@icamiami - IGDataHub

Institute of Contemporary Art, Miami

Threads

@icamiami

81.7K

Followers

245

Following

2,050

Posts

N/A

Reels

Highlights

9/3

Photos/Videos in last 12

Bio

Miami's premiere museum for innovative contemporary art. We exhibit, collect, study and champion artists to foster a global exchange of art and ideas.

Links

icamia.org/start-here We found Email for this account. Get the details

Avg likes

Avg comments

Engagement

0.5/wk

Posting

Likes and comments are still being collected for this account. Check back shortly.

#icamiami #miamiartweek #contemporaryart #carrolldunham #fondationcartier #sheroanawehakihiiwe #hughhayden #erniebarnes #diegosingh #youngartists

Recent posts

The first solo U.S. museum exhibition by artist Sheroanawe Hakihiiwe (b.1971, Sheroana, Venezuela) debuts at ICA Miami this November. A joint presentation with Fondation Cartier pour l’art contemporain, the exhibition features more than 100 works, including pieces from the @FondationCartier’s collection and new commissions across a variety of media. A member of the Yanomami, one of the largest indigenous groups living in Amazonia, Hakihiiwe builds new visual languages to record his cultural heritage, ancestral myths, and ties to the environment. The exhibition tracks the evolution of his oeuvre from foundational works on paper to recent explorations across media, including a new film soundtracked by the artist’s chanting, a site-specific mural, and a site-specific installation featuring a set of shamanic poles. Sheroanawe Hakihiiwe is the first exhibition co-curated and jointly produced by ICA Miami and the Fondation Cartier pour l’art contemporain. The exhibition is on view November 19, 2026 – March 28, 2027, and is co-curated by Gean Moreno, Director of the Art + Research Center at ICA Miami, and @Michela_Alessandrini, Curator at the Fondation Cartier pour l’art contemporain. _______ #ICAMiami #FondationCartier #SheroanaweHakihiiwe 28 Sep 2026

When my brain feels fried, I don’t push through it anymore. I go somewhere beautiful with no agenda, and lately that’s @icamiami in the @miamidesigndistrict. I take my time. I follow whatever pulls me. I get close and look at how things are made. And somewhere in there, the fog lifts, and I walk out flowing again. highly recommend a visit to ICA Miami · free admission · open Wed–Sun, 11–6 26 Jun 2026

Xojowi ja qa tee ruachulew means “Mother Earth Dances” in the Tz’utujil Maya language. Hear from @ManuelChavajay about how each word in the language carries meaning beyond translation. Chavajay also explains how “Ru Sook Jab” [Rain Nest] (2024), a work comprising a canvas stained with burnt marine engine oil and three inkjet prints documenting a performance realized on the shoreline of Lake Atitlán, serves as both an act of healing and a testimony to how human beings mark and contaminate the Earth. Experience Manuel Chavajay: Xojowi ja qa tee ruachulew at ICA Miami through November 22. Admission is always free; reserve timed tickets at the link in bio. 🎟️🔗 11 Jun 2026

Happy Birthday, @HuthHayden! 🎉 Hayden (b.1983, Dallas) transforms familiar objects through a process of selection, carving, and juxtaposition to challenge our perceptions of ourselves, others, and the environment. Raised in Texas and trained as an architect, he utilizes wood as his primary medium, frequently loaded with multi-layered histories in its origin, including objects as varied as discarded trunks, rare indigenous timbers, Christmas trees, or souvenir African sculptures. ICA Miami was proud to present “Hugh Hayden: Boogey Men” (2021) featuring a suite of monumental new works that explored complex histories and memory in the form of crafted metaphors of our changing ecosystem. In works like “America” (2021) and “Tightrope” (2021), part of ICA Miami’s permanent collection, Hayden turns everyday furniture and forms into thorny, unsettling sculptures. _______ (1) Hugh Hayden, 2021. Courtesy W Magazine. Photo: Nicholas Calcott. (2-4) (5,6) Hugh Hayden, “America,” 2021. Black locust, milk paint. 60 x 60 x 60 in. Museum purchase. Lead funding provided by the Simkins Family. Additional funding provided by Eric Emanuel, Rahul M. Sabhnani, and Jill and Jay Bernstein. Photo: Zachary Balber. (7) Hugh Hayden, “Tightrope,” 2021. Ebony, boar hair, plywood, 48 x 36 x 12 in. Promised gift of Ray Ellen and Allan Yarkin. Photo: Oriol Tarridas. (8) Hugh Hayden, “Tightrope,” 2021. Ebony, boar hair, plywood, 48 × 36 x 12 in. Promised gift of Ray Ellen and Allan Yarkin. Photo: Zachary Balber. #ICAMiami #HughHayden 12 Nov 2026

One of #MiamiArtWeek’s most anticipated events returns on Thursday, December 3, with ICA Miami’s annual Artist Talk and Brunch at Soho Beach House. This year’s discussion features exhibiting artist Carroll Dunham; @AlexGartenfeld, Irma and Norman Braman Executive Director and Chief Curator; and Gean Moreno, Monica & Blake Grossman Director, Art + Research Center at ICA Miami. 🎟️ The event is open to Young Collectors Board members and above. Not an ICA Miami member yet? Join our supporter community at the link in bio. RSVP is required; admission is open to the first 100 guests, first-come, first-served. _______ Carroll Dunham, “Age of Rectangles,” 1983-85, Casein, dry pigment, vinyl paint, casein emulsion, color pencil, charcoal, carbon pencil, and ink on rosewood, birch, ash, and mahogany, three panels and one inset. 7’ 8” x 58” (233.7 x 147.3 cm). Collection of the Museum of Modern Art. Gift of Emily Fisher Landau.© 2026 Carroll Dunham. #ICAMiami #CarrollDunham 10 Nov 2026

Coming Soon ‼️ Few paintings have entered the American imagination as fully as Ernie Barnes’s “The Sugar Shack” (1976). Set in segregation-era North Carolina, this painting depicts a crowded dance hall of long, swaying bodies under low light while a band plays from a raised stage. An earlier version appeared on the cover of Marvin Gaye’s 1976 album “I Want You”; a second became familiar to millions in the closing credits of “Good Times.” ICA Miami presents this landmark work during #MiamiArtWeek, alongside related paintings and drawings. Together, they show how Barnes (1938–2009), a former professional football player, turned music, movement, and social life into a visual language all his own. “Ernie Barnes: The Sugar Shack” is on view December 1, 2026 – April 11, 2027 and is curated by @AlexGartenfeld, Irma and Norman Braman Executive Director and Chief Curator, with assistance from Rivers Plasketes, Manager, Office of the Director and Curatorial Affairs. Museum Members and Miami Art Week Passholders can celebrate the opening of our new exhibitions at ICA Miami’s VIP Opening Reception: Miami Art Week 2026, presented by @WMag, on Tuesday, December 1, 7–9 PM. RSVP now at the link in bio. 🎟️ 🔗 _______ Ernie Barnes, “The Sugar Shack,” 1976. Acrylic on canvas. 36 x 48 inches (91.4 x 121.9 cm). Collection of William O. Perkins, III Revocable Trust. © ERNIE BARNES. Courtesy the Estate of Ernie Barnes, @OrtuzarGallery, New York, and @AndrewKrepsGallery, New York. #ICAMiami #ErnieBarnes #ContemporaryArt 01 Jan 1970

Miami-based artist Diego Singh’s first solo museum exhibition, “Deeper & Deeper,” debuts at ICA Miami during #MiamiArtWeek! Hear the artist describe what you’ll experience: fifteen years of luminous, layered abstractions alongside new large-scale canvases. Drawing on identity and the queer coding of color, the paintings are quietly haunted by Singh’s Argentine upbringing and the “Dirty War.” “Deeper & Deeper” is on view December 1, 2026 – April 11, 2027. #ICAMiami #DiegoSingh @diegosinghnow 05 Nov 2026

Wishing Thomas Bayrle (b.1937, Berlin) a very happy birthday! 🎂 Known for his prescient depictions of megacities and bodies consumed by machines, the renowned German artist’s work spans media and movements including Pop, Op, and Conceptual art. Bayrle created “Wire Madonna” (2016) for his first American museum presentation, “Thomas Bayrle: One Day on Success Street” at ICA Miami, a major survey featuring work from the 1960s through the present day. 🎥 Listen as the artist shares what draws him to the Madonna and Child and how it felt to work in 3D for the first time! 07 Nov 2026

Calling all young artists and their grown-ups! There’s still time to join us this Sunday, November 8, at 11 AM for I Create Art’s second installment, Learning Watercolors with Miami-based artist @AlejandroPineiroBello. 🎨 Together, families will explore the fluidity and freshness of watercolor, drawing inspiration from the works on view, our gardens, sunlight, landscape, and architecture. Alejandro is known for his vivid, dreamlike paintings of the Caribbean, and he’ll guide participants as they create their own paintings on paper. 🎟️ Each registration must include at least one adult and one child age 6+. Tickets are $50 per person for adults and children alike, and lunch in ICA Miami’s Sculpture Garden is included. RSVP now at the link in bio. 🔗 _______ (1) 3/26/2026 - Alejandro Piñeiro Bello Artwork Reproduction - at Alejandro Piñeiro Bello Studio. Photographs by Rodrigo Gaya/Gayaman Visual Studio LLC. (2) Portrait of Alejandro Piñeiro Bello © Alejandro Piñeiro Bello #ICAMiami #YoungArtists #AlejandroPineiroBello 06 Nov 2026

“Clay as a medium was an important part of Caddo traditions for thousands of years, so when I was in school, studying art at the Archaeological Survey at the University of Arkansas, holding all these clay pots my ancestors made, I knew that I wanted to continue this tradition of using clay. But I wanted to make things that were contemporary, to make pieces that spoke true to my voice and my experience as a woman, as a Native American living in the 21st century.” — @RavenHalfmoon In honor of Native American Heritage Month, we’re spotlighting “Hey’-en, Ina, Ika” (2020), a large ceramic sculpture by Raven Halfmoon (b. 1991, Caddo Nation). Part of ICA Miami’s permanent collection, the work depicts the heads of three women, decorated with Indigenous tattooing and spiral designs, rising from a single base. As the third generation to carry her family name, Halfmoon borrows from graffiti “tagging,” signing the sculpture to honor her lineage. ______ Raven Halfmoon, “Hey’-en, Ina, Ika,” (2020). Stoneware, glaze. 58 x 48 1/2 x 19 in. Pedestal: 9 x 33 x 45 1/4 in. Museum purchase with funds provided by Ariel and Daphna Bentata. #ICAMiami #RavenHalfmoon #NativeAmericanHeritageMonth 04 Nov 2026

Recent Acquisition ✨ Simon Denny examines the social, political, and cultural implications of digital technology. The artist (b.1982, Auckland) has explored subjects ranging from 2000s television sets to NSA surveillance, the focus of his work for New Zealand’s 2015 pavilion at @LaBienale. “Multimedia Aquarium 3: Confusion” (2009), part of ICA Miami’s permanent collection, was created as tube televisions were vanishing from store shelves. The series takes its cue from a 1984 essay by artist Vito Acconci, which opens with the line “television space is fishbowl space.” Blending sculpture, video, photography, and painting, Denny blurs the line between “fine art” and “media art.” Echoing Nam June Paik’s TV sculptures, Acconci’s essay, and the fish tanks in electronics stores, the three-dimensional work comprises canvases printed with still images of aquariums and screens of various sizes. “I got interested in electronics when I moved from my home country, New Zealand, to Frankfurt am Main in Germany to go to graduate school. Suddenly my laptop became the most important thing in my life… I got attracted pretty quickly to looking at the systems and people that are in charge of designing and making computers and tech.” — @sden023 ______ Simon Denny, “Multimedia Aquarium 3: Confusion,” 2009, inkjet, photographic print on canvas, bolts, aluminum tubing, 29 3/8 × 39 × 15 3/8 in. Gift of Maxwell Graham. Photo: Phillip Karp. #ICAMiami #ContemporaryArt #SimonDenny 03 Nov 2026

Carroll Dunham’s first museum survey in more than 25 years opens at ICA Miami in just a few short weeks! Experience more than 40 works from 1983 to the present, including the artist’s recent “Open Studio” paintings. In this series, a sculptor leaves his own world for an unknown planet and meets purple people. “Open Studio (3)” and “Open Studio (4)” (2024) depict the sculptor working in a wood-paneled studio, recalling Dunham’s own and harking back to his early wood-panel abstractions. The works hint at worlds and scenarios beyond what’s immediately visible, drawing on motifs Dunham has explored for five decades: figures, marginal doodles, frames, and three-dimensional space. Museum Members and Miami Art Week Passholders can celebrate the opening of our new exhibitions at ICA Miami’s VIP Opening Reception: Miami Art Week 2026, presented by @WMag, on Tuesday, December 1, 7–9 PM. RSVP now at the link in bio. 🎟️ 🔗 _______ (1) Carroll Dunham, Open Studio (4), 2024. Urethane, acrylic and graphite on linen. 74 x 60 in. (188 x 152 cm). (2) Carroll Dunham, Open Studio (3), 2024. Urethane, acrylic and graphite on linen. 60 x 74 in. (152 x 188 cm). © Carroll Dunham, courtesy the artist and @GalerieMaxHetzler Berlin | Paris | London | Marfa. Photo: Pierre D’hor. #ICAMiami #CarrollDunham #ContemporaryArt 02 Nov 2026

Follower tracking

We have started recording @icamiami, but only 1 observation so far — not enough to show a trend yet. Track it daily →

Download @icamiami's data

Everything below is derived from this account, priced on the counts shown. Delivered as CSV by emailed link.

Data

Records

What you get

Price

Every post & reel

2,050 posts & reels

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
Dd1IqVKF2YM	The first solo U.S. museum exhibition by artist …
DaDrX3ekaLH	When my brain feels fried, I don’t push through …
DZc8dhutIk_	Xojowi ja qa tee ruachulew means “Mother Earth D…

Real rows from this account. The file continues in the same shape.

$20.50

Everyone who follows them

up to 50,000 followers of 81,744 total

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$250.00

Everyone they follow

up to 245 accounts

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$9.99

minimum

Every post & reel

2,050 posts & reels

$20.50

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
Dd1IqVKF2YM	The first solo U.S. museum exhibition by artist …
DaDrX3ekaLH	When my brain feels fried, I don’t push through …
DZc8dhutIk_	Xojowi ja qa tee ruachulew means “Mother Earth D…

Real rows from this account. The file continues in the same shape.

Everyone who follows them

up to 50,000 followers of 81,744 total

$250.00

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

Everyone they follow

up to 245 accounts

$9.99

minimum

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 1 day, 10 hours ago.

Tracking

A monthly plan, not a download: we keep reading @icamiami and email you what changed.

Track @icamiami every day · up to 5 accounts

We read @icamiami daily from today and email you the week's follower, following and post changes, with every reading so far as a CSV. Add up to 4 more accounts on the same plan. Cancel any time.

See the columns