Missy Mazzoli

Missy Mazzoli

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@missymazzoli she, her

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Grammy-nominated composer, New Yorker, death doula 🖤 Lincoln in the Bardo: Met Opera Oct.19 - Nov.14, 2026

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Finally fulfilled my dream of having a Coney Island photoshoot! 🎡🎆🎠 And a @nytimes feature! Thank you @adamnag for the writing and @icy_squid (David Billet) for the photos! https://www.nytimes.com/2026/09/18/arts/music/missy-mazzoli-lincoln-in-the-bardo-met-opera.html “Mazzoli, who has written seven operas, has emerged as a musical refutation to the notion that the art form is a creaky, elitist holdover from another century. “Missy is one of the shining lights of music,” said Yannick Nézet-Séguin, the music director at the Met. She “can bring new audiences,” he added. “That’s the common thread with composers of our time. This generation now is a bit more connected to film music, pop music. She’s definitely bridging with other types of music and other types of art forms.” “Gelb called Mazzoli “one of the greatest and most prolific composers of today” and argued that “the future of our art form has to rely upon accessible new work.” He added: “What’s interesting about her is she is someone that the critics can like — and also, I can like: Works that are theatrically engaging, musically thrilling and accessible to the audiences. ‘Lincoln in the Bardo’ is not going to be the only opera by Missy we are going to be performing at the Met.” PR: @unisonmedia 18 Sep 2026 Take a look at our feature in the New York Times (@nytimes)! Our founders Missy Mazzoli (@missymazzoli) and Ellen Reid (@ellenreidmusic) share their impetus for starting Luna Composition Lab and the important work that is needed to change the field of composition for female, nonbinary, and gender-nonconforming composers in this article by Lisa Hirsch. Whether you are new to our community, or you’ve been one of our champions since the beginning, we hope you enjoy reading this piece that celebrates our first decade. Read the full article at the link in our bio. 12 May 2026 Exhausted, overwhelmed and so so happy to have been party of this year’s #Grammys. Congrats to @jmontymusic, @imaniwinds, @roomfulofteeth and all the other winners- I love you and I love our community. Plus, y’all looked GORGEOUS!!! 🤩❤️🔥 Glam Squad: Extensions by @proper_demanda at @livebytheswordsalon, styling by Maeve Merrill 05 Feb 2024 We sold out the Met, y’all!!! 04 Nov 2026 ⭐ QOBUZ EDITOR’S PICK ⭐ ‘The Listeners’ has been named Editor’s Pick by Qobuz! A wonderful recognition for Missy Mazzoli and Royce Vavrek’s captivating opera thriller, praised for its score and its “lyricism that bridges the gap between opera and musical theatre.” Recorded live at the Lyric Opera of Chicago and conducted by Enrique Mazzola, with soprano Nicole Heaston in the role of Claire. Stream and/or download now on @qobuz | #linkinbio 02 Nov 2026 Composer Missy Mazzoli made history this month when she became the first woman to have an opera commissioned and premiered by The Metropolitan Opera. “Lincoln In The Bardo” is a collaboration with librettist Royce Vavrek and director Lileana Blain-Cruz, and is based on the celebrated novel of that name by George Saunders, a huge music fan who was also involved in the process of translating his epic story onto the opera stage. Mazzoli first began appearing in the WNYC studios as a young composer leading an all-female electroacoustic chamber ensemble called Victoire; she was named Composer Of The Year by Musical America in 2022; and along with Pulitzer Prize-winning composer Ellen Reid has founded and led the Luna Labs project which mentors young female and non-binary composers. She stopped by our studios to talk about the five-year journey that culminated on opening night – and the subsequent journey which began at that same time. The full interview is available now on our YouTube channel, youtube.com/NewSoundsMusic You can hear the interview and some excerpts from “Lincoln In The Bardo” on tonight’s episode of New Sounds, at 11 pm on WNYC-FM. For an early listen of the episode, go to newsounds.org and stream the episode titled “#5201, With Missy Mazzoli, and October 2026 New Releases” Tickets for “Lincoln in the Bardo” are available through November 14th at metopera.org @missymazzoli @metopera @wnyc 30 Oct 2026 Thank you @talyazax at @theatlantic for this spot-on article. Also this is my favorite picture of @arcostanzo ever!!!! 🐷🐷🐷 29 Oct 2026 Composer @missymazzoli is the first woman ever to have an opera premiered by the @metopera. Based on the award-winning novel by George Saunders, Mazzoli and librettist Royce Vavrek's "Lincoln in the Bardo" depicts Abraham Lincoln mourning his 11-year-old son, Willie, whose passing has led the young boy to a threshold place between the living and the dead. @faithsalie talks with Mazzoli about the opera and the influence that punk rock and music videos had on her work. 25 Oct 2026 Press is out for Lincoln in the Bardo!!!! Thank you @unisonmedia for all your amazing help. 23 Oct 2026 I wrote an article for Marie Claire about my love for MTV and my early punk idols, women who showed me how to be confident, bold and fearless. 🖤❤️🤘🏻 https://www.marieclaire.com/culture/music/missy-mazzoli-lincoln-in-the-bardo-essay/ 22 Oct 2026 Grammy friends, The homestretch is upon us… less than 24 hours to go! If you haven’t yet submitted your votes, consider the love story of Bess and Jan… Breaking the Waves, composed by Missy Mazzoli, libretto by Royce Vavrek, recorded with Houston Grand Opera and conductor Patrick Summers, eligible in the following categories: BEST OPERA RECORDING BEST CONTEMPORARY CLASSICAL COMPOSITION BEST ENGINEERED ALBUM, CLASSICAL PRODUCER OF THE YEAR, CLASSICAL (Blanton Alspaugh) Lauren Snouffer - Bess McNeill Ryan McKinny - Jan Nyman Michelle Bradley - Mother Maire Therese Carmack - Dodo McNeill David Portillo - Dr. Richardson Michael Mayes - Councilman Sam Dhobhany - Terry Johnny Salvesen - Sadistic Sailor Andrew Surrena - Young Sailor Jon Janacek - Tenor Solo 21 Oct 2026 Last night was…truly epic. I am so grateful to everyone who was part of this production. My heart is so full!!!! I’m particularly grateful to our director Lileana Blain-Cruz, our conductor Yannick Nezet-Seguin, our incredible design team and everyone in our truly remarkable cast, and of course my trusted collaborator Royce Vavrek. ❤️ This dress was custom made by threeASFOUR (@threeasfour), and I’m so grateful to designers Gabriel Asfour, Adi Gil and Angela Donhauser! Jewelry is by Tamsen Z by Ann Ziff (@tamsenz)- thank you Ann for helping me feel fabulous! Photos 1, 2, 3: Jenny Anderson- Getty Images Photos 4, 5, 7, 8, 9: Jenny Gorman- Metropolitan Opera 20 Oct 2026

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