Habda Rashid

Habda Rashid

@habda_

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Senior Curator Modern & Contemporary Art @fitzmuseum_uk Uni of Cambridge - views my own Fine Arts Faculty @britishschoolatrome Fellow Wolfson College

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Just returning from Accra Culture Weekโ€™s 10th year anniversary - @gallery1957 ๐Ÿฉต Only a glimpse from a full few days of: exhibition openings studio visits, talks, and a broad sense of culture as well as many conversations and learning - grateful to all the Ghanaian artists and arts professionals that contributed to the week and shared their visions ๐Ÿ™๐Ÿพ Images include; A very special visit to El Anatsuiโ€™s studio @elanatsui.art ๐Ÿ’ซ Works by: Gideon Appah, Ibrahim Mahama, Rita Maweuna Bennisan and Madupeola Fudugba in where the Earth Remembers @ Gallery 1957 Alvaro Barringtonโ€™s wonderful installation at the impressive Limbo Museum ( @limbomuseum ) using one of the many unfinished buildings in Accra - @dominiquepetit_ Still from a performance by Serge Attukwei Clottey A visit to Amoako Boafoโ€™s studio Talks: Ibrahim Mahama & Marwan Zakhem (founder of gallery 1957 & Accra Culture week) / Godfried Donkor with Modupeola Fadugba with Azu Nwagnogu / Yaa Asantewaa Art Prize: itโ€™s director Leila Zakham with jury members Touria El Glaoul, Dominique Heyse-Moore and Alexa Waley-Cohen my own in conversation with Rita Mawuena Bennisan artist and founder of Si Hene Foundation - an archive, library, studio space and research centre - included are images of Rita and some of her team and found venacular photography ๐Ÿ’™ Thank you ๐Ÿคฉ @karon.hepburn @leastchillperson team @gallery1957 - not least Taty โœจ๐Ÿฉทโœจ 03 Nov 2026 Find us at ๐—™๐—ฟ๐—ถ๐—ฒ๐˜‡๐—ฒ ๐—Ÿ๐—ผ๐—ป๐—ฑ๐—ผ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ (@friezeofficial), ๐—•๐—ผ๐—ผ๐˜๐—ต ๐—”๐Ÿญ๐Ÿฎ, for ๐™๐™๐™š ๐™๐™š๐™จ๐™ฉ๐™ก๐™š๐™จ๐™จ ๐™‹๐™ง๐™š๐™จ๐™š๐™ฃ๐™ฉ, a curator-led presentation developed by ๐—›๐—ฎ๐—ฏ๐—ฑ๐—ฎ ๐—ฅ๐—ฎ๐˜€๐—ต๐—ถ๐—ฑ (@habda_), Senior Curator of Modern and Contemporary Art at the Fitzwilliam Museum (@fitzmuseum_uk), University of Cambridge. Bringing together ๐—•๐—ต๐—ฎ๐—ฟ๐˜๐—ถ ๐—ž๐—ต๐—ฒ๐—ฟ (@bharti_kher_studio_), ๐—๐—ถ๐˜๐—ถ๐˜€๐—ต ๐—ž๐—ฎ๐—น๐—น๐—ฎ๐˜ (@jitishkallat), ๐—ฆ๐˜‚๐—ฏ๐—ผ๐—ฑ๐—ต ๐—š๐˜‚๐—ฝ๐˜๐—ฎ (@subodhguptastudio), ๐—ง๐—ฎ๐—ป๐˜†๐—ฎ ๐—š๐—ผ๐—ฒ๐—น (@tanyagoel01) ๐—ฎ๐—ป๐—ฑ ๐—ž๐˜‚๐—น๐—ฑ๐—ฒ๐—ฒ๐—ฝ ๐—ฆ๐—ถ๐—ป๐—ด๐—ต (@kuldeepsingh19), alongside Frieze London debuts by ๐—”๐—ถ๐˜‡๐—ฎ ๐—”๐—ต๐—บ๐—ฒ๐—ฑ (@aizaahmedstudio), ๐—”๐˜†๐—ฒ๐˜€๐—ต๐—ฎ ๐—ฆ๐—ถ๐—ป๐—ด๐—ต (@ayeshaxsingh) ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐˜‚๐˜€๐—ต๐—ฝ๐—ฎ๐—บ๐—ฎ๐—น๐—ฎ ๐—ก. (@pushpamalan), the presentation explores how artists engage with the past to make sense of a changing present. Through distinct approaches to material, image and form, the works revisit mythology, ritual, architecture and cultural memory, revealing how inherited histories and visual traditions are continually questioned, reinterpreted and given new meaning. Rather than treating tradition as a fixed point of origin, The Restless Present considers it an active force in contemporary artistic practice, one through which histories are re-examined and new perspectives emerge across generations and geographies. ๐—™๐—ฟ๐—ถ๐—ฒ๐˜‡๐—ฒ ๐—Ÿ๐—ผ๐—ป๐—ฑ๐—ผ๐—ป ๐Ÿญ๐Ÿฐโ€“๐Ÿญ๐Ÿด ๐—ข๐—ฐ๐˜๐—ผ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ผ๐˜๐—ต ๐—”๐Ÿญ๐Ÿฎ | ๐—ง๐—ต๐—ฒ ๐—ฅ๐—ฒ๐—ด๐—ฒ๐—ป๐˜โ€™๐˜€ ๐—ฃ๐—ฎ๐—ฟ๐—ธ, ๐—Ÿ๐—ผ๐—ป๐—ฑ๐—ผ๐—ป 16 Oct 2026 The Restless Present - is a display I have curated following my research award from @indiaartfair & @saatsaatharts.foundation I have extended my research beyond @fitzmuseum_uk with @naturemorte_india in collaboration for their stand @friezeofficial London 2026 @_vidishaaa & Sanchari Banergee ๐Ÿ™๐Ÿพโœจ๐Ÿฉท it has been a space to build new relationship, test ideas and strengthen inter-cultural connections. The artists reflect a breadth of contemporary South Asian art today, bringing together artists rooted in India, Pakistan, and their diasporas, as well as emerging and established. The presentation brings together โœจ Aiza Ahmed โœจ Tanya Goel โœจ Subodh Gupta โœจ Jitish Kallat โœจ Bharti Kher โœจ Pushpamala N. โœจ Ayesha Singh โœจ Kuldeep Singh Across these practices, themes of nature, ritual, architecture, technology, craft and historical memory become sites through which artists engage with contemporary social, political and environmental realities. Drawing on vernacular forms, culturally diverse visual traditions and extended systems of knowledge, art itself becomes an active field where its histories are examined, activated and reshaped. Deeply grateful to the Nature Morte team for giving me the room to stretch my thinking and engage so closely with these extraordinary practices. Thank you ๐Ÿคฉ 04 Oct 2026 Really did disappear for slow and warm days in Italy.๐Ÿ˜Ž๐Ÿ’• Antiquity across Campania, from the frescoed Roman Oplontis to the sun-bleached symmetry of Athenaโ€™s temple at the Greek ruins in Paestum. The light of Artemisia Gentileschi, the quietness of Vincenzo Migliaroโ€™s Portrait of a Woman and the radicalness with tenderness of Maria Laiโ€™s brilliant survey @museomadre including, archival footage of her 1981 important Legarsi alla Montagna, where an entire Sardinian village bound their homes to the mountain peak with a single light blue ribbon. First staged on September 8, 1981, in her mountainous hometown of Ulassai, it is widely recognised as the first true piece of relational art in Italy The stark, geometric devotion of Alberto Izzoโ€™s 1969 Cappella Cangiani, itโ€™s raw, exposed concrete include a monumental pulpit. The theatrical, open-air stairwells of Palazzo dello Spagnolo and Palazzo Sanfelice, Neapolitan mix. Cascate Capelli di Venere - this very magical oasis sits tucked away in the mountain hinterland of the Gulf of Policastro. The waterfall gets its name because the crystal-clear waters of the Bussentino river flow directly over a massive canvas of vibrant green moss and delicate maidenhair And, sunny clear (and very clean) beaches of quiet towns in Cilento..โ˜€๏ธโ˜€๏ธโœจ๐Ÿฉต 03 Sep 2026 We have a significant new role at @fitzmuseum_uk, designed for someone who wants to work directly on curating exhibitions with living artists and their work, De Yingโ€™s collections of contemporary art, alongside the Museumโ€™s broad, significant collections of artworks and objects โ€” as well as collections and ideas that stretch across the University of Cambridge. The role has a strong research dimension, with opportunities for the postholder to contribute fresh ideas and develop impactful outputs while engaging with discourses and research groups across the University and beyond. Weโ€™re looking for someone with institutional and curatorial experience who wants to develop and platform their thinking around contemporary practice, history of art and the role of a museum today. Ultimately, itโ€™s a chance to work with incredible art and artists. ๐Ÿฉต Please share - link in my bio ๐Ÿ™๐Ÿพ 18 Aug 2026 The very brilliant and fun Mary Heilmann Mary and I having a T-shirt off during the install of her show in 2016 @whitechapelgallery and with Keith Sonnier who we were also sowing at the same time. They both had the best stories of New York.. Rest in peace beautiful Mary ๐Ÿค๐Ÿค๐Ÿค @maryheilmannstudio @lianethatcher โค๏ธ 14 Aug 2026 The very visible architectural and cultural layering of beautiful (๐Ÿ˜ป and very hot ) Andalusia is a blend of Roman, Islamic and Catholic civilisations. Itโ€™s most notable in Mosque-Cathedral Cรณrdoba ( first two images) where the layers overlap to create the most extraordinary and unique structure as well as atmosphere. The aesthetic is a mix of Roman, Visigothic, Moorish and Catholicism designs. Images also includes interiors and frescoes from Seville Cathedral & Church of El Salvador- including painting by Goya. Other paintings by julio Ramos de Torre and photograph by Tanya Traboulsi - @casa_arabe @tanya_traboulsi Beirut photographer showing in Cรณrdoba ..โ˜€๏ธโ˜€๏ธ๐Ÿซ ๐Ÿซ  04 Jul 2026 Two beautiful additions to @fitzmuseum_uk collection and on display now.. Flamingo by Lynette Yiadom-Boakye @lynetteyiadomboakye ๐Ÿ’™๐Ÿ’œโœจ๐Ÿ’• Wonderful Feeling by Emheyon Bahabba also known as Embah โœจโœจโค๏ธโค๏ธ (@matthewhiggs2015 ) Very grateful to @artfund @corvimora 09 Jun 2026 I donโ€™t think words can describe this Venice Biennale - walking into the Giardini to Pussy Riot protests, strikes causing pavilions to close and torrential rains as well as sharp sun - truly reflecting our times. A few pictures from lots and lots of art which I feel is beginning to make different connections in our complex world - resonating with different sounds and new visual assimilations, which seem to make some uncomfortable and others excited. It was messy and uneven but so much to learn ๐Ÿ’š 1) Lawrence Abu Hamdan: Five at Canicula @fondazioneinbetweenartfilm 2&3)! Paulino & Adriana Varejฤo -: Comingo Ninguรฉm Pode - Australian Pavilion 4)Sammy Baloji - central pavilion 5) Henrike Naumann & Sung Tieu: Ruin - German Pavillon 6) Ibrahim Mahama: A Shea Garden @ibrahimmahama3 @galleriabaroviertoso 7)Fiona Pardington: Taharaki Skysude - New Zealand Pavillion 8) Pio Abad - Philippines Pavilion @pioabad 9)Walid Raad- Arsenale 10) Abbas Akhavan: Entre chien et loop - Canadian Pavilion 11) Gabrielle Goliath - Elegy 12 Mohammed Jahn- Central Pavilion 13) Yto Barrada - French Pavilion @ytobarrada @pacegallery 14) Lubaina Himid - British Pavilion @lubainapics @magda_stawarska @beth_beth_hughes 15) Madina Joldbek: Turandot: To the Daughters of the East @parasolunit 16) Michael Armitage: The Promise of Change @palazzo_grassi 17) Torkwase Dyson - Arsenale @torkwasedyson 18) Sohrab Hura - central pavilion 19) Sumakshi Sungh - Indian Pavilion @sumakshisingh 20) Saodat Ismailova - Turandot: To the Daughters of the East @parasolunit @venice.art.biennale 10 May 2026 So please .. @fitzmuseum_uk has been shortlisted for Art Fund Museum of the Year with 4 other wonderful institutions โœจ This recognitions reflects great work happening across the whole Museum- and itโ€™s especially exciting to see the contemporary programme play a strong part in that. itโ€™s been satisfying seeing how this work has evolved within the Fitz and to develop it alongside colleagues and brilliant artists - hurrah! ๐Ÿฉท @artfund @lukesyson @lucyjperman @_helen_ritchie @elenorling_ @rapcarpenter @eleanorlj @jenniferjoyce_ @natalie_duff_arts @karenlivingstone_ @kirsty_poole @ladanakbarnia @glennligon 20 Apr 2026 Spending a few days in and around Fรจs- Founded in the 9th century, itโ€™s urban fabric and the principal monuments in the medina โ€“ madrasas, fondouks, palaces, residences, mosques and fountains- date from this period. There are 1000s of passageways that eventually pull you in - you can spend hours in there ๐Ÿ˜ป. The tannery is amazing, with pigeon coops lining the rooftops - the ammonia is used from their poo ( and it smells). Fez has gained the status as Moroccoโ€™s cultural and spiritual centre. The Sidi Harazem Thermal Bath Station ( including the spectacular circular pool) was designed in the 1960โ€™s by the architect Jean-Francois Zevaco. The Station is an example of Modernist post-colonial architecture, the first example of public post-independence architecture designed for locals. Using participatory design methods which prioritise community voices. It is crumbling but a restoration project has been set up. as Fez is further away from the desert its countryside is lush with greenery akin to the alps ๐Ÿ’š 02 Apr 2026 A distilled exhibition of Frank Bowlingโ€™s paintings in โ€˜Seeking The Sublimeโ€™ opens today @fitzmuseum_uk . It spans works from 1961 to 2025 and is curated so that connections and developments can be charted across his incredible paintings.โœจโœจโœจโœจ Second image is Frank intensely looking at โ€˜4 Horsemen o the Apocalypseโ€™ 1961, for the first time since the 60s and post its restoration. Images include Ben Bowling @bowling2511 and Martin Gayford @gayfordmartin - my partners in crime โ˜บ๏ธ as well as the brilliant wider Fitz team. Also included is an image of Bowlingโ€™s painting Patorospray with one Aubrey Williamโ€™s Olmec Maya series both painted in the 80s, on display in our collections gallery ๐Ÿ’™ @frankbowlingstudio @hauserwirth @octobergallerylondon 27 Mar 2026

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DfRqiepCKQnJust returning from Accra Culture Weekโ€™s 10th yeโ€ฆ
DeleZlngc0QFind us at ๐—™๐—ฟ๐—ถ๐—ฒ๐˜‡๐—ฒ ๐—Ÿ๐—ผ๐—ป๐—ฑ๐—ผ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ (@friezeofficial),โ€ฆ
DeFExGaijEUThe Restless Present - is a display I have curatโ€ฆ

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