Roberts Projects

Roberts Projects

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@robertsprojects

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Hours: 11am-6pm, Tuesday-Saturday. Inquiries, •••

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Wendy Red Star: False Stars Opening Saturday, November 7, 5-7pm at Roberts Projects Roberts Projects is pleased to present False Stars, an exhibition of new work by Wendy Red Star that takes the Star Quilt through a series of material transformations. Named for the scientific phenomenon whereby a celestial formation is wrongly assumed to be a full-fledged star, the exhibition brings together mirrored installations and works on paper that show the enduring symbolic resonance of the stars. Red Star is less concerned with recreating the Star Quilt than in what its structure can withstand. Paper can begin to behave like textile, and reflection can stand in for matter. These transformations extend a history already contained within the Star Quilt itself: a form that became significant across Plains communities not by remaining fixed, but by being taken up, altered and made specific. In False Stars, Red Star puts the star through that process once again. Link in bio to learn more. Image Credits: Wendy Red Star, Star Field 005, 2026. Courtesy of the artist and Roberts Projects, Los Angeles. Photo: Paul Salveson. Wendy Red Star, Star Field 001, 2026. Courtesy of the artist and Roberts Projects, Los Angeles. Photo: Paul Salveson. Wendy Red Star, Wendy Red Star, Star Field 002, 202. Courtesy of the artist and Roberts Projects, Los Angeles, California. Paul Salveson. #wendyredstar 04 Nov 2026 Collins Obijiaku: Wherever You Are, Remember Me Opening Saturday, November 7, 5-7pm at Roberts Projects Roberts Projects is pleased to present Wherever You Are, Remember Me, an exhibition of new works by Collins Obijiaku and the artist’s third solo presentation with the gallery. Bringing together portraits and still lifes rendered in his distinctive linework and graphic compositions, the exhibition emerges from Obijiaku’s recent relocation from his native Nigeria to Chicago. Amid the sense of dislocation that accompanied his adjustment to a new place, he turned to painting as a way of carrying his former home with him—reconstructing it through memory even as he learned to inhabit the present. Rich with personal significance and social detail, these works consider how home can stretch across distance and time, remaining at once elastic and everlasting. Link in bio to learn more. Image Credits: Collins Obijiaku, Flower in a Glass Vase, 2026 Courtesy of the artist and Roberts Projects, Los Angeles, California. Photo: Paul Salveson. Collins Obijiaku, In Good Company, 2026 Courtesy of the artist and Roberts Projects, Los Angeles, California. Photo: Paul Salveson. #collinsobijiaku @collins_obijiaku 04 Nov 2026 Sometimes what we don’t see is just as compelling as what we do🔥 @miamiddleton paints from vintage photography and theatrical imagery to create haunting scenes full of faceless figures, cropped perspectives, and mysterious gestures. The missing details leave us to fill in the blanks, making these paintings all the more intriguing. A little eerie, a little surreal, and a lot of heat🔥 #arttalk #artworld #artfan #fridayheaters 15 Oct 2026 Currently on view - Mia Middleton, Summoning Cleo Combining intimate, intensely concentrated paintings with works made at a new and expanded scale, Middleton uses a shifting palette of theatrical reds and archival greys to articulate two thematic registers: the vitality of life and the systems that contain it. “So many of the works are circling this theme of how do you find meaning in fragments, where all the systems that you relied upon have failed, have fallen apart around you, and you’re rebuilding yourself from scratch,” she says. “What I’ve learned from this was that it was less about the content of my beliefs and more about the practice of believing without knowing—faith without sight.” Mia Middleton for Harper’s Bazaar On view through October 24, 2026 Images: Mia Middleton - Laeba Bríde (Brigid’s Bed), 2026, oil on linen, 47.24 x 39.37 in (120 x 100 cm); Invocation, 2026, oil on linen, 47.24 x 39.37 in (120 x 100 cm); A Concentrated Body, 2026 oil on linen, 32.28 x 25.59 in (82 x 65 cm). Courtesy of the artist and Roberts Projects, Los Angeles, CA. Photo: Hannah Mjølsnes 02 Oct 2026 Kehinde Wiley letter to President Trump September 24, 2026 29 Sep 2026 At @robertsprojects,@miamiddleton artist sets the stage for a world of obscured faces, fractured narratives and uneasy drama in Summoning Cleo. On view in Los Angeles through October 24 👀 See more at The-Unibrow.com. Link in bio.

#TheUnbrow #MiaMiddleton 29 Sep 2026 Opening Tonight 5-7pm | Objective Truths Featuring artists from the gallery’s program including Aaron Glasson (@aaronglasson), Chris Johanson (#chrisjohanson), Suchitra Mattai (@suchitramattaistudio), Evan Nesbit (@evannesbit), Wendy Red Star (#wendyredstar) and Brenna Youngblood (@brennayoungblood). Responding to the changing conditions of the 21st century, works in the exhibition bridge the distance between representation and non-representation by reconfiguring color, light, material and texture as tools for rendering ineffable sensibilities. Images: Installation Views: Objective Truths, September 19 – October 24, 2026, Roberts Projects, Los Angeles. Courtesy of the artist and Roberts Projects, Los Angeles, CA. Photo: Hannah Mjølsnes. 19 Sep 2026 Opening Tonight 5–7pm | Mia Middleton | Summoning Cleo Roberts Projects is delighted to present Summoning Cleo, an exhibition of new work by Mia Middleton (@miamiddleton) and the artist’s second solo presentation with the gallery. At the center of these paintings is a figure who never appears — Cleo is not depicted but summoned, a centrifugal force whose presence evokes what cannot be held: the raw force of life caught within the conditions of modern survival. What remains is the memory and essence of a being that resists representation, exceeding the limits of the image itself. #miamiddleton #robertsprojects Images: Installation Views: Mia Middleton: Summoning Cleo, September 19 – October 24, 2026, Roberts Projects, Los Angeles. Courtesy of the artist and Roberts Projects, Los Angeles, CA. Photo: Hannah Mjølsnes. 19 Sep 2026 Objective Truths Opening Saturday, September 19, 5-7pm at Roberts Projects Roberts Projects is pleased to present Objective Truths, a group exhibition featuring artists from the gallery’s program including Aaron Glasson (@aaronglasson), Chris Johanson, Suchitra Mattai (@suchitramattaistudio), Evan Nesbit (@evannesbit), Wendy Red Star and Brenna Youngblood (@brennayoungblood). Objective Truths is on view through October 24th. Images: Evan Nesbit, Tin Can, 2026, acrylic, ink, dye and yarn on burlap, 32 x 26 in (81.3 x 66 cm). Courtesy of the artist and Roberts Projects, Los Angeles, CA. Photo Paul Salveson. Suchitra Mattai, inhabit, 2026, worn saris, fabric, found beads and objects, 60 x 45 in (152.4 x 114.3 cm). Courtesy of the artist and Roberts Projects, Los Angeles, CA. Photo Paul Salveson. Aaron Glasson, Apparition in the Squall, 2026, oil, sand, pigment and wax on canvas, 36 x 24 in (91.4 x 61 cm). Courtesy of the artist and Roberts Projects, Los Angeles, CA. Photo: Aaron Glasson. #robertsprojects 15 Sep 2026 Evan Nicole Brown (@evaninwonderland)’s interview with Betye Saar (@betyesaar) from our recent issue, is now online!⁠ ⁠ Brown shared, "Known for her mixed-media assemblage works that range from political and mystical to feminist and funny, her pieces poke fun at the madness of logic and critique race and gender-based prejudice through her animation of quotidian objects and discarded matter into sacredness."⁠ ⁠ Read the full essay online via the link in our Story ★. 15 Sep 2026 Mia Middleton: Summoning Cleo Opening Saturday, September 19, 5-7pm at Roberts Projects Roberts Projects is delighted to present Summoning Cleo, an exhibition of new work by Mia Middleton and the artist’s second solo presentation with the gallery. At the center of these paintings is a figure who never appears— Cleo is not depicted but summoned, a centrifugal force whose presence evokes what cannot be held: the raw force of life caught within the conditions of modern survival. What remains is the memory and essence of a being that resists representation, exceeding the limits of the image itself. Inspired by a pre-modern sensibility of embodied presence before the camera, her compositions unfold as uncanny scenes in which context remains elusive, and figures appear simultaneously fixed within a moment and capable of transcending time. Link in bio to learn more Photo: Mia Middleton, Turning (Outside the World), 2026. Courtesy of the artist and Roberts Projects, Los Angeles, California. Photo Paul Salveson 15 Sep 2026 Currently on view at the Fowler Museum at UCLA, “Textiles as Monument,” featuring Suchitra Mattai @suchitramattaistudio. What constitutes a monument, and who is memorialized? Three contemporary artists of South Asian descent—Suchitra Mattai, Jagdeep Raina, and Swapnaa Tamhane—transform textiles of their cultural heritage into memorials for those who have been unrecognized in public displays of historical memory. These artworks question why monuments are made and who is given the power to be remembered. The project centers new commissions by the featured artists made in collaboration with, for, and about the communities that have been rendered invisible by the biases of history-making. The creations function as “counter-monuments,” honoring and embodying the presence of those who have not received adequate recognition. Text and Images @fowlermuseum. Image: Installation view, “Textiles as Monument,” 2026, Fowler Museum at UCLA. Photo: Elon Schoenholz. #suchitramattai #fowlermuseum 20 Aug 2026

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