@ppowgallery - IGDataHub

P·P·O·W

@ppowgallery

108.7K

Followers

3,728

Following

3,917

Posts

N/A

Reels

N/A

Highlights

12/0

Photos/Videos in last 12

Bio

P·P·O·W was founded in 1983 by Penny Pilkington and Wendy Olsoff. P·P·O·W are their initials.

Links

www.ppowgallery.com www.ppowgallery.com/store/adam-putnam%23tab:slideshow;enlarge:true;slide:1 avantarte.com/artists/david-wojnarowicz www.ppowgallery.com/news/p-p-o-w-appoints-trey-hollis-as-managing-partner We found Email for this account. Get the details

Avg likes

Avg comments

Engagement

8.6/wk

Posting

Likes and comments are still being collected for this account. Check back shortly.

#adamputnam #gracecarney #joehouston #artadia #artweeknyc #gayletterissue23 #repost #srijonchowdhury #linebreak #ishiglinsky

Recent posts

These are the final days to view @guadalupe__maravilla’s installation at @labiennale di Venezia, “In Minor Keys,” by Koyo Kouoh. Responding to the United States’s shifting political climate, Maravilla’s “ICE Age Disease Throwers,” 2026, harness the healing potential of his acclaimed series of large-scale sculptures, known as “Disease Throwers,” to offer an antidote to society’s pervasive phobias surrounding migration. Inspired by the Acapulco chairs he found comfort in as a child growing up in El Salvador, these hand-woven and richly ornamented works incorporate an array of animistic objects specifically selected by the artist. Standing over seven feet tall, these sculptures serve as a vibrant testament to perseverance and humanity amidst uncertainty and fear. The 61st International Art Exhibition closes Sunday, November 22. 📷 1-2: 61st International Art Exhibition – La Biennale di Venezia, “In Minor Keys,” curated by Koyo Kouoh (Installation view). Photo by Marco Zorzanello. 14 Nov 2026

Today, November 13, 6-8pm, we will be open with extended hours of our ongoing solo exhibitions, @grace__carney’s “To the Bone” at 392 Broadway and @arpzap’s “Deity” at 390 Broadway, 2nd floor. Featuring a new body of paintings, including “Affable Archangel,” 2026, Carney’s second solo exhibition with the gallery pays homage to the forces that guide us through difficult times or states of deep concentration, simultaneously representing an inward reflection and an outward look at what lies beyond. Through newly printed photographs, sculptures, and multimedia installation, #AdamPutnam’s fifth solo exhibition with P•P•O•W acts as a map, a snippet of a dream, and a glimpse into another reality. Both exhibitions are on view through December 19. 📷 1: #GraceCarney, “Affable Archangel,” 2026, oil on canvas, 20 x 16 ins. 2: Adam Putnam, “Oracle (full moon),” 2026 gelatin silver print, 14 x 11 ins. 13 Nov 2026

@joehoustonstudio will be featured in “Connected” at the @tarblemuseum, Charleston, IL, opening tomorrow Friday, November 13. Rich with allusion, each of #JoeHouston’s symbolist paintings reveal close examinations of persistent injustices and their disturbing cultural recurrence. In “Safe,” 2024, Houston reflects on the politicization of migration in America, depicting a small yellow birdhouse perched atop an unstable pole, confined on all sides by fencing. At its essence, Houston’s work signals a cautionary tale about societal fragility, offering finely calibrated provocations and laments for our perilous age. The exhibition will be on view through January 30, 2027 at Tarble Museum of Art. 📷: Joe Houston, “Safe,” 2024, oil on linen, 55 x 37 1/2 x 1 3/4 ins. 12 Nov 2026

The @PenumbraFoundation 2026 Benefit Auction features the work of over 30 artists connected to Penumbra's exhibition, lecture, and residency programs. ⁠ ⁠ There is only ONE WEEK LEFT to bid on artworks, including the Portholes special edition (2019), a B&W silver gelatin print and a web offset-printed, hand-sewn book by Adam Putnam (@arpzap) published by Penumbra Foundation. ⁠ “These enigmatic images hover between objects in Putnam’s studio, nature, and the figure, offering an otherworldly vision embedded in the everyday. Often these quiet moments seem to intrude on what, at first glance, appears to be an intensely mysterious and interior investigation. The works can be perceived as individual images, or as part of a larger work, where imagery fragments and repeats, echoing themes that Putnam has investigated throughout his work. Looking and then relooking becomes mandatory as memory itself comes into question.” – Lauren O'Neill-Butler⁠ ⁠ ✶ Bidding begins closing next Wednesday, November 18th at 12pm ET on Artsy.net. ⁠ ⁠ Click the first link in our bio for more information. ⁠ ⁠ Courtesy P.P.O.W gallery 11 Nov 2026

Congratulations to @harrygouldharveyiv on being selected as an @artadia 2026 Boston Awardee. Since its founding in 1999, #Artadia has served as a nonprofit grant maker cultivating a nationwide community of visual artists, curators, and patrons. On the occasion of 2026 awards, @Djhellerman, Deputy Director & Senior Curator of @mocacleveland, writes of Harvey, “His work and practice take up the most significant existential questions with a generosity and compassion that comes from years of embodied, personal dedication of an artist’s life.” Read more about the awards and program at Artadia.org. 📷: Portrait of the artist by @brittniannharvey. 11 Nov 2026

In conjunction with the inaugural edition of @artweeknyc, join us this Friday, November 13, 6-8pm, for Tribeca Gallery Night. At 392 Broadway, @grace__carney’s “To the Bone” will be on view. Recently featured on @airmailweekly, @cllscholl writes, “The exhibition doesn’t move from dark to light but instead holds both at once, perhaps in the understanding that happiness is not the opposite of suffering. ‘To the Bone’ suggests that beauty does not depend on resolving every contradiction.” On view at 390 Broadway, 2nd floor, @arpzap’s “Deity” features an ongoing accumulation of imagery by means of photography, drawing, sculpture, film, installation, and performance that explore the shifting boundaries between architecture and nature, collective and individual experience, and the mundane and the transcendent. For more about #ArtWeekNYC events, please visit art-week.com. 📷 1: #GraceCarney, “Serenade,” 2026, oil on linen, 72 x 84 ins. 2: #AdamPutnam, “Broken Wrist (Pine. Searsport, ME),” 2026, reclaimed wood, stain, nail polish, 10 x 2 3/4 x 3 ins. 10 Nov 2026

@gayletter • @samsmith collects art as a way of keeping time. A painting by Florian Krewer commemorates the period when Smith got naked onstage and shook their bum; David Wojnarowicz’s “Face in Dirt” marks a more anxious chapter, when survival itself felt like the subject. The art objects become evidence of former selves — proof that a life has passed through danger, pleasure, and change. Photography by @collierschorrstudio Interview by @tomjjackson For the full interview visit our Substack: GAYLETTER.Substack.com / Get a copy of this issue: shop.gayletter.com #gayletterissue23 #repost 07 Nov 2026

@arpzap’s limited edition Tarot deck is available for purchase in conjunction with the artist’s ongoing solo exhibition “Deity” at 390 Broadway, 2nd floor. The deck includes reproductions of original artworks spanning from 2018 to 2020. The imagery is a continued exploration of the boundaries between architecture, nature, the physical and the internal self, often using one as a stand in for the other. The decks are available for purchase in gallery and through the link in our bio. 📷: #AdamPutnam’s Tarot Deck 07 Nov 2026

@grace__carney’s “The Beast that Bears Me” is currently on view in her solo exhibition “To the Bone” at 392 Broadway. Representing a year of work, the exhibition moves between states of heaviness and longing while gradually shifting toward joy and hopefulness. While the earlier paintings on view are defined by sculptural forms, long shadows, thick impasto, and deep, moody hues, the later canvases, such as “The Beast that Bears Me,” are soft, bright, and energetic with thinly layered washes of color. The work incorporates moments of clarity in which fragments of life emerge — not only through the body, but also in the form of built environments, landscapes, and the passage of time. Visit the exhibition through Saturday, December 19. 📷: #GraceCarney, “The Beast that Bears Me,” 2026, oil on linen, 75 x 95 ins. 06 Nov 2026

@arpzap’s “Deity” opens tonight, November 6, 6-8pm at 390 Broadway 2nd Floor. The artist’s fifth solo exhibition with the gallery features an arrangement of sculptures and other improbable objects. Part of an ongoing mythology that has unfolded over the last three decades, “Deity” can be viewed as a sequel to “Reclaimed Empire,” an ongoing film project that began in 2008. Here, video fragments of landscapes and broken architectural models are replaced with discarded tree branches — dead, orphaned, broken, and washed ashore along coastlines from around the world — that are subsequently carved into the forms of human limbs. Swept together, a salvaged empire transforms into a reclaimed body. The exhibition will be on view through Saturday, December 19. 📷: Installation view of #AdamPutnam “Deity” 06 Nov 2026

Within one of Europe’s most historic cultural landscapes, @villa_schoeningen’s ongoing exhibition “Among Trees,” organized by @passage.art, features @srijonchowdhury’s “Cherry Blossoms,” 2025. Presenting works by international contemporary artists alongside pieces from the Döpfner Collection and notable historical loans, the exhibition explores how humans organise, stage, and perceive nature. While forests have been portrayed as simple landscape motifs and romantic symbols, contemporary artists view them as witnesses to history and key players in complex ecological systems. For #SrijonChowdhury, flowers represent a microcosm of the universe, of both spring and fall, life and death, and the fleetingness and unattainability of the mystical experience. “Among Trees” is on view through March 31, 2027 at Villa Schöningen, Potsdam, Germany. 📷 1: Srijon Chowdhury, “Cherry Blossoms,” 2025, oil on primed linen, 47 5/8 x 72 ins. 2: “Among Trees” (installation view). Photo by Sascha Herrmann 05 Nov 2026

Opening tomorrow, Friday, November 6, @1451’s “Wired Dust Up” will be featured in “Line Break,” the inaugural exhibition of the @gochmancollection’s new public exhibition space, @gfcbranchline, Katonah, NY. Drawing primarily on works of contemporary Native American art from the Gochman Family Collection, #LineBreak investigates the function of lines across a number of themes, each positing Indigenous understandings of cyclicality and relationality. Line, an allusion to cartography, is presented as a tool to recontextualize land and landscape in contrast to Western conceptions of property and borders. In many works, the fluidity of line is utilized to evoke sound, movement, and migration, disrupting standardized forms of notation, while in others, curving forms conjure the passage of knowledge, time, and generational teachings. In “Wired Dust Up,” 2024, #IshiGlinsky chain-links over 4000-feet of wire, connecting each panel before molding them to create a weblike vessel that visually references the iconic Looney Tunes fight cloud. The limbs escaping from this tumble of activity are carved from resin, each a contemporary take on Hohokam shell carvings. The opening reception of “Line Break” will take place 6-9pm, November 6 at 18-24 Parkway, Katonah, NY. 📷: Ishi Glinsky, “Wired Dust Up,” 2024, steel, resin, pigment, 39 x 34 1/2 x 16 1/2 ins. 05 Nov 2026

Follower tracking

We have started recording @ppowgallery, but only 1 observation so far — not enough to show a trend yet. Track it daily →

Download @ppowgallery's data

Everything below is derived from this account, priced on the counts shown. Delivered as CSV by emailed link.

Data

Records

What you get

Price

Every post & reel

3,917 posts & reels

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
DfugV8rEe0O	These are the final days to view @guadalupe__mar…
DfsAirem1Zk	Today, November 13, 6-8pm, we will be open with …
DfpWdVARvt_	@joehoustonstudio will be featured in “Connected…

Real rows from this account. The file continues in the same shape.

$39.17

Everyone who follows them

up to 50,000 followers of 108,724 total

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$250.00

Everyone they follow

up to 3,728 accounts

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$18.64

Every post & reel

3,917 posts & reels

$39.17

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
DfugV8rEe0O	These are the final days to view @guadalupe__mar…
DfsAirem1Zk	Today, November 13, 6-8pm, we will be open with …
DfpWdVARvt_	@joehoustonstudio will be featured in “Connected…

Real rows from this account. The file continues in the same shape.

Everyone who follows them

up to 50,000 followers of 108,724 total

$250.00

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

Everyone they follow

up to 3,728 accounts

$18.64

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 22 hours, 35 minutes ago.

Tracking

A monthly plan, not a download: we keep reading @ppowgallery and email you what changed.

Track @ppowgallery every day · up to 5 accounts

We read @ppowgallery daily from today and email you the week's follower, following and post changes, with every reading so far as a CSV. Add up to 4 more accounts on the same plan. Cancel any time.

See the columns