@mnjaekim - IGDataHub

minjae kim

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@mnjaekim

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#cavajournal

Recent posts

Little more than a year ago I was entrusted with an exciting project in Seoul; to take over an empty room at @chicoryhotel and turn it into a private guest room. This was a unique jewel box project I’ve been waiting for a long time. Big thanks to the team at Chicory Hotel for trusting me, and my friends @coldbleu @kyeonbyunghwi @inukssss for helping me along the way! If you’re in Seoul, please drop by :) 지난 일년간 뉴욕과 서울을 왔다갔다 하면서 치커리호텔 스위트 게스트룸을 완성했습니다. 개인작업을 시작하고 늘 기다려오던 스케일의 프로젝트라 즐겁게 작업할 수 있었습니다! 서빙고로의 랜드마크 치커리 호텔 많이 찾아주세여 Curtain fabric from @umber_postpast Mirror from @zarahome Photo by @kill.time.cut (first three slides) 10 Nov 2026

난 뭐가 될래 김민재 @mnjaekim 뉴욕 브루클린에서 가구, 설치, 조각 등의 작업을 하고 있다. 본래 건축 전공이었으나 도피 중. #CAVAJournal 은 문화 예술적 관점을 경유한 자유로운 의견의 장입니다. 동시대 작업자들의 의미 있는 이야기를 만나보세요. 02 Nov 2026

My friend @mnjaekim ‘s amazing Brooklyn apartment peppered with so many of his amazing work for the new issue of @arkjournal 💕 21 Oct 2026

There is no fixed end point in Minjae Kim’s (@mnjaekim) work. A chair or sculpture can leave the studio and still remain open to his hand, with new interventions becoming part of its continuing life. “At any moment I can get back to work on my pieces and there wouldn’t be a fracture between the new and the old,” he says. “There’s just a continuation of process.”⁠ ⁠ Kim calls this quality “intentionally unresolved”, an idea that has stayed with him as his practice has grown from early experiments in Brooklyn to work held in museum collections. He finds possibility in leaving the door open, allowing an object to accumulate another gesture or material over time. Completion is something fluid, with each piece carrying the possibility of another idea, another intervention, another life.⁠ ⁠ Read the full feature in Ark Journal Volume XVI.⁠ ⁠ Words Camille Okhio (@cokhio)⁠ Photography Clément Pascal (@CGBP) 20 Oct 2026

I photographed my friend @mnjaekim at his home and at his studio for the new issue of @arkjournal - here are the images from his studio 💕 thank you @mette_barfod_ and the whole Ark team 20 Oct 2026

Before establishing his independent practice in 2019, Seoul-born, New York-based artist and designer Minjae Kim (@mnjaekim) trained in architecture and worked with Giancarlo Valle (@valledevalle), experiences that gave him a close understanding of how objects occupy a room. From his Brooklyn studio, he has since developed a visual language that remains deliberately difficult to categorise, moving between furniture and sculpture with a sense of humour that often reveals itself slowly. His Painter’s Stool captures something of that character: conceived as a seat to perch on while moving back and forth from a canvas, it turns an ordinary working object into something distinctly his own.⁠ ⁠ Kim’s practice has grown considerably since those early experiments, with his work now entering museum collections and appearing in projects internationally, yet he remains drawn to the possibility of leaving an object unresolved. His own pieces populate the Bed-Stuy brownstone he calls home, where they continue to live beyond the studio and remain open to change. “At any moment I can get back to work on my pieces,” he says. “There’s just a continuation of process.” In Ark Journal Volume XVI, we meet Kim in Brooklyn to consider the ideas behind this open-ended approach and the creative freedom he has found within it.⁠ ⁠ Read the full feature in Ark Journal Volume XVI.⁠ ⁠ Words Camille Okhio (@cokhio)⁠ Photography Clément Pascal (@CGBP) 29 Sep 2026

“When I first went back to Korea after finishing architecture school in Seattle, having just gained fresh, exciting knowledge about chairs, and going back home, where they didn’t seem important before, made me realize how much they mattered.” @mnjaekim in conversation with @tanjahwangcunz about chairs, moon jars and the design process in September Project’s first publication, ‘Map of Maps’. Sign up at the link in our bio for updates. MinJaekim Working on a fiberglass moon jar; photo by William Jess Laird. 18 Sep 2026

적아지경(摘我之鏡) 나를 가져가는 거울, 혹은 테이크 아웃 미러 협업: @ch_gnhk 사진: @kill.time.cut 17 Sep 2026

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1,326 posts & reels

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

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shortcode	caption	likes	comments
DfkddXZlEUw	Little more than a year ago I was entrusted with…
Dfkct6SlNVW	Little more than a year ago I was entrusted with…
Dfkb8qHlOsm	Little more than a year ago I was entrusted with…

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up to 50,000 followers of 51,216 total

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$250.00

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up to 4,364 accounts

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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$21.82

Every post & reel

1,326 posts & reels

$13.26

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

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shortcode	caption	likes	comments
DfkddXZlEUw	Little more than a year ago I was entrusted with…
Dfkct6SlNVW	Little more than a year ago I was entrusted with…
Dfkb8qHlOsm	Little more than a year ago I was entrusted with…

Real rows from this account. The file continues in the same shape.

Everyone who follows them

up to 50,000 followers of 51,216 total

$250.00

Handle, full name, ID, and verified/private flags for each follower.

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username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

Everyone they follow

up to 4,364 accounts

$21.82

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 1 day, 3 hours ago.

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