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Bio
شيطان Film Director 1/2 of @onibakudirectors @d_and_ad Shift 2026 Support my film @nylonsonatafilm London, UK
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Recent posts
Love you for 10.000 year 🍍
12 Oct 2023
One evening I was wondering how @delmonte and Wong Kar Wai @jettonefilms never came together to do a commercial about the iconic pineapple can, so with my muse @lecreaturedibeatrice on a boring saturday night we decide to make it ourselves just to have fun and play, paying tribute to one of our favourite directors ever! And here it is! We just shoot it we what we have at home and with limited equipment and a lot of laughs! Hope you have fun!
12 Oct 2023
Creative Saturday night with my muse @lecreaturedibeatrice
12 Oct 2023
By @nickdkhan
15 Sep 2026
Shot on 16mm Kodak Vision3 500T (7219).
This portrait film explores the connection between basketball and fashion photography through E’s creative process.
It was great to watch how naturally he moves between the two. Whether he’s holding a camera or a basketball, the same instinct and focus is there.
As someone who used to play basketball myself, it made this project even more special to shoot. And getting to do it on film, in London, with @chuk.wu and such a great crew made it even better.
Photographer: @chuk.wu
Basketball Player: @e.osili
Directors: @nickdkhan / @onibakudirectors + @norbi_varjasi
DOP: @norbi_varjasi
Gaffer: @tomabrand
Spark: @varjasi_marcii
Camera Assistant: @barnabencee
Loader & Camera: @simoncorleone
Editor: @watson.bryony
Colourist: @colourbylois
Kit: @simoncorleone @cinepete_ @we.love.hue @emmyland
Production: @novalumafilm @decafmedia
@kodak_shootfilm
#shotonfilm
#kodakshootfilm
#16mm
#cinematography
#dop
19 Jul 2026
We shot this portrait film on Kodak 7219, exploring the duality of a creative person through basketball and fashion photography.
It was a real joy watching the motivation and intuition behind every shot E takes, whether with a camera in his hands or a basketball.
As someone who used to play basketball, getting to shoot this piece on film, in London, with @chuk.wu and our great crew made the experience even more special.
Photographer: @chuk.wu
Basketball Player: @e.osili
Director: @nickdkhan / @onibakudirectors + @norbi_varjasi
DOP: @norbi_varjasi
Gaffer: @tomabrand
Spark: @varjasi_marcii
Camera Assistant: @barnabencee
Loader and Camera: @simoncorleone
Editor: @watson.bryony
Colourist: @colourbylois
Kit: @simoncorleone @cinepete_ @we.love.hue @emmyland
Special thanks to @the_filmlab_guy and @timikalderak
Production Companies: @novalumafilm @decafmedia
@kodak_shootfilm
15 Jul 2026
This project was born out of the need to create something without waiting for the right moment or the right conditions. We wanted to try and recreate that aesthetic typical of late 90s and early 2000s Japanese cinema, using digital cameras, not chasing a perfect, well-lit, conventional image, but the grit, the surreal, and that atmosphere that raised us. We wanted to make something for ourselves.
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The concept draws from Osaka Bang, a street game: point your finger to someone, shoot, the other reacts as hit by it. In Bang Bang, the shot lands for real.
Built around the idea of Shinjinrui, the Japanese “new breed” a generation raised in emotional detachment, with no real sense of belonging. For these two girls, the game becomes the closest thing to a genuine encounter: a distorted ritual of connection where the only way to truly reach the other is through harm.
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Thank you to everyone who helped us bring this project to life, and to @pap_magazine for publishing it (you can find the film on their YouTube channel and the editorial on their website).
Directed by Onibaku @onibakudirectors @nickdkhan @mattiadelzotto
Photography by @nickdkhan
Production @muvlabstudio
Creative Direction Antonio & Roberta Murr @imurr
Styling Lucrezia Leoni @llucrezyaleoni
Clothing & Accessories Archivio Pandora @archiviopandoramilano
Make-up Alexandra Scarlat @alexandrascarlatmua
Talent Elleen Harm @elleen.zoe / Luiza Rangel @_luizarangel
12 Jun 2026
'BANG BANG' exclusive for @pap_magazine published by @kangdm ㅡ link in bio
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Photo @nickdkhan Styling @llucrezyaleoni Hair @alexandrascarlatmua FILM @onibakudirectors Creative Direction @imurr Agency @thelabmodels
Starring @elleen.zoe @_luizarangel
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(KR) “Osaka Bang”은 손가락으로 총을 겨누고 상대가 반응하는 하나의 놀이에서 시작된다. 하지만 “Bang Bang”에서는 그 총알이 실제로 닿는다. 작품은 감정적 단절 속에서 성장하며 어디에도 완전히 속하지 못했던 일본의 ‘신인류(Shinjinrui)’ 세대에서 영감을 받았다.
이 소녀들에게 게임은 가장 진실한 만남에 가까운 행위다. 서로에게 닿기 위해서는 상처를 주는 방식밖에 남지 않은 연결의 의식처럼 작동한다. 이 이야기는 연약함과 지배, 그리고 놀이만이 유일하게 솔직한 것이 되어버린 세계에 대해 이야기한다.
(EN) Osaka Bang is a game; you point a finger, you shoot, and the other reacts. In Bang Bang, the shot lands for real. Inspired by the idea of Shinjinrui, the Japanese "new breed" generation raised in emotional detachment, with no real sense of belonging. For these girls, the game is the closest thing to a genuine encounter.A ritual of connection, where the only way to truly reach the other is through harm. It's about fragility, dominance, and what happens when a game is the only honest thing left.
(IT) “Osaka Bang” è un gioco: punti il dito, spari, e l’altro reagisce. In “Bang Bang”, però, il colpo arriva davvero. Il progetto si ispira all’idea dello Shinjinrui, la “nuova generazione” giapponese cresciuta in un clima di distacco emotivo e senza un reale senso di appartenenza.
Per queste ragazze, il gioco diventa la forma più vicina a un incontro autentico. Un rituale di connessione, in cui l’unico modo per raggiungere davvero l’altro passa attraverso il danno. È una riflessione sulla fragilità, sul dominio e su ciò che accade quando un gioco diventa l’unica cosa sinceramente reale rimasta.
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Full Story link🔎
https://www.pap-magazine.com/editorial/bang-bang
Fashion by @albertaferretti @archiviopandoramilano @sergiorossi @wolford @chantelle_paris @muntheofficial @maxmara @dolcegabbana @laperlalingerie
11 Jun 2026
Director’s cut for the new @visionofsuper SS 26
Production company @muvlabstudio directed by @onibakudirectors @mattiadelzotto @nickdkhan
11 Jun 2026
A moments in between a fashion shoot, the silence between one look and the next. While waiting for their turn, the models step into a raw, self shoot space built for them to take control of the the camera and the moment. Part backstage, part performance, the film captures spontaneity, tension and identity when nobody is “officially” shooting.
CRASH THE SYSTEM
Production @muvlabstudio @benini.ph
Directed by @onibakudirectors @nickdkhan @mattiadelzotto
Cinematography @alliccio
Light assistant @stefano_scozzari_11
Styling @erenxhan @byfrancescop @archiviopandoramilano
Mua @noemiautasc @_alemusciagna_
28 May 2026
Collaboration with @luminousland_official
Model and MUA @lecreaturedibeatrice
28 Jan 2026
Collaboration with @luminousland_official
Model and MUA @lecreaturedibeatrice
27 Jan 2026
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