Old Fast Glass

Old Fast Glass

@old_fast_glass

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Bio

Los Angeles Rental House: Lenses | Digital & 35mm/16mm/8mm Film Cameras | Prep Spaces | Lens Test Studio | Ultimate Cinema Lens Library | OFG Customs

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Recent posts

Introducing the @ofgcustoms LONG SHOT. The Long Shot is an optical adapter that allows you to use Full Frame/Large Format/Vista Vision lenses, and retain the full field of view, depth of field, and character of those lenses onto the 16mm format. It was designed specifically to use with PL mount 16mm cameras like the ARRI 416, ARRI SR3, AATON Xtera, XTR Prod, and more. You now have 10 times the lens options for 16mm film, as well as the ability to capture a completely new look, no one has ever seen for 16mm. This truly is 16mm reimagined. The Long Shot has swappable mounts, and we have mounts for PL, LPL, Canon EF, Nikon F, Canon FD, BNCR, and more!  Special thanks to cinematographer Gary Long @prince.dpx for brining us this project, and trusting OFG with his concept. He also shot all the gorgeous test footage in this demo reel. Huge thanks and praise to OFG Customs’ Cameron McAlpine @cambob3000 for designing and building the Long Shot. It’s a functional work of art. Thank you to Rosie Sirk @rosesirk for editing this reel. And thank you to @kodak_shootfilm @ducloslenses @fotokem_la and @originsarchival for the help and support. The Long Shot is currently available for rental only at @old_fast_glass Watch on YouTube for a better viewing experience. Link in Bio. #oldfastglass #ofgcustoms #16mm #16mmfilm #super16 #super16mm #super16mmfilm #kodakshootfilm #cinematography #filmisnotdead #kodak #arrisr3 #arri416 #aatonxtr #aatonxtera #aatonxtrprod #bolex #bolex16mm #vistavision #fullframe #bokeh #lensflare #largeformat @wpagency 10 Nov 2025 We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support. - The Old Fast Glass Team #oldfastglass 05 Dec 2024 Beautiful work from @prince.dpx for Adidas ‘MLB X WS 26’ featuring Joe Fox as the professor @joefeezie and Dean Simone @dean_simone & Alison Frank @alifrank55 as the examiners. Gary paired our TLS Canon Rangefinders with an ARRI Alexa Mini LF. He mainly used the amazing 50mm T1.1 (Canon 50mm f0.95 “Dream Lens”). This set was built around the stunning look of this lens. They have a softer rendering that is ideal for digital sensors. They have slightly lower contrast, and deliver bold amber colored flares. Bokeh is like nothing else. It’s one of our favorite sets of lenses. EP/CD: Danny McNabb @dannymcnabb_ & Vince Sirico @vincesirico Director: Griffin Olis Griffinolis Producer: Arthur Payne @ap.ayne Dir of Photography: Gary Long @prince.dpx Prod Co: Jozi @jozicreative Gaffer: Vatche Giragossian @giragossian.cine Best Boy Electric: Fabian Muga Electric: Carlos Sanchez Key Grip: Moe Al Kayed @moe_al_kayed Best Boy Grip: Serge Svetnoy Grip: Robert Alvarez 1st AC: Sean Kisch @kischm 2nd AC: Sean Delahunt @sean.delahunt Production Designer: Diana Brennan @missdianabrennan Art Director: Alina Celik @alinacelik Wardrobe Stylist: Vanessa Powell @vanessalpowell Stylist Assistant: Wissal Choqri Makeup Artist: Nadia Stone @nadiareese_artistry On Set Sound: Marshall Sirico @marshall_sirico VFX: T-VFX @tvfx_official #canonrangefinders #canondreamlens #vintagelenses #rehousedlenses #cinematography 07 Nov 2026 Full frame DOF and FOV on 16mm sounds like a long shot. Nobody thought anyone would build it, but we did it anyway and named it appropriately. Can´t get the shot you envisioned? We would sooner invent the right tool for the job than turn you down. Now our cinematographers enjoy a virtually endless library of lenses on the stunning texture of the 16mm format. 03 Nov 2026 Trowback to ‘Now That You Ask’ for P&G one of my favorite projects I got to shoot with director @oceanvashtijude . . . Shot on Alexa Mini & Cineovision High Speed Anamorphic from @old_fast_glass and a @kodak_shootfilm Super 8 7219 with a Braun Nizo S 560 . . . Producer: @lo_calsada 1st AC: @badbitchsteadi 27 Oct 2026 Tamashii 140mmが到着し、全12本のラインナップが揃いました! 1本1本が個性豊かでありながら統一性のある、最高の顔ぶれです。 開放からしっかりとしたシャープさを持ちながら、なめらかな中にも質感を残すボケと、色彩豊かなフレアが魅力。被写体の存在感を引き立てながら、背景や光にも豊かな表情を与えてくれます。 最近ではコマーシャルやミュージックビデオなどでもご活用いただいており、表現の幅広さに私たちも驚かされています。 何度でもお伝えしたいのですが、アジアでレンタルできるのはカプセルだけ! ぜひ一度、その描写を体感してみてください。 The Tamashii 140mm has arrived, completing our full lineup of 12 lenses! An exceptional set, with each lens bringing its own distinct character while maintaining a cohesive look across the range. Sharp even wide open, with smooth yet textured bokeh and beautifully coloured flares, Tamashii gives subjects a strong presence while bringing character to backgrounds and light. We’ve recently had them used on commercials and music videos, and their versatility continues to surprise us. And it bears repeating: Capsule is the only place in Asia where you can rent them! Try them for yourself and experience their unique look. #tamashii #vintagelens #cinemalens #tokyo #機材神 27 Oct 2026 We are excited to share Episode 2 of SIGNAL, a new live music performance series presented by @arthousefilmlab Episode 2 – “DRACULOVE” by Duckwrth @duckwrth Beautiful work from cinematographer @Drewaiello_Dp and director Taylor Washington @waylors.world Drew paired two of our ARRI SR3 kits with the amazing Cooke 10-30mm T1.6, Canon 8-64mm T2.4 and 11-165mm T2.5. They chose @kodak_shootfilm Vision 3 500T 16mm stock. Old Fast Glass is thrilled to support these artists and this amazing series, and we can’t wait to see more episodes. Director: Taylor Washington @waylors.world Executive Producer: Sidney Baptista @arthousefilmlab @arthouse Executive Producer/Creative Director: Imani Lindsey @mereimani Associate Producer/Cinematographer: @Drewaiello_Dp B Cam Op: Philip Jackson @philjackson A Cam 1st AC: Christina Ortiz @theotherchristinaortiz B Cam 1st AC: Jeffrey Carolan, SOC @jeffreycarolan 2nd AC: Mikaela “Micky” Thorne @mikaelaxthorne Loader: Chastin Montiel @chastinnoblett Gaffer: Tony Jou @tony.jou BBE: Derek Wilds @walleyewilds Rigging BBE: David Goold @gooldstarexperience Key Grip: Kevin Chiu @mmm_chiuee Dolly Grip: Chris Pevey @pevey Rigging BBG: Lofton Mason @loftxn Colorist: J. Cody Baker @jcodybaker_cc Camera equipment provided by: Old Fast Glass @old_fast_glass Film provided by: Kodak @kodak_shootfilm Lighting equipment provided by: TRVST @trvstla Grip equipment provided by: The Grip House @thegriphouse Film processing and scanning: Fotokem @fotokem_la Post color: Company 3 @company_3 @arri @cookeoptics @canonusa @wooden_nickel_lighting_rentals #kodakshootfilm #filmisnotdead #16mmfilm #vintagelenses #arrisr3 24 Oct 2026 We have both ARRI 416 and 416 HS (High-Speed) kits available at OFG. The 416 HS allows you to shoot up to 150 fps. Our kits have IndieASSIST HD IVS, Elokuva cage, and Gold Mount battery plates. We are adding more Super 16mm glass to our collection, including our brand new TLS rehoused S16mm Zeiss Super Speeds. One thing we love about these new @truelensservices lenses, you can pair them with our TLS S35 Zeiss Super Speeds, and you have a set for 16mm that includes 9.5, 12, 16, 18, 25, 35, 50, 65, 85 - all T1.3, all with new 16-blade circular irises, all with matching 95mm fronts, and matching gear positions for quick lens changes. Multiple ARRI 416 packages, and so many amazing Super 16mm lens options available to rent. #arri416 #zeisssuperspeed #super16mm #arriflex416 #zeisshighspeed 14 Oct 2026 Beautiful work from cinematographer @maxgoldberg for BACKOPS - “DON’T” Max paired our @ancientoptics STATERA Anamorphic primes with Sony Venice 2. STATERA are full frame 1.5x squeeze anamorphic lenses that are the perfect balance of modern performance and classic anamorphic character. When paired with the Venice 2 shooting the full 3:2 open gate sensor, that gives you a final 2.25:1 aspect ratio, making it easy to finish 2:1 or 2.40:1 with minimal cropping. Director: @ryangray EP: @markp.sf Producer: @sydhelsel Production Coordinator: @mpotter850 Production: @pushrec_ 1st AD: @dave.herrera7 Director’s Assistant: @willdomiciano PA: @dj.tnz DP: @maxgoldberg 1st AC: Matthew Sumney 2nd AC: @brandon_szajner Sound Mixer: @holdforplane Gaffer: @dobs2233 BBE: @valentincine SLT: @cinenam Key Grip: @tgrshaffer BBG: gearhead_351 Grip: Bruce Wolf Techno Crane: @tccranes Crane Op: @coreykief Crane Tech: @brandonthorne Remote Head: @christianhurley05 Set Designer: @alenstubbs Set Dressers: @aid_and_abet @_ryanmcelligott_ HMU: @hmuvlada Wardrobe: @reinavirlene Wardrobe Assistant: @bellagdavies Cast: @timdavis_official @justntitus Post House: @graystudioss Editor: @ryangray Color: @ty.roth @company_3 Sound Design: @348chris #oldfastglass #stateraanamorphic #sonyvenice2 #fullframe #anamorphic 13 Oct 2026 Beautiful work from cinematographer Thomas Simon for Oliver Peoples “Twice Upon A Time.” Thomas paired @7isatribe Blackwing7 T-Tuned primes with Alexa Mini for this one. Production: @photobombproduction Producer: @newmanity Director/DP: @thomassimonfilms 1st AC: @chandlerchump Gaffer: @justjunior Key Grip: @bakergrip @neermotion @oliverpeoples #blackwing7lenses #tribe7lenses #alexamini #cinematography #oliverpeoples 12 Oct 2026 If you are able to donate, please help out filmmaker and lens tech Serghei Malii @vintage4film / @anyanglefilms In a recent fire, he lost his workshop, camera equipment, tools, hard drives, edit station, and collection of vintage lenses. There is a Go Fund Me set up for donations. Link in bio. On behalf of Serghei, thank you for the support. #vintagelenses #rehousedlenses #lenstech #cinematography #filmmakers 10 Oct 2026 Beautiful work from cinematographer @tuckerphillips for “Nike FA26.” Tucker paired one of our ARRI Alexa 35 Xtreme kits with vintage Fujinon 28-280mm, rehoused Zeiss Super Speeds, Optex 4mm, Laowa 9mm, and DZO Xtract 18-28mm Probe Zoom for this spot. DP: @tuckerphillips 1st ac: @grongroon 2nd ac: @duy.a.nguyen Dit: @izaacgui @colinericw Gaffer: @boogie_savage Key grip: @codyingham Best electric: @ryanapl Art: themaltman Stylist: @jennyhaapala 1st AD: @metropolis_jones Senior director: @groteskito Art director: @colinmatsui alexa.mekita Senior creative producer: @goochybaby Creative producer: @andrewhollandsworth Production co: @go.bamproductions Agency: @supermorebetter Agency art director: @grayspots Executive creative director: Eric Duvauchelle Sports tech: @becwilcock @meagankong Music: @pourlesport @petermmurray @11thhouseagency #arrialexaxreme #alexaxtreme #optex4mm #super16mm #vintagelenses 09 Oct 2026

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DQ4aFuSCaTUIntroducing the @ofgcustoms LONG SHOT. The Long …
DDM_2xiP3qVWe have something extremely important to share t…
DfcpX3ZmoBiBeautiful work from @prince.dpx for Adidas ‘MLB …

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