294.0K
Followers
1,450
Following
6,740
Posts
N/A
Reels
4
Highlights
12/0
Photos/Videos in last 12
Bio
Liking artists' books since 1976. _________ Mon: By appointment only Tue–Sat: 11am–7pm Sun: 11am–6pm
-
Avg likes
-
Avg comments
-
Engagement
1.0/wk
Posting
Likes and comments are still being collected for this account. Check back shortly.
Recent posts
⚡️𝗣𝗿𝗶𝗻𝘁𝗲𝗱 𝗠𝗮𝘁𝘁𝗲𝗿 𝗠𝗲𝗺𝗯𝗲𝗿𝘀𝗵𝗶𝗽: 𝗲𝗱𝗶𝘁𝗲𝗱, 𝗲𝘅𝗽𝗮𝗻𝗱𝗲𝗱, 𝗮𝗻𝗱 𝗯𝗮𝗰𝗸 𝗶𝗻 𝗰𝗶𝗿𝗰𝘂𝗹𝗮𝘁𝗶𝗼𝗻. 💫
As Printed Matter celebrates its 50th Anniversary and the 20th edition of the NY Art Book Fair, we’ve given our Membership Program a little makeover—with more benefits and ways to stay involved. You’ve been browsing the stacks. You’ve been coming to the Fairs. You’ve probably left with more books than you intended to. The natural next step is to become a Member.
New features include brand-new, Member-exclusive Printed Matter merch, a limited-edition gelatin silver print, exhibition previews and coffee hours, reciprocal benefits with partner arts organizations, exclusive Member discounts, complimentary access to Printed Matter events, and much more!
Whether you’re a longtime PM Member, a recent fan, or someone who’s been meaning to join since 1976, there’s a Membership level for you. Most importantly, your Membership helps Printed Matter support the artists, publishers, and communities that make artists’ publishing possible.
Click the link in our bio for information on the new tiers and premiums, and be sure to sign up today in time for our…
🔥 EARLY BIRD FLASH SALE ⏰
Be one of the first 50 people to join our relaunched Membership Program at the Friend level and receive complimentary access to this year’s NYABF Opening Night celebrations at MoMA PS1 on September 24! @printedmatter_artbookfairs
21 Aug 2026
Luis Cobelo: Álbum El Informador
Archivo Luis Cobelo 1996–1999 @la.chancleta.voladora @teamo.luiscobelo
“This is the last of three publications that make up a project about my early years as a photojournalist at El Informador newspaper in Barquisimeto, Venezuela, between 1996 and 1999. I worked mainly in the crime and breaking news section, photographing everyday violence, accidents, and social conflicts, but also politics, entertainment, and daily life.” -Luis Cobelo
$110- Link in bio. Stock ID: 229037 D
10 Nov 2026
Listfulness: A Poetry Writing Workshop
November 12, 2026
2-4pm at Printed Matter
Free with RSVP at our link in bio!
A poetry workshop centered on the surprising powers of lists. The intersection of poetry-writing and book-making exists within the hybridity of “Docupoetics,” a process and a form, a craft and an archive.
Learn how structure, proximity, repetition, and content can generate countless echoes within a string of words.
Participants will have the opportunity to draft their own poems and receive feedback from the organizer and each other.
Free to attend. A list-size notebook will also be provided to each participant.
Ingrid Alva is currently the Bibliographic Intern at Printed Matter. She will graduate in the spring from Oberlin College with a Bachelor’s in Creative Writing and a minor in Art History. Her recent work can be found in The Oberlin Review, shoegaze literary, and Wilder Voice Magazine. @franzmarcs_bluehorses
Image sample credits:
“House of Dust” by Nick Montfort (after Alison Knowles & James Tenney) sample: Ingrid Alva, accessed November 2, 2026.
“Fluxclinic Record of Features and Feats. 1969”: Unoriginal Sins Catalog.
“Killing Time” by David Medina excerpt: Printed Matter Catalog.
09 Nov 2026
S T A F F P I X feature : Craig
“Publicly, shop manager at Printed Matter. Privately, necromancer, neuromancer and an individual who came of age during the second wave of emo, the first wave of death metal, power violence and grindcore, the second wave of black metal and the advent of the internet. :)”
Printed Matter’s NY Art Book Fair 20 Years [Guidebook]
Slides # 1- # 4: “The 20 year anniversary program for Printed Matter’s NY Art Book Fair. An essential and incredibly affordable, resource/keepsake/treasure trove of independent art publishing in 2026. A current and future piece of history.”
Rong Xin by Lu Zhang & Michael Guo
Slides # 5 - # 8: “A beautiful book documenting a mini-mall in Flushing, NYC that sprouted an exhibition. Also a game, a chronicle of immigrant travels and a testament to community. A fully conceived and executed work that deserves a place on every bookshelf.”
07 Nov 2026
Each issue of Process Pamphlets presents a single project from start to finish.
The process of design is often hidden. We think it should be more visible. Through emails, sketches, screenshots, drafts, and a first-person running narration, each issue aims to transparently show how things are made in the world; how people find work, initiate projects, organize, communicate, collaborate, negotiate, experiment, make, iterate, edit, distribute, document, and share.
Issues 1-9 can be purchased for $10 at Printed Matter.
Published by @bdenzer @parsons_cd
06 Nov 2026
Panel discussion: Homes for People, Not for Profit
with Art Against Displacement, Bench Ansfield, Renee Keitt, Alex Strada, and Storefront for Art and Architecture
Friday, November 13, 6–8PM at Printed Matter
Join Art Against Displacement (AAD) for a program held in conjunction with Homes for People, Not for Profit, a Printed Matter window installation that reactivates Homeless At Home, a 1985–86 project in which dozens of artists and architects designed and deployed stencils about the necessity of homes for everyone.
Storefront for Art and Architecture (@storefrontnyc), Alex Strada (@_alex_strada), and AAD (@aad.nyc) will introduce their intertwined projects — Homeless At Home; Public Address; and Homes for People, Not for Profit — followed by presentations from Bench Ansfield (@benchansfield), author of Born in Flames: The Business of Arson and the Remaking of the American City, and Renee Keitt, president of the Elliott-Chelsea Houses Tenants Association and member of FEC Tenants Against Demolition (@stopfecdemolition). The program will conclude with a discussion, moderated by AAD, on the financialization of housing by public-private mechanisms and tenant-led resistance in Chelsea, the Bronx, and beyond.
The window installation is on view through December 5, alongside a supply drive (small winter accessories and hygiene supplies) for unhoused community members. Visit the link in bio to learn more.
06 Nov 2026
Notes About Bedouin Graffiti by miki-mike665
A collection of urban drawings depicting various forms of vehicles accompanied by an essay by miki-mike665. The photos were taken in the city of Dahab/Egypt between 2018 and 2019. -Publisher
$34- Link in bio. Stock ID: 229324 C
@replikat_press
05 Nov 2026
In conjunction with our window installation at @printedmatterinc, we’re collecting winter accessories (socks, gloves, hats, scarves) and hygiene supplies (small toiletries, sanitary pads, lip balm, etc.) for unhoused community members.
Check out our installation — and drop off supplies in a bin on the windowsill through December 5th!
Location: 231 11th Avenue (at 26th Street)
Hours: Tue–Sat 11am–7pm, Sun 11am–6pm, closed Mon
Thank you to Homeless Solidarity Organizing (@rentrefusersunited) for distributing the supplies!
05 Nov 2026
Archival display: November 10–20, 2026
Launch and panel: November 11, 2026, 6–8PM
Drawing on fifty years of correspondence, Correspondences: de Appel 1975–2025 traces the relational history of de Appel, an institution that was at the forefront of the development of performance and media-based practices following its founding in Amsterdam in 1975. Through letters, telegrams, postcards, faxes, and emails, the book explores the networks, conversations, and collaborations behind de Appel’s public activities. Together, these@materials reveal the many personal perspectives that make up the seemingly singular work of an institution.
The book features correspondence by artists such as Alison Knowles, Carolee Schneemann, James Lee Byars, Laurie Anderson, Mona Hatoum and Theresa Hak Kyung Cha. Written contributions by Alice Butler, Alison Burstein, Annet Dekker, Susan Gibb & Brian Fuata explore aspects of the archive, the role of correspondence, and the artistic
practices reflected in its materials.
The display brings archival materials back to New York, sent from the city to Amsterdam some thirty to fifty years ago, tracing the transatlantic exchanges and artistic relationships that helped shape de Appel.
The launch will feature a panel conversation with Jeremy Johnston, Ben DuVall (Darling Green), Martha Jager (independent researcher and curator), Nell Donkers (de Appel Archive) and Rachel Churner (director of the Carolee Schneemann Foundation).
The book, Correspondences: de Appel 1975–2025, was initiated by Martha Jager and co-edited with Hannah Cheney, in collaboration with Nell Donkers. Designed by Bardhi Haliti and Zuzana Kostelanská, it is published by de Appel.
The accompanying display and panel at Printed Matter are convened by Darling Green and curated by Martha Jager, in dialogue with de Appel.
The program is made possible with support from the Mondriaan Fund, Creative Industries Fund NL, NOT Fonds and the Netherlands-America Foundation.
@darling_green_studio @martha.jager @de_appel @libarch
@hannahcheneyhannahcheney @bardhihaliti @zuzanakos @mondriaanfonds
04 Nov 2026
With Richard Tuttle in conversation with Charles Bernstein this Wednesday, Nov 4 at Printed Matter, we wanted to highlight our 2025 Fundraising Edition by Tuttle, titled "The 2nd Merlyn." (Link in bio!)
This limited edition was conceptualized by Tuttle specifically for the screen printing format and produced by Kayrock Screenprinting in Brooklyn. The print takes shape through a series of 60° angles interrupted by a window-like rectangle in the center.
The following is a text written by Tuttle about "The 2nd Merlyn:"
This Sweet Life Struggling to find the image that fits with the title, struggling to find the title that fits with the image, why should it be so hard to find two things that are the same, if they are equal?
The print, apotheosis of didactic, needs to rest on “this equals that.” Who is in a position to see both this and that? The viewer of the print, is especially privileged.
How fabulous to conjoin the visual with the title and signing, combining the visual with how it is written. Is the image another way to write the title? Is the title simply another re-set button that says what is in our best interest?
Computerized serigraphy removes line, so light can be form.
Richard Tuttle 8/18/25
@printedmatter_artbookfairs
03 Nov 2026
Please join me this Thursday for the first New York launch of my new book:
🔷 The Radical Unpresent:
Cultural Resistance in a Fractured World 🔷
📅 Thursday, November 5, 6-8 PM
📍 Printed Matter (@printedmatterinc)
231 11th Avenue, New York
I'm delighted to be joined by artist and writer Naeem Mohaiemen, who is featured in the book. His own practice excavates the buried archives of the non-aligned movement, which makes him a fitting partner for an evening on memory, resistance, and what remains unfinished. (@naeem_mohaiemen)
The struggle ahead is no longer only about controlling space; time itself has become contested terrain.
•••
"Greg has his finger on the pulse of radical art. He places art in the context of history and is always looking at how the most challenging art of our time can be a bridge to a better future." — Dread Scott (@dreadscottart)
•••
Event details and the essay introducing the book: links in bio.
Hope to see you all on Thursday!
#TheRadicalUnpresent #PrintedMatterInc #NewYork #BookLaunch
02 Nov 2026
EVENT: Charles Bernstein at the Oculus
Charles Bernstein and Richard Tuttle
November 4, 2026
6-8 pm at Printed Matter
Join us for reading and conversation with Charles Bernstein and Richard Tuttle on occasion of their collaboration Charles Bernstein at the Oculus, published by Cuneiform Press.
PREORDER at link in bio!
“At a Sunday brunch in the security of a garden room, Charles told us about his recent visit to the Oculus. His befuddlement was so profound and his disorientation so total, it showed another Charles than the intrepid, indomitable Charles that would never show leaks, cracks or weaknesses. This is the Charles I would like to know, I thought, the one who is exposed by the Oculus, so I proposed a collaboration called, “Charles Bernstein at the Oculus.” After a while Charles showed interest. Colored words may have been on his mind and the project was a way to explore this kind of poetry for him, I do not know.
Our collaboration was a little bit like a call and response, then, though ultimately the poem was left to his shaping, as was the right thing. When the time came to think about how it would fit in the world, I suggested it look like paper airplanes that have come back after use, strung together, like trout on a string ready to take home and fry.” — Richard Tuttle
@cuneiformpress @ch.bernstein
02 Nov 2026
Follower tracking
We have started recording @printedmatterinc, but only 1 observation so far — not enough to show a trend yet. Track it daily →
Download @printedmatterinc's data
Everything below is derived from this account, priced on the counts shown. Delivered as CSV by emailed link.
You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 1 day ago.
Tracking
A monthly plan, not a download: we keep reading @printedmatterinc and email you what changed.
Other reports
Not downloads of this account: they take their own inputs.
Similar accounts
Accounts we track that share hashtags, mentions or bio topics with @printedmatterinc.
@bronxmuseum
59.9K followers
Also mentions @_alex_strada
@samuelsarmientostudio
4,409 followers
Also mentions @mondriaanfonds
@galleriatoinensilma
5,814 followers
Also mentions @mondriaanfonds
@legalaidnyc
27.7K followers
Also mentions @_alex_strada
@afk020
14.3K followers
Also mentions @de_appel
@aralda.vintage
77.4K followers
Bio mentions “appointment”
@berkleyromance
130.2K followers
Also uses #booklaunch
@ghirardelli
198.7K followers
Also uses #newyork