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GIANNI MANHATTAN

@giannimanhattan

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UPCOMING: TRANSMISSION. Kiki Furlan, Sebastian Jefford. Opening ••• pm

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#giannimanhattan #ledabourgogne #marinafaust #sebastianjefford #artbaselparis #anupõder #sculpture #estonianart #contemporaryart #b

Recent posts

Final chance to see: Valentin Noujaïm Subterranean Kunstraum Niederösterreich Today is the final day of Subterranean at Kunstraum Niederösterreich, curated by Sarah Johanna Theurer and Aditi Kapoor, with works by Joyce Joumaa, Ghislaine Leung, Thuy-Han Nguyen-Chi & Andrew Yong Hoon Lee, Valentin Noujaïm, Marina Xenofontos: What goes behind the scenes in the institutions and infrastructures that shape our daily lives? What is out in the open, what remains obscured? These questions are at the heart of the group exhibition Subterranean, curated by Sarah Johanna Theurer and Aditi Kapoor. Five contemporary artistic positions reveal the invisible work that flows daily into the (re)production of our everyday social lives. Using various narrative strategies, they bring buried (hi)stories to light, peer into the black boxes of industry and the financial world, and explore forgotten alternatives to the regimes of productivity and competition. Subterranean is the third chapter of the Kunstraum’s annual program Fragile Fictions, which explores the transformative potential of storytelling. photos: Markus Gradwohl 07 Nov 2026

You can see the artwork ‘Spring ‘92’ in Anu Põder’s solo exhibition at Moderna Museet Malmö @modernamuseetmalmo until 21 February 2027. The exhibition is curated by Andreas Nilsson and Jo Widoff. Anu Põder: “Well, sculpture is something like a dance. An endless pursuit of light. Every stage in this process has its own value; it all depends on how you define the concept. For example, the armature is fascinating, with its architectonic movement. And then there’s the mess, the chaos, and the reverse side of the material around the unfinished work. That’s fascinating, too. And I’m always captivated by the mysterious logic of the negative form. And in the process of working, so many possibilities emerge, so many different directions you can take. And when you finally have that one single piece in your hands, well, often even that is much more fascinating when it’s all wrapped up for transport.”* *From Estonian Public Broadcasting: Contemporary Estonian Art: 36 | Anu Põder, a programme exploring the artist’s work, first aired on 25 April 1993. 📷 by kunst-dokumentation.com/Manuel Carreon Lopez Courtesy of the Anu Põder Estate. Show less 03 Nov 2026

Zishi Han’s the nocturnal flights of stillness is currently on view at YDP, London, as part of his autumn residency. Han is drawn to membranes, structures under tension and forms caught in processes of transformation. At YDP, his new moving-image work, about forces sensed before they are understood, is shown alongside a low vibrating platform at the centre of the space. Vibration runs through his practice: it inhabits a structure while unsettling it from within. This dependence carries a parasitic intimacy, as the host sustains the force that acts upon it while being altered by its passage. Moving directly through the body, vibration becomes a field that precedes language. Over the course of the residency, the platform becomes a stage, an instrument and a shared surface, with performances and small interventions gradually shifting the display. On view until 19 December 2026. Image credit: Zishi Han: the nocturnal flights of stillness, 2026, installation view, YDP. Photography by Reinis Lismanis. Image courtesy of YDP. 30 Oct 2026

Anu Põder 24.10.2026 to 21.2.2027, Moderna Museet Malmö In Anu Põder’s sculptures, the body is always present, even when it cannot be seen. It emerges through forms, imprints and voids, in plastic, wax, fat and textiles: materials that transform, age and break down over time. Spanning three decades, the exhibition traces the Estonian artist’s (1947–2013) development from the years of occupation to the period after independence. Around twenty works, including several of her most significant sculptures and drawings never shown before. The exhibition travels to Moderna Museet Stockholm in spring 2027 and to EMMA, Espoo in 2028, with a catalogue published together with EMMA. #AnuPõder #Sculpture #EstonianArt #ContemporaryArt Malmö ModernaMuseet EMM Photo: Helene-Toresdotter 29 Oct 2026

Due to external circumstances, it’s the last day of Art Basel Paris. Visit us on booth H14 with a shared presentation with @pm8galeria The fair is open until 7 pm 🪩 photos: @joanna__wilk #giannimanhattan #ledabourgogne #marinafaust #sebastianjefford 23 Oct 2026

Art Basel Paris is opening today! We are sharing our booth with our friends at @pm8galeria This is the gallery’s first presentation in the Galleries sector. Visit us at booth H14 The joint presentation brings together six artists from both programs, following the idea that everyday life is never neutral: homes, buildings and time feel familiar, but in each work they become uncertain carriers of memory, desire, absence and loss. From GIANNI MANHATTAN: Sebastian Jefford, Leda Bourgogne, Marina Faust From PM8: Algirdas Šeškus, Gintautas Trimakas, Rosalind Nashashibi Image: Joanna Wilk #ArtBaselParis #GianniManhattan #SebastianJefford #LedaBourgogne #MarinaFaust 21 Oct 2026

We are looking forward to the opening of Art Basel Paris this Wednesday, sharing our booth with our friends at PM8 @pm8galeria . This is the gallery’s first presentation in the Galleries sector. The joint presentation brings together six artists from both programs, following the idea that everyday life is never neutral: homes, buildings and time feel familiar, but in each work they become uncertain carriers of memory, desire, absence and loss. From GIANNI MANHATTAN: Sebastian Jefford, Leda Bourgogne, Marina Faust From PM8: Algirdas Šeškus, Gintautas Trimakas, Rosalind Nashashibi Visit us at booth H14. We look forward to seeing you there. Images: Sebastian Jefford, Clock test (72 years old), Clock test (79 years old), 2021, installation view, Behind Eyes, Kunstverein Bielefeld, 2025. Photo: Fred Dott. Courtesy the artist, Kunstverein Bielefeld, GIANNI MANHATTAN, Vienna and Galerie Noah Klink, Berlin. Marina Faust, ambulant #B (Lob.) and ambulant #C (Lob.), 2024. Metal, glass (crystal glass, blown glass and pressed glass), LED lights, battery, dimmer, rubber, 250 x 90 x 90 cm each. Photo: kunst-dokumentation.com. Courtesy the artist and GIANNI MANHATTAN, Vienna. Leda Bourgogne, Intricacies, 2026. Dried rose petals, pressed blue flax, pressed red zinnia, yarn, acrylic soft gel gloss, chiffon, 88 x 108 x 3 cm. Photo: Joanna Wilk, Courtesy the artist and GIANNI MANHATTAN, Vienna. 19 Oct 2026

It’s the last day to see Alex Macedo’s solo presentation at Frieze London! Visit us at booth F07 in the Focus sector. We are here until 6 pm 🤍🪩 photo: Joanna Wilk 18 Oct 2026

It’s the final week to see „Silent Choir”, Valentine Noujaïm’s solo show curated by Odessa Warren. “Seven trumpets fill the room, recalling the seven angels of the apocalypse. Each is fitted with a mute, forming Noujaïm’s silent choir. The hum of white noise is heard in the space, like the dead sound of a feed cut mid-transmission, underscoring the trumpets’ muteness. Their surfaces are engraved with a range of motifs, among them drawings made by the artist’s brother as a child during the war in Lebanon. A television recalls the domestic sets of the early 2000s, a nod to his own association with light and sound, formed through early memories of the announcements of catastrophe. For Noujaïm, St John’s retreat from the world signalled a way for him to make sense of its evils. In the darkness, in his solitude, everything was revealed to him. The artist sets this story against a present moment marked by permanent noise and hyper-exposure, three years into a livestreamed genocide met with impunity. In Greek, ἀποκάλυψις (apokálypsis) carries a double meaning- apocalypse and revelation. In a world where sound and image have failed, the artist asks what may be revealed to us in the dark quiet. The exhibition carries forward Noujaïm’s interest in myth and storytelling as a means of thinking through the present, turning here to the Christian apocalyptic imagination. He approaches St John not as a religious icon, but as a figure who, at a time of persecution and defeat, retreated from the world, and was granted a vision of its unmaking and renewal. The work also extends the artist’s reflection on evil, as a concept reached for to explain destruction and violence that is otherwise inexplicable. In the Book of Revelation, each trumpet, sounded in turn, announces a different part of the apocalypse. The muteness of the seven trumpets in Noujaïm’s Silent Choir is undetermined- whether because they have already sounded, or because their silence keeps a further catastrophe at bay.” The show is on until 17 October. Images: @kunstdokumentationcom 15 Oct 2026

Frieze London is now open! Find our solo presentation with Alex Macedo at booth F07 in the Focus Sector. The presentation is kindly supported by @kulturlx all images: Joanna Wilk 14 Oct 2026

The gallery is pleased to return to Frieze London next week with a solo presentation by Alex Macedo (b. 1995, Ettelbruck, Luxembourg; lives and works between Vienna and Luxembourg). FOCUS, Booth F04 14–18 October 2026 Kindly supported by @kulturlx All images: Alex Macedo, s.t., 2026, oil on linen, 20 x 30 cm, 2026. 09 Oct 2026

Very happy to be highlighted in the @artbasel Paris press dossier along with my dearests friends and colleagues from @giannimanhattan in which will be our debut at the main section of the fair with a joint beautiful curated presentation. More info soon… but just for you to know you will finds us in booth 1.H14 #artbaselparis #giannimanhattan #pm8galeria #pm8franciscosalas 30 Sep 2026

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Dfbz3t1Fxpi	Final chance to see: Valentin Noujaïm Subterrane…
DfSJgL8Ilnd	You can see the artwork ‘Spring ‘92’ in Anu Põde…
DfHypgnFxeh	Zishi Han’s the nocturnal flights of stillness i…

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Dfbz3t1Fxpi	Final chance to see: Valentin Noujaïm Subterrane…
DfSJgL8Ilnd	You can see the artwork ‘Spring ‘92’ in Anu Põde…
DfHypgnFxeh	Zishi Han’s the nocturnal flights of stillness i…

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