@martinesyms - IGDataHub

Martine Syms

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@martinesyms

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Professional Venus ✿ 𑁍 ❁

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@martinesyms knows what’s up and is more than willing to put you on game. For our sixteenth issue, here are 16 of her recommendations for better, well, everything. HOMMEGIRLS VOLUME 16 Images and words @martinesyms Editor-in-Chief @mrthakoon Creative Director @jenbrillbrill Features Director @alixbrowne.edit Fashion Director @stella_greenspan Design Directors @rosfok and @realmavisbeacon Market Director @czzzalopany Art Director @rainetrain Managing Director @siyabahal Managing Editor @katieadler Editor-at-Large @user_016795 Contributing Art Director @_ameliakring Contributing Features Editor @durgapolashi Contributing Designer @camillegwise Digital Editor @brooke_mccord Associate Social Media Editor @alexfener Editorial Assistant @owen.m.f 13 Nov 2026

Wellness formula downnnn. Dr. Shen’s Yin Chiao boots. Knot Eye Closed Saturday. Home from tour. Time to write. RIP Raj 🩶 RIP Aunt Tezzie ♥️ RIP Auntie Bill 🩵 from bed, with Love 10 Nov 2026

Screening of @martinesyms’ film "Ex Voto," presented by @division.global in collaboration with @sadiecoleshq and Dominica Publishing. 23 Oct 2026

MINNEAPOLIS, MN — Martine Syms is presented in Walker Art Center's Collection in Focus series, on view through May 23, 2027 Syms’ The Borrowed Lady (2016) examines how decontextualized gestures circulate online. Against an all-purple backdrop, four video monitors stand in a circle, facing inward. The artist Diamond Stingily appears in patterned blips across each screen—snapping, calling out, shifting her body. Evoking the public sphere of the internet, the installation replicates the web’s dense network of posts, reposts, and clapbacks. The Borrowed Lady emerged from a moment when social media was rapidly transforming the way that culture spread. In the piece, Stingily performs a series of gestures drawn in part from GIFs and memes of Black women’s expressions. A decade after its creation, the work remains both a portrait of an earlier media moment and a reflection of the continued hypervisibility of Blackness in visual culture. This presentation is part of the Walker’s Collection in Focus series, spotlighting major works in the museum’s collection. Image: Collection in Focus: Martine Syms, June 25, 2026 – May 23, 2027, Gallery 7/Medtronic. Photo by Kameron Herndon, courtesy Walker Art Center, Minneapolis. #MartineSyms #WalkerArtCenter @martinesyms @walkerartcenter 20 Oct 2026

Martine Syms wears many hats. Artist, filmmaker, writer, publisher, performer – the list goes on. With her latest exhibition, ‘Knot Eye’, now open at @sadiecoleshq, @dora_db caught up with the multidisciplinary artist to pick her brains. Is there anything Martine can’t do? @martinesyms @dora_db @sadiecoleshq 16 Oct 2026

Next Week: Martine Syms — @britishfilminstitute The artist’s new film ‘RW-LO’ (2026) is included in the film programme Reconstruction Sites at @icalondon, presented as part of the BFI London Film Festival 2026. Screening Sunday 18 October from 3:15pm. 🔗 Tap the link in bio for tickets ‘RW-LO’ (2026) is also on view at Sadie Coles HQ, 62 Kingly Street as part of Martine Syms’ current exhibition ‘Knot Eye’. Video: Martine Syms, RW-LO, 2026 [Clip]. Courtesy the Artist, Sadie Coles HQ, Hoffman Donahue and Sprüth Magers. RW-LO is commissioned by The Vega Foundation with additional production support from The Museum of Contemporary Art (MOCA), Los Angeles. @MartineSyms #MartineSyms 08 Oct 2026

Blessed 06 Oct 2026

Knot Eye Scene Report with @martinesyms Sign up for our newsletter to receive full reports. 04 Oct 2026

🪱🥫First episode of the season and we’ve opened a seriously juicy can of wooorrmmsss 🪱🥫 Our first guest is the incredible MARTINE SYMS (@martinesyms), whose exhibition Knot Eye is currently on at Sadie Coles (@sadiecoles) 🥳 Martine dropped by the Worms Studio to show us her diary before getting extremely candid about her journey with endometriosis 🫂, seeing a demon in Target, The Artists Way by Julia Cameron, and so much more 🥵 New episode out now! 🪱🪱just type in ‘opening up a can of worms’ on Spotify, Apple Podcasts and YouTube (plus, check out the video version for the full can opening experience). 🪱🪱 23 Sep 2026

Martine Syms on the couch. My full conversation with Martine Syms is now live on Spotify, Youtube and Apple podcasts. Available now on Spotify, Apple, Substack, and YouTube. Series links in bio. #fashionneurosiswithbellafreud #martinesyms @martinesyms @bella_freud @sadiecoleshq 16 Sep 2026

We’re thrilled to share RW-LO (2026), a new work by Martine Syms. Martine Syms blends reenactment with home movies from the life of Brent David Freaney, a lifelong pop girlie who was once, as vintage camcorder footage reveals, a Deep South teenager obsessed with outspoken The Real World: New Orleans castmate Melissa Howard. RW-LO is a nostalgic—and surprising—inquiry into what happens when people start being celebrities, and they stop being real. RW-LO will premiere at @thenyff on 27 & 29 September, followed by @britishfilminstitute on 18 October. The work will be on view in Syms’ exhibition Knot Eye at Sadie Coles HQ, Kingly Street, opening 17 September. Martine Syms (b. 1988, Los Angeles) has earned wide recognition for a practice that combines conceptual grit, humour, and social commentary. She works across film, video, theater, programming, photography, drawing, sculpture, performance, installation, and publishing. An upcoming solo exhibition will open at MOCA, Los Angeles in 2027. RW-LO is commissioned by The Vega Foundation with additional production support from The Museum of Contemporary Art (MOCA), Los Angeles. Image: Martine Syms, RW-LO, 2026 [Poster]. Courtesy the Artist, Sadie Coles HQ, Hoffman Donahue and Sprüth Magers. #martinesyms 15 Sep 2026

Martine Syms is a multidisciplinary artist working across film, video, photography, and publishing. Born and raised in California, she studied at the School of the Art Institute of Chicago and gained an MFA from Bard College. From 2007 to 2012, she co-directed Golden Age, an artist-run space in Chicago, and had her first solo exhibition at Bridget Donaghue gallery in New York in 2015. She has exhibited at international art institutions including the ICA, MoMA, Sadie Coles HQ, and the Walker Art Museum. Syms has published several books including PICTURES 2014-2024 and SHE MAD, and has her own publishing imprint, Dominica Publishing, which publishes artist books and zines. Syms practice combines conceptual grit, humour and social commentary. Her videos and installations are highly technical, reflecting her acute attention to detail in cinematography, sound and editing. Syms uses filmmaking as a means of storytelling to uncover personal and societal truths and employs sound to foster dialogue and form/perform identities. In 2023, she made her feature directorial debut with The African Desperate, and is premiering her new film RW-LO in a solo show at Sadie Coles HQ in September 2026. In this episode of Fashion Neurosis, Bella Freud and Martine Syms discuss matching your nails to your underwear, Taurean energy, and Original Sin. Launching tomorrow, 16th September. Series links in bio. #fashionneurosiswithbellafreud #martinesyms @martinesyms @bella_freud @sadiecoleshq 15 Sep 2026

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shortcode	caption	likes	comments
Dfr7GQzm5AQ	@martinesyms knows what’s up and is more than wi…
DflEoj7mNf0	Wellness formula downnnn. Dr. Shen’s Yin Chiao b…
De15Gw2IHWY	Screening of @martinesyms’ film "Ex Voto," prese…

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shortcode	caption	likes	comments
Dfr7GQzm5AQ	@martinesyms knows what’s up and is more than wi…
DflEoj7mNf0	Wellness formula downnnn. Dr. Shen’s Yin Chiao b…
De15Gw2IHWY	Screening of @martinesyms’ film "Ex Voto," prese…

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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up to 4,463 accounts

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