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I make electronic sounds/art
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jessestil.es/hotlinks-
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#ableton#m4l#touchdesigner#howtoseeknowandfall#albumoftheday#themonthlydig#theatticalbums#adhyâroparecords#maxforlive#rattusrattus
Recent posts
Thrilled beyond expression to present the world premiere of ‘Open Machine’ tonight at @nyuskirball
Conceived & directed by Rashaun Mitchell + Silas Riener @rashaun.silas
Media design by yours truly @jts3k
Co-created and performed by an unbelievable troupe of dancers, featuring @cat_kirk @corikresge @morganamirah @sundaygerl @savannahgaillard @mooncherryboom @mgreenbeee @cj4400 @jen_gon
Gorgeous music by @charmainelee and @mas_ysa
‘Open Machine’ is an investigation of thought, movement, and technology - it imagines an Artificial Intelligence lovingly programmed by experimental dance. It has many tons of gnarly tech and the amazing folks at Skirball are allowing us to present this work at an incredible level.
Come experience it if you can! Tix at the 🔗 in bio.
Pics 1 - 7: Dress rehearsal. 📸 by @paulalobo
Pics 8 - 10: Some theater work. 📸 by your @jts3k
19 Sep 2025
👉👉OUT TODAY 👈👈
Bombici - ‘Live at Studio B’
🔗Links & full video in bio 🔗
“Live at Studio B” is a live concert film and full-length album recorded in July 2023 in front of a studio audience. Recorded in a single take at WQED in Pittsburgh, PA, it is the culmination of 6 years of genre-defying live performances and experimentation. The group uses the emergent musicality of improvisation to create vital and compelling musical landscapes. With electronic processing on all instruments, Bombici creates an extraordinary sonic mosaic and invites listeners to suspend their musical expectations.
The album showcases the formidable talent of saxophonists Ben Opie and Patrick Breiner, guitarist Colter Harper, and electronic musician Jesse Stiles, backed by bassist Ryan McMasters and percussionists Rich Randall and Jonathan Heins. Their repertoire draws from American jazz and hard rock traditions with a fresh perspective on global folk and pop music. They’re known for expertly navigating the unfamiliar time signatures of Balkan folk songs and dances in a style sometimes nods to New York’s late-70s no-wave scene and other times evinces tenderness and care.
Out now on Adhyâropa Records
Performers:
Patrick Breiner - Sax
Colter Harper - Guitar
Jonathan Heins - Doumbek
Ben Opie - Soprano sax
Ryan McMasters - Bass
Rich Randall - Tapan
Jesse Stiles - Electronics
Mixed by Jesse Stiles & Rich Randall
Mastered by Joe Brent
Cinematography, Editing, VFX by Scott Andrew
Production assistance by Blaine Black
Produced & Directed by Jesse Stiles
01 Nov 2024
Your Jesse Stiles has just returned from a few days h/biking the wilderness, here is the scene report from Western MI.
1. Ascending Nordhouse Dunes
2. Hotel room for the night
3. The sun was very gloopy setting over Lake Michigan
4. A log
5. There was something about the quality of light that made it impossible to see where the sky met the water - there was just a band of ambiguity, this is not a camera issue this is what it looked like - facing south
6. No obvious distinction between sky and water, this time facing north
7. Self portrait with headlamp
8. You would think raccoons would not savagely attack your backpack in the night if it contains nothing but shoes and a toothbrush and some batteries but you would be wrong. The raccoons of Nordhouse Dunes are no joke.
9. It was my intention to spend every night of this excursion in the hammock tent but due to a glitch with my guidance system me and the bike were forced to share a room for a night.
10. Some people really want you to know who rules them, like it feels almost kinky. Also they want you to know that they are opposed to supporting the common good, which feels less kinky and more sad.
11-15. Road
16. Some trees
17. It me
22 Aug 2026
Little demo using Regressor to drive many synth parameters in non-linear patterns, from a simple 2D input pad. In-depth tutorial is up on YT. Regressor is available now via @audiobulb - links in bio.
#ableton #m4l @c74connect
06 Jul 2026
First in a series of audiovisual pieces powered by Regressor, a new Ableton control device that uses machine learning for mapping and modulation.
Earlier this year the US government released a bunch of “UAP” (Unidentified Anomalous Phenomena) videos, here I’m using the coordinates of an object in one of these videos to control a whole bunch of acid parameters in Ableton.
Link to the full video and a tutorial in my bio.
#ableton #m4l #touchdesigner @c74connect @audiobulb
15 Jun 2026
Album of the Day: How to See Know and Fall - Ecologies ( @adhyaroparecords Adhyâropa Records)
Find it here: https://theatticmag.com/news/2531/the-monthly-dig-_-april-2026.html
How to See Know and Fall is an immersive collaboration between interdisciplinary percussionist/composer @brianshankaradler Brian Shankar Adler and electronic composer/software designer Jesse Stiles @jts3k , combining intricate hybrid percussion with shimmering synth lines and ambient textures. Live performances transform the stage into a dreamlike audiovisual environment where polyrhythms collide with real-time generative video, weaving data and machine learning processes into a visceral tapestry of sound and light. By bridging far-reaching rhythmic traditions and cutting-edge electronics, How to See Know and Fall offers audiences a revelatory experience at the cross-hairs of music, technology, and digital art.
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.
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#albumoftheday #themonthlydig #theatticalbums #adhyâroparecords #howtoseeknowandfall
11 Jun 2026
Regressor maps gestures to parameters using machine learning, so minimal inputs can drive complex, non-linear modulation across your whole set. Or feed it a high-dimensional signal like raw body tracking and it learns the meaningful features, turning messy data into musical control. New Max for Live device, out now via @audiobulb. Link in bio.
#ableton #m4l #maxforlive
08 Jun 2026
New from @adhyaroparecords — ECOLOGIES by How To See Know And Fall (@brianshankaradler and @jts3k) was released today as an LP, digital download, and as the zine NINE RULES FOR ANTI-HUMAN LISTENING at the Bandcamp link in bio and story and is streaming everywhere. Combining intricate hybrid percussion with shimmering synth lines and ambient texturesm, How to See Know and Fall offers audiences a revelatory experience at the cross-hairs of music, technology, and digital art.
03 Apr 2026
ECOLOGIES is out April 3 - the debut album from How to See Know and Fall.
@brianshankaradler - percussion
@jts3k - electronics
Co-produced by @alexander_panos
Available on vinyl and as a zine featuring text by Jesse Ball. Plus the usual digital/streaming platforms. Grab a copy -- 🔗 in bio
29 Mar 2026
How To See Know and Fall:
A Multimedia, Multi-Disciplinary Concert
3.28.26 at Olin Arts Center Lewiston, Maine
Presented by The Bates Music Department: How to See Know and Fall is an immersive collaboration between interdisciplinary percussionist/composer Brian Shankar Adler and electronic composer/software designer Jesse Stiles, combining intricate hybrid percussion with shimmering synth lines, ambient textures, and AI-driven visuals. Live performances transform the stage into a dreamlike audiovisual environment where polyrhythms collide with real-time generative video, weaving data and machine learning processes into a visceral tapestry of sound and light.
@batescollege @jts3k @brianshankaradler
23 Mar 2026
Sneak peek… 🫣👂
“Refuse the hegemony of pitch. When that goes, all manner of sound can be heard.”
This instruction comes from writer Jesse Ball, who titled every track on the album and wrote manifesto entries for each. The song’s namesake, Rynchops albicollis, is the Indian skimmer - a bird that flies low over slow-moving rivers, skimming the water with its extended lower mandible. It gives a sharp kip kip.
“Rynchops Albicollis,” the third single and video from How to See Know and Fall (Jesse Stiles / / Brian Shankar Adler) drops Wednesday 3.18.26 on @adhyaroparecords
LP and Zine are available as pre-orders on bandcamp.
#howtoseeknowandfall #rattusrattus #ecologies #jessestiles #brianshankaradler
16 Mar 2026
20260313. We took our daughter to a collective art performance wherein participants constructed effigies of the goddess of winter from fallen branches and threw them into a stream. Later that day, we played Monopoly together. In the evening, she marched through the house chanting this chant: EFFIGIES! MONOPOLIES! EFFIGIES! MONOPOLIES!
#touchdesigner #modular
13 Mar 2026
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