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Helping creators shoot cinematic footage Co-Founder @mdmedia._ 🇦🇺
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Recent posts
But did he cook? @airasia @hyroxanz
10 Nov 2026
Comment “VND” and I will send you the link.
Not all filters are created equal, and knowing which one to use can completely transform your footage.
A VND (Variable Neutral Density) filter controls how much light hits your sensor. It lets you maintain a cinematic shutter speed even in bright daylight - giving you that smooth, natural motion blur that makes video look professional rather than choppy.
A CPL (Circular Polariser) filter cuts through glare and reflections on water, glass, and wet surfaces - boosting contrast, deepening colours, and giving your shots that polished, high-end look.
Together, they’re two of the most powerful tools in any serious content creator’s kit.
Save this and follow for more camera tips.
#filmmaking #videography #creatorhacks #cinematography #ndfilter
04 Nov 2026
This didn’t even feel real.
@djiglobal
#drone #dji #djimini5pro #videography #droneshot
09 Nov 2026
Sony FX3 vs FX6: which one should you actually buy? 👀
Here’s a quick breakdown if you’re choosing between the two:
Same sensor, same 4K image. The FX6 doesn’t outshoot the FX3 on image quality. That’s not where the difference is.
FX6 = built-in variable ND, no in-body stabilisation.
FX3 = in-body stabilisation, no built-in ND.
Both come with an XLR handle, and both have 2-channel XLR inputs.
Where the FX6 pulls ahead on bigger productions:
→ Variable ND + Auto ND for changing light
→ 12G-SDI out to monitors and wireless video
→ Timecode in/out for multi-cam sync
→ BP-U batteries for long shoot days
→ Camcorder body, with physical buttons for everything, built to sit on the shoulder
That’s why you see the Sony FX6s on docos, corporate events, broadcast and multi-cam jobs.
The real decision is workflow vs. weight.
→ Long shoot days, a crew, client monitors, multi-cam? FX6.
→ Handheld, gimbal, or a solo light setup? FX3.
Save this for when you’re deciding, and comment which one you’re shooting on.
Follow for more gear breakdowns.
@sonycine @sonyprofilmmaking @sonyalpha @sonyalpha.anz
#SonyFX3 #CinemaLine #Filmmaking #Videography #SonyFx6
08 Nov 2026
Works like magic 🤩
07 Nov 2026
DJI Gimbal hack for vertical shooting.
You don’t need a bracket or a special mount. Flip the roll arm over so the camera sits inverted. Now the screen has enough clearance to open fully without touching the rear motor.
It takes 10 seconds and you get:
→ Full flip screen access
→ A natural viewing angle
→ Zero extra accessories
Sometimes the best gear upgrade is using what you already own differently.
Save this for your next vertical shoot
Follow for more tips.
#DJI #DJIRS5 #GimbalTips #Videography #Filmmaking
05 Nov 2026
Comment ‘LINK’ and I will send you the guide.
Sony FX3 Settings every beginner should change today.
Here’s the exact settings I use for every shoot to achieve cinematic footage:
- Start at 25fps - that film look your eyes are used to
- XAVC S 4K - high quality, 4K files
- 4:2:2 10-bit - professional colour depth for serious grading
- 180° Shutter Angle - natural motion blur
- Cine EI + S-Log3 - maximum dynamic range for grading
- 800 or 12800 ISO - native iso, cleanest image possible
- Start at 5500K White Balance - consistent, predictable colour
- Display LUT ON - so I can actually see what I’m shooting
- Continuous AF - Sony’s tracking does the heavy lifting
This workflow didn’t happen overnight, it’s built from hours on set figuring out what actually works.
Save this if you’re shooting on the FX3 👇
Follow for more camera tips
#SonyFX3 #Cinematography #FilmLook #SonyAlpha #creatorhacks
05 Nov 2026
This brand new 40mm f/2.2 Full Frame AF lens by Sirui is perfect for filming cars.
I paired it with my Sony FX3 and shot this Subaru WRX video on just this one lens: low-angle orbits, tilts, close-ups on the carbon wing and wheels, and full wide shots of the car.
40mm is the sweet spot. It’s tight enough for detail and wide enough to fit the whole car without distortion.
Shot on: Sony FX3 @sonyprofilmmaking
Lens: Sirui 40mm f2.2 Full Frame AF @sirui_global
Gimbal: DJI RS5 @dji_ronin
ND Filter: Nisi @nisiglobal
Client: @automodellista.au
#SonyFX3 #Cinematography #FilmLook #SonyAlpha #creatorhacks
03 Nov 2026
One slow pull-back shot. No dolly, no track, just the @dji_ronin ronin RS5 and me walking backwards.
My three tips for nailing this kind of shot:
→ Go low and keep the gimbal close to your body. A lower angle makes her the hero of the frame and hides the path.
→ Lock AF to your subject. With people walking behind her the whole time, set subject recognition to Human and keep AF Transition Speed low, so focus never jumps to the background.
→ Walk the path before you roll. I walked my exact line backwards once without the camera so I knew where the edge was and could keep my eyes on the monitor during the take.
Camera: Sony FX3 @sonyalpha.anz
Lens: Sony 28-70mm f2.8
Gimbal: DJI RS5
Filter: PolarPro Mckinnon signature edition @polarpro
Colour graded with my custom PowerGrade available via the link in my bio.
@sonyprofilmmaking @sonyalpha @sonycine @djiglobal
#djironin #DJIRS5 #videography #creatorhacks #cinematography
02 Nov 2026
How I build my Sony FX3 for commercial shoots.
Here’s exactly what’s on it:
→ Camera: Sony FX3
→ Lens: Sony Sony FE 35mm f/1.4 GM
→ Tripod: PotatoJet & SmallRig
→ Camera cage: SmallRig
→ Cinerig Base: Rigid Pro
→ Battery & accessories: SmallRig
→ Monitor: Atomos Shinobi II
→ Microphone: Sennheiser MKH 600
→ Filter: Polar Pro McKinnon Series
Comment below which camera setup you use for commercial shoots and what’s the one piece you’d never shoot without?
@sonyalpha.anz @sonycine @sonyprofilmmaking @smallrig.global @atomos.global @rigidproglobal @sennheiser
#fx3 #sonyfx3 #cinematography #videography #filmmaking
02 Nov 2026
From LOG to Final Look.
My custom power grade is built around a single wheel doing 90% of the work, so you get consistent, cinematic warmth without adjusting any other settings most of the time.
Comment ‘GRADE’ and I will send you my power grade.
It works on the free version, no paid software required.
Now 30% off.
Follow for more tips.
Shot on Sony FX3
#Filmmaking #ColourGrading #Sonycine #DaVinciResolve #videography
26 Oct 2026
The process is never as pretty as the final result.
@capevue.byronbay
31 Oct 2026
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