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Inspiring creativity since 2007 👌
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Recent posts
Roll up, roll up! Tickets for our next Nicer Tuesdays event in LA have just dropped!
We’re sneaking in one last extra special Nicer Tuesdays event over the pond and coming back to Los Angeles in November to wrap up 2026 with a killer line-up. Come and join us at Lodge Room, 104 N Ave 56 2nd floor Los Angeles, California 90042, on Tuesday 10 November for some unmissable insights into the world of fashion, photography, image making and design.
At November’s event, you’ll be hearing talks from photographer and director @MicaiahCarter renowned for his portraits of Black cultural icons and personal photo stories celebrating the beauty of Black communities. Also joining us on stage will be fashion obsessed multi-disciplinary artist @BijouKarman whose practice seamlessly integrates painting, illustration, and graphic design. Last but not least, designer, educator, writer and founder of Design Matters, @DebbieMillman will be sitting down with our LA Nicer Tuesdays host Meg Farmer for our first ever Q&A in LA! One of the most influential figures working in the industry today, Debbie’s career sits at the intersection of design, storytelling and cultural commentary. Nothing short of an icon, the designer will be discussing her career to date and the most valuable lessons she’s learnt from decades of research in the field.
This is a seated event so get there early, pick up a delicious @MothDrinks cocktail, a bag of @Lovecorn_Snacks and get ready for a wonderful evening of creative inspiration. Grab your tickets now through the link in our bio and we can’t wait to see you there! #ItsNiceThat #NicerTuesdays
16 Oct 2026
They say you eat with your eyes first… but can good looks match up to good taste?
For many, eating good food is one of life’s greatest pleasures, but it’s never just about the food, is it? From packaging, to interiors, to restaurant menus, food presentation can almost be as important as how it tastes. Welcome to episode one of The Design Digest, today Kathy Pham (@kalinaxkathy) dives into @GetGraza, “the design industry’s favourite olive oil brand”.
In a category that’s historically been all about heritage, luxury and looking very, very expensive, @GanderGrams’s design stands out on the shelf with Spanish inspired typography, corporate memphis style illustrations, and monospace type.
So what do you think, would you pick it up for the packaging? #TheDesignDigest #ItsNiceThat
11 Sep 2026
When James Barnett aka @MakeMeAOffer and @Poppy_French met the @PearlySociety at their annual Harvest Festival.
14 Oct 2026
What goes into making a great photograph? There’s a lot more to an image than meets the eye. From the first spark of an idea to the lighting, composition and kit that bring it to life, every photograph involves a series of creative decisions. That’s why we’re getting into all of it with Trade Secrets, our new three-part webinar series in partnership with @mpbcom.
Join photographers @anmaflor, @sakegrni and @ariellebobbwillis as they take us behind the scenes of their work, sharing the creative thinking, techniques and kit that shape their images. Expect plenty of practical advice, insights into their individual approaches to image-making and a live Q&A where you can put your questions directly to them.
There’s also the chance to win a second-hand Fujifilm X100V, quality-checked by MPB, to help take your own photography further.
All sessions are free to join and take place at 4:30PM GMT:
đź“… 18 November: @sakegrni
đź“… 24 November: @ariellebobbwillis
đź“… 2 December: @anmaflor
Ready to get behind the image? Learn more and secure your spot over at the link in our bio.
Identity by @charlie.le.maignan
10 Nov 2026
@Elizabeth_Goodspeed on the impossible economics of art education in the US
American art schools are closing even as tuition fees reach extraordinary heights, with new funding cuts set to make attendance even less attainable for many would-be students. But if an art education is worth more than the salary it produces, why have we accepted that only those who can afford it should get one?
Find out by heading over to the link in our bio to read the full piece. #ItsNiceThat
10 Nov 2026
Balancing paid and personal work with @JoannaBlemont
The V&A Illustration Awards-nominated illustrator Joanna Blémont understands the gentle balance between illustrating for big clients whilst simultaneously defining your own style – this is why she joined the Nicer Tuesdays stage in September to talk about the importance of doing “bad drawings”, moving into a tiny studio during lockdown to develop her practice and the 2,000 frame film she created in collaboration with a team of animators for Loewe. #NicerTuesdays
09 Nov 2026
It’s not the same world as it used to be. Leave university, get a job and stay in that job for forty years. It’s also not the same as a mere five years ago, where you leave university, get a job and stay in that job for three years before moving on to another either. Creatives are forming uniquely shaped practices of their own design, consisting of multiple avenues. But what if we’re stretching ourselves too thin?
This week’s question:
“How can I build a second source of income outside of graphic design without diluting my personal brand or losing my identity as a graphic designer?
I’ve been working as a freelance graphic designer for almost five years, and graphic design is how I see myself professionally. However, my income from design work alone isn’t quite enough yet, so I’ve had two part-time side jobs over the years, each for about one day a week. Now, I’m considering starting a separate small business around minimalism and decluttering.
These other jobs and business ideas genuinely interest me, and I enjoy exploring different ways of working. At the same time, I struggle with the feeling that I should focus exclusively on graphic design, especially when it comes to my personal brand and how I present myself professionally. I worry that doing something completely different might confuse people or weaken my positioning as a designer. I don’t want to limit my income opportunities, but I also want to maintain a clear identity as a graphic designer. How can I find a balance between the two?”
Katie Cadwell, co-founder of branding studio @LuckyDip.Studio and @TheNDAPodcast has some thoughts on the matter in this week’s Creative Career Conundrums from @IfYouCouldJobs. Head on over to the link in our bio to read all of Katie’s advice.
09 Nov 2026
@Hono__Studio’s label branding for @Temper.Tennis cider animates the last rally of the 2008 Wimbledon final. The one one-off collaboration between Temper – a studio for tennis objects and experiences – and cidermaker Luka Zeichmann is marked with labels that unfolds like a flip book when lined up.
Once the studio had drawn up its 60 frames of action, they could have printed 60 perfectly rendered labels. “But that felt wrong for Temper,” Sebastian says. Instead, they collaborated with Risograph print studio @Herrundfraurio in Munich who printed one base label design for all the bottles. Hono then finished and numbered each of these by hand: “The ball isn’t printed; it’s punched out, so when light comes through the bottle, the cider becomes the ball,” Sebastian explains. This hand-cut element wasn’t the only thing that created movement in the packaging’s design: “Riso is interesting precisely because it refuses to reproduce anything perfectly. Colours shift, registration moves, no two impressions are the same. When we digitised all 60 labels and animated them, those tiny printing differences started moving too.” #ItsNiceThat
Alt Text: An animation of a bottle of “Sparkling Pear Cider” with a white label. The label features a purple and green chequered abstract graphic and text commemorating the 2008 Wimbledon match “Federer vs. Nadal”, while a small orange dot and the edition number shift across the design.
08 Nov 2026
Through radical publishing, archival research and printed garments, @HankaVDVoet brings the overlooked labour and political organising of early 20th-century seamstresses back into view.
Hanka created a corresponding book titled All Work is Women’s Work: On the seamstresses’ union of radical publishing practices in early 20th century Amsterdam, published by ClothesLines.Press, the writer’s small press initiative dedicated to the intersections of fashion, labour and feminism. It was born out of an interest in feminist labour practice and organising – methods of work and structures that actively challenge patriarchal systems and inequalities – which led her to investigate the history of seamstress unions close to home in the Netherlands. #ItsNiceThat
07 Nov 2026
It’s hard to ignore just how much rubbish accumulates in everyday life but @Ade3 creates an eccentric tribute to it with beautiful scenes, such as the flap of a bird’s wing, a dive into a pool, gymnastic flips and boxing matches. “When these moments loop they start to feel profound because they have no beginning or end. That runner is never gonna get a break. That woman will never be finished taking out the trash. The ballerina will be eternally spinning,” he explains.
“I strive to find beauty in the ordinary, I’m always looking for unexpected surfaces for my art to live on, from maps to newspapers to receipts.” #ItsNiceThat
06 Nov 2026
From glowing petrol stations and fizzy drinks to vast mountain ranges, @MadelineRupard captures the strange, everyday magic of the American West through the window of her vintage Subaru.
In Madeline’s paintings – which sometimes take the form of comics, complete with Bruce Springsteen lyrics or Biblical passages – petrol stations become glowing checkpoints in endless landscapes, a bright orange soda drink in the cupholder of her dashboard appears like a sorcerer’s elixir, and those magnificent mountain ranges do indeed elicit the scenes from within Skyrim. Except here, American capitalism is one of the main characters, transforming what could be simple scenic paintings into something more like depictions of a modded fantasy-sandbox game, retaining the magic of open-ended IRL exploration. #ItsNiceThat
05 Nov 2026
In some ways, anyone can design a poster, and a poster can be anything, so what makes a great one? And what is its purpose in today’s visual and cultural landscape?
A good place to ponder these grand questions is the @Intl.International poster exhibition, formerly known as Graphic Design Festival Scotland, a major event in the calendars of all self-respecting UK-based designers. Now part of a highly reputable design festival which encompasses a conference, workshops, live projects and an awards ceremony in a medieval castle, no less, the poster competition and exhibition remains at the core, and is where founders James Gilchrist and Beth Wilson have learned some of the secrets to those big questions about poster design.
Over on the site this week, they pick out three visual trends they’ve spotted amidst this year’s selection, and discuss how the medium has evolved in recent years. Head on over to the link in our bio to give the full piece a read. #ItsNiceThat
05 Nov 2026
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