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Framing New PTTRN’s. We are a creative hub. Lighting, Production & Show Design. Shows, Broadcast, Film & Fashion.

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Recent posts

MOTHER MARY A24 FILM Somewhere between n arena show and a film set, Mother Mary’s show came to life. We led lighting design & programming on the concert sequence at the heart of David Lowery’s new A24 feature — a pop-show conceived for camera, featuring five original songs written by Jack Antonoff, FKA twigs and Charli xcx, and brought to life alongside a team firing on every cylinder: camera, choreography, production design and direction all pulling in the same direction. A 2–3 week design process fed into a week of pre-programming in a design suite in Germany, before landing on the floor for one tech day and six shoot days. The stage itself was a beast — a 20x10m LED wall that splits through the middle, automated platforms, and a world of scenic pieces moving around the stage. Every cue had to serve the song, the choreography and the camera at the same time, and the collaboration across every department is what made that possible. @mothermarymovie [PRINCIPAL CAST: @AnneHathaway MichaelaCoel] [ORIGINAL MUSIC: @jackantonoff @fkatwigs @charli_xcx ] [DIRECTOR: David Lowery ] [DOP: @the_rinayang ] [PRODUCTION DESIGNER: @fran_mottola ] [ART DIRECTOR: @stefan_tribe ] [CREATIVE DIRECTION: @visual_noise_creative ] [CREATIVE PRODUCERS: @trevor_burk @kongdesigner ] [CHOREOGRAPHER: @danivitale ] [LIGHTING DESIGN: @pttrn.design ] [LIGHTING DESIGNER & PROGRAMMER: @elliottlc ] [SCREEN DESIGN: @lukehallsstudio ] [SCREEN PRODUCERS: @charlihdavis @actullymarktodd ] [STUDIO: @a24 ] [LX, VIDEO & AUDIO: @audiorentclair ] 25 Apr 2026 MOTHER MARY A24 FILM Somewhere between n arena show and a film set, Mother Mary’s show came to life. We led lighting design & programming on the concert sequence at the heart of David Lowery’s new A24 feature — a pop-show conceived for camera, featuring five original songs written by Jack Antonoff, FKA twigs and Charli xcx, and brought to life alongside a team firing on every cylinder: camera, choreography, production design and direction all pulling in the same direction. A 2–3 week design process fed into a week of pre-programming in a design suite in Germany, before landing on the floor for one tech day and six shoot days. The stage itself was a beast — a 20x10m LED wall that splits through the middle, automated platforms, and a world of scenic pieces moving around the stage. Every cue had to serve the song, the choreography and the camera at the same time, and the collaboration across every department is what made that possible. @mothermarymovie [PRINCIPAL CAST: @AnneHathaway MichaelaCoel] [ORIGINAL MUSIC: @jackantonoff @fkatwigs @charli_xcx ] [DIRECTOR: David Lowery ] [DOP: @the_rinayang ] [PRODUCTION DESIGNER: @fran_mottola ] [ART DIRECTOR: @stefan_tribe ] [CREATIVE DIRECTION: @visual_noise_creative ] [CREATIVE PRODUCERS: @trevor_burk @kongdesigner ] [CHOREOGRAPHER: @danivitale ] [LIGHTING DESIGN: @pttrn.design ] [LIGHTING DESIGNER & PROGRAMMER: @elliottlc ] [SCREEN DESIGN: @Lukehallsstudio ] [SCREEN PRODUCERS: @charlihdavis @actullymarktodd ] [STUDIO: @A24 ] [LX, VIDEO & AUDIO: @audiorentclair ] 24 Apr 2026 MOTHER MARY A24 FILM Somewhere between n arena show and a film set, Mother Mary’s show came to life. We led lighting design & programming on the concert sequence at the heart of David Lowery’s new A24 feature — a pop-show conceived for camera, featuring five original songs written by Jack Antonoff, FKA twigs and Charli xcx, and brought to life alongside a team firing on every cylinder: camera, choreography, production design and direction all pulling in the same direction. A 2–3 week design process fed into a week of pre-programming in a design suite in Germany, before landing on the floor for one tech day and six shoot days. The stage itself was a beast — a 20x10m LED wall that splits through the middle, automated platforms, and a world of scenic pieces moving around the stage. Every cue had to serve the song, the choreography and the camera at the same time, and the collaboration across every department is what made that possible. @mothermarymovie [PRINCIPAL CAST: @AnneHathaway MichaelaCoel] [ORIGINAL MUSIC: @jackantonoff @fkatwigs @charli_xcx ] [DIRECTOR: David Lowery ] [DOP: @the_rinayang ] [PRODUCTION DESIGNER: @fran_mottola ] [ART DIRECTOR: @stefan_tribe ] [CREATIVE DIRECTION: @visual_noise_creative ] [CREATIVE PRODUCERS: @trevor_burk @kongdesigner ] [CHOREOGRAPHER: @danivitale ] [LIGHTING DESIGN: @pttrn.design ] [LIGHTING DESIGNER & PROGRAMMER: @elliottlc ] [SCREEN DESIGN: @Lukehallsstudio ] [SCREEN PRODUCERS: @charlihdavis @actullymarktodd ] [STUDIO: @A24 ] [LX, VIDEO & AUDIO: @audiorentclair ] 24 Apr 2026 STAGEBOX KIDS
COMPANY SHOW 2025 Our third year back collaborating on the ever-ambitious, always-delivering Company Show for StageBox. This year, celebrating 10 years of StageBox, ‘Going Home’ told the story of StageBox, all from its home town of Leeds. As always, big love to Emily & LJ (@kestonandkeston) for the continued trust in helping to bring their visions to life. [CLIENT: @Stageboxkids ] [CREATIVE: @joe_ransom_film x @jgoodwindance ] [LIGHTING DESIGN: @pttrn.design @elliottlc ] [PM: @johnhicks84 ]
[SM: guycongley ] [CREW CHIEF : @tomheperz ] [SYSTEM TECH: @markbowers.co.uk ] [LX TECH: @alicelord_ ] [SUPPLIER: @tsl_lighting ] [VENUE: @leedsplayhouse ] 17 Apr 2026 STAGEBOX KIDS
COMPANY SHOW 2025 Our third year back collaborating on the ever-ambitious, always-delivering Company Show for StageBox. This year, celebrating 10 years of StageBox, ‘Going Home’ told the story of StageBox, all from its home town of Leeds. As always, big love to Emily & LJ (@kestonandkeston) for the continued trust in helping to bring their visions to life. [CLIENT: @Stageboxkids ] [CREATIVE: @joe_ransom_film x @jgoodwindance ] [LIGHTING DESIGN: @pttrn.design @elliottlc ] [PM: @johnhicks84 ]
[SM: guycongley ] [CREW CHIEF : @tomheperz ] [SYSTEM TECH: @markbowers.co.uk ] [LX TECH: @alicelord_ ] [SUPPLIER: @tsl_lighting ] [VENUE: @leedsplayhouse ] 17 Apr 2026 STAGEBOX KIDS
COMPANY SHOW 2025 Our third year back collaborating on the ever-ambitious, always-delivering Company Show for StageBox. This year, celebrating 10 years of StageBox, ‘Going Home’ told the story of StageBox, all from its home town of Leeds. As always, big love to Emily & LJ (@kestonandkeston ) for the continued trust in helping to bring their visions to life. [CLIENT: @stageboxkids ] [CREATIVE: @joe_ransom_film x @jgoodwindance ] [LIGHTING DESIGN: @pttrn.design @elliottlc ] [PM: @johnhicks84 ]
[SM: guycongley ] [CREW CHIEF : @tomsheperz ] [SYSTEM TECH: @markbowers.co.uk ] [LX TECH: @alicelord_ ] [SUPPLIER: @tsl_lighting ] [VENUE: @leedsplayhouse ] 17 Apr 2026 SOPHIE ELLIS-BEXTOR 
NZ & AUS 2026 We started the year in the southern hemisphere on a small New Zealand & Australia headline tour with Sophie. Taking out our lighting & video design we put together last year to bring some disco and pop glory to Christchurch, Hamilton, Melbourne, Sydney, Tasmania, Brisbane & Perth. [ARTIST: @sophieellisbextor ] [MD/BASS: @richardjonesface ] [G’TAR: @ptato ] [DRUMMS: @jacksonel ] [KEYS: @ciarandjeremiah ] [KEYS/STRINGS/PERC: @tnakeys ] [MANAGMENT: Wallace Productions ] [TM: @stwhatouring x @jonluton ] [SHOW DESIGN: @pttrn.design ] [LD & VIDEO: @elliottlc ] [FOH: @rhysaru ] [MONS: @duncanwild ] [BACKLINE: @joshbeanz ] 01 Apr 2026 SOPHIE ELLIS-BEXTOR 
NZ & AUS 2026 We started the year in the southern hemisphere on a small New Zealand & Australia headline tour with Sophie. Taking out our lighting & video design we put together last year to bring some disco and pop glory to Christchurch, Hamilton, Melbourne, Sydney, Tasmania, Brisbane & Perth. [ARTIST: @sophieellisbextor ] [MD/BASS: @richardjonesface ] [G’TAR: @ptato ] [DRUMMS: @jacksonel ] [KEYS: @ciarandjeremiah ] [KEYS/STRINGS/PERC: @tnakeys ] [MANAGMENT: Wallace Productions ] [TM: @stwhatouring x @jonluton ] [SHOW DESIGN: @pttrn.design ] [LD & VIDEO: @elliottlc ] [FOH: @rhysaru ] [MONS: @duncanwild ] [BACKLINE: @joshbeanz ] 01 Apr 2026 SOPHIE ELLIS-BEXTOR 
NZ & AUS 2026 We started the year in the southern hemisphere on a small New Zealand & Australia headline tour with Sophie. Taking out our lighting & video design we put together last year to bring some disco and pop glory to Christchurch, Hamilton, Melbourne, Sydney, Tasmania, Brisbane & Perth. [ARTIST: @sophieellisbextor ] [MD/BASS: @richardjonesface ] [G’TAR: @ptato ] [DRUMMS: @jacksonel ] [KEYS: @ciarandjeremiah ] [KEYS/STRINGS/PERC: @tnakeys ] [MANAGMENT: Wallace Productions ] [TM: @stwhatouring x @jonluton ] [SHOW DESIGN: @pttrn.design ] [LD & VIDEO: @elliottlc ] [FOH: @rhysaru ] [MONS: @duncanwild ] [BACKLINE: @joshbeanz ] 01 Apr 2026 SOPHIE ELLIS-BEXTOR⁠ UK TOUR 2025⁠ ⁠ This year we joined Sophie’s team to design a show that could shift scale — from intimate club to Royal Albert Hall — while always feeling bold, fun and unmistakably hers.⁠ ⁠ Early on, we knew we wanted to carry a strong visual thread throughout the tour. Inspired by her upcoming album Perimenopop and its photobooth-style artwork, we created a visual “home screen” made of animated photo frames — transitioning between moods, moments and environments while keeping one foot in Sophie’s glittery world.⁠ ⁠ The riser layout was designed to support performance and connection — giving Sophie room to move while pulling the band close, inviting interaction and focus. The set was wrapped in mosaic mirrors and trimmed with LED — classy disco from every angle.⁠ ⁠ A huge part of the visual storytelling came through video. We collaborated with Jamie Korn, James Hoffman and Laura Quine to craft a playful mix of original animations, sound-reactive visuals and nods to classic music promos — always tied to the feel of the album.⁠ ⁠ To bring the audience into the show, we toured the photobooth from the album cover, using portraits taken each night as live content. Real fans, real faces — woven into the visual fabric of the set.⁠ ⁠ [ARTIST: @sophieellisbextor ]⁠ [MD/BASS: @richardjonesface]⁠ [G’TAR: @ptato]⁠ [DRUMMS: @jacksonel]⁠ [KEYS: @cairandjeremiah]⁠ [KEYS/PERC: @tnakeys]⁠ ⁠ [MANAGEMENT: Wallace Productions]⁠ [TM: @jonluton]⁠ [PM: @willhurn_pm]⁠ [SHOW DESIGN: @pttrn.design]⁠ [LIGHTING/VIDEO PROGRAMMING: @elliottlc ]⁠ [VIDEO DIR: @jamiemkorn]⁠ [ANIMATORS: @good_time_fun_time @lauraquinngeyer]⁠ [LX TECH: @dee_dundon]⁠ [RIGGER: @jayden_corcoran]⁠ [VIDEO TECH: @alex___white]⁠ ⁠ [SM: @lucia_matusik]⁠ [FOH: @rhysaru]⁠ [MONS: @duncanwild]⁠ [BACKLINE: @joshbeanz]⁠ [SYSTEM TECH: @philwaudio]⁠ [LX FLOOR: @tsl_lighting ]⁠ [LX TOP: @sfl.live ]⁠ [VIDEO: @video_illusions]⁠ [STAGE: @ips_tradehire]⁠ [TRUCKING: @stagetruckuk]⁠ [BUSS: @csuk.coach]⁠ 26 Jun 2025 SOPHIE ELLIS-BEXTOR⁠ UK TOUR 2025⁠ ⁠ This year we joined Sophie’s team to design a show that could shift scale — from intimate club to Royal Albert Hall — while always feeling bold, fun and unmistakably hers.⁠ ⁠ Early on, we knew we wanted to carry a strong visual thread throughout the tour. Inspired by her upcoming album Perimenopop and its photobooth-style artwork, we created a visual “home screen” made of animated photo frames — transitioning between moods, moments and environments while keeping one foot in Sophie’s glittery world.⁠ ⁠ The riser layout was designed to support performance and connection — giving Sophie room to move while pulling the band close, inviting interaction and focus. The set was wrapped in mosaic mirrors and trimmed with LED — classy disco from every angle.⁠ ⁠ A huge part of the visual storytelling came through video. We collaborated with Jamie Korn, James Hoffman and Laura Quine to craft a playful mix of original animations, sound-reactive visuals and nods to classic music promos — always tied to the feel of the album.⁠ ⁠ To bring the audience into the show, we toured the photobooth from the album cover, using portraits taken each night as live content. Real fans, real faces — woven into the visual fabric of the set.⁠ ⁠ [ARTIST: @sophieellisbextor ]⁠ [MD/BASS: @richardjonesface ]⁠ [G’TAR: @ptato]⁠ [DRUMMS: @jacksonel]⁠ [KEYS: @cairandjeremiah]⁠ [KEYS/PERC: @tnakeys]⁠ ⁠ [MANAGEMENT: Wallace Productions]⁠ [TM: @jonluton]⁠ [PM: @willhurn_pm]⁠ [SHOW DESIGN: @pttrn.design ]⁠ [LIGHTING/VIDEO PROGRAMMER: @elliottlc ]⁠ [VIDEO DIR: @jamiemkorn]⁠ [ANIMATORS: @good_time_fun_time @lauraquinngeyer]⁠ [LX TECH: @dee_dundon]⁠ [RIGGER: @jayden_corcoran]⁠ [VIDEO TECH: @alex___white]⁠ ⁠ [SM: @lucia_matusik]⁠ [FOH: @rhysaru]⁠ [MONS: @duncanwild]⁠ [BACKLINE: @joshbeanz]⁠ [SYSTEM TECH: @philwaudio]⁠ [LX FLOOR: @tsl_lighting]⁠ [LX TOP: @sfl.live]⁠ [VIDEO: @video_illusions]⁠ [STAGE: @ips_tradehire]⁠ [TRUCKING: @stagetruckuk]⁠ [BUSS: @csuk.coach]⁠ 26 Jun 2025 SOPHIE ELLIS-BEXTOR⁠ UK TOUR 2025⁠ ⁠ This year we joined Sophie’s team to design a show that could shift scale — from intimate club to Royal Albert Hall — while always feeling bold, fun and unmistakably hers.⁠ ⁠ Early on, we knew we wanted to carry a strong visual thread throughout the tour. Inspired by her upcoming album Perimenopop and its photobooth-style artwork, we created a visual “home screen” made of animated photo frames — transitioning between moods, moments and environments while keeping one foot in Sophie’s glittery world.⁠ ⁠ The riser layout was designed to support performance and connection — giving Sophie room to move while pulling the band close, inviting interaction and focus. The set was wrapped in mosaic mirrors and trimmed with LED — classy disco from every angle.⁠ ⁠ A huge part of the visual storytelling came through video. We collaborated with Jamie Korn, James Hoffman and Laura Quine to craft a playful mix of original animations, sound-reactive visuals and nods to classic music promos — always tied to the feel of the album.⁠ ⁠ To bring the audience into the show, we toured the photobooth from the album cover, using portraits taken each night as live content. Real fans, real faces — woven into the visual fabric of the set.⁠ ⁠ [ARTIST: @sophieellisbextor ]⁠ [MD/BASS: @richardjonesface ]⁠ [G’TAR: @ptato ] [DRUMMS: @jacksonel ]⁠ [KEYS: @cairandjeremiah]⁠ [KEYS/PERC: @tnakeys]⁠ ⁠ [MANAGEMENT: Wallace Productions]⁠ [TM: @jonluton]⁠ [PM: @willhurn_pm]⁠ [SHOW DESIGN: @pttrn.design ]⁠ [LIGHTING/VIDEO PROGRAMMER: @elliottlc ]⁠ [VIDEO DIR: @jamiemkorn ]⁠ [ANIMATORS: @good_time_fun_time @lauraquinngeyer ]⁠ [LX TECH: @dee_dundon]⁠ [RIGGER: @jayden_corcoran]⁠ [VIDEO TECH: @alex___white]⁠ ⁠ [SM: @lucia_matusik]⁠ [FOH: @rhysaru]⁠ [MONS: @duncanwild]⁠ [BACKLINE: @joshbeanz]⁠ [SYSTEM TECH: @philwaudio]⁠ ⁠ [LX CONTROL & FLOOR: @tsl_lighting ]⁠ [LX TOP & RIGGING: @sfl.live ]⁠ [VIDEO: @video_illusions ]⁠ [STAGE: @ips_tradehire ]⁠ [TRUCKING: @stagetruckuk ]⁠ [BUSS: @csuk.coach ]⁠ 26 Jun 2025

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