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Communication, press and PR agency for the creative world. Run by @michipelizzari.
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At the intersection of contemporary design and cultural heritage, María Dolores Uribe, founder of UNNO Gallery, has created a platform dedicated to bringing Latin American collectible design to an international audience, driven by a desire to give greater visibility to the region’s creative talent.
Reflecting on the inspiration behind the gallery, María Dolores recalls discovering extraordinary works at international design events, from Paris to Milan’s Salone del Mobile, and realising that equally remarkable designers were working in Mexico and across Latin America, yet often lacked the same visibility.
Her approach places particular emphasis on the relationship between designers and artisans, highlighting the importance of preserving traditional techniques and knowledge passed down through generations. As she explains, without continued support and recognition, this invaluable artisanal heritage risks being lost.
María Dolores also offers a personal perspective on Mexico City’s evolving creative landscape, exploring the architecture, neighbourhoods, artists and craftspeople that shape its cultural identity.
Through a series of pop-up exhibitions held during Mexico City Art Week, UNNO Gallery brings Latin American collectible design into unexpected architectural settings, often uncovering hidden gems within the city. From the UNAM Central Library to Casa Estudio Max Cetto and the Escuela del Ballet Folklórico de México, these locations become an integral part of the exhibitions, creating a dialogue between design, architecture and cultural heritage.
Swipe through the following slides to discover María Dolores Uribe’s reflections from recent features, highlighting her ongoing commitment to supporting emerging designers, preserving artisanal knowledge and bringing their work and stories to an international audience.
@mariadoloresuz
@unno.gallery
«A Parigi o al Salone scoprivo cose incredibili e pensavo: anche in Messico e in America Latina ci sono designer che creano opere fantastiche. Il problema è che nessuno le vede» - Maria Dolores Uribe
@ad_italia
@valentina_lonati
«Mi piace quando i designer sono molto vicini agli artigiani, quando usano anche l
13 Nov 2026
What began as a vision to connect Qatar’s emerging design culture with Milan’s creative and manufacturing expertise has gradually evolved into something broader. @fromm.design is a luxury contemporary furniture and accessories brand, and has grown into a platform for cultural exchange, bringing together designers, craftsmanship and new opportunities for emerging talent.
Through @fromm.lab, its educational and creative development platform, this vision has taken on a new dimension. Its first international design competition, launched during Milan Design Week 2025, marked the beginning of a long of mentorship, material research, prototyping and production.
At P:S, we have accompanied FROMM. from its early stages, working alongside the brand to communicate its evolving identity and introduce its projects to an international design audience. Through a dedicated communication strategy and ongoing press office activities, we have supported the project across its key milestones, from its first preview to its presentation at Design Doha Biennial with “Interlaced: Dialogues in Design”. This journey reflects the evolution of a brand that continues to build connections across cultures and geographies.
Curated by @studio__etiennebastormagi, the exhibition brings together twelve projects in Fereej Al Asmakh, one of the city’s historic neighbourhoods. Featuring the work of the twelve winning designers —@byabeerborhan, @assaadfeghali, @areej.pdesign, @catalinarojo, @cecilia.rinaldi, @heiligobjects, @thegnlstudio, @ismailhutet & @bits.studio, @the.noof, @noorr.a_ and @amiinaf, @kuranoie, @studiosoumer, @rynobit — this marks a significant new chapter for FROMM.Lab, reflecting founder @alia_rachid’s wider ambition to create lasting connections between people, cultures and the international design community.
We are proud to see this project come to life, grow and to be part it.
FROMM.Lab
Interlaced: Dialogues in Design
Design Doha Biennial 2026
November 5–7, 2026
On view until January 31, 2027
For press inquiries, please reach out to [email protected].
06 Nov 2026
Superando l’idea di architettura come qualcosa di permanente, TEMPORANEA ne esplora il potenziale nel creare connessioni, dare forma a esperienze collettive e aprire nuove possibilità. Curato da (AB)NORMAL + APRIL, il Padiglione Italia alla 20ª Mostra Internazionale di Architettura – La Biennale di Venezia 2027 riunirà pratiche multidisciplinari e discipline creative, mettendo in discussione gli approcci convenzionali e offrendo una prospettiva diversa sull’architettura italiana contemporanea.
TEMPORANEA animerà gli spazi del Padiglione Italia alla Biennale Architettura 2027, promosso dalla Direzione Generale Creatività Contemporanea del Ministero della Cultura
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Moving beyond the idea of architecture as something permanent, TEMPORANEA explores its potential to create connections, shape collective experiences and open up new possibilities. Curated by (AB)NORMAL + APRIL, the Italian Pavilion at the 20th International Architecture Exhibition – La Biennale di Venezia 2027, will bring together multidisciplinary practices and creative disciplines, challenging conventional approaches and offering a different perspective on contemporary Italian architecture.
TEMPORANEA will bring the spaces of the Italian Pavilion to life at the Biennale Architettura 2027, promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture.
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BIENNALE ARCHITETTURA 2027
Italian Pavilion
TEMPORANEA - curated by (AB)NORMAL + APRIL
8th May – 21st November 2027
@abnormal_story
@studio.april
@dipartimentoattivitaculturali
@creativita_contemporanea
@labiennale
Communication & PR Strategy @ps.creativeagency
Press Relations and Media Enquiries @larafacco_press
03 Nov 2026
Egypt has always held a special place for us. Over the years, we have returned to Cairo for different occasions, each time discovering something new about the city’s unique character and energy.
This year, we returned for Salem S. Charabi’s Behind the Moon Mountain. Over three evenings, visitors gathered before sunset as the lanterns slowly illuminated the courtyard of his home and studio in Egypt. The exhibition honored traditional Egyptian craftsmanship, being shaped by materials sourced from across the country, celebrating the materials and the knowledge of the hands that shape them.
The project also led to the publication of the eponymous book, Behind the Moon Mountain, bringing together photography, drawings and reflections on Cairo’s architecture and heritage through the architect’s personal perspective.
@salemcharabi
Scroll to discover some of our favorite quotes from the project.
“Working with these tools feels archaic and universal, this way of working has more directness, and is less about precision – but creating with your hands is so much more rewarding”. - Salem S. Charabi
@obsmagazine by Aimee Farrell
“I wanted to create an array of objects, derived from a type that changes and evolves with each iteration—illuminating the night, all exploring different proportions and scales.” - Salem S. Charabi
@archdigest by Sam Cochran
“Moons have always been a big part of my work, I was drawn to this notion that the moon would rest behind the mountains south of Egypt, and be the giver of all life along the Nile. What would it be like to go there? Behind the Moon Mountain?” - Salem S. Charabi
@tmagazine.me by Rowana Parker
“It’s is the result of a year of trying to uncover the landscapes that surround me, one of the luxuries of being from multiple places is the agility it gives you from a young age – the ability to rapidly adapt to your surroundings and understand why things are the way they are, so, it’s been the same process as always, understanding the place, creating a vocabulary and forming a language based on that.” - Salem S. Charabi
@admiddleeast by Jumana Naim
“Behind the Moon Mountain refers to the ancient legend of the Mountains of the M
03 Nov 2026
Following its preview at Alcova during Milan Design Week, FROMM.Lab presents Interlaced: Dialogues in Design at Design Doha Biennial 2026. The exhibition brings together twelve winning projects from FROMM.Lab’s first international design competition, curated by Etienne Bastormagi (@studio__etiennebastormagi).
Founded by Alia Rachid (@alia_rachid) FROMM. is a contemporary furniture and accessories brand based between Doha and Milan, exploring the dialogue between Arab heritage and contemporary design. Its educational and creative platform, FROMM.Lab, supports emerging designers through mentorship, research and production, helping transform creative ideas into objects and bringing new talent to the international design scene.
Developed over a year of mentorship, the exhibition unfolds through three interconnected themes: Making, Place and Rituals. The projects will be presented in Fereej Al Asmakh, one of Doha’s most historic neighbourhoods.
Interlaced: Dialogues in Design
Design Doha Biennial 2026
November 5–7, 2026
On view until January 31, 2027
@fromm.lab
@designdohabiennial
@byabeerborhan
@assaadfeghali
@areej.pdesign
@catalinarojo
@cecilia.rinaldi
@heiligobjects
@ismailhutet & @bits.studio
@the.noof, @noorr.a_ and @amiinaf
@kuranoie
@studiosoumer
@thegnlstudio
@rynobit
For press inquiries, please reach out to [email protected].
29 Oct 2026
We are proud to announce that Studio (AB)NORMAL (@abnormal_story) + APRIL (@studio.april) have been appointed as the curatorial team of the Italian Pavilion at the 20th International Architecture Exhibition – La Biennale di Venezia 2027, directed by architects @wangshui_ and Lu Wenyu, with their project TEMPORANEA. Selected by the Italian Ministry of Culture @alessandrogiulireal, TEMPORANEA explores an idea of architecture defined not by its permanence, but by its ability to generate experiences, relationships and collective imaginaries. Chosen from a shortlist of three finalists by the Evaluation Committee of the two-stage public call for proposals launched by the Directorate-General for Contemporary Creativity @creativita_contemporanea of the Ministry of Culture @mic_italia, within the Department for Cultural Activities @dipartimentoattivitaculturali.
Entrusting the Italian Pavilion to a new generation of architects represents a commitment to emerging talent, experimentation and the ability of young creatives to challenge established perspectives and imagine new futures. Conceived by young people for young people, the project embraces architecture as a space for collective exploration and transformation. Through a dynamic exhibition, it will bring together contemporary architectural practices and creative disciplines, offering a fresh perspective on Italy’s architectural landscape and giving visibility to voices and practices that remain largely underrepresented.
P:S will be part of this journey, overseeing the development and coordination of the project’s communication and PR strategy ([email protected]) together with Lara Facco P&C (@larafacco_press), who will handle the press relations and media enquiries ([email protected]).
BIENNALE ARCHITETTURA 2027
Italian Pavilion
TEMPORANEA - curated by Studio (AB)NORMAL + APRIL
8th May – 21st November 2027
Portrait by @piercarloquecchia DSL Studio
29 Oct 2026
On the occasion of Paris Art Week, cc-tapis unveils Marks of Time, a new collection created by @rooms_studio_
.
@services_continu
6 Rue Pecquay, 75004 Paris
October 21 – November 7, 2026
Tuesday to Saturday: 11AM – 7PM
.
Presented within Cold Warm, an exhibition conceived by @nata_janberidze, Marks of Time explores the traces that time leaves behind through signs, words, and gestures. Typography, handwritten letters, arrows, and rough drawings are translated into hand-knotted rugs, where familiar marks shift between recognition and abstraction. Through the art of knotting, their outlines soften and their meanings evolve, transforming everyday visual references into tactile surfaces that bring together memory, language, and traditional craftsmanship.
A special thanks to @amigo_app
Photo by @pauline_chardin
Pr @ps.creativeagency
20 Oct 2026
Salem S. Charabi unveils Behind the Moon Mountain, a collection of fifteen lanterns presented in his first exhibition in Egypt, set in the courtyard of his home and studio in Giza. Taking place over three evenings at sunset, the exhibition invites visitors to witness the transition from daylight to darkness, as the lanterns gradually illuminate the courtyard, carrying the light of the sun into the night.
The collection draws inspiration from Cairo’s distinctive urban roofscape, where satellite dishes, antennae, pigeon towers and improvised structures shape the city’s ever-changing skyline. Each lantern brings together hand-chiselled diorite from Aswan, date palm ribs from Saqqara and handmade paper produced from banana stems in the Nile Delta. The palm structures are assembled through intricate interlocking joints, reflecting a process of experimentation and research into the possibilities of each material.
Behind the Moon Mountain reflects the architect’s first year of discovery and research in Egypt, exploring the relationship between architecture and local materials. Its title draws from the ancient fable of the Moon Mountains, believed to be the source of the Nile. The image of the moon carrying the sun’s light through the night becomes a poetic reflection on light, time and the act of making, echoed in the Egyptian blessing: “May God illuminate your hands.”
Behind the Moon Mountain
Until October 17th, 2026
Al-Haraneya, Giza, Cairo
Before Sunset
@salemcharabi
Photos by @edgumuchian
If you are interested in attending, please contact us at [email protected].
For press inquiries, please reach out to [email protected].
16 Oct 2026
This October, we are working on a very exciting project in Cairo with Danish-Egyptian architect Salem S. Charabi.
Behind the Moon Mountain is his first exhibition in Egypt, a love letter to Cairo and its dramatic sunsets, bringing together 15 lanterns crafted from diorite from Aswan, date palm reeds from Saqqara and handmade banana palm paper from the Nile Delta.
Salem S. Charabi is an architect whose practice is rooted in a continuous exploration of material and craft. Born in Copenhagen and now based in Cairo, Salem established his studio in Giza, where he works alongside a close-knit team of craftspeople. His work brings together local materials through a deeply personal language shaped by research and curiosity.
Presented over three evenings in the courtyard of his home and studio, the works come to life as daylight fades, slowly carrying the light of the sun into the night.
Behind the Moon Mountain
October 15th, 16th and 17th, 2026
Before sunset
Al-Haraneya, Giza
@salemcharabi
Photos by @edgumuchian
If you are interested in attending, please contact us at [email protected].
For press inquiries, please reach out to [email protected].
14 Oct 2026
Celebrating its 10th edition, the LOEWE FOUNDATION Craft Prize continues to recognise excellence, innovation and artistic vision in contemporary craft. Inspired by LOEWE’s origins as an artisanal workshop, the Prize celebrates exceptional craftsmanship from around the world.
The 2027 edition will culminate in an exhibition during Milan Design Week 2027, bringing together the shortlisted works, from which the Jury will select the winner and special mentions.
Applications are open until October 15, 2026 at 23:59 CET.
To apply, please visit craftprize.loewe.com
@loewefoundation
For press inquiries contact us at [email protected]
09 Oct 2026
A selection of Nanda Vigo pieces by Acerbis and Glas Italia was chosen by designers Laura and Deanna Fanning for the Kiko Kostadinov SS27 runway show, during Paris Fashion Week.
The collection draws inspiration from Nanda Vigo’s radical exploration of light, time and space, with particular reference to her Cronotopo series of the 1960s, in which glass, steel, aluminium and light come together to challenge the perceptions of space.
Within the show’s setting, Acerbis and Glas Italia pieces are active participants in the space, extending the dialogue between fashion and design through three of the most iconic designs by Nanda Vigo:
Due Più (1971/2023) by Acerbis
Andromeda (1974/2022) by Glas Italia
Light-Light (2000) by Glas Italia
@acerbis_design
@glasitalia
@kikokostadinov
@laura_deanna_fanning
07 Oct 2026
Casa Tacchini hosts
“A Tactile Story” by Bisila Noha
Starting October 1, Casa Tacchini opens up to a new dialogue between art, design and culture, welcoming “A Tactile Story”, an exhibition by Bisila Noha, winner of the Tacchini Prize as part of the sixth edition of the Officine Saffi Award – Forms of Belonging.
The artist’s ceramic works enter into dialogue with the design pieces and architecture of the Milanese apartment, bringing together distinct sensibilities through a shared exploration of materials and their expressive potential.
Vases and totems become part of the domestic setting, shaping an intimate, sensory journey that explores the relationship between material, memory and belonging.
“A Tactile Story” by Bisila Noha
1 October – 13 November
On view at Casa Tacchini
Largo Claudio Treves, 5, 20121 Milan
Monday – Saturday: 10.00–13.00 | 14.00–19.00
Open to the public daily
Images courtesy of @OfficineSaffi
#Tacchini #TacchiniItalia #TacchiniItaliaForniture
30 Sep 2026
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