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A next-generation music production company and recording facility in Los Angeles, CA @noahgladstone @therealadammeehollak @ebrenneisen @ifididig
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Recent posts
Sharing a happy memory with my pal @michaelclevelandfiddle š¤ Heās most comfortable with fiddle type music and Iām at home in swing and jazz, but of course we found a tune in there to share in our own way ššš¼š»š Thatās what we do! The musical quilt is strong!!!!
25 Oct 2026
At the end of 2025 we decided to do a full blown test recording session at Hollywood Scoring to make full use of our entire facility and try out recording different ensembles in isolation in both of our live rooms at the same time (aka ālive stripingā)
We thought that Michael Barryās most recent transcription of the original score for Tom and Jerryās āPet Peeveā, a cartoon from 1954 by Scott Bradley, which was previously lost to time. Mike transcribed the whole score by ear and reconstructed it from scratch, so we thought it would be fitting to see how close we could get to the original recording and possibly improve it. At the same time, what an opportunity to showcase the incredible musical talent of Los Angeles! The most complicated cartoon score we could possibly find was fully recorded in just 2 hours, tracked tutti but isolated!
With some extra time in the session, Edouard Brenneisen composed a totally different modern soundscape using the same ensemble as another test. All hands on deck, Adam Michalak recorded and mixed all in-house with edit support from Keith Ukrisna and I had the special job of handpicking and contracting all of these incredible players, each for their artistry they bring to this virtuosic style of performance.
Weāre thrilled with the results.
We hope you enjoy this short presentation, thank you for your attention in this matter! Noah and the HWS team!
Violins: Ben Jacobson, Luanne Homzy, Adam Millstein
Viola: Erik Rynearson
Cello: Cameron Stone
Bass: Eric Shetzen
Flute: Amy Tatum, Catherine Baker
Oboe: Lara Wickes, Jennifer Cullinan
Clarinet: John Tegmeyer, Pat Posey
Bassoon: Alex Garcia, Jon Stehney
Saxes: Dan Kaneyuki, Tristan Cappel, Jeff Driskill
Horn: Dylan Hart, Lisa McCormick
Trumpet: Rob Schaer, Michael Stever, Drew Ninmer
Bone: Alex Iles, Nick Daley, Ido Meshulam
Tuba: Blake Cooper
Percussion: Yuri Miyoshi
Kit: Jamey Tate
Piano: Alan Steinberger
Contractor: Noah Gladstone
Recorded at Hollywood Scoring, Los Angeles
Mastered by: Jett Galindo
#hollywoodscoring #filmscoring #recording #tomandjerry #animation
22 Sep 2026
Paris, Grand Palais, Sunday night.
Cristiano Ronaldo walks the trophy onto the stage, French president Emmanuel Macron and His Royal Highness Crown Prince Mohammed bin Salman bin Abdulaziz Al Saud coming down the aisle in lockstep behind him, and the music coming out of the speakers is the score @koray.composer and I wrote for EWC 2026.
It took a Saudi tournament relocating to Paris for my music to finally play for a French president!
Seven weeks of competition, and the players handed us moments Iām still thinking about. Thank you @potion.projects and @ewc_en for the trust.
#RiseAbove #EWC
25 Aug 2026
We always strive to bring out every possible bit of emotion in the music. It is an art, but it is also a fiercely competitive industry, and we are lucky that our LA players are some of the best in the world, playing their hearts out on every take. There is something fitting about that here: an anthem for the best players in the world, scored by some of the best in ours.
A few frames from behind the official Esports World Cup 2026 anthem. What you hear in the finished track starts in a room like this, with the small calls between takes that move a cue from good to exactly right.
Many thanks to @2weimusic and @koray.composer for being awesome collaborators on this.
š·: @billyedonyaphotography
#HollywoodScoring #EsportsWorldCup #EWC2026 #RecordingSession #OrchestralRecording GameMusic ScoreProduction MusicForGames BehindTheScore StudioLife
09 Jul 2026
Every esports final comes down to a single second. Years of practice, a room full of noise, and one decision that tips it all one way or the other. That is the feeling behind the official anthem for the Esports World Cup 2026, out now.
The anthem was co-written by Edouard Brenneisen and Koray Dalyanoglu, a collaboration between Hollywood Scoring and @2weimusic that carries the full Hollywood Scoring DNA since all four owners had a hand in it. Alongside Edouardās writing, HWSās Noah Gladstone produced along with Ruben Norg and Simon Heeger from 2WEI, Adam Michalak engineered and mixed, and Michael Barry orchestrated and conducted. Jett Galindo mastered. Many thanks to the wonderful LA musicians for lending us their incredible musicianship, and for Warner Brotherās Eastwood Scoring Stage for hosting us.
Real gratitude to @potion.projects executive producer Viranda Tantula and Nathan Romero and @ewc_en for bringing us in on this one. Scoring the will to compete never gets old.
Weāre glad to be back after 2025, whose anthem was also penned by Hollywood Scoringās Edouard Brenneisen.
#EsportsWorldCup #EWC2026 #HollywoodScoring #2WEI #GameMusic ComposerLife MusicForGames Esports CinematicScore
08 Jul 2026
Hollywood Scoringās music is featured in Appleās WWDC 2026 videos.
The tools we use to make music live inside Apple. The tools developers use to build the world live inside Apple. Felt like a good match.
Thanks to Radical Media for making it happen!
#HollywoodScoring #WWDC2026 #Apple
11 Jun 2026
Hello there!
Dream work with the dream team @noahgladstone @therealadammeehollak @ifididig @hollywoodscoring @koray.composer @2weimusic @potion.projects @the_only_viranda
04 Jun 2026
This finally got greenlit at the 11th hour after a long yet captivating road of revisions. Canāt wait to take this to a scoring stage very soon. Many thanks to @koray.composer, @noahgladstone, @2weimusic, @the_only_viranda and @potion.projects for being such great collaborators, cowriters, friends, and stewards of the music during this time!
28 May 2026
Noah had five questions. I had answers.
We talked about the score that changed everything for me, what actually separates a good game score from a great one, and the sounds Iād fight to keep if everything else had to go.
And yes, thereās an unfair advantage somewhere in there.
#composer #videogamemusic #gameaudio #filmmusic #musicforgames scoringprocess composerlife gamecomposer
19 May 2026
Recording video game scores in Los Angeles? Noah Gladstone breaks down the history of recording in LA and what you actually need to know about the AFM contract.
š¤ @noahgladstone
š¬ @hollywoodscoring
š¹ @ebrenneisen
18 Apr 2026
Recording video game scores in Los Angeles. What it takes, whatās changed, and what the people actually doing it have to say about it.
The Academy of Scoring Arts and G.A.N.G. are teaming up for a panel at our very own Hollywood Scoring, and weāre proud to be part of it.
On the panel:
Austin Wintory (composer)
Adam Michalak (music scoring mixer)
Noah Gladstone (contractor/producer)
Moderated by Edouard Brenneisen (composer)
š
April 11th Ā· 10 AM to 1 PM
š Hollywood Scoring, Los Angeles
Tickets at the link in bio, or visit scoringarts.com
#AcademyOfScoringArts #GANG #HollywoodScoring #GameAudio #VideoGameMusic ScoringInLA FilmScoring MusicForGames ComposerLife RecordingSession MusicProduction
06 Apr 2026
Five questions to Hollywood Scoring contractor and producer Noah Gladstone. Edouard Brenneisen asks what makes a musician truly stand out, and yes, Noahās favorite horn comes up. Episode 1 of more to come.
#HollywoodScoring #FilmMusic #GameAudio #SessionMusician #Composer MusicProduction Contractor Orchestral FilmComposer MusicIndustry BehindTheScenes Musician ScoringStage TVMusic MediaComposer
27 Mar 2026
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