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Met Modern

@metmodern

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The Modern and Contemporary Art department at The Met is devoted to the study, collection and exhibition of art from 1890 to the present.

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www.metmuseum.org/about-the-met/collection-areas/modern-and-contemporary-art www.metmuseum.org/hubs/tang-wing www.metmuseum.org/research-centers/bluff-collaborative-for-research-on-dada-and-surrealism www.metmuseum.org/collections/guston-at-the-met

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#metlivearts #metmuseum #feldmanat100 #mortonfeldman #philipguston

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Hear a pioneering composer reflect on his friendship with a famed artist in a moving work. Revolutionary composer Morton Feldman’s (1926–1987) epic four-and-a-half-hour work “For Philip Guston” (1984) reflects on the memory of his intense and occasionally tumultuous artistic relationship with trailblazing artist Philip Guston (1913–1980). Once close friends, and pictured together here in 1965, the two men drifted apart in the late 1960s when Guston turned away from abstraction to figurative art. After Guston’s death, Feldman began to appreciate the freedom of his friend’s artistic transformation and the affinities between their later works. Amid the elegant architecture of the Lehman wing atrium, experience Feldman’s meditative colors at any point in the performance—or immerse yourself fully for the work’s entire duration. 🗓️ November 13, 3 pm 📍 The Met 🎟️ Free with Museum admission 🎶 Featuring Alice Teyssier (@aliceteyssier), flutes Nathan Davis (@nathandavis_composer), percussion Manuel Laufer, piano and celesta This performance, along with a performance of Feldman’s “Violin and String Quartet”, honors the centenary of composer Morton Feldman. Celebrating Morton Feldman: “Violin and String Quartet” with JACK Quartet and violinist Keir GoGwilt on November 14 is sold out, link in bio to join the waitlist. — 📸 Morton Feldman and Philip Guston. Photo by Renate Ponsold #MetLiveArts #MetMuseum #FeldmanAt100 #MortonFeldman #PhilipGuston 06 Nov 2026

Artists Lee Krasner (1908–1984) and Jackson Pollock (1912–1956) profoundly influenced each other as they found their own places at the forefront of the Abstract Expressionism movement. Featuring more than one hundred vivid paintings and works on paper, “Krasner and Pollock: Past Continuous” highlights the range and art-historical importance of Krasner’s work, evaluates Pollock’s significance anew, and considers the pair as artistic peers against the backdrop of the postwar United States. The authors situate the artists within their historical context and trace important breakthroughs in their practices, such as Pollock’s exploration of the “drip” technique and Krasner’s turn to collage. Personal reflections from twenty-first-century artists attest to Krasner’s and Pollock’s ongoing legacies. For devotees of Krasner and Pollock and readers encountering them for the first time, this book offers an illuminating portrait of the couple and their individual careers. It is available @TheMetStore, and don’t miss the @MetModern exhibition, on view @MetMuseum through January 31, 2027. 26 Oct 2026

On this day in 1924, the Surrealist Manifesto was published and launched an artistic revolution. Today, The Met launches a new annual digital publication, “The Bluff Almanach,” focused on Dada and Surrealism. The inaugural issue centers on the artist Man Ray, the visionary known for his radical experiments that pushed the limits of photography, painting, sculpture, and film. For the Dada and Surrealism buffs, dive into Alex Da Corte’s one-night-only lecture as Marcel Duchamp, Jim Jarmusch and Carter Logan on scoring Man Ray’s films, and Man Ray’s arrival in 1930s colonial Korea. Check it out at the link in bio. ___ The Bluff Almanach is a project of The Bluff Collaborative for Research on Dada and Surrealism, a Met initiative that merges historical and material research with contemporary thinking to offer a platform for new views and conversations. 15 Oct 2026

📣 Now open! "Krasner and Pollock: Past Continuous" is the first major New York presentation devoted to either artist in more than 20 years. Featuring over 120 works, it is the first exhibition to look at the full arc of their careers together. 🎟️ Link in bio to plan your visit and learn more. 04 Oct 2026

"Autumn Rhythm" is on the move! 🚗 Opening October 4 at The Met, "Krasner and Pollock: Past Continuous" is the first major New York presentation devoted to either artist in more than 20 years. Featuring over 120 works including "Autumn Rhythm: Number 30, 1950," it is the first exhibition to look at the full arc of their careers together. 💡 Link in bio to learn more and plan your visit. 01 Oct 2026

“there are no words . . . just the picture itself is the narrative.” - Si Lewen Now on view at The Met, “There Are No Words: Si Lewen’s Parade,” is an epic cycle of 63 charcoal, pencil, and ink drawings conceived by Si Lewen (1918–2016) in the aftermath of World War II. The work unfolds a visual narrative on war, memory, and the human condition that is informed by the artist’s extraordinary life. The drawings carry viewers from military pageantry to conflict, devastation, and mourning through the cumulative force of their imagery. The power of The Parade lies not only in its historical origins but in its ability to speak across generations with urgency, asking viewers to confront the persistent cycles of violence that continue to shape our world. On view in Gallery 690 @metmuseum ——— 🎨 Si Lewen (American 1918–2016). The Parade (details), ca. 1950. The Metropolitan Museum of Art, New York, Purchase, Estate of Louise Graham, Lila Acheson Wallace and Mark Fisch and Jessica Kayll Gifts, 2024. Image Courtesy the Estate of Si Lewen and James Cohan, New York 01 Oct 2026

Open this week for Met Member Previews: “Krasner and Pollock: Past Continuous”! This exhibition traces the parallel lives and practices of Lee Krasner (1908–1984) and Jackson Pollock (1912–1956). The two married in 1945 and moved to Springs, Long Island, where they remained entwined personally, artistically, and professionally until Pollock died in 1956. While Pollock’s reputation historically eclipsed Krasner’s, today, both artists’ practices are recognized as central to the innovations of art from the mid-20th century onwards. This exhibition spanning the full arc of their respective careers continues and amplifies this reevaluation, on their own terms and in dynamic relation to each other. Become a Member to be among the first to see “Krasner and Pollock: Past Continuous” during Member Preview Days, Thursday, October 1 – Saturday, October 3. Open to the public Monday, October 4. ——— Installation views of “Krasner and Pollock: Past Continuous,” on view at The Metropolitan Museum of Art from October 4, 2026- January 31, 2027. Photo by Anna-Marie Kellen; courtesy The Met. @pollockkrasnerfoundation 29 Sep 2026

A new commission now on view in The Met’s American Wing: David Hartt: “Peripheries.” Multidisciplinary artist David Hartt transforms John Vanderlyn’s immersive historical painting, “Panoramic View of the Palace and Gardens of Versailles” (1818–19) into a dynamic contemporary installation, offering viewers the opportunity to explore questions of place, representation, and cultural memory. Vanderlyn’s highly detailed rendering of Versailles—among the largest surviving panoramas in the United States—is activated by Hartt’s architectural intervention, bringing past and present into conversation. On view in Gallery 735 through February 7, 2027. 📽️ Video stills from David Hartt’s “Peripheries,” 2026. Two channel 4K digital video, 16:06 minutes, synchronous continuous loop, black and white, sound. Courtesy of the artist @david_hartt 25 Sep 2026

Now on view at The Met: The Genesis Facade Commission: Liu Wei, “Speculation”. Beijing-based conceptual artist Liu Wei brings together fragments of urban environment, historical references, and bodily forms to explore cycles of rupture and mending. Across four monumental sculptures, the human hand appears as a recurring motif, transforming a familiar form into something at once recognizable and fantastical on our iconic facade. Spend an evening with Liu Wei on Tuesday, September 22, as he joins curator Lesley Ma in conversation—free with registration at the link in bio. The exhibition is presented by Genesis (@genesis_worldwide). ___ Liu Wei (Chinese, born 1972), “Speculation / ∧”; Speculation / G”; Speculation / c”; “Speculation / h,” 2026. Fiberglass composite, steel, aluminum alloy, and polyurethane paint. 18 Sep 2026

Today, we broke ground on the new Oscar L. Tang and H.M. Agnes Hsu-Tang Wing at The Met. Designed by renowned architect Frida Escobedo (@fridaescobedo), the redesigned wing will create a world-class home for The Met’s diverse collection of 20th- and 21st-century art and include critical advances in accessibility, infrastructure, and sustainability. Elected officials including City Council Speaker Julie Menin (@julmenin), Manhattan Borough President Brad Hoylman-Sigal (@bradhoylman), Parks Commissioner Tricia Shimamura (@nycparks), and State Senator Jose Serrano (@senatorserrano) joined us to formally break ground along with a performance by @metlivearts artist Black Belt Eagle Scout (@blackbelteaglescout) marking an exciting milestone in bringing this historic project to life. The 126,000-square-foot reimagined space will open to the public in 2030. 15 Sep 2026

What do our clothes say about who we are? “The checkerboard pattern is found on garments from the earlier Wari civilization, which was also known for its weaving traditions, but during the Inca period an “unku” with black-and-white squares and a stepped red yoke became one of the most standardized and prolific designs, a sort of uniform identifiable with the advance guard of the Inca emperor’s forces. This association gave the checkerboard tunic a special value in society, which was reinforced by the prevalence of its distinctive design...” writes Brinda Kumar, Associate Curator, Modern and Contemporary Art (@metmodern), in her essay on an Inca tunic (1400–1535 CE) in The Met collection. Reflecting on the enduring visual power of the checkerboard pattern and the grid, Kumar was drawn to a motif whose resonance extends across time and cultures. In the history of modern art, the grid became one of the defining structures through which 20th-century artists from Piet Mondrian to Agnes Martin explored abstraction. Artists such as Victor Vasarely and Bridget Riley investigated the optical effects of checkerboard and grid-based compositions, and Kumar considers how premodern artists may have harnessed some of these same visual properties centuries earlier. Read more in “Points of View,” a compendium of short, thought-provoking essays with cross-disciplinary insights by the staff of The Metropolitan Museum of Art. Shop the book through the link in bio or pick up a copy at The Met Fifth Avenue. Available now from @metpubs. ——— 👕 Inca artist(s), Tunic, 1400–1535 CE. Camelid fiber. On view in Gallery 363 at @metmuseum. 08 Sep 2026

Final week to see “Giacometti in the Temple of Dendur,” on view through September 8! For the first time at The Met, this presentation brings together the work of Alberto Giacometti (1901–1966) in one of New York’s most iconic spaces. The installation of 14 works in bronze and plaster, emblematic sculptures from the collection of the @fondation_giacometti in Paris together with 3 from the @metmuseum collection, brings the work of one of the great sculptors of the 20th century in dialogue with the ancient civilization that strongly influenced his art and his practice. A true Met-only experience closing soon! ——— Installation views of “Giacometti in the Temple of Dendur,” on view June 12 through September 8, 2026, at The Metropolitan Museum of Art. Photo by Anna-Marie Kellen. The Exhibition was co-organized by The Metropolitan Museum of Art and the Fondation Giacometti, Paris (@fondation_giacometti). 01 Sep 2026

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DfZyzXwORDG	Hear a pioneering composer reflect on his friend…
De9jBaNHFaR	Artists Lee Krasner (1908–1984) and Jackson Poll…
DehOxhUCXZh	On this day in 1924, the Surrealist Manifesto wa…

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DfZyzXwORDG	Hear a pioneering composer reflect on his friend…
De9jBaNHFaR	Artists Lee Krasner (1908–1984) and Jackson Poll…
DehOxhUCXZh	On this day in 1924, the Surrealist Manifesto wa…

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