Graces Mews

Graces Mews

@gracesmews

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9-10 Graces Mews Camberwell London SE5 8JF ••• What Rose from the Cut 14th October •••th January 2027

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#06

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Installation view ‘What Rose from the Cut’.⁠ ⁠ Collage has long been a feminist strategy: a way to disrupt; to salvage, reuse and repair everyday objects; to patch together a liveable world. Foremothers cut and stuck their way out of dominant narratives, making room for histories that had been foreclosed and futures yet to be imagined.⁠ ⁠ ⁠What Rose from the Cut⁠ Until 30th January 2027⁠ ⁠ @firecracker_foto⁠ @justinekurland_studio⁠ @millermeigs⁠ Sarah Sense⁠ Woodland Timber, 2026⁠ Woven archival inkjet prints on Hahnemuhle bamboo paper and Hahnemuhle rice paper, beeswax, Arches watercolor paper, cotton thread, artist tape⁠ 41.5” x 30”, framed 47 x 35.5”⁠ ⁠ Sarah Sense (b. 1980) is a Chitimacha and Choctaw artist whose practice brings contemporary photography into dialogue with the basketry traditions of her Indigenous ancestry. Since 2004, she has developed a distinctive process of “photo-weaving”, cutting photographs, archival images, maps and texts into narrow strips and weaving them together using patterns and techniques drawn from Chitimacha and Choctaw basketry.⁠ Installation view ‘What Rose from the Cut’.⁠ ⁠ What Rose from the Cut⁠ Until 30th January 2027⁠ Jazz Grant⁠ People Everywhere, 2024⁠ Paper collage and acrylic on gessoed wood board with UV varnish⁠ 105 x 80.2 x 3 cm⁠ ⁠ Jazz Grant (b. 1992, London) is a British-Jamaican multidisciplinary artist working across hand-cut collage, printmaking, textile, sculpture and stop-motion animation. Her practice explores the construction of memory and identity, and the ways in which personal and collective histories are assembled, preserved and reimagined.⁠ Installation view ‘What Rose from the Cut’.⁠ ⁠ What Rose from the Cut⁠ Until 30th January 2027⁠ Wai Lau,⁠ I am Invincible, 2020⁠ Two-Channel Film installation⁠ ⁠ Wai Lau (b. Hong Kong) is a multidisciplinary artist working across moving images, 3D animation, digital interactive media, photography, and installation. ‘I am invincible’ emerges from the revisiting of the early cinematic portrayal of characters of Chinese descent and the exploration of “deepfake” technology.⁠ 12 Nov 2026 As part of the public programme for What Rose from the Cut, Graces Mews will host a hands-on collage and badge-making workshop for children and young people, in collaboration with Give Me Space, an arts organisation aimed at bring accessible art workshops to young people. The workshop is lead by Artist and workshop coordinator Elnaz Niknani (@elnazniknani), the @give__me__space team and collage artist Cece Asembo (@cc.tv).⁠ ⁠ Drawing on the aesthetics and ideas of collage, participants will cut, combine and remix images to create their own personalised badges. The workshop offers an opportunity to explore how images and messages shape the world around us, and how they can be rearranged to imagine something different.⁠ ⁠ The workshop is free to attend, with two sessions for different age groups. Please book via the link in our bio.⁠ ⁠ Saturday 21st November⁠ ⁠ Morning session: 11.30am–1pm⁠ Children aged 7–12⁠ ⁠ Afternoon session: 2–3.30pm⁠ Young people aged 13–18⁠ ⁠ What Rose from the Cut⁠ Children's Collage Badge Making Workshop⁠ RSVP via link in bio⁠ 06 Nov 2026 Publications, flyers and pamphlets extend the exhibition’s history of collage into print. Across these different printed forms, the aesthetics of cut and paste become a tool for rewriting dominant narratives and advancing feminist and other intersectional liberation movements.⁠ ⁠ On display in the vitrine are archival materials from the 1960s to the early 2000s, including Bad Attitude, Shocking Pink, Shrew, Spare Rib and Socialist Woman, courtesy of MayDay Rooms archives.⁠ ⁠ ⁠ @maydayrooms⁠ ⁠ What Rose from the Cut⁠ Until 30th January 2027⁠ ⁠ @firecracker_foto⁠ @justinekurland_studio⁠ @millermeigs⁠ @laurabartlett_london⁠ @konbiniqueen⁠ 26 Oct 2026 'What Rose from the Cut' is now on view at Graces Mews. The group show brings together over 40 artists, surveying feminist strategies of collage.⁠ The show has been developed collectively between Graces Mews, curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs.⁠ ⁠ What Rose from the Cut⁠ Until 30th January 2027⁠ 17 Oct 2026 ⁠Visit the exhibition tomorrow, October 17th at 4pm to catch the initiation of a performative collage by Justine Kurland, '99 Nude Collages on the Wall' (2026), in sonic collaboration with @debgoogembv , musician and Bassist from My Bloody Valentine. ⁠ Justine Kurland's '99 Nude Collages on the Wall' consists of 99 individual collages installed as a singular, sprawling wallflower. Viewers are invited to participate by purchasing a unique collage and remove it from the wall, giving way to a wall work that progressively dissipates with demand. Each collage on view costs £199 and is offered on-site only. ⁠ ⁠ The collages are sourced from the pages of multiple copies of the same book of female nudes by a celebrated male photographer. Kurland’s collages are acts of reclamation through productive cutting and gluing, a layering process and near-erasure before their reconstitution in a new lesbianated form. '99 Nude Collages on the Wall' collages operate inside of Kurland’s wider project SCUMB, where collage acts as a disruptive, tactile reimagining of the photographic canon, as a literal dismemberment of the patriarchy and as a gendered inversion of the usual terms of possession.⁠ ⁠ Justine Kurland @justinekurland⁠ 99 Nude Collages on the Wall, 2026⁠ Collage⁠ ⁠ What Rose from the Cut⁠ Until 30th January 2027⁠ Saturday 17th October, 4-6 pm⁠ ⁠ 16 Oct 2026 'What Rose from the Cut' opens next week at Graces Mews. Join us for the Private View on Tuesday 13th October from 6 to 9pm.⁠ ⁠ Collage has long been a feminist strategy: a way to disrupt; to salvage, reuse and repair everyday objects; to patch together a liveable world. Foremothers cut and stuck their way out of dominant narratives, making room for histories that had been foreclosed and futures yet to be imagined. ⁠ ⁠ Developed collectively between Graces Mews, curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs, the exhibition reflects the gallery's interest in photographic process and the circulation and interpretation of images.⁠ ⁠ Moki Cherry⁠ @mokicherryofficial Last Supper, 2006⁠ Photocollage⁠ 50 x 40 cm⁠ ⁠ What Rose from the Cut⁠ 14th October 2026 - 30th January 2027⁠ PV: Tuesday 13th October, 6-9 pm⁠ ⁠ @firecracker_foto⁠ @justinekurland_studio⁠ @millermeigs⁠ 10 Oct 2026 Graces Mews presents 'What Rose from the Cut', a group show exploring feminist strategies of collage. ⁠ ⁠ Developed collectively between Graces Mews, curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs, the exhibition reflects the gallery's interest in photographic process and the circulation and interpretation of images. ⁠ ⁠ 'What Rose from the Cut' brings together two significant bodies of research: Fiona Rogers' publication 'Cut Out: A Feminist History of Photo Collage, Montage and Assemblage' (Thames & Hudson and V&A, 2026) which traces the previously untold relationship between photography, feminist art and collage, from the 19th century to the present day; and Justine Kurland and Sarah Miller Meigs' exhibition and publication 'The Rose' (lumber room, 2025), which expands this history of collage through ideas of circular genealogy and kinship formed through association. What Rose from the Cut features international artists whose approach to collage amplifies and contextualise one another, forming a constellation that extends our collective vision of social, political and spiritual possibilities.⁠ ⁠ The exhibition features works by Lotte Andersen, Genesis Baez, Anne Bean, Claude Cahun, Tammy Rae Carland, Leonora Carrington, Moki Cherry, Tee Corinne, Giana De Dier, Jazz Grant, K8 Hardy, Lubaina Himid, Kati Horna, Hannah Hughes, Liz Johnson Artur, Mari Katayama, Zofia Kulik, Justine Kurland, Linder, Dakota Mace, Spandita Malik, Alix Marie, Jacky Marshall, Aspen Mays, Qiana Mestrich, Joiri Minaya, Helina Metaferia, Rachelle Mozman Solano, Yamini Nayar, Frida Orupabo, Gina Osterloh, Martha Rosler, Sarah Sense, Sheida Soleimani, Maud Sulter, Keisha Scarville, Penny Slinger, Annegret Soltau, Divine Southgate-Smith, Sitaara Stodel, Stephanie Syjuco, Dafna Talmor, Thato Toeba, Gee Vaucher, Remedios Varo, Bindi Vora and Carla Williams.⁠ ⁠ What Rose from the Cut⁠ 14th October 2026 - 30th January 2027⁠ PV: Tuesday 13th October, 6-9 pm⁠ ⁠ Image credits: Carla Williams @carlajwms and Moki Cherry @mokicherryofficial⁠ 24 Sep 2026 NEW IN SHOP: YOUTH BY CHARDCHAKAJ WAIKAWEE 🇹🇭 ⁠ ⁠ YOUTH is the debut monograph of a decade-long project by Thai photographer @chardchakajwork , produced to coincide with the artist's recent exhibition at @gracesmews ⁠ The book's title comes from the Thai phrase 'wai run', a term that extends beyond a simple description of age, evoking youth as a spirit, an attitude, a way of inhabiting the world. It suggests a condition of continual movement; identities, images and histories remain open rather than settled.⁠ ⁠ Taken between 2008 and 2020, the book presents portraits of people living on the margins of Bangkok's streets, individuals often rendered invisible due to circumstance, or economic position. Here, youth is understood less as a demographic than as a capacity for adaptation, reinvention and resilience within a city shaped by rapid urbanisation, global consumer culture and enduring spiritual traditions.⁠ ⁠ The publication concludes with a contrasting series of collodion wet plate portraits of Buddhist monks. Although separated by more than a century of photographic technology, the two bodies of work demonstrate Waikawee's commitment to process, materiality and the visible traces of image-making. They also draw unexpected parallels between distinct systems of belief, fortitude and ways of inhabiting the world.⁠ ⁠ YOUTH⁠ Chardchakaj Waikawee⁠ Graces Mews, 2026⁠ £65⁠ ⁠ Book Design: @jonnylu Print: @danmason1932 Essays: Chardchakaj Waikawee, Rachel Harrison and Thanes Wongyannava⁠ Translation: @minmie ⁠ Shipping from Thailand coming soon. 29 Oct 2026 The public programme for Chardchakaj Waikawee's 'Youth' expanded on the themes of the exhibition through music, Buddhist chanting, a book launch and a wet plate collodion workshop.⁠ ⁠ Images from the events are archived on our website.⁠ ⁠ [1] Amane and the Bastard perform as part of an Eastern Margins-curated music event⁠ @easternmargins @amanefukaya @jeremiah_jim⁠ [2] Buddhist monk chanting session @buddhapadipatemplelondon⁠ [3–4] Book launch and in-conversation with Chardchakaj Waikawee.⁠ ⁠ [5–6] Wetplate Collodion Workshop @kuca_magda ⁠ @chardchakajwaikawee⁠ 08 Oct 2026 To conclude Chardchakaj Waikawee's solo exhibition 'Youth', Graces Mews hosts an evening of Buddhist chanting and Live Music curated by @easternmargins, a London collective celebrating East and Southeast Asian talent. Extending from Waikawee's own Buddhist Practice, monks from a local monastery will start the event by leading a session of chanting.⁠ ⁠ ⁠ The evening continues with a live music programme featuring a DJ set by Jeremiah Jim @jeremiah_jim (Asian Paper) and a live performance by Amane & The Bastard @amanefukaya. The two parts of the evening reflect the two bodies of work brought together in Youth, connecting contemporary youth culture with spiritual practice.⁠ ⁠ £8 tickets are available through eventbrite and link in bio. ⁠ Chanting and Music Performance⁠ Friday 18th September 2026⁠ 6-9pm⁠ 15 Sep 2026 Chardchakaj Waikawee's solo exhibition 'Youth' has now concluded. The gallery bookshop remains open 11am - 6pm, Tuesday - Saturday. 22 Sep 2026 On Wednesday 16th September, Graces Mews celebrates the launch of YOUTH, Chardchakaj Waikawee’s first major publication made to accompany the exhbition. ⁠ ⁠ The photobook brings together his photographs from 2008–2020 alongside a series of wet plate portraits of Buddhist monks. Waikawee will be joined in conversation by Tyrone Lebon, director of Reely and Truly Episode #06: Chardchakaj Waikawee, and Rachel Harrison, Professor of Thai Cultural Studies at SOAS, who contributed a text piece to the publication. The discussion will explore Waikawee’s practice, the social and cultural history of photography in Thailand, and the stories behind the images in YOUTH.⁠ ⁠ Book Launch and In Discussion⁠ Wednesday 16th September 2026, 6:30-8pm⁠ Doors open: 6pm⁠ Free RSVP⁠ 07 Sep 2026

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DfpYw5lAkc8Installation view ‘What Rose from the Cut’.⁠ ⁠ C…
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