@nadiayaron - IGDataHub

Nadia Yaron

@nadiayaron she, her

16.7K

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989

Following

332

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Photos/Videos in last 12

Bio

@ericfirestonegallery Art Basel Miami December 4-6 @francisgallery

Links

www.nadiayaron.com www.worldofinteriors.com/story/nadia-yaron-los-angeles-exhibition

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#nadiayaron

Recent posts

My favorite piece from my current show on view @francisgallery until November 25 in LA Angels Wing Wood and marble 30 Oct 2026

To Nadia Yaron, her materials are resolutely alive. Wood bleeds water when cut. Her primordial stones thrum with the energy of all the forces that formed them. Hours of sanding, from 60 grit to 800, slowly reveal a history of encounters: rust-stained veins, streaks of pale pink or emerald green, patches bleached to dusty gray. In ‘Bird Over Mountain’ (2026), the alabaster bird’s creamy crystalline bands and restless variations of iron-oxide red recall iridescent light glancing off glossy feathers. Inquiries: [email protected] — Francis Gallery 8323 Melrose Avenue West Hollywood, CA 90069 Open: Wed — Sat, 11am — 5pm Photos: @erik.benjamins #NadiaYaron 30 Oct 2026

In the swoop and soar of a bird’s flight, Nadia Yaron perceives the boundlessness of the sky. The striated marble bird balanced atop an ash-wood arch, limestone cube, and curved walnut base in Blackbird (2026) seems to shed its material heft. The upward-arcing wing, defined by three furrowed feathers, appears light, lifted and lifting. The totemic composition presses skyward, animating the still sculpture with a momentum that threatens to escape its stand. Yaron’s birds bear forth a sense of freedom. The buoyancy corresponds with her long-held meditation practice, in which thought and feeling briefly subside, creating a spaciousness within. A moment of internal release amid constantly fluctuating conditions. “Liberation like enlightenment is a state of mind,” she says, “that we can all achieve despite what’s going on around us.” Her altar, a pink marble candleholder atop a carved walnut shelf beneath a series of prints, offers a kind of perch from which one might consider the present and attend to the unfolding world within. ‘Intimate Immensity’ is on view through to 25 November. Inquiries: [email protected] — Francis Gallery 8323 Melrose Avenue West Hollywood, CA 90069 Open: Wed — Sat, 11am — 5pm Photos: @erik.benjamins #NadiaYaron 21 Oct 2026

2 blue birds circling each other in play On view now @francisgallery 19 Oct 2026

Clouds and clouds and a levitating cloud made of marble Come see my new collection @francisgallery in Los Angeles open now Photos by Erik Benjamins 16 Oct 2026

So excited to be back in sunny LA for a duo exhibition with painter @mervereh ‘Intimate Immensity’ ~ @francisgallery The French philosopher Gaston Bachelard described the vastness that can open within us through contemplation as “intimate immensity.” Imagination carries us from a discrete object into the “space of elsewhere,” exceeding the dimensions of our immediate surroundings. Poetic images, and by extension works of art, he argued, could conjure that expansiveness within another person. Fly free 🕊️ 14 Oct 2026

My tallest sculptures yet…. These pieces brought me to my knees, to tears, through the door and out into the light ✨ Thank you Eric for encouraging me to go bigger! And..be still my heart how did I get so lucky to be in the same booth with all of these incredible artists…. Elise Asher • Mel Casas • Elaine de Kooning • Lauren dela Roche • Martha Edelheit • Elise Ferguson • Torben Gammelgaard • Grace Hartigan • Colleen Herman • Huê Thi Hoffmaster • Kim Levin • Jay Milder • Joe Overstreet • Betty Parsons • Pat Passlof • Jeanne Reynal • Thomas Sills • Anita Steckel • Almo Talud • Jon Tierney • Paul Waters On view now @thearmoryshow @ericfirestonegallery The Armory Show Javitz Center NYC Booth 417 September 24-27 24 Sep 2026

Free bird Walnut and salvaged building materials @francisgallery 08 Sep 2026

Emptiness is a virtue @francisgallery Seoul, Korea 05 Sep 2026

Each material, whether wood, metal, or stone, is finished by hand, a single curve surfacing only after days of the same small motion, repeated and repeated. In “Emptiness is a Virtue” (2026), the aluminum and wood are joined in a fragile poise, resolving into a singular whole. The intense labor belies an unexpected lightness and whimsy. Nadia Yaron’s sculptures echo the hanok unwittingly, in material and in method. The architecture of the hanok sets a top-heavy tile roof on a handful of slender wooden posts, performing a gentle miracle. Yaron’s forms hold the same paradox, challenging the cosmology of gravity, the oldest force there is. “You have to give yourself to the stone and let it be,” she says. “The imperfection in my work is intentional; it echoes nature’s own fragility.” This is sobakmi. — ‘A full moon is a half moon’ — on view 3 — 5 September at Rakkojae. All inquiries: [email protected] Photo: @longevity.in #NadiaYaron 05 Sep 2026

Tree of Life On view now in Seoul Korea @francisgallery 📸 @longevity.in 04 Sep 2026

Swipe for Just a Few Qs with NADIA YARON ( @nadiayaron ). For more Q’s, sign up for our monthly newsletter. 04 Sep 2026

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DfHb7dtGyYt	My favorite piece from my current show on view @…
DfHB_8PFgti	To Nadia Yaron, her materials are resolutely ali…
DexsU7BmJNh	In the swoop and soar of a bird’s flight, Nadia …

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332 posts & reels

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Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

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shortcode	caption	likes	comments
DfHb7dtGyYt	My favorite piece from my current show on view @…
DfHB_8PFgti	To Nadia Yaron, her materials are resolutely ali…
DexsU7BmJNh	In the swoop and soar of a bird’s flight, Nadia …

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up to 16,651 followers

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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Everyone they follow

up to 989 accounts

$9.99

minimum

Every account this one follows, same fields.

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username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

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