@funiculargoats - IGDataHub

Live profile lookups are paused for brief scheduled maintenance. Cached data is still available. New lookups are queued and will complete shortly.

Funicular Goats

@funiculargoats

20.6K

Followers

429

Following

153

Posts

N/A

Reels

Highlights

8/4

Photos/Videos in last 12

Bio

State-of-the-art multi-camera equipment, workflow, and technical management for productions requiring the highest quality visual aesthetic.

Links

funiculargoats.com soc.org/project/cinelive

Avg likes

Avg comments

Engagement

0.8/wk

Posting

Likes and comments are still being collected for this account. Check back shortly.

#fifa #funiculargoats #superbowllv #theweeknd #liveproduction #fifaworldcup #btsarmyforever #bts #letsgo

Recent posts

2021: THE YEAR THE SUPER BOWL HALFTIME SHOW CHANGED FOREVER 🏈🎥 With the next Super Bowl halftime headliner no longer under wraps, we're looking back at 2021, when what a Super Bowl halftime show could look like was redefined by everyone involved. For The Weeknd's Super Bowl LV performance, Funicular Goats was honored to help bring a cinematic approach to live broadcast for the first time in halftime show history. ARRI cinema cameras, PL-mounted lenses, a fully dedicated camera package, and the first use of a custom LUT for a Super Bowl halftime show established a new visual standard for one of the world's greatest live stages. Five years later, we're still honored to look back on a production that didn't just make history ... it changed the future of halftime shows. A LOOK AT THE GLASS BEHIND THE SHOW: ARRI/Zeiss: 8mm Ultra Prime Rectilinear Fujinon: 14–35mm | 19–90mm | 85–300mm Canon: 25–250mm | 17–120mm A MOMENT FOR THE BRAINS AND CREATIVES BEHIND THE SHOW: Director - Hamish Hamilton @hamishhamiltontv DP - Dylan Sanford @thedpsanford Camera Tech Manager - James Coker Prod. Services - Jesse Collins @jessecollinsent Lead AC - Adam Kirschhoffer @akirschhoffer Steadicam - Jofre Rosero @mechas1669 + @doneanddustedtv + @diversifiedproductionservices Did you notice the cinematic difference when you watched this live? #FunicularGoats #SuperBowlLV #TheWeeknd #LiveProduction 03 Nov 2026

High fashion. High frame rates. For the Victoria’s Secret Fashion Show 2026, one of the cameras we used were the ARRI ALEXA 35 Live Xtreme, ARRI’s newest live broadcast camera. What the Live Xtreme can provide: Super 35 4K sensor for that cinematic, shallow-depth-of-field look ARRI’s unrivaled image quality, accurate color rendition and pleasing skin tones Up to 17+ stops of dynamic range to hold every bit of stage lighting for best results in SDR & HDR Slow motion straight from the live camera – 2x in UHD, up to 8x in HD Motion blur control One camera, two feeds: the live program and the slow-mo replay, with the same ARRI look Thank you @arri for the partnership. 🤍🪽 From the DP behind the lens, Chase Smith— on why the ALEXA 35 Live Xtreme was the right choice for the runway: “We leaned on the ARRI ALEXA 35 Live Xtreme for high-frame-rate positions. Runway is all about movement: fabric, wings, hair, the walk itself. We wanted slow motion that could cut seamlessly into the live show. The Xtreme on the ALEXA 35 Live system gave us 220fps on demand, while still letting us shoot at our native frame rate and match the rest of the ALEXA package in color and dynamic range. That let us build the slow-motion moments into the visual language of the show, live.” Director - @jamesbmerryman DP - @chasehsmith Lighting Director - @gribiche + @arri + @doneanddustedtv 24 Oct 2026

VS26. Among all of the incredibly talented crew we worked with, some unprecedented tech was implemented on this show. In collaboration with CyanView, we’ve been working on a technology we used to make this workflow groundbreaking. For the first time ever, we are now able to fine-tune creative color and technical camera matching in real-time seamlessly and it’s all thanks to a software called Live Lab we’ve been working on with @cyanview_ . This combined with low frame delay spatial processing allows us to fade the color and filter of bespoke looks between each scene dynamically in all cameras at the same time. We’re not just switching a LUT… we’re fading two looks between scenes without cutting or utilizing any lighting gimmicks, which is typically something you could only ever do in post. Special Shoutouts Fashion Show Producers: @bureaubetak Prod Co: @doneanddustedtv Director: @jamesbmerryman DP: @chasehsmith Tech Manager: James Coker Live Colorist: @adamlighterman LIVEGRAIN 19 Oct 2026

The wings are getting even spicier for episode two. Starring CM Punk, Hot Ones Extra Heat EP2 out now! 🔥🔥 14 Sep 2026

“Oasis: Don’t Look Back In Anger” is out now; featuring the Gallagher brothers’ first joint interview in over 20 years, plus never-before-seen footage from the Live ‘25 reunion tour. If you grew up on this band, you won’t want to miss this! Directed by Dylan Southern & Will Lovelace, created by Steven Knight. Grateful to provide tech support for this film. Produced by Magna Studios and presented by Sony Music Vision. 11 Sep 2026

CM Punk will go head-to-head with the wings of death in a new episode of Hot Ones: Extra Heat! 🔥 Sean Evans hosts this special episode, debuting directly after a LIVE episode of WWE Raw on Sept 14 at 7pm PT/10pm ET. 09 Sep 2026

Watch the Disney Princess: The Ultimate Concert Celebration on Disney+ and ABC tonight! 16 Aug 2026

To celebrate D23 Day, Disney is bringing together the largest gathering of Disney Princesses for one night only, and you’re royally invited to sing along. 👑✨ Don’t miss Disney Princess: The Ultimate Concert Celebration, this Sunday at 8/7c on ABC, Disney Channel, Freeform and streaming on Disney+! Special thanks to @briancavallaro, Ben Hall, @pauldugdale, @tsuth88, @nappytabs, @thespellmansisters, and @thedpsanford 14 Aug 2026

Proud to have served as the Live Colorist for the FIFA World Cup 2026 Halftime Show. It was a genuine honor to be part of the team behind an event of this scale and significance. Live productions at this level demand precision, trust, and collaboration across every department, and I’m grateful to have contributed to the final image seen by billions around the world. @doneanddustedtv Sup Prod: @stevenhkaplan Sup Prod: Chelsea Gonnering Madonna PT @ep_picfilms Producer: @emerpatten PM @cwoodhams Director: @hamishhamiltontv @camwhitelaw AD: @lilhayley1 DP: @thedpsanford Lighting Designer: Al Gurdon Lighting Director: @bgtech11 Lighting Director: @hcforster VC: @chillscmu VC: @dit_la Tech & Cinema Engineering Integration: @funiculargoats Operator: @spflanne Operator: @steadi_kitch Operator: @cameraconnector Operator: @tallgerman Operator: @kevin_denning Operator: @zaccajones Operator: @delrussorobert Operator: @mechas1669 Operator: @dnadacam Lead 1st AC: @ryanguzling Lead 1st AC: @akirschhoffer 1st AC: Mike Farrel 1st AC: @cameragirlla 1st AC: @black0nblack 1st AC: @michelesun_ 1st AC: Gus Bechtold 1st AC: Roger Spain 1st AC: Mike Csatlos 2nd AC: @eli_rawlings 2nd AC: @mattaleslie Engineer: @dwojtkun Engineer: @joshp_eng Engineer: @5amsoundexperiment Camera Tech: @grapespoupon Camera Tech: @katelynn_lapka Edit: @guyh_edit @dannytull AE: @jasonslist Pretape DP: @keyanshoots   Pretape DIT: Justin Wells DIT: @instamaiatico @behindthebroadcast 20 Jul 2026

I feel extremely proud to have been a part of the first FIFA World Cup Halftime show, what an incredible feeling. Massive thank you to @doneanddustedtv @funiculargoats @hamishhamiltontv @lilhayley1 @camwhitelaw and everyone else involved - what a crew. #fifa #fifaworldcup #btsarmyforever #bts Just two trinity’s dulling, put me in coach we got a game 🎥 @behindthebroadcast 20 Jul 2026

For the iconic Madonna opener, the crew built a custom camera car that drove directly in front of Madonna’s buggy. The primary hero shot was captured using a Sony Venice 2 paired with a 35mm ARRI Signature Prime mounted on a remote head. For additional moving angles, a Patriot Camera Car featured a Towercam mounted to the rear with a Fujinon 14–100mm, while Trinity operator Sean Flannery rode on the back of the Patriot with a Sony Burano and ARRI Signature Zoom 16–32mm to capture dynamic low-angle wides throughout the sequence. Trinity Operator: @spflanne Remote Head Operator: Sean Harkins 📸: @keyanshoots 19 Jul 2026

From the Maracanã in Brazil where we filmed the FIFA promo, to Mexico City for the opening ceremonies, it was the ultimate privilege being with my friends at the World Cup Final halftime show. Thanks to @hamishhamiltontv, @camwhitelaw, @lilhayley1 and @thedpsanford for the trust and to @shakira and her team for bringing me along for the wildest ride of my life. #letsgo #fifa halftime ⚽️🏆🌎 📸:@chriscornejo_ Thanks @andres.cuevas for having my back, @black0nblack (🐐) for keeping us sharp, the @funiculargoats team and Aerial Video Systems. 19 Jul 2026

Follower tracking

We have started recording @funiculargoats, but only 1 observation so far — not enough to show a trend yet. Track it daily →

Download @funiculargoats's data

Everything below is derived from this account, priced on the counts shown. Delivered as CSV by emailed link.

Data

Records

What you get

Price

Every post & reel

153 posts & reels

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
DfSZ0l3mMhl	2021: THE YEAR THE SUPER BOWL HALFTIME SHOW CHAN…
De407m2EeQn	High fashion. High frame rates. For the Victor…
DesmPYcpMhC	VS26. Among all of the incredibly talented crew …

Real rows from this account. The file continues in the same shape.

$9.99

minimum

Everyone who follows them

up to 20,622 followers

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$103.11

Everyone they follow

up to 429 accounts

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$9.99

minimum

Every post & reel

153 posts & reels

$9.99

minimum

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
DfSZ0l3mMhl	2021: THE YEAR THE SUPER BOWL HALFTIME SHOW CHAN…
De407m2EeQn	High fashion. High frame rates. For the Victor…
DesmPYcpMhC	VS26. Among all of the incredibly talented crew …

Real rows from this account. The file continues in the same shape.

Everyone who follows them

up to 20,622 followers

$103.11

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

Everyone they follow

up to 429 accounts

$9.99

minimum

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 1 day, 15 hours ago.

Tracking

A monthly plan, not a download: we keep reading @funiculargoats and email you what changed.

Track @funiculargoats every day · up to 5 accounts

We read @funiculargoats daily from today and email you the week's follower, following and post changes, with every reading so far as a CSV. Add up to 4 more accounts on the same plan. Cancel any time.

See the columns