Gus Monday

Gus Monday

@gusmondaystudio

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b.2000 London Based - South African, British

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Sotheby’s 2026, Oil on linen on panel. 190 x 122 cm 23 Oct 2026 Debuting at Frieze London next month with @southernguildgallery @friezeofficial Senate House III 150 x 220 cm Oil on linen on panel. 25 Sep 2026 Orders of Emergence — Opening tonight at @makeroom.la Gus Monday and Julian Lombardi’s latest bodies of work explore the tension between containment and emergence, presenting paintings and drawings that both define and undo the conditions of contemporary experience. Their exhibition brings together two distinct practices engaged in the construction and destabilization of psychic architectures. - Susan Sherrick Orders of Emergence Gus Monday & Julian Lombardi On view till 1st August at Make Room, Los Angeles. 27 Jun 2026 Excited to be showing in Frieze Los Angeles for the first time with @southernguildgallery , alongside Zanele Muholi, Zizipho Poswa, Shane Berkery and many others. Espace Niemeyer, 2025 Oil on linen on Aluminium panel 150 x 240 cm In Espace Niemeyer, Gus Monday reconfigures the headquarters of the French Communist Party in Paris into a theatre of historical transition and ideological residue. The painting collapses temporal and political registers - from feudal mechanics to modernist utopianism to the fractured global present - rendering architecture as a stage upon which power continually reconstitutes itself. 19 Feb 2026 Three Rooms – Museum, Institution, Gallery 14.10.2025 — 15.11.2025 12a Savile row, London @carl.kostyal Exhibition text by Olamiju Fajemisin @olamiju Install photography by Ben Westoby @fineartdocumentation 15 Oct 2025 GUS MONDAY THREE ROOMS – MUSEUM, INSTITUTION, GALLERY PV MONDAY, 6 – 8 PM SAVILE ROW, LONDON Carl Kostyál is delighted to present ’Three Rooms – Museum, Institution, Gallery’, a presentation of seven new paintings by the British-South African artist Gus Monday (b. 2000), marking the artist’s debut solo exhibition with the gallery and in London. “In ‘Three Rooms – Museum, Institution, Gallery’, Monday performs a literal and critical dissection of three distinct, if mutually referential, spatial archetypes: the museum, the institution, and the gallery. Installed across the three rooms of Carl Kostyál, London, this presentation stages a self-reflective critique in which the exhibition space itself mirrors the very typologies under examination. The first room examines how geopolitical and economic conditions shape whether museums can function as institutions of preservation and care. Across two single-panel works and one diptych, Monday contrasts the immaculate facilities of European collections with the under-resourced conservation spaces of South Africa. Central here is the Iziko South African Museum — the country’s first museum — where the ceiling of its conservation room collapsed, leaving objects damaged and unprotected. Among them was a diorama, once used to depict the Khoi-San people, which had already been removed from public view due to its reductive and colonial framing. The collapse becomes emblematic not of the fragility of the objects themselves, but of the systemic neglect that determines which histories are maintained and which are left to disintegrate. The recurring draped figure signals this absence, marking the uneven distribution of care and the institutions that fail to provide it.” – Olamiju Fajemisin, @olamiju Installation photography by Ben Westoby / Fine Art Documentation @fineartdocumentation 11 Oct 2025 Install shot of Maison Clearing @clearing_ny_la in Basel. H&W Somerset, Sculpture Garden, 2025 Oil on linen on panel 100 x 200 cm photo by: Simon Rao 25 Jun 2025 Space Talk 2024 | 122 x 185 cm | Oil on linen on panel 09 Mar 2025 Installation view of The Observers at SEOJUNG ART Busan. Photo: Jeon Byung-cheol. Courtesy of SEOJUNG ART. Framing by @wearefacility 03 Dec 2024

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De16V2zqzWFSotheby’s 2026, Oil on linen on panel. 190 x 1…
Ddta8IfCrwMDebuting at Frieze London next month with @south…
DaGeLLxG2lrOrders of Emergence — Opening tonight at @makero…

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