Lewis Ronald

Lewis Ronald

@lewiser

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My, until now, unchecked obsession with hair and legs has been somewhat foregrounded in “A Box of Impressions”, a new project bringing together 21 photographers. For Lemaire’s new space in Palais Royal Lou Stoppard and Sarah-Linh Tran have made a miniature exhibition focusing on the themes of daily observation, ephemerality and the intersections between public and private that are intimately linked to the Palais Royal and arcade’s heritage. This notion nods to the writer Colette, who moved to the Palais Royal in 1938 and kept a journal of observations of the happenings and visuals she viewed from her apartment. Photographers: Eleonora Agostini, David Campany, Teju Cole, Motoyuki Daifu, Moyra Davey, Elein Fleiss, Naohiro Harada, Osma Harvilahti, Paul Kooiker, Justine Kurland, Manon Lutanie, Ai He Mei, Jeff Mermelstein, Marianne Mueller, Tod Papageorge, Helena Pokorny, Lewis Ronald, Sage Sohier, Courtney Stephens, Hayahisa Tomiyasu, and Ana Vaz. @eleonoraagostini @davidcampany @_tejucole @motoyukidaifu @moyradavey @eleinfleiss @naohiro_harada_photography @osmaharvilahti @paulkooiker @justine4good @manon_lutanie @jeffmermelstein @todpapageorge @lennypokorna @lewiser @sagesohier @courtcolt @hayahisa_tomiyasu @___anavaz___ @loustoppard 20 May 2026 GaboritRonaldHamilton, published by American Art Catalogues and ArchivorumxM. Now available on our website, and launching next week during Art Basel with ArchivorumxM. A book signing on June 17th from 4 to 5p. will take place as part of Archivorum’s Floating Pages series. - Hardcover with hand-stamped paper wrapper - Edition of 400 copies - 13 × 9 1/2 inches, portrait - 25 photographs, 54 pages - Poem by Marianne Moore Featuring: Alphonse Eklou Uwantege Anthea Hamilton Delphine Gaborit Elena Francalanci Jonathan Anderson Juergen Teller Laëtitia Badaut Haussmann Lewis Ronald Marianne Moore Mims Haddad Sarah-Linh Tran @hamiltonanthea @archivorum @lewiser @delphine_gaborit 12 Jun 2026 My upcoming photo book a sheet painted blue. Photographed on location at @charlestontrust Designed by the gurus @kellenbergerwhite 21 May 2022 Dover Street Market Paris invites you to DSMP Open House, on the occasion of Paris Art Week, to discover the book launch of «GABORITRONALDHAMILTON », the first major collaborative work by Anthea Hamilton, Delphine Gaborit and Lewis Ronald.⁠ ⁠ Titled by a grouping of the trio’s surnames, it plays with the branding language of a corporate merger. Slim in page count, with gloss paper and a white textured cover, the book withholds author or title, and is instead wrapped in sugar paper stamped with a list of a cast including artists, photographers, creative directors, dancers and poets.⁠ ⁠ Inside, a suite of twenty-five photographs, made in early 2026, are organised around a 100-year-old poem by Marianne Moore regarding a snail. The only piece of text in the book, Moore’s To A Snail, speaks to an aesthetic of restraint; a love letter to density, pressure, structure and compactness. The book forms part of Archivorum×M’s ongoing publishing programme dedicated to artists’ publishing.⁠ ⁠ ⁠ Launch event during DSMP Open House⁠ On Monday October 19TH ⁠ From 7:30PM to 9:30PM⁠ ⁠ We look forward to seeing you!⁠ ⁠ ⁠@hamiltonanthea⁠ #delphine_gaborit⁠ @lewiser⁠ @archivorum⁠ @americanartcatalogues⁠ ⁠ ⁠ 15 Oct 2026 “Regret is a terrible thing.” It was only earlier this year that I met the enigmatic Sarah-Linh Tran. Since then, I’ve been honoured to have my personal work included in her and Lou Stoppard’s Box of Impressions photography exhibition, on view with Lemaire at the Grand Palais. Together with UNIQLO, she also invited me to photograph inside the Lemaire atelier and the UNIQLO U R&D workshops, introducing me to Christophe and the team. In February, I photographed Sarah-Linh’s incredible hair—her “protective shield”—for our new photobook, GABORITHAMILTONRONALD. The image was developed between Anthea Hamilton, Delphine Gaborit and me: her hair choreographed across Delphine’s sofa, with a trace of Anthea’s fabric behind it. As we were packing up, I noticed a Polaroid Delphine had taken for fun. Its wider view of the room gave the image a narrative, and I immediately wanted to photograph it again. Sarah-Linh was already wrapped in her coats and saying goodbye. Resetting everything wouldn’t be quick, but she said, “It’s okay. We can redo it.” We might still have politely refused. Then she added, “Regret is a terrible thing.” It’s the restaged image that appears in our book. @sarahlinhtransiegelbaum @lemaire @uniqlo @loustoppard @hamiltonanthea @delphine_gaborit 03 Sep 2026 Christophe Lemaire has the most beautiful walls of refined references. I guess i’d be crucified if I listed them all here, but spotting 19th century vagabonds beside German Krautrock bands and a bearded Tolstoy in his armchair made my day 30 Aug 2026 Thank you Sarah-Linh and Christophe for inviting me to Lemaire to make some portraits, marking ten years of, and their departure from, Uniqlo U Adieu et arigato gozaimasu @lemaire @uniqlo Assistance @ibuildmytime 28 Aug 2026 Forthcoming: GaboritHamiltonRonald, 2026 Featuring: Alphonse Eklou Uwantege Anthea Hamilton Delphine Gaborit Elena Francalanci Jonathan Anderson Juergen Teller Laëtitia Badaut Haussmann Lewis Ronald Marianne Moore Mims Haddad Sarah-Linh Tran GaboritRonaldHamilton is an artist’s book made in a series of sittings across London, Paris, Brussels and Lucca. It is the first major collaborative work by Anthea Hamilton, Delphine Gaborit and Lewis Ronald. Titled by a grouping of the trio’s surnames it plays with the branding language of a corporate merger. The form of the book was the first thing established: slim in page count, gloss paper and a white textured cover, its surface withholds author or title, and is instead wrapped in sugar paper stamped with a list of a cast including artists, photographers, creative directors, dancers and poets. Inside, a suite of twenty-five photographs, made in the span of a few months in early 2026, are organised around a 100-year-old poem by Marianne Moore regarding a snail. The only piece of text in the book, Moore’s To A Snail, speaks to an aesthetic of restraint; a love letter to density, pressure, structure and compactness. In Moore’s poem, style – considered formally, linguistically, and choreographically – becomes muscular, capable of both tension and controlled release. Simultaneously intimate and analytical, To A Snail affords “a knowledge of principles” to the photographs’ semi-anonymous portraits – details of hands, spines, ankles, lips, legs, buttocks, ears, and thighs – and still lives. In lieu of adornment, Snail meets surface, hand meets hip, sea meets shore. The poem finally meets its twin by an image of hibernating snails. Where a snail’s ventral foot would typically meet a horizontal surface totally and entirely, here a l grouping congregates at the very tip of a l weathered twig: poised and condensed upon shared coordinates. The book forms part of Archivorum×M’s ongoing publishing programme dedicated to contemporary artistic practices and artists’ publishing. @hamiltonanthea @delphine_gaborit @lewiser @archivorum Image: 2026 Anthea Hamilton, Delphine Gaborit and Lewis Ronald 22 May 2026 Thank you @manoloblahnik for letting me borrow all your favourite things. Still lives and mini campaign in @paperboy.magazine issue 9 @davidmckendrickstudio @stuartvwilliamson 28 Apr 2026 Some of my images for Kira’s new exhibition publication, designed by @studiomathiasclottu @kirafreije @studiomathiasclottu @adrienvasquez_ @hepworthwakefield @smith.jayne.laura 13 Apr 2026 'The faces are cast from friends and family; the hands and feet are Kira’s. Beings materialise in the making, twisting and turning on their road to resolution. The sense of an individual evolves from a mood, a recollection, the edges shifted in the retelling. Their gender is vague. I ask Kira if they’re expanded self-portraits. She says they’re more like combinations of herself, loved ones and people she’s conjured up...' @jennifer_higgie A brand new publication - Kira Freije: Unspeak the Chorus - looks in-depth at @kirafreije’s exhibition on display at The Hepworth Wakefield until 4 May. The book includes an interview between Freije and The Hepworth Wakefield’s Artistic Director @smith.jayne.laura, while essays by @jennifer_higgie, @amy_bvdd and @jamiesonwebster provide insight into the artist's creative processes. A poetic contribution by @vanessa_onwuemezi offers a profound understanding of Freije’s transformative practice. Designed by @studiomathiasclottu with installation photography by @lewiser. Shop now at hepworthwakefield.org/shop Plan your visit at hepworthwakefield.org Become a Member of The Hepworth Wakefield and get 10% off in our shop all year round (excludes artist editions) plus FREE exhibition entry. The Hepworth Wakefield is a charity and shop purchases support our mission to create exceptional art experiences that enhance everyone’s lives. #HepworthWakefield #KiraFreije #ArtistBook #ArtBook #BookCover #BookDesign #BookLover #Sculpture #ContemporarySculpture #Wakefield 07 Apr 2026 @nensidojaka & @sindidojaka ✨✨ for @ee72 17 Feb 2026

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