35.7K
Followers
2,376
Following
2,121
Posts
N/A
Reels
2
Highlights
11/1
Photos/Videos in last 12
Bio
Founder & Creative director @savvystudio making chocolate @casabosqueschocolate hosting u @casabosquespension & @ideal.pension books @casabosques
-
Avg likes
-
Avg comments
-
Engagement
0.5/wk
Posting
Likes and comments are still being collected for this account. Check back shortly.
Recent posts
Chocolate rewards and new beginnings with @rafaelsavvy
Rafael wears Daisy Diamant Blanc.
Film @nahmnahm
Edit @niels_buhl
07 Nov 2026
Dear London ;
06 Nov 2026
Piemonte; Rather charming - unpretentiously delicious.
So good @blacktomatotravel
03 Nov 2026
Across the street from my studio in Tribeca, an early twentieth-century building was slowly losing its face. Sixteen pieces of carved ornament came off the facade, one by one, headed for the trash. I asked if I could keep them.
For a year and a half they lived with me in the studio. I sat with them and tried to understand what they held: a city built and rebuilt, many cultures and many hands pressed into stone, and the quiet question of what happens to the past once it’s taken down.
The Future of the Past is what came from that time. It’s a collection of tables, a chair, and sculptural objects. Some carry the original stone, and others hold only its memory, translated into lacquered wood in deep red, dark purple, and black. Hard and soft, old and new.
My second solo show with Emma Scully Gallery opens September 30 and runs through December 12.
Documented by @cgbp
01 Oct 2026
I’ve come to think preservation isn’t about keeping things still. Sometimes it means letting them become something else.
My second solo show with Emma Scully Gallery opens September 30 and runs through December 12.
Portrait @cgbp
30 Sep 2026
I put together a show in London !
I’m very grateful to have had the opportunity to create On the Sunset, Which Is Only One. It was such a pleasure to bring these artists, friends, objects, and ideas together, felt great making this show.
At its centre are seven sculptural chairs by Savvy (@savvystudio), each responding to a different position of the sun. Together, they offer seven distinct encounters with the same phenomenon, exploring how perception shifts according to where we stand, as well as a silk tablecloth.
Marrow lights by Loup Sarion and myself (@marrow.project) sit alongside works by my biggest pal Laila Gohar (@lailacooks), Conie Vallese (@conievallese), Pierre Marie (@pierremariepm), Kadri Cashmere (@kadri_kashmir), and chocolate piece (@casabosqueschololate), with glassware from @darlingtonstore and Jeanneret stools from @rajanbijlani.
The works are held within a symphony of blue walls by @stleointeriors, evoking the changing sky.
Ofc- All because of @tiwa_select !
The Lavery Private Dining Room
4 Cromwell Place, SW7 2JE
12–20 September 2026
Photography: Kane Hulse @kane_hulse_studio
17 Sep 2026
Le Marche, I don’t claim favorites, yet there’s something about it… as it just exists openly.
25 Aug 2026
Beauty is our most eloquent proof that we were not made merely to exist, but to feel.
18 Aug 2026
Seems like! Thank you @elledecor I feel very honored.
19 May 2026
We sort of composed this room around stories; of love, restraint, and quiet opulence. I’ve always believed that luxury is not about objects, but in moments once lived, and in the traces they leave behind.
The wallpaper, the abandoned swimming pool, the mirrors, and the Marrow lights became fragments of an archaeology of memory. Together, they hold onto a story, open for the spectator/ guest to write it . Room 4 in our guesthouse in Mexico City @casabosquespension x @savvystudio photos by @ricardoacu.a @luuuuush @maxfarago
12 Jul 2026
Kritika Manchanda & Rafael Prieto: ‘There, When’ on view in Amagansett.
Throughout There, When, fabric becomes both medium and metaphor.
For Manchanda, cotton carries the weight of her country’s history: a material shaped by colonial extraction, labor, and India’s movement toward self-determination. For Prieto, it bears quieter traces: laundry hung between buildings, weathered surfaces, the subtle gestures of everyday life that linger long after we have gone.
Together, their works ask how memory refracts and redefines material, and how the most transient aspects of cultural identity can be poeticized and shared.
‘There, When’ takes its title from the unstable terrain between recollection and anticipation, where past and present briefly converge, and memory remains a living, shifting act of reconstruction.
Galerie Sardine
261 Main Street
Amagansett, NY
June hours:
Friday & Saturday: 10 - 6, Sunday: 10-4
📸 @johnnie_brada
17 Jun 2026
For the @serpentineuk summer party- A speculative city built from cacao — bricks cast as miniature replicas of the ones used for the pavilion by @lanzaatelier , alongside tiles, tubes, triangular bases. The ground is cacao powder: soil and commodity at once. Cultivation and extraction as a single surface.
The serpent not as symbol but as structural principle. Curvature as resilience. Emptiness as intelligence.
Forever and ever with my greatest buddy @lailacooks @casabosqueschocolate
25 Jun 2026
Follower tracking
We have started recording @rafaelsavvy, but only 1 observation so far — not enough to show a trend yet. Track it daily →
Download @rafaelsavvy's data
Everything below is derived from this account, priced on the counts shown. Delivered as CSV by emailed link.
You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 2 days, 2 hours ago.
Tracking
A monthly plan, not a download: we keep reading @rafaelsavvy and email you what changed.
Other reports
Not downloads of this account: they take their own inputs.