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Bio
Sudanese Artist based in Egypt @arabdocphotography Mentee Cycle 11 @princeclausfund seed awardees 2023 Free 🇸🇩 🇵🇸 Purchase Prints @tintera_art
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#madewithlightroom#adoberisingstars#vscospaces#contemporaryart#conceptual#odtakeovers#humbleartsfoundation#lagosphotofestival#rawmelanin#osengwa
Recent posts
A Leap Into a Dream part XIV
( The Blue Cone : story of Two Fairies )
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This project was a dream I once dreamed about two fairies living peacefully on the river bank, fleeing from the hustle and bustle of life.
I have always been fascinated by flowers and the relationship of man with the earth and nature , as in this project I work to find a link between those elements For my deep belief in our need to go back to our roots and preserve nature and our relationship with it.
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In Frame @life_of_.x | @giath_kh
Shot on redmi note 11 #madewithlightroom #adoberisingstars @lightroom
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#vscospaces #contemporaryart #conceptual #odtakeovers #humbleartsfoundation #lagosphotofestival #rawmelanin #osengwa #littlerivermag #oblivionmagazine #nownessweekly
07 Nov 2022
Unicone fight 🦄⚔
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A conceptual artwork featuring @life_of_.x and @giath_kh
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The idea behind this work, As I called it , " A Leap into a dream" , it's a product of a dream I dreamed about imaginary characters living on the river bank away from the hustle and bustle of life.
I have always been fascinated by the relationship of man with the earth and nature, and I have thought of finding connection between those elements , and our need to maintain this connection and return to our roots in an accelerating and constantly changing world.
The main element for building the concept is the blue cone , which is an embodiment of the sharpness of our thoughts and the pressures of daily life routine and how it blooms in one way or another for a better reality when connecting to nature
04 Nov 2022
A Leap Into a Dream part XIII
( The Blue Cone : story of Two Fairies )
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This project was a dream I once dreamed about two fairies living peacefully on the river bank, fleeing from the hustle and bustle of life.
I have always been fascinated by flowers and the relationship of man with the earth and nature , as in this project I work to find a link between those elements For my deep belief in our need to go back to our roots and preserve nature and our relationship with it.
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In Frame @life_of_.x | @giath_kh
Shot on redmi note 11 #madewithlightroom @lightroom #adoberisingstars
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#vscospaces #contemporaryart #conceptual #odtakeovers #humbleartsfoundation #lagosphotofestival #rawmelanin #osengwa #littlerivermag #oblivionmagazine #nownessweekly #broadmag
03 Nov 2022
Hashim Nasr 🇸🇩 (@hashimnsr) is a Sudanese visual artist and photographer based in Alexandria, Egypt, whose conceptual and surreal practice explores displacement, memory, identity, and belonging.
Working with staged images, handmade objects, and symbolic visual language, Nasr creates photographs that reflect emotional and psychological landscapes. His practice began during the 2020 lockdown, when he started making self-portraits with his phone while away from his work as a dentist.
Since then, his work has been exhibited and published internationally, including at ‘The Africa Center’ in New York, Cairo Photo Week, Goethe-Institut in Cologne, and Rotterdam Photo Festival. He has also received the Prince Claus Fund Seed Award and recognition through the East African Photography Award.
Discover Nasr ⭐ on 54Journal.com
The #RuumSpotlight is powered by @ruumafrica
#Sudan
#Photography
#54Journal
#TheRuumAfrica
30 Sep 2026
A new edition of FASHIONCLASH festival is taking shape💥
Campaign images by @hashimnsr
13–15 November 2026, various locations in Maastricht
Stay tuned, save the date 🩵 #fashionclash #fashionclashfestival #fcf26 #fashioncampaign #fashionculture
22 Sep 2026
We do not grow dreams , nor destinations .
Wherever you may be , turn your face towards the vast sky
Towards the homeland ...
Towards the South .
Because Nobody has the luxury of flying , Yet !
20 Sep 2026
How to trace a disappearance by @hashimnsr
Project description:
After the war broke out in Sudan, my concept of home changed. It was no longer a fixed place to return to, but a mental image weighted with longing and nostalgia.
War here is not only a political or military event, but a force that continues to reshape life despite my distance from its battlefield. Displacement is not limited to the act of leaving itself, but extends to becoming an internal state that accompanies the body wherever it goes.
In this project I treat home as a state of being rather than a geographical location, a fragmented psychological space that is rewritten from memory and imagination. The images do not seek to restore what has been lost, but rather to question the possibility of living with this loss.
At its core, this project does not offer direct answers so much as it opens up space for questions about memory, about the place that inhibits us even when we are unable to reclaim it, and about the hope that remains possible even in time of war and the possibility of finding an inner homeland that can not be taken away by displacement.
Biography:
Hashim Nasr is a Sudanese visual artist and photographer based in Alexandria, Egypt.
Graduated as a dentist. His conceptual and surreal artistic practice started as an experimental act to explore themes of displacement, memory, and gender identities through staged images and symbolic visual language that reflect emotional and psychological landscapes. He uses experimental handcrafted objects to navigate exile, identity, and the search for belonging . His recent projects focus on the experience of war and migration. His works have been exhibited locally, internationally, and in several publications and virtual exhibitions.
#africafotofair #aff #photography
07 Aug 2026
"On War and Displacement" is a conceptual photography series by Sudanese artist Hashim Nasr (@hashimnsr ), created after he was forced to remain in Egypt when war broke out in Sudan in April 2023.
Blending surreal imagery with personal symbolism, the series reflects the emotional realities of exile, loss, memory, and hope rather than documenting conflict directly.
Many of the photographs were planned through detailed sketches and captured using a mobile phone, transforming everyday locations into dreamlike scenes.
Dedicated to those who remain in Sudan, the series offers a deeply personal response to displacement while inviting viewers to reconsider how war and its human impact can be represented.
#HashimNasr #OnWarAndDisplacement #ConceptualPhotography #Sudan #VisualStorytelling
Hashim Nasr, On War and Displacement, Sudan, Egypt, Exile, Displacement, War, Civil War, Refugees, Conceptual Photography, Surrealism, Mobile Photography, Visual Storytelling, Identity, Memory, Loss, Hope, Symbolism, Contemporary Photography, Documentary Art, Human Experience, Migration, Arab Documentary Photography Program, Sudanese Artist, Experimental Photography
02 Aug 2026
💥 SAVE THE DATE 💥18th edition FASHIONCLASH Festival 2026
📆 13, 14 & 15 November
🪄 Various locations in Maastricht
We proudly present the first campaign images for the 18th edition created by @hashimnsr
The campaign brings together African and Middle Eastern cultural traditions through a surrealist and avant-garde visual language. Set against open landscapes and carefully staged environments, the images transform traditional symbols, clothing, rituals and objects into dreamlike narratives in which the boundaries between memory, mythology and contemporary identity blur.
By bringing together diverse cultural references in symbolic scenes, the campaign creates a space in which heritage is not only preserved but also reimagined. Through conceptual photography and carefully constructed visual narratives, it celebrates cultural connections while exploring themes of connection, transformation and collective imagination.
Developed by Sudanese visual artist and photographer Hashim Nasr, the campaign reflects FASHIONCLASH Festival’s commitment to presenting diverse perspectives and creating space for new narratives.
Stay tuned for program announcements, campaign highlights and more. The full program will be announced after the summer.
Read more via #linkinbio
#fashionclash #fashionclashfestival #fcf26 #maastricht
22 Jul 2026
ISSUE FOUR INTERVIEW: ‘The significance of Nasr’s work lies not only in its subject matter but also in its contribution to contemporary discussions surrounding representation and conflict. In an era saturated with images of war, his practice raises important questions about what photography can do beyond documentation.
By constructing rather than recording, he challenges the assumption that witnessing must always take the form of direct observation. His photographs suggest that metaphor may sometimes communicate the realities of trauma more effectively than evidence alone.
Figures are often veiled, masked, or obscured, denying viewers access to individual identity. This anonymity shifts the work away from portraiture and toward allegory. The subjects become archetypes capable of representing collective experiences of displacement, mourning, and survival.’
+ Extract from our interview with Sudanese photographer, Hashim Nasr
PHOTOGRAPHER: HASHIM NASR / @hashimnsr
Explore The Issue:
WWW.TOMBEMAG.COM
#tombemag
10 Jul 2026
TOMBE ISSUE FOUR: Photography has always lived in the space between witnessing and feeling. It is a medium that documents, but also mourns, imagines, and remembers. It holds within it a fundamental tension between the indexical and the emotional, between the photograph as record and the photograph as expression of something far less fixed.
Transitions is concerned with change as a condition - the slow, often imperceptible processes through which identities shift, landscapes alter, and histories are rewritten or forgotten. In this issue, our contributors are working at those pressure points. Photographing in the spaces where something is being lost, transformed, or only partially understood. Their practice is one of inquiry, driven less by the desire to “capture” and more by the need to investigate.
What emerges from this approach is work that refuses the false comfort of resolution. The work sits with complexity and holds contradiction rather than dissolving it. The image becomes a site of negotiation between what was witnessed and what was felt, between the document and the elegy. As witness, we are asked to occupy that in-between space, to resist the impulse of arriving too quickly at meaning.
PARTICIPATING ARTISTS:
@hashimnsr
@gabriellekannemeyer
@nihao_ruanruan
@katlegoksamane
@gerhartzoliver
@famoaliy
@jabulanipatdhlamini
@0lcide
@hanaperlas
@melzie27
@o_da_ir
@faridamahdy_
@adannaa.e
COVER PHOTOGRAPHER: HASHIM NASR / @hashimnsr
Explore The Issue:
www.tombemag.com
#tombemag
10 Jun 2026
Today marks three years since the war in Sudan began on the streets of Khartoum and rapidly spread across the rest of the country.
Millions have been displaced , and hundreds of thousands of people have been killed .
A war that has shaped the reality of Sudanese people around the world in the most sudden and unpredictable way shaping our changing concepts of survival and adapting over these three years .
I am still numb.
I am still trying to cope with and process what has been happening since that day, April 15, 2023.
اليوم تمر ذكرى ثلاث سنوات منذ أن بدأت الحرب في السودان في الخامس عشر من أبريل 2023 في شوارع الخرطوم و انتشرت كالنار بشكل واسع إلى بقية أنحاء البلاد لينزح بسببها الملايين و يقتل مئات الآلاف .
حرب شكلت واقع السودانيين حول العالم بشكل مفاجئ و غير مرتب و لا حتى متوقع ، و تغيرت معها حتى مفاهيمنا عن البقاء والصمود خلال طوال هذه السنوات الثلاث و ما زلنا كأمة نحاول أن نتعامل مع كل ما حدث تاليا ذلك اليوم !
#keepeyesonsudan
15 Apr 2026
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