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Goodman Gallery

@goodman_gallery

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Johannesburg | Cape Town | London | New York Beyond the Centre Innovating since 1966

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#goodmangallery #goodmangalleryat60 #howtolivetogether #samnhlengethwa #davidkoloane #williamkentridge #clivevandenberg #suewilliamson #dorguez #liverpoolbiennial

Recent posts

In Conversation 🗣️ Earlier this year, long-time friends and fellow Goodman Gallery artists Sue Williamson and Clive van den Berg met in Sue’s Cape Town studio to talk about their prodigious careers. Across the course of a morning, with cameras rolling, they spoke about first meeting in the late 1980s, the difficulties making art in the final years of apartheid and the joy of the democratic transition. This is an excerpt from an earlier part of the resulting film, which will soon be available on our website. It is part of a forthcoming series in which two Goodman Gallery artists go deep and talk about their careers. The film, produced by Liza Essers, is part of Goodman Gallery’s wider project celebrating its milestone 60th anniversary and celebrating its artists. #GoodmanGalleryat60 #HowtoLiveTogether #Clivevandenberg #SueWilliamson #GoodmanGallery 06 Nov 2026

Scenes from the Archive 🗃️ In a televised panel discussion on art as investment (Roger Corfield, Portfolio, 1982), Goodman Gallery founder Linda Goodman appeared alongside historian Esmé Berman, Johannesburg Art Gallery Director Pat Senior, art evaluator Vyvyan Myerson and Sotheby’s South Africa director at the time, Stephan Welz. During the debate, Goodman emerges as a progressive voice, repeatedly challenging Welz’s conservative stance on young and “avant-garde” artists. When Welz argued that such work fetched poor prices at auction and was therefore best avoided, Goodman responded: “I think that’s an easy way out. I think that one has to work hard to promote young artists, whether one is a dealer or an auctioneer.” #GoodmanGalleryat60 #HowtoLiveTogether 31 Oct 2026

On view in Athens 🇬🇷 William Kentridge ‘Imitate the Sleep of Stones: Orpheus, Eurydice, Transformation and Return’ Hellenic National Archaeological Museum, Athens Until 24 January 2027 Taking the ancient Greek myth of Orpheus and Eurydice as its point of departure, the exhibition brings Kentridge’s work into dialogue with the museum’s collection, presenting works created around his production of Claudio Monteverdi’s ‘L’Orfeo’ alongside others from his wider practice. The exhibition coincides with the Greek premiere of L’Orfeo, directed by Kentridge at the Greek National Opera. Curated by @burcufikretoglu Exhibition design by @sabine.theunissen _____ 1-5. William Kentridge, Imitate the Sleep of Stones, installation views, National Archaeological Museum, Athens, 2026. Photo: Okay Nice. © National Archaeological Museum, Athens. 11 Nov 2026

Dor Guez at the Liverpool Biennial 2027 ✨ We are delighted to announce that Dor Guez is among the 25 international artists and collectives participating in the 14th edition of Liverpool Biennial, 'The Age of Magical Thinking', taking place from 5 June to 19 September 2027. Curated by Aimee Harrison and Lucía Sanromán, the Biennial takes the shared experience of childhood and youth as its point of departure, exploring imagination, transformation and the possibilities of alternative futures. Presented across galleries and public spaces throughout Liverpool, 'The Age of Magical Thinking' brings together artistic perspectives that reflect on the complexities of the present while inviting new ways of imagining the future. Liverpool Biennial 2027 The Age of Magical Thinking 5 June – 19 September 2027 _____ Portrait of Dor Guez. Courtesy of Dor Guez studio, Athens @liverpoolbiennial @dorguez #DorGuez #LiverpoolBiennial #GoodmanGallery 10 Nov 2026

A musical finissage 🎛️ The closing of ‘Common Purpose’, a joint exhibition of jazz-influenced works by David Koloane and Sam Nhlengethwa at Goodman Gallery Cape Town, ended on a special note with a visit by Sam. After a brief walkabout of the exhibition, the artist played a selection of his favourite vinyl records. Interspersed with enthusiastic commentary, his DJ set featured cuts by Miles Davis, Ornette Coleman and Bheki Mseleku. @sam.nhlengethwa @krone.world #goodmangallery #samnhlengethwa #davidkoloane 09 Nov 2026

Yinka Shonibare’s Wind Sculpture in Bronze (SG) VII, 2026 is currently on view in the arcade on Cork Street, outside Goodman Gallery. On view until the end of January. Part of the artist’s Wind Sculpture in Bronze (SG) series, the hand-painted sculpture captures the billowing shape of fabric in the wind. Images courtesy of the artist and @goodman_gallery. Photography by Stephen White & Co. 06 Nov 2026

Last week to view 👓 William Kentridge ‘A Nicely Built City’ Goodman Gallery London Until 7 November 2026 It is the last week to view William Kentridge’s critically acclaimed exhibition, ‘A Nicely Built City’ at Goodman Gallery London. Join us tomorrow, Tuesday 3 November at 2pm, for a special conversation between William Kentridge and artist and novelist Edmund de Waal. The discussion coincides with the forthcoming publication of de Waal’s ‘How to Begin’, inspired by the rediscovery of letters between his grandmother Elisabeth Ephrussi and Rainer Maria Rilke, whose poetry also features in Kentridge’s recent production of Monteverdi’s ‘L’Orfeo’. The exhibition marks the global premiere of ‘A Nicely Built City (Never Resists Destruction)’, the twelfth film in Kentridge’s cycle of Drawings for Projection (1989–present). Characterised by the artist as a return to basics, in particular to charcoal drawing and filmmaking, the exhibition includes a studio-like display of original drawings from the film. These are presented alongside new work linked to Kentridge’s production of ‘L’Orfeo’, currently on stage at the Greek National Opera in Athens, including a Pepper’s Ghost film installation integrating workshop footage with sculptures and works on paper. Video filmed by Alisdair Kitchen #WilliamKentridge #ANicelyBuiltCity #goodmangallerylondon 02 Nov 2026

A look back at the opening of ‘You’ve Been Here Before’ at Magugu House in Cape Town ✨ ‘You’ve Been Here Before’ Chemu Ng’ok & Misheck Masamvu Magugu House x Goodman Gallery Mount Nelson, A Belmond Hotel, Cape Town Until 28 November 2026 Bringing together paintings by Chemu Ng’ok and Misheck Masamvu, the exhibition explores the unstable territory between memory, recognition and abstraction, where figures and landscapes emerge and dissolve through vivid fields of colour. As Thebe Magugu writes, the exhibition recalls that peculiar moment in remembering when an image appears before its details do: “A gathering. A landscape. A figure. Something feels familiar, even when we cannot quite remember why.” Presented at Magugu House, the cultural space and atelier founded by Thebe Magugu, the exhibition forms part of a two-city collaboration with Goodman Gallery, bringing contemporary art into dialogue with fashion, design and cultural storytelling. In Johannesburg, a focused presentation brings together works by David Goldblatt and Clive van den Berg at Magugu House in Dunkeld. #GoodmanGallery #MaguguHouse #ChemuNgok #MisheckMasamvu #ThebeMagugu 30 Oct 2026

Opening tomorrow in Athens 🇬🇷 William Kentridge ‘Imitate the Sleep of Stones: Orpheus, Eurydice, Transformation and Return’ Hellenic National Archaeological Museum, Athens 30 October 2026 – 24 January 2027 Taking the ancient Greek myth of Orpheus and Eurydice as its point of departure, the exhibition brings Kentridge’s work into dialogue with the museum’s collection, presenting works created around his production of Claudio Monteverdi’s ‘L’Orfeo’ alongside others from his wider practice. The exhibition coincides with the Greek premiere of L’Orfeo, directed by Kentridge at the Greek National Opera. Curated by @burcufikretoglu Exhibition design by @sabine.theunissen Featured work William Kentridge ‘Orpheus. Eurydice. Hermes.’, 2026 Diorama with dual-channel video and scenography Editor & Technical Designer: Joshua Trappler Additional Editing & Motion Capture: Janus Fouché Performers: William Harding, Taryn Buccellato, Roseline Wilkens, Thulani Chauke Music: Claudio Monteverdi – L’Orfeo: Favola in musica Claudio Monteverdi – Songs of Love and Loss Luigi Dallapiccola – Quaderno musicale di Annalibera Libretto from: Rainer Maria Rilke – Orpheus. Eurydice. Hermes. Set Construction: Damon Garstang, Claire Zinn Diorama Construction: Digital Fabric Video of diorama: Alisdair Kitchen #WilliamKentridge #GoodmanGallery #Athens #LOrfeo 29 Oct 2026

Listening Session with Sam Nhlengethwa 🎶 Join us at Goodman Gallery Cape Town for a conversation with Sam Nhlengethwa, followed by a listening session and an evening of shared sound and exchange. Thursday, 5 November | 5pm Goodman Gallery Cape Town 37A Somerset Road, De Waterkant The event takes place alongside ‘Common Purpose’, a two-person exhibition bringing together new and historical works by Nhlengethwa and the late David Koloane, whose shared love of jazz has remained a recurring influence across different periods of their practices. Both artists’ practices were shaped by the realities of being Black in apartheid South Africa, with jazz offering a shared language of creative freedom, expression and resistance. #SamNhlengethwa #DavidKoloane #CommonPurpose #GoodmanGallery #JazzAndArt 28 Oct 2026

“the dirt the tree the land scape can only be said in this language” Curated by London-based art historian Dr. Zoé Whitley, online exhibition ‘South South: the dirt the tree the land’ draws its title from a line in American writer Lucille Clifton’s (1936-2010) poem ‘defending my tongue’ (1987). Visual artists and poets share a formal concision through which ideas can be expressed so essentially that images and words blossom. ‘the dirt the tree the land’ is a collective exploration of the material traces left by physical toil. Hard graft roots our connectedness to places that both sustain and strain us. Clifton’s poem uses her signature lower case spelling and distinctive spacing between words to establish a bittersweet pace and mood. Our mother tongues and the physical materials present in our upbringing form our identity; they tie us to fundamental understandings of ourselves in the world. We learn to recount not only through but beyond words, to our landscape and to our soil. Featuring: Tonico Auad, Juliana Dos Santos, Vibha Galhotra, Bulumko Mbete, Tumelo Mtimkhulu, Grace Ndiritu, Ravelle Pillay and Betye Saar 💻 On view online only, explore via the link in bio #SouthSouth #LucilleClifton 27 Oct 2026

ART BASEL PARIS In her mesmerizing National Memorial in Paris, titled “The Archive” (2026) Grada Kilomba honors the victims of the Tutsi Genocide in Rwanda, and raises the question of how to represent the impossible? In 1994, one million people were killed in one hundred days under international silence. Facing such violence and human suffering: how to give a language to what words cannot? . . . No seu aclamado Memorial Nacional em Paris, intitulado “O Arquivo” (2026), Grada Kilomba presta homenagem às vítimas do Genocídio Tutsi no Ruanda e levanta a importante questão: como representar o impossível? Em 1994, um milhão de pessoas foram mortas em cem dias, sob silêncio internacional. Face a tal violência e sofrimento humano, como criar uma linguagem para o qual não há palavras? ARTIST TALK: with Grada Kilomba and Sandra Tejman Saturday, 24.10.2026, 17:00 At KADIST Foundation, Paris L’ARCHIVE NATIONAL MEMORIAL FOR THE VICTIMS OF THE TUTSI GENOCIDE IN RWANDA, in Paris Location: Quais d’Orsay, Paris (river front opposite the Grand Palais) Commissioned by CNAP-Centre National des Arts Plastiques Photos Julien Dude @basecreative_studio 23 Oct 2026

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DfZx3CLBjnr	In Conversation 🗣️ Earlier this year, long-time…
DfKKxihBqIh	Scenes from the Archive 🗃️ In a televised pane…
DfnZViFm9LV	On view in Athens 🇬🇷 William Kentridge ‘Imitate…

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DfZx3CLBjnr	In Conversation 🗣️ Earlier this year, long-time…
DfKKxihBqIh	Scenes from the Archive 🗃️ In a televised pane…
DfnZViFm9LV	On view in Athens 🇬🇷 William Kentridge ‘Imitate…

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