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Bio
Los Angeles Rental House: Lenses | Digital & 35mm/16mm/8mm Film Cameras | Prep Spaces | Lens Test Studio | Ultimate Cinema Lens Library | OFG Customs
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linktr.ee/oldfastglass-
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Recent posts
Introducing the @ofgcustoms LONG SHOT. The Long Shot is an optical adapter that allows you to use Full Frame/Large Format/Vista Vision lenses, and retain the full field of view, depth of field, and character of those lenses onto the 16mm format. It was designed specifically to use with PL mount 16mm cameras like the ARRI 416, ARRI SR3, AATON Xtera, XTR Prod, and more. You now have 10 times the lens options for 16mm film, as well as the ability to capture a completely new look, no one has ever seen for 16mm. This truly is 16mm reimagined. The Long Shot has swappable mounts, and we have mounts for PL, LPL, Canon EF, Nikon F, Canon FD, BNCR, and more!
Special thanks to cinematographer Gary Long @prince.dpx for brining us this project, and trusting OFG with his concept. He also shot all the gorgeous test footage in this demo reel. Huge thanks and praise to OFG Customs’ Cameron McAlpine @cambob3000 for designing and building the Long Shot. It’s a functional work of art. Thank you to Rosie Sirk @rosesirk for editing this reel. And thank you to @kodak_shootfilm @ducloslenses @fotokem_la and @originsarchival for the help and support.
The Long Shot is currently available for rental only at @old_fast_glass
Watch on YouTube for a better viewing experience. Link in Bio.
#oldfastglass #ofgcustoms #16mm #16mmfilm #super16 #super16mm #super16mmfilm #kodakshootfilm #cinematography #filmisnotdead #kodak #arrisr3 #arri416 #aatonxtr #aatonxtera #aatonxtrprod #bolex #bolex16mm #vistavision #fullframe #bokeh #lensflare #largeformat @wpagency
10 Nov 2025
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
05 Dec 2024
Beautiful work from @prince.dpx for Adidas ‘MLB X WS 26’ featuring Joe Fox as the professor @joefeezie and Dean Simone @dean_simone & Alison Frank @alifrank55 as the examiners.
Gary paired our TLS Canon Rangefinders with an ARRI Alexa Mini LF. He mainly used the amazing 50mm T1.1 (Canon 50mm f0.95 “Dream Lens”). This set was built around the stunning look of this lens. They have a softer rendering that is ideal for digital sensors. They have slightly lower contrast, and deliver bold amber colored flares. Bokeh is like nothing else. It’s one of our favorite sets of lenses.
EP/CD: Danny McNabb @dannymcnabb_ & Vince Sirico @vincesirico
Director: Griffin Olis Griffinolis
Producer: Arthur Payne @ap.ayne
Dir of Photography: Gary Long @prince.dpx
Prod Co: Jozi @jozicreative
Gaffer: Vatche Giragossian @giragossian.cine
Best Boy Electric: Fabian Muga
Electric: Carlos Sanchez
Key Grip: Moe Al Kayed @moe_al_kayed
Best Boy Grip: Serge Svetnoy
Grip: Robert Alvarez
1st AC: Sean Kisch @kischm
2nd AC: Sean Delahunt @sean.delahunt
Production Designer: Diana Brennan @missdianabrennan
Art Director: Alina Celik @alinacelik
Wardrobe Stylist: Vanessa Powell @vanessalpowell
Stylist Assistant: Wissal Choqri
Makeup Artist: Nadia Stone @nadiareese_artistry
On Set Sound: Marshall Sirico @marshall_sirico
VFX: T-VFX @tvfx_official
#canonrangefinders #canondreamlens #vintagelenses #rehousedlenses #cinematography
07 Nov 2026
Full frame DOF and FOV on 16mm sounds like a long shot. Nobody thought anyone would build it, but we did it anyway and named it appropriately. Can´t get the shot you envisioned? We would sooner invent the right tool for the job than turn you down. Now our cinematographers enjoy a virtually endless library of lenses on the stunning texture of the 16mm format.
03 Nov 2026
Trowback to ‘Now That You Ask’ for P&G one of my favorite projects I got to shoot with director @oceanvashtijude
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Shot on Alexa Mini & Cineovision High Speed Anamorphic from @old_fast_glass and a @kodak_shootfilm Super 8 7219 with a Braun Nizo S 560
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Producer: @lo_calsada
1st AC: @badbitchsteadi
27 Oct 2026
Tamashii 140mmが到着し、全12本のラインナップが揃いました!
1本1本が個性豊かでありながら統一性のある、最高の顔ぶれです。
開放からしっかりとしたシャープさを持ちながら、なめらかな中にも質感を残すボケと、色彩豊かなフレアが魅力。被写体の存在感を引き立てながら、背景や光にも豊かな表情を与えてくれます。
最近ではコマーシャルやミュージックビデオなどでもご活用いただいており、表現の幅広さに私たちも驚かされています。
何度でもお伝えしたいのですが、アジアでレンタルできるのはカプセルだけ!
ぜひ一度、その描写を体感してみてください。
The Tamashii 140mm has arrived, completing our full lineup of 12 lenses!
An exceptional set, with each lens bringing its own distinct character while maintaining a cohesive look across the range.
Sharp even wide open, with smooth yet textured bokeh and beautifully coloured flares, Tamashii gives subjects a strong presence while bringing character to backgrounds and light.
We’ve recently had them used on commercials and music videos, and their versatility continues to surprise us.
And it bears repeating: Capsule is the only place in Asia where you can rent them!
Try them for yourself and experience their unique look.
#tamashii #vintagelens #cinemalens #tokyo #機材神
27 Oct 2026
We are excited to share Episode 2 of SIGNAL, a new live music performance series presented by @arthousefilmlab
Episode 2 – “DRACULOVE” by Duckwrth @duckwrth
Beautiful work from cinematographer @Drewaiello_Dp and director Taylor Washington @waylors.world
Drew paired two of our ARRI SR3 kits with the amazing Cooke 10-30mm T1.6, Canon 8-64mm T2.4 and 11-165mm T2.5. They chose @kodak_shootfilm Vision 3 500T 16mm stock. Old Fast Glass is thrilled to support these artists and this amazing series, and we can’t wait to see more episodes.
Director: Taylor Washington @waylors.world
Executive Producer: Sidney Baptista @arthousefilmlab @arthouse
Executive Producer/Creative Director: Imani Lindsey @mereimani
Associate Producer/Cinematographer: @Drewaiello_Dp
B Cam Op: Philip Jackson @philjackson
A Cam 1st AC: Christina Ortiz @theotherchristinaortiz
B Cam 1st AC: Jeffrey Carolan, SOC @jeffreycarolan
2nd AC: Mikaela “Micky” Thorne @mikaelaxthorne
Loader: Chastin Montiel @chastinnoblett
Gaffer: Tony Jou @tony.jou
BBE: Derek Wilds @walleyewilds
Rigging BBE: David Goold @gooldstarexperience
Key Grip: Kevin Chiu @mmm_chiuee
Dolly Grip: Chris Pevey @pevey
Rigging BBG: Lofton Mason @loftxn
Colorist: J. Cody Baker @jcodybaker_cc
Camera equipment provided by: Old Fast Glass @old_fast_glass
Film provided by: Kodak @kodak_shootfilm
Lighting equipment provided by: TRVST @trvstla
Grip equipment provided by: The Grip House @thegriphouse
Film processing and scanning: Fotokem @fotokem_la
Post color: Company 3 @company_3
@arri @cookeoptics @canonusa @wooden_nickel_lighting_rentals
#kodakshootfilm #filmisnotdead #16mmfilm #vintagelenses #arrisr3
24 Oct 2026
We have both ARRI 416 and 416 HS (High-Speed) kits available at OFG. The 416 HS allows you to shoot up to 150 fps. Our kits have IndieASSIST HD IVS, Elokuva cage, and Gold Mount battery plates. We are adding more Super 16mm glass to our collection, including our brand new TLS rehoused S16mm Zeiss Super Speeds.
One thing we love about these new @truelensservices lenses, you can pair them with our TLS S35 Zeiss Super Speeds, and you have a set for 16mm that includes 9.5, 12, 16, 18, 25, 35, 50, 65, 85 - all T1.3, all with new 16-blade circular irises, all with matching 95mm fronts, and matching gear positions for quick lens changes.
Multiple ARRI 416 packages, and so many amazing Super 16mm lens options available to rent.
#arri416 #zeisssuperspeed #super16mm #arriflex416 #zeisshighspeed
14 Oct 2026
Beautiful work from cinematographer @maxgoldberg for BACKOPS - “DON’T”
Max paired our @ancientoptics STATERA Anamorphic primes with Sony Venice 2. STATERA are full frame 1.5x squeeze anamorphic lenses that are the perfect balance of modern performance and classic anamorphic character. When paired with the Venice 2 shooting the full 3:2 open gate sensor, that gives you a final 2.25:1 aspect ratio, making it easy to finish 2:1 or 2.40:1 with minimal cropping.
Director: @ryangray
EP: @markp.sf
Producer: @sydhelsel
Production Coordinator: @mpotter850
Production: @pushrec_
1st AD: @dave.herrera7
Director’s Assistant: @willdomiciano
PA: @dj.tnz
DP: @maxgoldberg
1st AC: Matthew Sumney
2nd AC: @brandon_szajner
Sound Mixer: @holdforplane
Gaffer: @dobs2233
BBE: @valentincine
SLT: @cinenam
Key Grip: @tgrshaffer
BBG: gearhead_351
Grip: Bruce Wolf
Techno Crane: @tccranes
Crane Op: @coreykief
Crane Tech: @brandonthorne
Remote Head: @christianhurley05
Set Designer: @alenstubbs
Set Dressers: @aid_and_abet @_ryanmcelligott_
HMU: @hmuvlada
Wardrobe: @reinavirlene
Wardrobe Assistant: @bellagdavies
Cast: @timdavis_official @justntitus
Post House: @graystudioss
Editor: @ryangray
Color: @ty.roth @company_3
Sound Design: @348chris
#oldfastglass #stateraanamorphic #sonyvenice2 #fullframe #anamorphic
13 Oct 2026
Beautiful work from cinematographer Thomas Simon for Oliver Peoples “Twice Upon A Time.” Thomas paired @7isatribe Blackwing7 T-Tuned primes with Alexa Mini for this one.
Production: @photobombproduction
Producer: @newmanity
Director/DP: @thomassimonfilms
1st AC: @chandlerchump
Gaffer: @justjunior
Key Grip: @bakergrip
@neermotion
@oliverpeoples
#blackwing7lenses #tribe7lenses #alexamini #cinematography #oliverpeoples
12 Oct 2026
If you are able to donate, please help out filmmaker and lens tech Serghei Malii @vintage4film / @anyanglefilms
In a recent fire, he lost his workshop, camera equipment, tools, hard drives, edit station, and collection of vintage lenses. There is a Go Fund Me set up for donations. Link in bio. On behalf of Serghei, thank you for the support.
#vintagelenses #rehousedlenses #lenstech #cinematography #filmmakers
10 Oct 2026
Beautiful work from cinematographer @tuckerphillips for “Nike FA26.” Tucker paired one of our ARRI Alexa 35 Xtreme kits with vintage Fujinon 28-280mm, rehoused Zeiss Super Speeds, Optex 4mm, Laowa 9mm, and DZO Xtract 18-28mm Probe Zoom for this spot.
DP: @tuckerphillips
1st ac: @grongroon
2nd ac: @duy.a.nguyen
Dit: @izaacgui @colinericw
Gaffer: @boogie_savage
Key grip: @codyingham
Best electric: @ryanapl
Art: themaltman
Stylist: @jennyhaapala
1st AD: @metropolis_jones
Senior director: @groteskito
Art director: @colinmatsui alexa.mekita
Senior creative producer: @goochybaby
Creative producer: @andrewhollandsworth
Production co: @go.bamproductions
Agency: @supermorebetter
Agency art director: @grayspots
Executive creative director: Eric Duvauchelle
Sports tech: @becwilcock @meagankong
Music: @pourlesport @petermmurray @11thhouseagency
#arrialexaxreme #alexaxtreme #optex4mm #super16mm #vintagelenses
09 Oct 2026
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