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Bio
Cinnamontographer // Proprietor of @horizon_cine_glass
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Recent posts
Some of the homies already know this, but I’m signed on to shoot a feature film
directed by Cody Stokes. We’re making moves to have our first shoot day happen at the beginning of December, with the bulk of the photography happening in Q1 2027. This is our first push for casting the roles we’ll need for our *one* filming day this year.
06 Oct 2026
Some cool BTS from our shoot for @brutonstroube and @cannonball_ad!
Cinebike and drone action!
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#onset #horse #cinebike #commercial #drone
18 Jun 2026
Another awesome shoot for @brutonstroube and @cannonball_ad with @badboymowers! Footage is insane! Can’t wait for it to release!
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#onset #badboymowers #bts #cinebike #commercial
08 Jun 2026
Behind the scenes shots synced with real shots, showing off our team's cinematic skills.
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#cinebike #commercial #badboymowers #camera #onset @badboymowers
09 Feb 2026
@bitter_ulti_mate // gallery link in bio
22 Jul 2025
Forever City Red for @stlcitysc
Matt Dale: Creative Director
Neil Wissmann: Creative Director
Ken Earley: Associate Creative Director
Madison Richard: Sr.. Art Director
Rachel Tainter Brown: Sr. Project Manager / Producer
Post Team:
Editor: 🥸
VFX: @joey_deutsch
@carterbk
@stoltz_fx
@jacobdaltonvfx
Sound: @alecchojnacki
Color: @clarkgriffiths
@bssoutpost
King Kess Vintage (2065) Team
Kiley Enno: Producer
Dustie Carter: Director
Mike Dalton: Director of Photography
Jesse Bader: AC
Noah Kiernan: Gaffer
Mark Stone: Key Grip
Mandi Hall: Prop+ Wardrobe
Alex Noble: SPFX Makeup
Julie Dietrich: HMU
Eva Gassier: Prop + Wardrobe Assist
Tino Covelli: Production Assistant
Nick Jackson: Production Assistant
Red Void Team
Matt Siemer: Producer
Kiley Enno: Producer
Dustie Carter: Director
Paul Dahlke: Assistant Director
James McKenzie: Director of Photography
Jesse Bader: 1st AC
Preston Beene: 2nd AC
Tim Hawn: Gaffer
John Sennott: Best Boy Electric
Ben Burke: Key Grip
Mark Stone: Best Boy Grip
Mandi Hall: Prop+ Wardrobe
Julie Dietrich: HMU
Eva Gassier: Prop + Wardrobe Assist
Tino Covelli, Production Assistant
Nick Jackson, Production Assistant
14 Feb 2025
This was a definite highlight, so happy to see this project out in the wild. Beautiful locations, hard-working talent and crew, great collaborations all around from production all the way through post.
Shot on @reddigitalcinema V-Raptor and @freeflysystems Ember with @lensworksrentals Type SK primes that really shone in the winter foliage (or lack thereof).
19 Sep 2024
PS I went to Ireland in June. It was neat.
24 Aug 2022
Particularly proud of this one. Firing on all cylinders. Great concept, production design, crew, cut, color, sound…
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Director: @wilsonworld
DP: 🤡
Producer: @mattcsiemer
AD: @dustiecar
Photographer: @ktbird77
1st AC: @cam_assist
2nd AC: @mmtv.stl
P&W. Stylist: @becky.mcfarland.cox.stylist
PA: @buffalotrail
PA: @willie_pat
Post Production: @bssoutpost
Editor: @andydv
Sound: @steve_horne_sound
#filmmakers #cameralust #filmmaking #thefilmcommunity #cinematography #postlife #colorgradingcentral #arri #minilf #cookelenses #anamorphic #djironin2 #postproductionhouse #editors #sounddesign #videoproduction #behindthescenes #setlife
04 Mar 2022
Custom👏Built👏Komodo👏Shooter
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Couldn’t resist posting this dope custom built, handheld Komodo rig from our buddy @greatbignerd! James modded his Komodo with a custom modified Bolex 16mm handle and a Hasselblad HC4 viewfinder to get a real retro look. Hit the link in our bio to see more of this rig and some other custom builds from James 🙌
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#filmmaking #filmtools #redkomodo #komodo #bolex #16mm #bolex16mm #customcamera #custombuild #reddigital #reddigitalcinema #onset #setlife #filmmaker #film #handheld #cinema #cinemacamera
21 Dec 2021
We’ve worked on this campaign for a few years in a row now, and every year it’s one of my favorite projects to sink my teeth into. This year we took the show on the road to Colorado, so the challenges were location, location, location. Tons of moving parts, multiple units, wildlife restrictions, etc.
Eventually, we started in on the martini shot. We fired up the haze machine and the wind shifted. We chased it for what seemed like hours. But then, all of a sudden as blue hour rolled in, the breeze calmed. A lightning storm appeared in the distance. I made some of my favorite frames of all time. Felt like a mic drop moment. And that was a wrap.
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Director: Tim Wilson @wilsonworld
DP: 🥸
Executive Producer: Matt Siemer @mattcsiemer
Producer: Kiley Enno @kileyenno
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2nd Unit Director: Dustie Carter @dustiecar
2nd Unit DP: Mike Dalton @mike__dalton
2nd Unit Everything Else: @lockeandstache
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Camera/Grip/Electric Depts:
AC: Nick Bruso @schnicholas_dp
G&E: Trevor Tietjen @trevortietjen
Cable Cam: @lockeandstache
Aerials: Soren Jensen @soren___jensen @skysight__motion__cinema, Mike Hagadorn @mike_hagadorn
Additional Camera Support: @cinemechanics
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Photographer: Brandon Voges @brandonvoges
2nd Photographer: Steve Eschner
Photo Assist: Matt Kile @mattkile_oneword
Digital Tech: Doug Garfield @dtgarfield
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Edit: Andy DeVries @andydv
VFX: Andy DeVries @andydv
Audio: Steve Horne @steve_horne_sound
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#kowa #anamorphic #shotonred #r3d #gemini #komodo #angenieux #optimo #cablecam #defycadence #cinematography #cinematographer #postproduction #directorofphotography #dop #movi #movimethod #setlife
14 Dec 2021
MDW21
09 May 2021
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