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b.2000 London Based - South African, British
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Recent posts
Sotheby’s
2026, Oil on linen on panel.
190 x 122 cm
23 Oct 2026
Debuting at Frieze London next month with @southernguildgallery @friezeofficial
Senate House III
150 x 220 cm
Oil on linen on panel.
25 Sep 2026
Orders of Emergence — Opening tonight at @makeroom.la
Gus Monday and Julian Lombardi’s latest bodies of work explore the tension between containment and emergence, presenting paintings and drawings that both define and undo the conditions of contemporary experience. Their exhibition brings together two distinct practices engaged in the construction and destabilization of psychic architectures.
- Susan Sherrick
Orders of Emergence
Gus Monday & Julian Lombardi
On view till 1st August at Make Room, Los Angeles.
27 Jun 2026
Excited to be showing in Frieze Los Angeles for the first time with @southernguildgallery , alongside Zanele Muholi, Zizipho Poswa, Shane Berkery and many others.
Espace Niemeyer, 2025
Oil on linen on Aluminium panel
150 x 240 cm
In Espace Niemeyer, Gus Monday reconfigures the headquarters of the French Communist Party in Paris into a theatre of historical transition and ideological residue. The painting collapses temporal and political registers - from feudal mechanics to modernist utopianism to the fractured global present - rendering architecture as a stage upon which power continually reconstitutes itself.
19 Feb 2026
Three Rooms – Museum, Institution, Gallery
14.10.2025 — 15.11.2025
12a Savile row, London @carl.kostyal
Exhibition text by Olamiju Fajemisin @olamiju
Install photography by Ben Westoby @fineartdocumentation
15 Oct 2025
GUS MONDAY
THREE ROOMS – MUSEUM, INSTITUTION, GALLERY
PV MONDAY, 6 – 8 PM
SAVILE ROW, LONDON
Carl Kostyál is delighted to present ’Three Rooms – Museum, Institution, Gallery’, a presentation of seven new paintings by the British-South African artist Gus Monday (b. 2000), marking the artist’s debut solo exhibition with the gallery and in London.
“In ‘Three Rooms – Museum, Institution, Gallery’, Monday performs a literal and critical dissection of three distinct, if mutually referential, spatial archetypes: the museum, the institution, and the gallery. Installed across the three rooms of Carl Kostyál, London, this presentation stages a self-reflective critique in which the exhibition space itself mirrors the very typologies under examination.
The first room examines how geopolitical and economic conditions shape whether museums can function as institutions of preservation and care. Across two single-panel works and one diptych, Monday contrasts the immaculate facilities of European collections with the under-resourced conservation spaces of South Africa. Central here is the Iziko South African Museum — the country’s first museum — where the ceiling of its conservation room collapsed, leaving objects damaged and unprotected. Among them was a diorama, once used to depict the Khoi-San people, which had already been removed from public view due to its reductive and colonial framing. The collapse becomes emblematic not of the fragility of the objects themselves, but of the systemic neglect that determines which histories are maintained and which are left to disintegrate. The recurring draped figure signals this absence, marking the uneven distribution of care and the institutions that fail to provide it.”
– Olamiju Fajemisin, @olamiju
Installation photography by Ben Westoby / Fine Art Documentation @fineartdocumentation
11 Oct 2025
Install shot of Maison Clearing @clearing_ny_la in Basel.
H&W Somerset, Sculpture Garden, 2025
Oil on linen on panel
100 x 200 cm
photo by: Simon Rao
25 Jun 2025
Space Talk
2024 | 122 x 185 cm | Oil on linen on panel
09 Mar 2025
Installation view of The Observers at SEOJUNG ART Busan. Photo: Jeon Byung-cheol.
Courtesy of SEOJUNG ART.
Framing by @wearefacility
03 Dec 2024
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