kaiwasikowski

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It’s been a great pleasure to be a finalist in the Fauvette Loureiro Memorial Scholarship for 2026 at @sca_sydney. Congratulations to all the artists, and prize recipients 🩶 Thank you to judges Julie Rrap, Judy Watson, and Rachel Kent, and of course thank you Liam, Emma, and the production team at SCA Gallery for your support in presenting this work. Thank you @powerhousemuseum and @nswarchives for the opportunity to access and photograph your collections in the development of this work. The exhibition is in its final week, closing Saturday Nov 7. Install photography 📸 : @documentphotography 02 Nov 2026 Excerpts from The Bees and the Ledger, currently showing at @fondazionemast. Looking forward to bringing this project to @photoaccess_inc next month. And finally bringing Nan by to see it all installed. 10/10- Installation photo by Sebastian Maielli. 15 Apr 2025 Feeling grateful to be a part of the National Photography Prize, held at @mamalbury on Wiradjuri Country. The exhibition is now open and runs until 1 Sep. Big thanks to curator Nanette Orly for including my work ‘Bounded in Nutshell / King of Infinite Space,’ along with the prize selection committee Bala Starr and Tiyan Baker. Huge congrats to the prize winners Ellen Dahl and Olga Svyatova, and to all the artists, so chuffed to be amongst such brilliant and inspiring folks - Alex Walker & Daniel O’Toole, Ali McCann, Ali Tahayori, Ioulia Panoutsopoulos, Izabela Pluta, Nathan Beard, Rebecca McCauley & Aaron Claringbold, Sammy Hawker, and Skye Wagner. Thanks also to Isobel Markus-Dunworth and @sca_sydney for having me in the darkroom to make this work, and Rosie and Warren at Hi Res Digital for your expertise with the digi prints and negs, and love you always @graphicartmountsydney for the beautiful frames. 27 Mar 2024 A special moment to share this project in its physical form with my Nan, Natalia. And thank you to all who made it to the opening night and have visited the show so far. The Bees and the Ledger is showing at @photoaccess_inc until June 14. Also happy to share a few pics from the first day of The Open Ledger public program. Thank you to Emma, Grant, Oksana and Claire for participating and contributing your personal objects and stories to the project space. Thank you Cherine Fahd for a wonderful essay on the work—I will share this on my website soon. And a big thanks to the PhotoAccess team Gabrielle, Maddie, Wouter, Greg and Alex for your help and support getting this show up! 19 May 2025 Excited to share my project The Bees and the Ledger for @fondazionemast’s Photography Grant on Industry and Work. The work was developed over the past year with my nana and is dedicated to her labour and wisdom. A big thank you to curator Urs Stahel for your support, the wonderful jury and the entire MAST team for staging and developing this show. My gratitude to Stanley Wolukau-Wanambwa for nominating me back in 2023 and writing a wonderful response to the final work. And of course the brilliant artists with whom I’ve been lucky enough to share this experience. The show is now open and runs until 4 May 2025… if you’re in Italy, pls go! — The Bees and the Ledger explores themes of industry, migration and work through the portrayal of Wasikowski’s grandmother, Natalia Broadhurst, who migrated from Poland to Australia on a cargo ship in the 1970s. Despite having established a career in shipping and cargo logistics in Poland, Broadhurst was unable to apply her skills and knowledge in Australia upon arriving in Kamberri / Canberra. This is a common experience of migrant workers who—depending on their point of origin, gender and English fluency—grappled with Australia’s systemic xenophobia and were often unable to secure a job in their industry of trade.  For his research, Wasikowski travelled to Poland with his grandmother to trace their family roots and visit the shipping company where she worked for several years managing the cargo ledgers for incoming and outgoing ships. As the project developed, they explored her inability to find work in Australia despite the promises of Australian settlement and her subsequent studies of law, psychology, building and architecture. Regardless, she built herself a small house, and devoted the majority of her labor to growing food, keeping bees and caring for her family. 03 Feb 2025 Elements of Sympathy is now open at @annandalegalleries. Beautifully curated by @andrew_christie_ with works from @taneandrews @dennisgolding @orsonheidrich myself and writing from @bec_gallo_. Thanks to all who made it last night 🩶 exhibition continues until Oct 23. ~~~ Elements of Sympathy shows new works from four artists, working with refined mechanical and digital processes in contrast or cohabitation with the natural world. Prompted to consider the pharmakon–the ancient Greek term for both poison and medicine–their materials and methods investigate liminal spaces where notions of authorship, activism and bodily autonomy are constantly giving and gaining ground against the artificial aspects of contemporary life. From the use of aluminium and brass to photography, drawing, and live plants these artists present works full of growth and decay, in both theory and practice. “The value of [the pharmakon] is not in its ability to cure, but its ability to expose the weakness in our thinking, and cause harm to our misguided actions. These artists are calling us to acknowledge significant and complex societal failings across ecological sustainability, systemic racism, and technological co-dependence, and as a matter of course, giving us the freedom for meaningful introspection and communal dialogue.” - Andrew Christie. 📸 Install photography: Laura Moore 18 Sep 2024 A new project underway for @fondazionemast. Grateful to have spent the last few days in Bologna alongside artists @gosettelubondo @sheidajanam @slyrosi @flisshammond and the team at MAST, working towards the finalist exhibition in early 2025. + Some pics from recent travels in Poland feat. Nana, Szczecin shipyard, some wip and bts.. 21 Jun 2024 Big thank you to @sca_sydney and @isobel_studiosabii especially for having me on campus for a week of printing in the photomedia darkroom. 🎞️🎞️🎞️ Looking forward to sharing this work with you next month in the National Photography Prize exhibition at @mamalbury. 11 Feb 2024 This photographic work is available as part of @artists_for_msf ~ an online art auction fundraiser with all proceeds going to help @doctorswithoutborders provide urgent medical aid in Gaza. Please consider supporting if you have the means. There are 60+ donated works available from a long list of brilliant artists. Auction closes 4th Dec. Big thanks to @n.a.t.h.a.n.h.a.w.k.e.s for organizing and bringing this all together. Artwork: ‘Translate #1 (Beijing 2019)’ Ed. 3/5, 2020, pigment print on Ilford Gold Fibre Rag, 110 x 73cm (unframed). 27 Nov 2023 Excited to share the making of my mfa thesis book from a few months back. Part photo book / part written thesis, it became an opportunity to work through a lot of the questions, ideas and experiences that have driven my work the last several years. Three books all in all, hand-made with a lot of love during a few fuzzy adrenaline-fueled months wrapping up this degree.. excited to develop it further. Huge thanks to @backbonebindery who bound the books- stitched together and stamped by hand. Still yet to properly document it but look forward to sharing some more pics soon. 10 Aug 2023 Too Close🖇️ exhibition at @microscope_gallery in NYC is up and on through Aug 24. Lovely to show with my RISD photo cohort again, curated by the wonderful @teeqeetee. Hope you can visit! This work: ‘Bounded in a Nutshell / King of Infinite Space (diptych),’ 2023, inkjet print on Ilford cotton paper, two prints 152 x 121 cm each. 07 Aug 2023 This work is up for grabs in the annual @firstdraft_ fundraiser auction. Only two days left to bid online! ⏳ Loved learning the polymer Photogravure process making it. Hopefully will have an opportunity to get back on the press soon 😌 link in bio to bid 🔨 01 Aug 2023

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