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kunst-dokumentation.com

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Professional photo and video documentation of exhibitions, artworks and performances based in Vienna

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#curatedby2026 #joanaescoval #exhibition #contemporaryart #threesomemagneticfields #perception #soundinstallation #sound #sculpture #synergies

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LAST WEEK TO SEE 𝑇ℎ𝑟𝑒𝑒𝑠𝑜𝑚𝑒 (𝑚𝑎𝑔𝑛𝑒𝑡𝑖𝑐 𝑓𝑖𝑒𝑙𝑑𝑠) curated by João Laia Joana da Conceição, Joana Escoval through November 7 "Escoval’s antennas activate Conceição’s dreamlike landscapes and connect with the satellite-like bodies orbiting in space. At the same time, the looped qualities of the sound and its apparatus form an aural mandala that echoes the electrical vibrations of a horse’s heartbeat. In this context, introspection appears not as isolation, but as a movement of connection and expansion, similar to breathing, which depends on both inward and outward efforts. In this transitional place, established distinctions such as self and other, interior and exterior, horizontal and vertical, abstract and figurative, or static and in motion, give way to a sensory experience of the intimate connections shared by all things. 𝑇ℎ𝑟𝑒𝑒𝑠𝑜𝑚𝑒 (𝑚𝑎𝑔𝑛𝑒𝑡𝑖𝑐 𝑓𝑖𝑒𝑙𝑑𝑠) opens a space for intuitive ways of interacting with, and therefore connecting to, the world, offering an affective celebration of the living multiplicity of the universe." - João Laia Images: 1 Joana Escoval, 𝑇ℎ𝑒 𝑝𝐻 𝑜𝑓 𝑇𝑒𝑎𝑟𝑠, 2026 (detail) 2 Joana Escoval, 𝑇ℎ𝑒 𝑝𝐻 𝑜𝑓 𝑇𝑒𝑎𝑟𝑠, 2026 3 Joana Escoval, 𝐵𝑒𝑐𝑜𝑚𝑖𝑛𝑔 𝑆𝑜𝑢𝑛𝑑 𝐼𝐼𝐼, 2026 / Joana Escoval, 𝑡ℎ𝑒 𝑡𝑟𝑎𝑛𝑠𝑝𝑎𝑟𝑒𝑛𝑡 𝑏𝑜𝑑𝑦. 𝐼, 2026 / Joana Escoval, 𝑡ℎ𝑒 𝑡𝑟𝑎𝑛𝑠𝑝𝑎𝑟𝑒𝑛𝑡 𝑏𝑜𝑑𝑦. 𝐼𝐼, 2026 / Joana Escoval, 𝑡ℎ𝑒 𝑡𝑟𝑎𝑛𝑠𝑝𝑎𝑟𝑒𝑛𝑡 𝑏𝑜𝑑𝑦. 𝐼𝐼𝐼, 2026 4 Joana da Conceição, 𝑆𝑎𝑡é𝑙𝑖𝑡𝑒, 2025 @joao____laia @joana.da.conceicao @curatedby #joanaescoval #exhibition #curatedby2026 #contemporaryart #threesomemagneticfields #perception #soundinstallation #sound #sculpture #synergies 04 Nov 2026

curated by Jan Mot: Ian Wilson. There is a discussion. On view until October 17, 2026! There is a discussion is a work by Ian Wilson from 1972. It is defined by the artist as a ‘statement’ and takes the form of a typewritten or printed sheet of paper bearing the text ‘There is a discussion’ and Wilson’s signature. The work is an unlimited edition and was produced till shortly before he died in 2020. There is a discussion represents the quintessence of Wilson’s work. […] Wilson is considered to be one of the most radical conceptual artists, driven by an investigation to challenge the tradition of the precious object in art. Therefore, it is no surprise that nothing material is produced in the context of his discussions, besides an announcement card in the case of public discussions, or the certificates used to confirm the transfer of ownership of the oral work. The very first person to acquire a discussion was Lawrence Weiner, another language artist, who did not need a certificate as, in his words, “The discussion was what there was.” Text: Jan Mot Images: @kunstdokumentationcom @curatedby.at @jan.mot.brussels #curatedby2026 #janmot #ianwilson #galeriemartinjanda #love 07 Oct 2026

Thank you Camille Moreno / @parnassmagazin for visiting our current show Sabine REUTER Presence of an Absence | @curatedby.at @maxdax at @christinekoeniggalerie: hab(t) euch lieb – curated by 2026 LOVE – das ist das Thema der heurigen Ausgabe von curated by. Seit 2009 findet das Galerienfestival jährlich in Wien statt und lädt auch in seiner 15. Ausgabe wieder 24 Galerien ein, zu einem gemeinsamen Thema Ausstellungen zu kuratieren. (…) Die Frage danach, was bleibt, wird bei Christine König wörtlich genommen. Sabine Reuters Ausstellung wird von einem neu erschienenen Katalog begleitet, der mit einer Fotografie des Ateliers der Künstlerin beginnt. Reuter starb 2005, und der Raum wurde genau so belassen, wie sie ihn hinterlassen hat. Ihr Ehemann hat nichts bewegt: Materialien, Möbel und Gegenstände stehen noch an ihrem Platz, das Atelier ist beinahe als Fortsetzung ihrer Anwesenheit erhalten. Vielleicht ist dies einer der unmittelbarsten Akte der Liebe im Festival: die Welt eines Menschen unberührt zu lassen, wenn der Mensch selbst nicht mehr da ist. (…) . Images: Exhibition views Sabine REUTER | Presence of an Absence curated_by Max Dax, Christine König Galerie, Vienna 2026, Photos: @kunstdokumentationcom / Manuel Carreon Lopez #sabinereuter #curatedby2026 #maxdax @maxdax #christinekoeniggalerie @christinekoeniggalerie #schleifmühlgasse 25 Sep 2026

‘An educated fool‘ from the series ‘The walls I build on your skin’ (2026) (found scarves, silk chiffon, paper, wood) Exhibited at Interior matters @loggialoggialoggia @ua26__ Merci to @chi3f_yv3s & @_stefanfuchs_ & @casandra_hermann_ 📸 @kunstdokumentationcom 23 Aug 2026

Few days ago we visited Cecilia De Nisco’s studio while she is preparing an extraordinary new body of works for her upcoming exhibition curated by @marta_papini alongside @fondazionelydiasilvestri and part of @curatedby.at The atmosphere was dense, emotional, almost magnetic. Among all this, there was a small handwritten note left on a surface: “Ho fatto una tela su di noi per eludere la paura.” (“I made a canvas about us to elude fear.”) Not just a touching sentence, but almost a tiny and powerful particle of Cecilia’s entire universe. Because in her work, intimacy is never separated from vulnerability; desire is never detached from emotional exposure. Her paintings constantly oscillate between affection, psychological tension, memory, eroticism, and fragility, and even language itself becomes part of this suspended emotional landscape. Photo: @kunstdokumentationcom Courtesy of the artist and VIN VIN Vienna 15 Aug 2026

Repost • @heidihorten.collection In der Heidi Horten Collection ist mit „RE 1 (Relief Éponge Bleu)“, 1958, das allererste Werk aus Yves Kleins legendärer Schwammrelief-Serie zu sehen. Yves Klein begann seine „Blaue Periode“ im Jahr 1957 und präsentierte dabei das reine, unverfälschte Blau, das er entwickelt hatte. Blau, die Farbe der Unendlichkeit, wird zu einer Idee, einem universellen Prinzip, einer Erfahrung, die von jeglichem Zweck befreit ist. Ein Jahr später entdeckte er den Schwamm sowohl als Medium als auch als Werkzeug für seine Kunst. Yves Klein, RE 1 (Relief Èponge Bleu), 1958, Bildrecht, Wien, 2026 #heidihortencollection #permanentexhibition #collection #masterpieces #yvesklein 📷 By @kunstdokumentationcom 14 Aug 2026

‘The fabric of feeling’ from the series ‘The walls I build on your skin’ (2026) (found scarves, silk chiffon, paper, wood) Currently on view at Interior matters @loggialoggialoggia @ua26__ Merci to @chi3f_yv3s & @_stefanfuchs_ & @casandra_hermann_ 📸 @kunstdokumentationcom 28 Jul 2026

‘Split walls, closed doors‘ from the series ‘The walls I build on your skin’ (2026) (found scarves, silk chiffon, paper, wood) Currently on view at Interior matters @loggialoggialoggia @ua26__ Merci to @chi3f_yv3s & @_stefanfuchs_ & @casandra_hermann_ 📸 @kunstdokumentationcom 24 Jul 2026

Throwback to @marina____faust____ show at @giannimanhattan from 2025, happy birthday Marina 19 Jul 2026

. Many thanks to Manuel Lopez @kunstdokumentationcom for this great video 🙏🙏 HOPE MOVES HISTORY TOWARDS FREEDOM curated by @florian.steininger.1 @kunsthalle.krems in the Dominikanerkirche on view till October 26, 2026 #kunstdokumentationcom #kunsthallekrems #dominikanerkirchekrems #floriansteininger #solikiani 30 Jun 2026

Exhibition views of LINEA May 22 - June 20, 2026 @galerie.kandlhofer Galerie Kandlhofer Brucknerstraße 4, 1040 Vienna Focus on: Crystin Moritz & Karl Karner LINEA emerged during a period spent in Sicily, engaging with the island’s history, mythology, and sagas, particularly those centered on women. Combining AI-generated images and videos, the series moves between historical narratives and contemporary perspectives on identity, ritual, and gender. References to traditions such as the Minne di Sant’Agata—small Sicilian pastries referencing the cut-off breasts of Saint Agatha after her martyrdom—point to the ways violence and collective memory become embedded within everyday rituals. Natural forces and symbolic imagery appear throughout the work, connecting Sicily’s layered past with present realities. The series reflects on how inherited social structures and motifs continue to shape society today. Photo Credits: @kunstdokumentationcom 18 Jun 2026

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DfU4Oc7jeFS	LAST WEEK TO SEE 𝑇ℎ𝑟𝑒𝑒𝑠𝑜𝑚𝑒 (𝑚𝑎𝑔𝑛𝑒𝑡𝑖𝑐 𝑓𝑖𝑒𝑙𝑑𝑠) cu…
DeMnBV8DdQl	curated by Jan Mot: Ian Wilson. There is a discu…
DdttiqLCPw4	Thank you Camille Moreno / @parnassmagazin for v…

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shortcode	caption	likes	comments
DfU4Oc7jeFS	LAST WEEK TO SEE 𝑇ℎ𝑟𝑒𝑒𝑠𝑜𝑚𝑒 (𝑚𝑎𝑔𝑛𝑒𝑡𝑖𝑐 𝑓𝑖𝑒𝑙𝑑𝑠) cu…
DeMnBV8DdQl	curated by Jan Mot: Ian Wilson. There is a discu…
DdttiqLCPw4	Thank you Camille Moreno / @parnassmagazin for v…

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