Margherita

Margherita

@maga.margo

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“Ibis al Delta (Goods/Gods)” 2024 Oil on linen 90 × 140 cm Inspired by a photograph I took in 2021 near Rosetta, in the Nile Delta, a place once fertile and mythical and now marked by ecological disaster, the work depicts three white ibises surrounded by plastic and textile waste. The three ibis species represented were sacred animals to the ancient Egyptians, embodying different deities. The work reflects on illusory luxury, on the bright and noble colors of textile waste, on environmental pollution and on the current condition of animals within our society, suspended on the boundary between product and discard. Ph. @mattiacai 19 Jan 2026 "Jade (selfportrait)" - Grylli e Scarabei Oil on canvas 60 × 100 cm 2026 By reworking the original image with AI the pharaoh was replaced with a selfportrait and the limestone material with jade; the painting then developed from this digital result. Through this transformation, the author inserts herself into the image, subverting its original logic and restoring it as a horizontal portrait. Here, the different animal species are equal protagonists, and the artist is the last to be looked at, thus exploiting the movement of the western eye (accustomed to moving from left to right) as a symbol of the cultural relativity through which we observe reality. Ph. @mattiacai #contemporaryart #oi̇lpainting #amulet #ancient #contemporary 20 Jun 2026 📓by @unfioresullaluna 10 Oct 2026 “Fluorite - Grylli e Scarabei” 2026 34 x 44 Oil on canvas The series "Grylli e Scarabei" uncovers a marginalized aspect of archaeology to reconstruct a pre Christian European cultural identity rooted in magic. Drawing on an archive of ancient seals and apotropaic stones circulating across the Mediterranean, these small objects are translated into paintings. The aim is to explore the human animal relationship, focusing on how other species are historically used as symbols rather than recognized as living beings. Reinterpreted through a contemporary antispeciesist lens, the artworks depict multi species creatures to center the non human and the other, bringing to light narratives habitually left in the shadows of cultural and political discourse. The title itself highlights this dissonance, as the archaeological names of these artifacts are taken directly from insect species whose forms they mirrored. Ph. @mattiacai #contemporary #ancient #crystals #gems #fluorite 07 Jul 2026 𒊩𒉡𒄑𒊬 NUKARIPPATU munusnu-giškiri₆ = nukarippatu, "Donna responsabile del giardino" Tracce, piante e animali dalla magia alla ricerca di Margherita Castoldi Conversazione con l'artista Per comprendere la ricerca di Margherita Castoldi è necessario decontaminare lo sguardo e immergersi in una vera e propria filosofia del vivente. Al centro del suo pensiero non c'è l'imposizione di una forma sul mondo, ma la costruzione di uno spazio di ascolto radicale. Le cosmologie arcaiche e il "periodo magico" non sono nostalgici rifugi, ma dispositivi critici per mettere a nudo le crisi, le illusioni di dominio e le nuove "fedi tecniche" del nostro presente. È una visione non lineare del tempo, dove l'arte si fa "scultura sociale": un esercizio di onestà intellettuale ed etica che scardina l'antico confine occidentale tra natura e cultura, decentralizzando l'umano. Leggi l'articolo su https://www.istitutografico.com Photo by: Antea Ferrari @_effe_a_ #art #paint #plants #animals #technologies 𒊩𒉡𒄑𒊬 NUKARIPPATU munusnu-giškiri₆ = nukarippatu, "Donna responsabile del giardino" Tracce, piante e animali dalla magia alla ricerca di Margherita Castoldi Conversazione con l'artista Per comprendere la ricerca di Margherita Castoldi è necessario decontaminare lo sguardo e immergersi in una vera e propria filosofia del vivente. Al centro del suo pensiero non c'è l'imposizione di una forma sul mondo, ma la costruzione di uno spazio di ascolto radicale. Le cosmologie arcaiche e il "periodo magico" non sono nostalgici rifugi, ma dispositivi critici per mettere a nudo le crisi, le illusioni di dominio e le nuove "fedi tecniche" del nostro presente. È una visione non lineare del tempo, dove l'arte si fa "scultura sociale": un esercizio di onestà intellettuale ed etica che scardina l'antico confine occidentale tra natura e cultura, decentralizzando l'umano. Leggi l'articolo su https://www.istitutografico.com #art #paint #plants #animals #technologies 𒊩𒉡𒄑𒊬 NUKARIPPATU munusnu-giškiri₆ = nukarippatu, "Donna responsabile del giardino" Tracce, piante e animali dalla magia alla ricerca di Margherita Castoldi Conversazione con l'artista Per comprendere la ricerca di 30 Jun 2026 Uff, mi sono poi accorta che instagram aveva guastato la qualità delle immagini: dovrei aver aggirato il problema. "Jade (selfportrait)" - Grylli e Scarabei Oil on canvas 60 × 100 cm 2026 By reworking the original image with AI the pharaoh was replaced with a selfportrait and the limestone material with jade; the painting then developed from this digital result. Through this transformation, the author inserts herself into the image, subverting its original logic and restoring it as a horizontal portrait. Here, the different animal species are equal protagonists, and the artist is the last to be looked at, thus exploiting the movement of the western eye (accustomed to moving from left to right) as a symbol of the cultural relativity through which we observe reality. Ph. @mattiacai #contemporaryart #oi̇lpainting #amulet #ancient #contemporary 23 Jun 2026 "Eliotrope (Chnoubis) - (Grylli e Scarabei)" 2026 34x44 Oil on canvas The serie "Grylli e Scarabei" draws on pre-christian iconography through an archive of magical stones, apotropaic objects and seals circulating across the Mediterranean, from Egypt to the Roman world, with encounters in Iran and Sardinia. These small stones are translated into painting at a larger scale, reflecting on the human animal relationship and reinterpreting ancient icons through a contemporary antispeciesist lens. The title refers to the historical names of these stones, which are also animal species, referring again to the dissonance between the animal itself and its human cultural representation. Ph. @mattiacai #painting #contemporary #ancient #magic #serpentine 12 Jun 2026 Fruits of the spirit 02 Jun 2026 "Blue Chalcedony I - (Grylli e Scarabei)" 2026 33x43 Oil on canvas The serie "Grylli e Scarabei" draws on pre-christian iconography through an archive of magical stones, apotropaic objects and seals circulating across the Mediterranean, from Egypt to the Roman world, with encounters in Iran and Sardinia. These small stones are translated into painting at a larger scale, reflecting on the human animal relationship and reinterpreting ancient icons through a contemporary antispeciesist lens. The title refers to the historical names of these stones, which are also animal species, referring again to the dissonance between the animal itself and its human cultural representation. Ph. @_effe_a_ #painting #contemporary #ancient #magic #bluechalcedony 16 Apr 2026 "Opalite I - (Grylli e Scarabei)" 2026 34x44 Oil on canvas The serie "Grylli e Scarabei" draws on pre-christian iconography through an archive of magical stones, apotropaic objects and seals circulating across the Mediterranean, from Egypt to the Roman world, with encounters in Iran and Sardinia. These small stones are translated into painting at a larger scale, reflecting on the human animal relationship and reinterpreting ancient icons through a contemporary antispeciesist lens. The title refers to the historical names of these stones, which are also animal species, referring again to the dissonance between the animal itself and its human cultural representation. Ph. @_effe_a_ #painting #contemporary #ancient #pegasus #moonstone 10 Apr 2026 Meravigliosi scatti di @_effe_a_ nel mio studio a Marzo 2026 inclusivi anche dell'orto che, ancora dormiente e fatto di germogli, era ed è per me lo spazio più prezioso di studio e apprendimento. Grazie di cuore 💜 Photography @_effe_a_ Styling @golden_virginia Hair @nicole_bellanti Make-up @amalianoemi_somma 13 May 2026 Meravigliosi scatti di @_effe_a_ nel mio studio a Marzo 2026 inclusivi anche dell'orto che, ancora dormiente e fatto di germogli, era ed è per me lo spazio più prezioso di studio e apprendimento. Grazie di cuore 🩵 Photography @_effe_a_ Styling @golden_virginia Hair @nicole_bellanti Make-up @amalianoemi_somma 08 May 2026

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DTsR7bICKJ7“Ibis al Delta (Goods/Gods)” 2024 Oil on linen 9…
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DeUH46WiD2w📓by @unfioresullaluna

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