Giulia Spadafora

Giulia Spadafora

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@giugliotto she, her

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šŸ‡®šŸ‡¹ šŸ“øPhotographer and Art Director @abbeyroadmpa 2026 Winner šŸ† šŸ“UK / Italy 🌐 Taking bookings worldwide

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Sentimental post incoming.. As you might have noticed from my recent stories, on Thursday night I won the @abbeyroadmpa 2026 in the Festival category. I was so excited to be amongst the finalists that I didn’t spend any time fantasising about winning. The reality of making it to the last round alongside so many other talented photographers felt so rewarding already.
 Before submitting my images for the competition, I was super excited, thinking I had a lot I wanted to show. But once I gathered my selection, I realised I had lots of beautiful-looking images, but really, only one felt like it had a different kind of depth. I felt in my gut that if any of my photos were going to get shortlisted, it was going to be that one.
 And then it won.
 On the spot, I didn’t have anywhere near enough words to express my gratitude and joy. Now that I’ve sat with all those feelings for a few days and have processed some of them, words are still limited, but at least they come a little closer to expressing what I’ve been experiencing.
 Those few seconds when @nilerodgers is about to announce the winner, pauses, says ā€œGiuliaā€ and I can’t even hear my surname because my friends around me are cheering and screaming so loud... that captures it all. 
I keep replaying it in my head over and over again.
 To have artists I admire so much, from both the music and photography world, be moved by my photograph blows my mind. Rather than for an image I made, it feels like I’m being recognised for the way I perceive things. That hits deep.
 And the love and support people around me are showing... wow. Family, friends, old and new, and strangers I connected with for a moment or maybe longer, you’re all making me feel so held. I’m blown away and feeling really tender, my tiny heart is bursting.
 This is a potentially career-defining moment, whatever that means. (1/2 continues in comments) 28 Sep 2026 Lorde at Forwards 2026 really put on a show šŸ”„ Best production I’ve ever seen in Bristol - I’ll remember this for a very long time. šŸ“ø @giugliotto @lorde @forwardsbristol 01 Sep 2026 šŸ“ø Postcards from Sicily - Familiar Unknowns 21 Oct 2025 ā€˜Invitation’ is out 17 Nov Levitating over the moon to share that ā€˜Invitation’, the first single of this next t l k evolution, will release next Tue 17th Nov on @leiterverlag. I am so, so pleased this music has found such a warm, supportive home in the LEITER crew. We really can’t wait to share it with you. You can join the new t l k mailing list to stay in the loop, linked in my bio. Early signups might include a mystery gift… T Photography @giugliotto Design @ej.akin Styling @angel_bra1ns / @emptybrains_ 10 Nov 2026 The making of Lament 220626 (cont) Recorded and reamped sixfold around Belinda, @neumann.berlin’s binaural head microphone, Lament encircles the listener in concentric layers of breath and vocalisations, inspired by keening (see last post). Big props here to Katie and Maisy for their insight re speaker configurations - we tried a few approaches, finding some quiet impact in a subtle bridging of spaces, allowing the colour of the room and the body of the upright to sing in tandem with the voices, alongside, around, within. Lament 220626 is out now, part of Volume II of @artangel_ldn’s Earth Rising compilation. Listenable on the Artangel website and on streaming services, including on Bandcamp (linked in bio). Performed and composed by @tlkvox Recorded in the Wood Room @realworldstudios Engineered by Katie May @mateykay Assistant Engineered by Maisy Preece @soundslikemaisy Mixed by Ted Glendinning @bipedproductions Mastered by Chris McCormack (Blacklisted Mastering) Photos by Giulia Spadafora @giugliotto Commissioned and produced by @artangel_ldn 23 Oct 2026 From the energy of @glastofest to the excitement of hearing her name announced by special guest judge @nilerodgers, we caught up with @giugliotto, winner of the Festivals category at this year’s Abbey Road Music Photography Awards. She shared her experience of accepting the award, as well as the story behind her winning image, from how the photograph came together to capturing the atmosphere and energy that make festivals so special. 22 Oct 2026 A huge congratulations to @giugliotto, the winner of the Festivals category, supported by @dhlexpress, at this year’s Abbey Road Music Photography Awards! Even though @raye wasn’t able to be with us on the night, she still wanted to share some words about Giulia’s photograph and how much it moved her. That’s the magic of a great image: it makes you feel something, and makes you wish you were standing right there in that moment. Giulia, it was an absolute joy to celebrate your work with you and we can’t wait to see where your lens takes you next. And to Raye, thank you so much for being one of our judges and for joining the celebration from afar. Raye shot by @candytman 08 Oct 2026 The making of Lament 220626 - Now available on t l k Bandcamp - The piece was notably inspired by keening, an ancient Celtic mourning tradition, during which a keening woman leads a congregation into wailing song over the dead. It was widely practiced in Ireland and the west coast of Scotland, the land of my late maternal lineage. The tradition persists, but has been heavily eroded over time due to active suppression by the church, and the rise of the death industry under capitalism. In Aug 2024, I participated in @thepalace.collective residency, where 200 artists gathered for two weeks in rural Poland. Informed by this growing interest in keening, I proposed a ā€˜daily grief’ session, a basic vocal-based format, moulded each day by whichever combination of residents turned up. It was moving, in a simple way, for us to share attempts to tend with one another. It became apparent that grief is not a feeling, nor an acute event: as Francis Weller’s The Five Gates of Grief suggests, grief is a slow-moving, omnipresent hum, one that we commune with and denature in moments of opening. It asks us for an ongoing tending; a regular, dedicated and communal action. Following the Palace, back home in Bristol, I found moments of grief to no longer feel isolating. I wept alone, but alive was the memory of resonant bodies encircling each other. I was, again, one point in a circle of voices, becoming almost indiscernible from each other in their wails. Lament 220626 is just one reimagining of some collective tending, one that ponders what it is to be grieving among others, even when in solitude. Lament 220626 is out now, part of Volume II of @artangel_ldn’s Earth Rising compilation. Listenable on the Artangel website and on streaming services. Performed and composed by @tlkvox Recorded at @realworldstudios Engineered by Katie May @mateykay Assistant Engineered by Maisie Preece @soundslikemaisy Mixed by Ted Glendinning @bipedproductions Mastered by Chris McCormack (Blacklisted Mastering) Photos by Giulia Spadafora @giugliotto Commissioned and produced by @artangel_ldn 02 Oct 2026 Some of our favourite photos from the past couple of years at Bristol Beacon - you may recognise a few from our feed already, capturing the artists, Beacon and all of you in the moments that make this place what it is. You might be surprised to hear that they were all taken by the same photographer, who this week won the @abbeyroadmpa 2026 award in the Festival category. We’ve been so lucky to work with @giugliotto & @soulmediauk over the years, and we couldn’t be happier to see their brilliant work recognised. Huge congratulations on the win Giulia! ā­ļø 30 Sep 2026 Lament 220626, released today Part of Volume II of ā€˜Earth Rising’, Artangel’s three-part series responding to the Golden Record, sent into space 50 years ago. Rather than introducing humanity to extraterrestrial life, Earth Rising calls on artists to make a new contribution, re-introducing humanity to itself. <<< 22 June, 2026. The Wood Room, Real World studios, South West England. The tail end of the solstice, at the centre of ā€˜the summer the fields turned brown’. Sun beats through the cirrus, then a thunderstorm cracks open the sky. >>> We are here, on Earth, in an era increasingly defined by a series of widespread, systemic collapsings. We cannot fathom this scale of grief, yet it comes in torrents, and calls us to move. In Britain, we are estranged from traditions of grieving. Grief becomes stuck, and it petrifies into all manner of darknesses. Perhaps we know it in our bodies, a desire to connect with the ancient, with a deep human history of grieving rituals. But we yearn to arrive at a mode of mourning that feels authentic, effective, meaningful, in this unprecedented cultural epoch. Lament 220626 is one attempt to open the gate, to become unstuck, with voice as tool. Performed and composed by T L Klein @tlkvox Recorded at @realworldstudios Engineered by Katie May @mateykay Assistant Engineered by Maisie Preece @soundslikemaisy Mixed by Ted Glendinning @bipedproductions Mastered by Chris McCormack (Blacklisted Mastering) Photos by Giulia Spadafora @giugliotto Commissioned and produced by @artangel_ldn Volume II contributions from @clara.arnaud.ecrivaine @_duruo_ @grubbymittsband @mlkwd_ @nitinsawhney @spatasar @tarawave @theresa_lola @TIMPANAmusic @tongwenmin @tlkvox @wenxinzhang @zanerodulfo 24 Sep 2026 Little Simz headlining the Sunday at Forwards šŸ”„ šŸ“ø @giugliotto @littlesimz @forwardsbristol 09 Sep 2026 I’m a finalist at the Abbey Road Music Photography Awards 🤯 The more I think about it the more surreal this feels. The level of this competition is so high and I just read this year had a total of 24,500 entries from photographers across 42 countries.. I’m genuinely stoked and honoured to make it this far in the competition and receive this type of recognition. Best of luck and congratulations to my fellow finalists 🫔 There is an exhibition at the Outernet London between now and the 14th Sept - if anyone happens to swing by please send pics šŸ«¶šŸ½ @abbeyroadmpa @dhlexpress @glastofest šŸ“ø of me by @amyfernphotography 08 Sep 2026

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