 2013.
Thank you to both of them for hosting this conversation.
Tune in #linkinbio #TheLVMHPodcast / excerpts courtesy of @FeelsLike
28 Sep 2026
Sarah Mower and Anders Christian Madsen approach fashion criticism as a practice grounded in time— shaped by context, historical awareness and sustained attention rather than immediate reaction.
In their conversation for System Collections, @sarahmower_ and @anderschristianmadsen reflect on what it means to write seriously about fashion at a time when immediacy is often prized over consideration, and visibility over substance.
Read the entire conversation in System Collections Issue No. 3, and online now, at the link in bio.
#SarahMower #AndersChristianMadsen #SystemCollections
23 May 2026
Steve McCaughley 2nd April 1952 - 31 January 2026
There we were at some gig in London in -was it - 1982? Three phenomenal children and many many years later.. thank you Steve, legendary Daddy, phenomenal cook, English birdlife fanatic, unreconstucted Northern man and music Mastermind🤍
04 Feb 2026
(no caption)
09 Nov 2025
Beautiful trailblazing work @phoebeenglish
🤍➰🤍➰🤍➰🤍
Beautifully written review by @sarahmower_ @voguerunway
So poignant - really struck a cord with me - so much more than just fashion…..
“It felt really right to do something fundamentally about love and strength” said Phoebe English. “And the sort of sanctuary we can find when things are very dark and externally frightening”
The heart motif……multiplied all over, with tiers of hearts, latticed and suspended on tapes, forming whole garments.
Much of the collection is refashioned from leftover silks which English takes off the hands of local bridal businesses in London, aswell as garments made from hotel bed linens.
Every last scrap, no matter how small, is put to use by English as part of her zero-waste practise.
👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
#phoebeenglish #innovator #repurpose #reuse #relove #hearts #heart #heartdress #slowfashion #sustainablefashion #sustainabledesign #beautiful #poignant #londonfashion #intelligentdesign #heartfelt #fashionfuture #🤍
25 Oct 2024
So impressed to meet these pupils from Firrhill High School in Edinburgh - who designed and made this abstract interpretation of a kilt and waistcoat - all from upcycled materials. They’re the winners of the 2024 inter-school challenge set by the Future Textiles @futuretextiles centre at Dumfries House, an incredibly effective and constantly growing social project which educates and promotes sustainability, skills, creativity and -essentially- hope.
You can see their work in the 10th anniversary exhibition of the work of Future Textiles at the Garrison Chapel, Chelsea until October 25.
Future Textiles was set up in 2014 as one of then Prince of Wales’s initiatives to turn the Dumfries House estate into a hub for all sorts of training and collaboration with the local area - from farming to catering, horticulture to art, design and making ( meaning creating everything from from primary school to senior citizen programmes.) It’s now part of the King’s Foundation @kingsfdn. The energy, intellectual rigour, practical drive and understanding of the value of uplifting people’s confidence and opportunities is led by the phenomenal Jacqueline Farrell @jaxfarrell. Congratulations to her and her amazing team - and to the inspiring art teacher and her pupils at Firrhill High @firrhillhs
21 Oct 2024
Highlights of #lfw: Christopher Raeburn’s Womble - my 💚one in his Wombling series in his 15-year retrospective exhibition at #LabE20. The Wombles of Wimbledon Common favourite children’s stop-motion 1970 animation series had a motto:“ Make good use of bad rubbish.” Needless to say we may put two and two together as Christopher and his brothers were children brought up on the books- while making stuff at home all the time.
A few years later , Raeburn became the pioneering designer who built a business out of making a collection from
one military parachute .
Ever since, his achievements and multiple collaborations and demonstrating to everyone that sustainability in fashion works have been epic.
Check out his business @raeburn_design for much more extensive modern thinking in agency form
Thank you Christopher for being such a positive and influential force in London fashion and internationally - and being part of the NEWGEN gang, right back when I started chairing it.
( Also , I think I have that jacket!) * sadly the exhibition was only up for LFW , like mine🥲 - but as Christopher always says - ONWARDS!
18 Sep 2024
Amazing people in #lfw: Liam Winter demonstrating the hand-madeness of his extraordinary @winterhouse__ jewellery - with casts of his own hands.. ingenuity in London never fails to astonish. Proud that Liam belongs to the NEWGEN gang.
18 Sep 2024
Business of Fashion Panel ANNOUNCEMENT 📣
The Fashion industry is one of the largest and most dynamic in the UK.
Supporting over 1.3 million jobs and bringing in more than £23bn in tax revenues!
It’s also full of fascinating individuals who make the fashion calendar tick!
Please meet our heavy-weight Business of Fashion panellists who will be discussing the business side of a truly thriving, creative industry.
✨ Sarah Mower MBE is a fashion journalist and critic for US Vogue and an advocate for young designers. She is the British Fashion Councils ambassador for emerging talent and Chair of the NEWGEN committee. Sarah also hails from Bath! Don’t miss this rare and special chance to hear her speak this weekend!
✨ Catherine Hayward is a fashion editor, consultant and creative director, she was previously Fashion director of Esquire UK, and is a member of the British Fashion Councils menswear committee. We are delighted that Catherine will be moderating our Business of Fashion panel.
✨ Jo Tutchener Sharp is Founder and CEO of Scamp and Dude, a B-corp certified, multi award winning purpose led, superpower infused fashion brand transforming the world of fashion into a force for good. Scamp and Dude are one of the festivals brand partners and we are so excited that Jo will be on our Business of Fashion panel giving insight into the running of a hugely successful brand.
✨Julian Vogel is a titan of the PR industry, he became a partner at Modus aged just 22, creating hugely successful relationships and PR strategies and has gone on to work with some of the most well known brands in the world. Modus joined forces with global PR agency BPCM in 2017 to create a worldwide leading communication agency MODUS BPCM in London, New York and Los Angeles.
✨Anne-Marie Curtis, fashion veteran and one of the industry’s leading creative forces, has almost three decades of multi-faceted experience and expertise, encompassing a wide range of roles and skills including that of the highly influential editor-in-chief of British ELLE, as well as fashion director,stylist, writer and consultant and most recently founder of sustainably glossy The Calendar Magazine.
#BathFashionFestival
16 Sep 2024
THXXX @sarahmower_ FOR INCLUDING ME IN YOUR PHENOM #LFW40 EXHIBITION AT #180STRAND + CONGRATULATIONS ON SUCH A HEARTFELT EDIT OF HISTORIC @londonfashionweek HIGHLIGHTS 💪🏽❤️🚨
‘LEGEND OF LONDON MANDI LENNARD’
Spot Mandi Lennard at any show or event, and you can be assured you’re in the right place. Patrolling front rows and doors in her signature baseball caps and logo accessories, Mandi is unmissable as one of the great generators, cheerleaders and co-conspirators behind London’s reputation as a fashion city.
This has been true since 1998, when Mandi set up her first PR office, from a desk above Browns garage in Haunch of Venison Yard (see image). Initially, she was representing Browns Focus (where she’d been cool-seeker of edgy young brands). Stylists and journalists were knocking on her door - and trusting her as the oracle of intel on new designers - at such a rate that in 1999, she moved into the derelict basement of Shoreditch Town Hall, and Mandi Lennard PR was born.
Things snowballed, with mandi at the PR epicentre of the talent surge of the mid-2000s.
“Some fashion weeks we were managing over 12 shows, as well as presentations and parties. What can I say? The more crazy it gets, the more organised and meticulous I am.”
Mandi was friend, mentor and megaphone to Gareth Pugh, Kim Jones and Roksanda Ilincic, fuelling the creative hotbed of London’s East End, and promoting the runaway success of BoomBox. Her formidable connectedness and ability to think up and pull off the maddest events for her clients was matched by her equally effective behind-the-scenes brokering of collaborations and sponsorships with large brands.
As a businesswoman whose credibility was resounding internationally, she relaunched as mandi’s Basement in 2010. She now defines her work as a creative consultant and strategist. Young people still frequently turn to her as the ultimate advice-giver.
@britishfashioncouncil @mrkimjones @roksandailincic @garethpugh @brownsfashion @paulsmithsfoundation #LONDONFASHIONWEEK #LFW
16 Sep 2024
Pierpaolo Piccioli invited me for a look around the Valentino Alta Moda ateliers in Rome on 16th April 2019. My respect for him as a designer , couturier- and a man - soared even further when I saw him chatting and joking, clearly on an equal level with the seamstresses. I think they were gossiping about family stuff. I probably wasn’t meant to take pictures, but what the hell, now we know PPP is leaving Valentino after 25 years at the house, and as sole artistic director since 2016 - I think this memory is an insight into his character, unsnobbish, collaborative and deeply committed to expressing ideas through the art and craft of couture. And the everyday ordinary atmosphere of joy of making all that come to life as a job in a place of work- that’s a culture you can’t fake, and can only come from the person in charge. I’ve been inside a lot of couture ateliers, and although silent dedication to excellence is the tenor everywhere, I’ve never felt such a happily down to earth almost non hierarchical work ethic anywhere else.
PP is also one of the very few who’s used his privilege to speak out on violence against women and girls, and against the forces of right-wing populism in Italy, and by extension, the world..
That was the last conversation I had with him while reviewing his fall rtw show for @voguerunway.
Saluting and thanking you @pppiccioli - you’re just getting started.
May that precious Valentino alta mod-a ethos continue, thrive and be protected and respected, whatever happens next.
22 Mar 2024
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