@forestchristenson

Forest Christenson

@forestchristenson

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Composer, engineer @pendulum_peppers account admin. @cuemachine technologies

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forestchristenson.com

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#soundtrack #1 #2

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In 2015 when I moved to LA, my first job was making sure everyone had a water bottle available to them during the @alanmeyersonmusic mix of “Batman vs Superman”. In my wildest dreams I didn’t expect to have the honor of joining the composer’s team of @superman in 2025. It seems an apt way to celebrate 10 years in LA and how much can happen along the way. Thank you @daviddavedavis for bringing me along on this adventure. 10 Jul 2025

I’m excited to have contributed additional music to this week’s Widow’s Bay episode 7 and next week’s episode 8! It’s always a joy working with @daviddavedavis and his crack team Monica, @jake.d.boring @aniruddhimmaneni @scottmichaelsmith_ & @sadiecurrey (Also I happen to love this show and Dave’s score — highly recommend!) 27 May 2026

To Kill A Wolf Now in Theaters Original Score by Sara Barone & Forest Christenson Video edit by Chris Barry @simplyepicphoto Score musicians: Percussion @halrosenfeld Woodwinds Chris Bleth Written and directed by @kelseytaylorhasnoinsta Produced by @adamleedp @kelseytaylorhasnoinsta @rickyfosheim @zachgolden Cast Ivan Martin @maddisonbrown @kaitlindday @airstreamrally @david.knell Dp @adamleedp Edit @drtaylor35 Pd @nocontextcontinuity Music @sarabaronemusic & @forestchristenson Sound design @ericrwegener Color @mikeypackage Exec Producers @burnleyproductions @joe_restaino @galicecampbell @katg.waddell l @_moo_studios @hungrybullproductions @maddisonbrown @tonystopperan, Sl8ted, Ivan Martin, Chelsea Tieu, Mark Fuell, Thomas Lee, Kate Coyne, Dena Platis, Felix Dashevsky, Jeremy Walton, David Lyons Co Producer @hpymntn @drtaylor35 LP @hpymntn 1stAD @moviemaniacgirl Gaffer @ojess15 KG @cinenam Prod Sound Mixer @mcdreamerson Animal Wrangler Mark Shwaiger HMU @terrilodge , Corinna Woodcock Costume Consultant Emmanuel Marc, Alexandra Welker Supporting cast @annikacowles @julieeknell @dana.millican Jessica Catalano, Grant Jay 04 Aug 2025

Working with @daviddavedavis is always a pleasure and this time was no different, just longer. At the incept of Wolverine my studio flooded and @andrew.kawczynski saved my butt letting me use his studio. Then I think I moved studios twice more before the game wrapped! I’m a bit late posting as the game came out a few weeks ago, but I’m so proud of the work we did I felt compelled to anyway. And further compelled to shout out the magnificent work all around from Dave and the team @jake.d.boring @aniruddhimmaneni @aldoarechar @chrisnewlin @jrbeard and others - the best of the best - I’d trust you guys with nuclear codes. 06 Oct 2026

I am awed by my better half, or maybe more than half, the talented, beautiful, partner-in-crime-music-and-life @sarabaronemusic who has won an EMMY award for her original music - and euphoric to see her recognized with this honor by the @televisionacad . Sara inspires me every day - but a great deal extra today! 08 Sep 2026

The Prehistoric Planet III #soundtrack is out now on all streaming platforms. Thank you so much to everyone that helped make it come to life . Original Music: @hanszimmer @kara_talve @anze.rozman for @bleedingfingersmusic Score Producers: Hans Zimmer & Russell Emanuel @russellemanuel Score Supervisor: Marsha Bowe Mix Engineer: @forestchristenson OST Master: @rob_kleiner Music Editor: @harshathangirala Music Performed by BBC National Orchestra of Wales Orchestra Conducted by Ben Foster @benfostercomposer Recording Producer: Jeremy Murphy @jeremymurphymusic Orchestration: Fine Line Music Servies @finelinemusicservice Percussion: @charliepaxson World Woodwinds: @ashleyjarmack Composer assistants: @erikcouttolenc @dan_vallejo @mccaw.truman 21 Aug 2026

It’s time to bring back the OG filters Thanks to @evameepmeep, @joyie.lai for the @pendulum_peppers merch 19 Aug 2026

The Prehistoric Planet Ice Age soundtrack is getting released on Aug 21st! Thank you so much for everyone that reached out and helped to make this happen. We are very excited to get it out into the world. Presave here https://tinyurl.com/yc64csmh Prehistoric Planet: Ice Age — Apple TV+ Original Music: @hanszimmer @kara_talve @anze.rozman for @bleedingfingersmusic Score Producers: Hans Zimmer & Russell Emanuel @russellemanuel Score Supervisor: Marsha Bowe Mix Engineer: @forestchristenson OST Master: @rob_kleiner Music Editor: @harshathangirala Music Performed by BBC National Orchestra of Wales Orchestra Conducted by Ben Foster @benfostercomposer Recording Producer: Jeremy Murphy @jeremymurphymusic Orchestration: Fine Line Music Service @finelinemusicservice Percussion: @charliepaxson World Woodwinds: @ashleyjarmack Composer assistants: @erikcouttolenc @dan_vallejo @mccaw.truman 14 Aug 2026

Something special for users of Apollo interfaces: a menu bar app for macOS that both displays monitor levels/status, and also allows custom key commands to be assigned to calibration presets, dim, mute, alt speakers, talkback, mono folddown, and level control. The auto-displaying HUD behavior is a lot quicker and easier to reference during sessions than the meters and knobs in the Console app (not to mention the nondescript glowing ring on the interface itself.) Especially useful for folks who want to use the Apollo as their monitor controller, but also want it racked up in a machine room or out of reach. Additionally, a floating meter window can be displayed to provide even more insight. Low cpu, simple setup. Download today from cuemachine.com/monitorhud and start a 30-day free trial to give it a whirl in your studio. 04 Aug 2026

Over the years I’ve devised all sorts of little unique solutions to problems that I’ve come across while working on music teams in various capacities. Most of these solutions are one-off fixes, but some of them I end up using over and over and improving over time, and those I have packaged together in an app which I just launched called @cuemachine . The philosophy is that DAWs are suited for a sort of horizontal music-making, but they’re not very well suited for the batch processing/massive amounts of data/tedious and repetitive tasks that are associated with film music projects. So that’s where this app comes in. I think it can really help save time and sanity, and it also does a few really advanced things that I don’t think any other apps do right now. One of those is extract MIDI info from certain DAW sessions without opening them - including extracting MIDI tempo maps from Ableton Live sessions (Live doesn’t have native MIDI export, so I think this might be the only way to export MIDI files out of Live currently?) Another is the complex cue name convention engine which I’ve tested and fine-tuned extensively across a huge library of standard and non-standard naming formats. Then there is the Ref Check tool, which has definitely been the most challenging to develop. Some tools are quite simple, but in their simplicity they are in a way the most powerful, like the empty file/empty channel batch processors, or the menu bar tap tempo utility. I wanted to make this app super focused for film music composers, composer teams, music editors, and mixers sending files back and forth to each other. Anyway, if any of this interests you, check out the full feature list at the website CueMachine.com and give it a whirl with the free trial. And thank you to these folks who have provided invaluable support and feedback: @joyie.lai @austinkeckcomposer @beldridge25 @mattwmusic @kevingloberman @aldoarechar @aniruddhimmaneni @rydermcnair @sarabaronemusic @simplyepicphoto @evameepmeep 25 Jul 2026

So grateful for the opportunity to compose additional music for The Five-Star Weekend on @peacock - soundtrack and episodes out now! Big thanks to @donblake @josh_kramon_music and shoutout to the fantastic music team @rydermcnair @juanxluqui and @maarten_hofmeijer - it was a pleasure working with you all! 10 Jul 2026

Congrats to @alyssa.aldaz and the entire Camp Oleander crew on a fantastic world premiere last night at Palm Springs International Shortfest. To celebrate, I’m proud to share a couple of clips from my original score, which is out now on streaming platforms :) Composer @forestchristenson Orchestra @four.for.music Orchestrator: @pjmscore Harp: @sarahmichellemosher Score mix Assistant: @joyie.lai Written, Directed & Edited by @alyssa.aldaz Director of Photography @stefannachmann Producer @scottaharoni Production Designer @carolkimhee Costume Designer @lilyana.c HMUA @heathergnyc Set Dresser: @renerowe3000 1st AD @alexmaxbur 1st AC: Hsing Kwan 2nd AC/Film Loader @haileycport 2nd AC/Film Loader @lailshelby Gaffer @definitelyatget Gaffer: Alex Hufschmind Production Sound Mixer: Dainel Rainaldi Production Manager:@ericbuttelman Production Assistant: @_charlienorton Production Assistant: @sophia.sioux BTS Stills @gracalic Sound Designer & Re-Recording Mixer @blkkbones Additional Music by @blkkbones Trailer Music by @aaronharris23 Colorist @spyros.katsihtis.color Shot on @panavisionofficial @kodak_shootfilm Processing Lab @fotokem_la Cast Parker @avacapri Laura @isabelle.poloner Madra @blanche_baker Attendant #1 @amandalhermansen Attendant #2 @nancykimball 25 Jun 2026

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DL8GHLySjne	In 2015 when I moved to LA, my first job was mak…
DY3HIOxNO5G	I’m excited to have contributed additional music…
DM8p-6HBphq	To Kill A Wolf Now in Theaters Original Score b…

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shortcode	caption	likes	comments
DL8GHLySjne	In 2015 when I moved to LA, my first job was mak…
DY3HIOxNO5G	I’m excited to have contributed additional music…
DM8p-6HBphq	To Kill A Wolf Now in Theaters Original Score b…

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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