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Bio
Clarinetist | “Musical Detective” | New Yorker 🎵 @windsync & more 🎙️ @delosproductions Recording Artist 💿 Forgotten Sounds on @nytimes best of 2024⤵️
Links
graemesteelejohnson.com lnk.to/ForgottenSoundsAr wapo.st/4asU75E www.nytimes.com/2024/12/22/arts/music/best-classical-music-albums-recordings-2024.html?smid=nytcore-ios-share&referringSource=articleShare www.classical-music.com/reviews/chamber/forgotten-sounds?fbclid=PAZXh0bgNhZW0CMTEAAaYJ2QLBS9KvdFR4qKUwLKZuEj5WGck6mndChky41ocRcrBRKVBUOS7Hgkk_aem_JPHs9uR6HDwH1o98BXa5Lw-
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Recent posts
Forgotten Sounds on @nytimes’ best of 2024 list🤯 A tremendous honor, and an honor to share it with dear friends/musical heroes David Shifrin, @bridgetkibbey, @stellafaychen, @siwooviolin, @melodiousmatt1, @samdecap & @s3suggs.
Thank you @corinnadfw for the thoughtful listening and dream recording partners @delosproductions & @outheremusic for helping bring this album into the world!
22 Dec 2024
Rather surreal to wake up to this full-page profile of my Loeffler Octet reconstruction in @washingtonpost🤯
“[Loeffler’s Octet] survives as a vibrant example of the composer’s polyglot compositional vernacular and wide stylistic palette — the contrapuntal quartet at its core, the “smoke and mirrors” of its twin clarinets, it’s effortless channeling of symphonic sound and breadth into the crisp articulation of a smallish ensemble.
“At the Library of Congress, the restored octet appears on a program with Johnson’s arrangement of Debussy’s prelude, as well as Franz Schubert’s beloved ‘Octet in F Major (D. 803)’ — another work that was almost lost to obscurity, composed in 1824 but published nearly a half-century after the composer’s death.
“‘It kind of goes with this lost-and-found theme,’ Johnson says. ‘With hope that Loeffler’s octet and all of the other wonderful, deserving music that has somehow slipped through the cracks will follow Schubert into the musical pantheon.’”
Very grateful to @_brodeurgram_ for shining a spotlight on this project. Read his full article at the link in my bio!
16 May 2024
There’s something so beautiful about this movement. ✨
Schumann’s Märchenerzählungen, Op. 132,
III. Ruhiges Tempo, mit zartem Ausdruck
Performed by
@melodiousmatt1
@graemesteelejohnson
@minyoungkang.pianist
📍 New Haven Lawn Club @newhavenlawnclub
📅 Wednesday, November 4
🕢 7:30 PM
Don’t miss us next Wednesday 🎶
#schumann#matthewlipman#graemesteelejohnson#minyoungkang
27 Oct 2026
Loeffler's Octet transported us back in time⏳🌀
📸: Runzhi "Ranger" Li
20 Oct 2026
🚨 Reminder for InstaGraeme!
GRAMMY® first round voting is now open, and our album Nadia is offered FYC in Best Chamber Music/Small Ensemble Performance 💖
Explore the album: windsync.org/nadia
Nadia tells the story of Nadia Boulanger and her American students through a century’s worth of music. The pursuit of doing justice to this dizzyingly varied legacy was an artistic career highlight, and it’s our privilege to share the credit with this amazing team:
@delosproductions
@outheremusic
Recording Producer, Engineer, and Mastering: Alan Bise
Dolby Atmos Mastering: Nathaniel Reichman
Executive Producers: Anni Hochhalter, Garrett Hudson, Graeme Steele Johnson, Noah Kay, Kara LaMoure
Artistic Director (Delos): Charles Andriaenssen
Executive Producer (Delos): Timothée van der Stegen
#fyc #chambermusic #nadiaboulanger #grammy
17 Oct 2026
MEET THE ARTIST: GRAEME STEELE JOHNSON 🎶 (@graemesteelejohnson )
If you’ve been coming to Kallos for a while, chances are you already know Graeme! This will be his fourth time performing with us, and we couldn’t be happier to welcome him back. 🤎
A clarinetist with a talent for uncovering musical treasures, Graeme made waves with his debut album Forgotten Sounds, named one of The New York Times’ Best Classical Music Albums of 2024. He’s also known for rediscovering and reconstructing a 125-year-old octet by Charles Martin Loeffler. A little musical detective work, if you ask us! 🔎🎼 He loves playing tennis and Spikeball in his free time. 🎾
We can’t wait to share his artistry with our Kallos audience. 🤎
Get to know the artist behind the music.
#MeetTheArtist #KallosChamberMusic #GraemeSteeleJohnson Clarinet ChamberMusic
16 Oct 2026
instrument age reveal🎻
don’t miss Loeffler’s Rediscovered Octet, performed tomorrow on instruments old and new! see you at 7:30pm in the Logan Center - tickets in bio🎟️
08 Oct 2026
For your GRAMMY® consideration: Best Chamber Music/Small Ensemble Performance
Explore the album: windsync.org/nadia
Nadia tells the story of Nadia Boulanger and her American students through a century’s worth of music. The pursuit of doing justice to this dizzyingly varied legacy was an artistic career highlight, and it’s our privilege to share the credit with this amazing team:
@delosproductions
@outheremusic
Recording Producer, Engineer, and Mastering: Alan Bise
Dolby Atmos Mastering: Nathaniel Reichman
Executive Producers: Anni Hochhalter, Garrett Hudson, Graeme Steele Johnson, Noah Kay, Kara LaMoure
Artistic Director (Delos): Charles Andriaenssen
Executive Producer (Delos): Timothée van der Stegen
🎥 @grittanicreative
#fyc #chambermusic #nadiaboulanger #grammy
08 Oct 2026
A lost octet, resurrected.
Hidden deep in the archives of the Library of Congress lay an octet, unpublished, unrecorded, and unheard since 1897—until clarinetist Graeme Steele Johnson rediscovered it in 2020. Learn about Johnson's process for bringing Charles Martin Loeffler's octet back to life in this video, and be among some of the first living audiences to hear it performed this Friday, October 9!
Tickets in bio.
Video by Four/Ten Media
05 Oct 2026
More postcards from Italy: onstage with the brilliant Alexey Zuev at @festivalmusesalentine🇮🇹 for a big setlist: Gershwin - Debussy - Ellington - Cuong - Brahms - Verdi - Brahms
📸: Sergio Bello
05 Oct 2026
Revisiting the Brahms Quintet for @uchicagopresents next week and also reconnecting with the instrument on which I first learned it years ago. There’s an interesting dissonance about layering an ever-evolving musical interpretation onto an instrument that holds the memories of many past performances, lessons, mistakes—an earlier musical self. Somehow they all come flooding back in the hands, mouth. It feels like looking forward and backward at once, which also happens to be the crux of the Brahms Quintet. Anyone want to buy this clarinet?
29 Sep 2026
TWENTY SIX-SEVEN IS HERE
10/3 Waxahachie, TX @waxahachiesymphonyassociation
10/15 Flagstaff, AZ @naukittschoolofmusic
10/17 Phoenix, AZ @phxchambermusic
10/22 Las Vegas, NV @unlv_music
10/29 Indiana, PA @iup_music
11/3 New Haven, CT @yale.music
11/10 Macon, GA @musicatmercer
11/12 Lansing, MI Absolute Music
1/24 Blue Hill, ME @bluehillconcertassociation
2/23 San Diego, CA @artofelan
2/25 Sheridan, WY @wyotheater
3/12 Hilton Head, SC with @jonkimuraparker
3/14 Friday Harbor, WA @archipelagocollective
3/18 Santa Rosa, CA
3/21 Fredericksburg, TX
4/9 Boston, MA (private event)
4/11 Westport Point, MA @pointconcerts
4/18 New York, NY @gather_nyc
4/23 Houston, TX @kineticensemble
4/27 Berkeley, CA @berkeleychamberperformances
24 Sep 2026
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