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creative [ fuck ]
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www.kylecogan.com-
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Recent posts
new directing work
@nascaronfox x @joeylogano [ daytona 500 ]
keep an eye out for it today during the NFC championship game on fox. full credits coming soon.
@team_penske @foxsports @6degreesfilms @unrivaled.films @zezzeldine @projectedrealityqc @benhereforyears @patrickkoitzsch @griffindistefano @halftimehuey @jonhousholder @jschafer034117 @samiraesco @jjosephthomas @chrislomartire @tedchalfen @lalimcolor @beerad @andytorres_a @mdkane08 @wbantle @ryan_gladstone @danymedina16 @vhrispowers @whoacarolina @dmeimagery @t.j_morrison @zacklarez @loganpowaski @davidkerman @micbro1 @calebhyatt95 @micahgoodwin_ @kodak_shootfilm
26 Jan 2025
We took home two @tellyawards! Congratulations to the entire crew on these two huge wins!
*GOLD WINNER - CRAFT - DIRECTING
*SILVER WINNER - BRANDED CONTENT - SPORTS
@miketyson for GOD55 Casino
Directed by @kylecogan
Production Co @simian.la
Executive Producers @plush__baby & @kylecogan
Produced by @dannypollack_ & @thejoshua_min
Production Manager @lee.uh__
Assistant Director @therogrimm
Director of Photography @powell_robinson
1st AC @amarqz & @adamonthewheel
2nd AC @natlieleft
Gaffer @dadhatadventures
Key Grip @zane_gerous
Best Boy Electric @captain_tyberius
Best Boy Grip Demetrius Baccellia
Production Designer @brianleeboehner
Carpenters Andrian Brown & Nash Dutton
Scenics Jermaine Brown & Megan Genova
Sound @orirendler
Hair & Make Up @wrenwitting
Wardrobe Nikki Parisi
Promo Photographer @loganpowaski
BTS Photography @marielleboland
Production Assistants @mannyliotta , Matthew Mohammed & @imrahulmenon
Post Producer @loganpowaski
Editor @patrickkoitzsch
Sound Design @ayodouson
Color @matt_osborne_color
Color Producer @company_3 @blakerice
Visual Effects @simian.la
Written by @brandontyson_ooo & Kyle Cogan
Agency @entourage_sports
Chief Executive Officer Mark Cowen
Head of Talent Division @robhughes__
Talent Division @callumnoad
Special thanks to @rylandburns & @brendangarrett_
24 May 2023
@alok x @johnlegend #inmymind
Director: @kylecogan
Producer: @dannypollack_ _
Post Producer: @loganpowaski
UPM: @anotherr_leah
Dancers: @corriewyse @justinnporter
DP: @kaylahoff_
1st AD: @jasmineethomass
1st AC: @austinmillinder
Steadicam: @lukerihl
Gaffer: @pierre.habib
Key Grip: @pabloruffberganza
BBE: @thisisreallygio
BBG: @jessloyalpaul
PD: @byhaleybowman
Set Dresser: @madison.blue
Art PA: @__miketv__
HMU: @ujinandtonic
PA: @youngpoloxx
PA: @jayhazel @coleboyer20
@imrahulmenon
Edit: @kylecogan & @kariheavenrich
Color: @kinanchabani
VFX: @graphicsnoa
Production Co: @simian.la
Video Commissioners: @ailsarobertson Ailsa Robertson & Sofia Varona
Brazil Unit
Director: @thiago.eva
Producers: @camilatanzi @lulagden
DP: @joaocarneirojr
1st AC: @alemaocamera78
1st AD: @romerobenitez
Post-Producer: @ts_
Chicago Unit:
Camera: @tomkinstledop
AC: @meganstjohn_hike
19 Aug 2021
Some new post producer work with the folks over at @goodworldcreative and director @jakemoore
@troyesivan x @amazonmusic
Directed by @jakemoore
Executive Creative Director: @racheleffendy
Client: @amazonmusic
Agency: @ddaglobal
Sr Director, Creative Services: @sandalerno
ACD: @paigegurski
Senior Creative Producer: @kalahkarloff
Production Company @goodworldcreative
Knight - @mihir.is.here
Grocery Employee - @vaughncherise
DP - @viobensmith
Producer - @tatumbronte
Prod Manager - @invaderzena
Talent PA - Shannon Muldoon
Production Assistants - @brandon_tejada99 @realskillz__ @greatauntsue
Luxx79 + Abel Ngala
Executive Producers - @kevinkloecker, @marino.coateschitty, @jamiarceoo
Production Design - @lanaboyyyy
Wardrobe Styling - @ana.tess
Styling (TS) - @marcforne
Hair (TS) - @andrewdylanhair
Makeup (TS) - @alexahernandez.xyz
Casting Director - Miller/Walters Casting @valeska_miller @yoalexandria
Post producer Kyle Cogan @kylecogan
Editor: Leonardo Aponte @soverrysoft
Assistant Editors: Robert Giovanelli @rebertgio, James McClintock @jwmcclintock, Megan Hooley @hooleywho
Post Producer: Michelle Zelazny @micharoundtheworld
Color - Colorist - Ben Federman @bfederman.xyz
Color Producer - Ashley Goodwin @actuallygoodwin
Audio Post House: Eleven @eleven_sound
Mixer | Sound Designer: Jeff Payne : @jeff_payne_13
Producer: Alby Alawoya @albythere
Executive Producer: Adrea Lavezolli @adream8
Visual Effects Julian Clark @julianclarkfilms
TS MGMT
MGMT - @brandoncreed
MGMT - @danisidebo
MGMT - @chrisbpepe
TS Assistant - @_alicefraser_
Brand Agent / Laight Street Media Founder & CEO - @jordan_usdin
30 Oct 2026
@sombr doing heartthrob things in Budapest. 🇭🇺
Sometimes the quick turnarounds are the most fun. Gotta love a lil overnight edit sesh.
edit: @kylecogan
sound: @jossmogli.noise
24 Aug 2026
New work as VFX Supervisor for @netflix & @tylerperry studios. #beautyinblack
11 Aug 2026
@miketyson x new88 [ teaser ]
13 Jul 2026
New directing/VFX work for @brantleygilbert and his new track “good damn”
The concept explores what happens when you have everything in life, but the longing for a past flame and the memory of that love begin to consume you.
From the jump, DP @jmorodp and I were chasing a hyper-stylized look that blended in-camera projections and CG VFX while still maintaining a raw, tactile texture. Our goal was to present multiple spaces engulfed in fire, achieving as much of it in-camera as possible through a combination of 2D fire plates, fire simulation & practical burns.
If you’re going to make a video where there’s smoke, you better have at least a little bit of practical fire. Even if that means throwing a propane can and an Amazon fireplace burner in the frame. (Shout out @sir_lantz_alot) #firebois
For me, this video was really all about how the image would be processed to achieve its final look and scale.
We shot with the @prismlensfx Ghost Filter to create the feeling of a fleeting memory while also giving the practical flames on set a unique character. For select setups, we also captured clean plates without the filters so @julianclarkfilms and I could add fire later in post.
Once the CG fire was completed, we played the final vfx comps back on a matte monitor and filmed them again through additional Prism Lens FX Ghost Filters, blending the practical and digital fire into a single image.
After that, the we went to @cinelabboston for the video to be printed to 16mm. Colorist @kbaycolor then brought it home, combining the digital and film elements into the final grade.
Art director @jennawinn33 transformeda single location into multiple distinct spaces, and @alexia.valente absolutely tore the house down with her performance.
Huge thanks to commissioner @jenmorgan1984 for her patience throughout the post process, and to EP @matthouser and Brantley for taking a chance on a big visual idea with a small, nimble crew.
Credits in comments
15 Jun 2026
New work as VFX Supervisor for @netflix & @tylerperry studios.
02 Jul 2026
@brantleygilbert tomorrow 1pm EST
11 Jun 2026
This concept for my Belmont Stakes promo from last spring started out inspired by Eadweard Muybridge’s The Horse in Motion, early film experiments, and zoetropes. Originally, the spot was going to begin in raw black and white texture and slowly transition into modern gloss and prestige. But the powers that be wanted all polish.
Even if I lost that original version and was a bit frustrated at the time, I’m still happy we managed to maintain some texture and tactile feeling into the final spot.
With AI able to generate almost anything, I’m always trying to find ways to make digital images (even when traditionally done in 3d) feel more human and tactile. More analog. Less clinically clean. I want to feel the texture in the image.
For this one, Dave Kerman created some beautiful crisp 3D renders of a zoetrope… and then I proceeded to over process and rub all my grime all over them and ruin them. ;-)
We filmed the final renders and archival still photos in two ways. One through @prismlensfx filters digitally and then also through Super 8 film to break up the perfection a bit. Subtly we blended that with the fully digital images. It’s been about a year since this released, and I honestly don’t know if all that extra effort and processing really came through on air during the Belmont broadcast last spring. But that definitely won’t stop me from processing and uh… over processing footage until it breaks. Hah.
I’ve got a new video release coming soon where we were able to push the process even further while blending it with polished VFX. Similar process. Prisms, film, texture, imperfections. Same thought one year later.
Moral of the story just because an idea or a process wasn’t right for one project doesn’t mean it can’t be the backbone of another. This project walked so the next one could run with that process. Keep them eyes peeled for that next one.
@foxsports @belmontstakes
CD: @kylecogan
Producer: Justin Greenlee
PA @danymedina16
Editor: @tedleppard
Animation: @davidkerman
Sound: @micbro1
Super8 and Prisms @pierre.habib
VO: @chrispaynegilbert
21 May 2026
new 2.5D animation work projected for @thefuriousmovie @lionsgate premiere
Director @shapeshifterresearchlab
Production Company @voltlites
Technical Producer @caseysandino
Content Producer @oliversandino
Animators @kylecogan @beerad @julianclarkfilms
29 May 2026
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