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See Instagram photos and videos from Graham MacIndoe (@grahammacindoe)
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Recent posts
Super chuffed that one of my pics from the in-store Kneecap gig at Rough Trade London earlier this year is being used as the cover for Kneecap: Fenian (Live at Rough Trade)
Release Day is Dec. 4th - Pre-order from Rough Trade now
11 Nov 2026
Quentin Crisp in his East Village apartment, NYC, 1993.
#grahammacindoearchive
10 Nov 2026
Three Bottle Tops and a Pea, a variation of Three-Card Monte, which was often seen being played and roping in gullible bystanders in NYC in the ‘80s & ‘90s.
Broadway, NYC, 1993-4.
#grahammacindoearchive
10 Nov 2026
48 years ago, The Clash released “Give ‘Em Enough Rope”, their second studio album. I’d listened to them a lot since the first album but hadn’t managed to see them yet. Couldn’t get to the one in Dunfermline earlier that year and was too young for the 1977 one. But this one was mind-blowing for a 15-year-old. I had already seen a few bands by then, but this one blew me away ... I took the last bus back to West Lothian with my pals, and we were still sweaty, excited, inspired, and changed forever!
Also, The Slits were support, and they were brilliant too!
10 Nov 2026
A one-of-a-kind music artifact from @mattberninger, of @thenational via @propeller.la
Handwritten lyrics to his song “Martini Me Fatso,” written on a baseball.
Why a baseball? Matt began writing lyrics on baseballs during a difficult period of depression and writer’s block. He found that the unusual process helped him slow down, think differently, and reconnect with his creativity.
We’re grateful that Matt has contributed one of these unique pieces to support Sounds of Saving’s work in high schools, tapping music to help young people better understand and regulate their emotions.
“You can change your traumas, the things that are weighing you down, your level of anxiety… by changing your pattern,” Berninger has said.
Bidding is open through November 19.
Link in bio and Stories.
📸: @grahammacindoe
09 Nov 2026
Remembering Robert Frank, born on November 9th, 1924.
Photo : Bleecker Street, NYC, 2018
09 Nov 2026
Stumbled on a Banjo throwing competition on route to my studio.
Gowanus Canal, Brooklyn, November8, 2026
08 Nov 2026
Times Square, NYC, November 7, 2026
07 Nov 2026
A group of demonstrators showed their support for the protests and strikes in France by holding a vigil outside the French Consulate in NYC.
November 5th, 2026
06 Nov 2026
Big thanks to Brad Feuerhelm @nearesttruth for the review of my book “Alway Good” on American Suburb @americansuburbx. “I find the book a fascinating study of how drugs are branded… Looking at the images in the diminutive, missal-like book, you first see the object as a sculptural form, like a membrane, with the yellowing of aged teeth setting in at its open end. I was immediately reminded of Eva Hesse’s sculptures, her stretched, catgut-looking installations, sausage casings drying and swaying in the bleak, minimal light of white spaces. Graham’s baggies have a visceral, bodily feel, with their aging and their folds. Perhaps Robert Gober’s sagging torso of cement and beeswax is an equally good nod, and there is something vaguely Josef Beuys about their materiality. There is a feeling of parchment, of thin old and yellowed skin, the kind you watch a pulse beat through in your nan’s last days in the nursing home, the infernal coil unwound.” Book available from @lull_books
05 Nov 2026
HOPE WINS!
Brooklyn, November 4, 2026
04 Nov 2026
Tony Bennett, NYC, 2003.
#grahammacindoearchive
04 Nov 2026
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