Plinth

Plinth

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@plinthuk

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Bio

Contemporary art consultancy, magazine and shop, based in London www.plinth.uk.com

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Recent posts

Anna Hulačová makes science-fiction sculptures with the help of her own bee colonies. Concrete bodies sprout honeycomb, nature and machine become difficult to tell apart. A vision of the future that the bees have had a hand in making. @anna.hulacova Abundantia, @schirnkunsthalle until 10 January 2027. 12 Nov 2026 “Do it after me, but you should also have just one eye, and be a gypsy!” OMARA didn't make it easy to follow in her footsteps. The Hungarian Roma artist painted her life, her ambitions and her achievements, often spelling everything out herself. “Do it after me.” (“Csinálják utánam.”), @seventeengallery, London, 13 November–19 December. 10 Nov 2026 Dolly Parton's had auburn hair. Abe Odedina's has excellent taste in leopard print. @abeodedina, Jolene (2026). Tender Harvest opens at @edcrossfineart 16 Orsman Rd N1 5QJ, London, on 19 November. 07 Nov 2026 A painting with its own weather. Snow and salt meddle with acrylic and oil as colour seeps and pools across Ragna Bley’s canvases. Pictured: @RagnaBley, Lue Comet (2025). Oyster opens at @pilarcorriasgallery on 13 November. 05 Nov 2026 Top 5 Auction Picks | Paul Franklyn | Sound & Vision ㅤ For this week's Top 5, Paul Franklyn selects his Top 5 lots from Sound & Vision, an auction presented by @warchilduk and curated by @aoapprojects. Paul ithe co-founder of @plinthuk, a consultancy which helps arts organisations and brands make more of the cultural opportunities around them. Paul is also the co-founder of @nonlinearuk, which provides under-represented young people with a dynamic pathway into the creative industries.‍ ㅤ Sound & Vision brings together 61 contemporary artists, who have each responded to the lyric "Well, the rain exploded with a mighty crash as we fell into the sun" from Paul McCartney's "Band on the Run". ㅤ Here, Paul has chosen his Top 5 picks from the auction, highlighting the diverse range of interpretations of McCartney's lyric. ㅤ Read the full article at the link in our bio, and discover the rest of the lots in the auction before it closes on 12 November, 14:00 GMT. ㅤ Lot 27. Yang Xu, Strange Paradise, 2026, oil on panel, 15 × 21 cm. @_xu.yang_ ㅤ Lot 73. Sanya Kantarovsky, Man Child, 2026, watercolour on wood, 15 × 21 cm. @skantily ㅤ Lot 4. Anne Rothenstein, Storm, 2026, oil on wood, 21 × 15 cm. @annerothenstein ㅤ Lot 76. Charlie Billingham, A Mighty Crash, 2026, oil on panel, 15 × 21 cm. @charliebillingham ㅤ Lot 78. Alvaro Barrington, Sunset for P, 2026, ink, pencil, chisel on wood, 21 × 15 cm. @alvarobarrington - All images courtesy of Paul Franklyn and @aoapprojects ㅤ Powered by @indy.auction 03 Nov 2026 Why did Pope.L crawl through New York dressed as Superman? A survey at Modern Art, London, reveals how the artist used humour, absurdity and discomfort to confront race, class and social inequality. Read the full story by @kennnedyrandall via the link in our bio 'Selected Works: 1978-2022' is on view at @stuartshavemodernart until 14 November 2026 #popel 28 Oct 2026 Fifty years on, we’re getting another bucketful of Carrie, this time from Mike Flanagan. The prom coronation in Brian De Palma’s original is cinema’s most famous baptism: red and blue light washing over a fairytale moment before a bucket of pig’s blood. The lighting carves deep shadows beneath Sissy Spacek’s cheekbones. She’s all angles and daggerly points. 26 Oct 2026 In Panther (2026) by Mac Collins, ebonised oak is pitted with hollows that read as eyes, or as the pips of a domino worn smooth by use. It's the same sculptural language as Runout, an imposing, warped domino that featured at the British Pavilion in Venice in 2023. On view @palmer.gallery London until 7 November 2026 #MacCollins @maccollins__ 25 Oct 2026 Installation views of Nour Mobarak’s 'That That', where the artist casts her own buttocks in translucent resin, turning humble bum cheeks into luminous sheets of colour. On view at @sylvia_kouvali London until 14 November 2026 @adult_nour #nourmobarak 24 Oct 2026 ”Green is not a simple colour. It is the colour of envy and the natural world, at times magical and dangerous. In Toor’s complicated palette it can be playful and warm, while conjuring an at times hedonistic acid fantasy that elevates his figures beyond the banalities of the everyday into the thrill of nightlife, passion and raw connection.” — @emilycsteer Read the full story via the link in bio @salman.toor Someone Like You is at the @courtauld London until 10 January 2027 15 Oct 2026 “If Made in Chelsea is smooth plastic, then this is the crude oil. Radical in the spirit of the genre’s earliest origins, @lizzydeacon’s ‘Ad Victorem Spolias’ at @243__luz has the air of an unattended live stream or CCTV footage; a thrillingly mundane exposée. With her own face occasionally pictured as the wristwatch camera moves, Deacon’s physical presence on set both highlights and problematises the influencer ouroboros: I am filmed, so I am famous. I am famous, so I am filmed. Footage of people on this set is enough to launch careers – so what about this footage of me? More uncomfortably, the fact of the film itself asks: where does an artist end and a content creator begin? In ‘Knot Eye’ at @sadiecoleshq, meanwhile, @martinesyms presents ‘RW-LO ‘(2026), a 22-minute ‘docu-fantasy’ set in the year 2000. Blending reenactments with vintage camcorder footage, the film follows a teenager obsessed with one Melissa Howard, an outspoken Real World castmate. Per the show’s press release, ‘RW-LO’ is an inquiry ‘into what happens when people start being celebrities, and they stop being real’ – a vital question, given the state of reality TV today, not least because the gap between celebrity and ‘realness’ is hurtling shut before our eyes, or even inverting.” — @_emily_watkins_ Read the full article via the link in our bio 02 Oct 2026 For Tanoa Sasraku, contemporary conflicts are often sustained by myths of protection and control - by the idea that invasion can be recast as defence, settlement, even the creation of a better world. She calls these conquered terrains “potential rivieras”: places where war and leisure begin to occupy the same imaginative space. Her sculptures “are constructed from sheets of blank newsprint that have been cut and layered to resemble military flak jackets,” writes @theo__weiss. They “might be read as military trophies or souvenirs of victorious campaigns.” Read more via the link in our bio Tropical Ken @TanoaSasraku @vardaxoglou, Soho 11 September–31 October 2026 25 Sep 2026

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Dfp0kjlk52HAnna Hulačová makes science-fiction sculptures w…
DfkqFU0Ch6e“Do it after me, but you should also have just o…
Dfc24eVHPThDolly Parton's had auburn hair. Abe Odedina's ha…

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