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artist, producer, nice lady 2 HEADS: future cult classics
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Recent posts
Thrilled to announce a truly exciting piece of news: I’m starting my own record label.
2 Heads is my attempt to build something truly independent—a space to house my own creative whims, as well as the work of artists I deeply admire with whom I’ve worked with as a producer, writer or instrumentalist.
I am beyond delighted to announce my first release—by my dear friend and bandmate Jacob Ungerleider. It’s called “Congratulations,” and I co-produced it with Jacob.
What can I say? I absolutely adore this record. I think it’s possible that I have spent more time with these recordings than anyone on earth, and I have yet to tire of them. Jacob’s songs are perfect. Classic. They are wry and funny and heart wrenching. They manage to be wildly sophisticated and utterly un-self-serious at once. They do, for me, what the best songs do—while you are listening to them, they turn the lackluster black and white of your everyday existence into a vivid technicolor dream.
Listen while you watch @otium’s gorgeous, dreamlike video for the first single, Letters of Your Name, and tell me I’m wrong. (I’m not.)
“Congratulations” comes out on June 26th and you can pre-order it on 2 Heads now (!!!) Please buy it if you can, and tell your friends.
If you want to be kept in the loop, and read more about the why behind all of this, sign up for my mailing list—will put all relevant links in my stories.
Letters of Your Name:
@alangoodparker: electric guitar
@djharrisonrva: bass, drums, additional synths
@jungerleiderr: vocals, piano, wurlitzer electric piano, synths
@maciestewart: violin, viola
Recorded and mixed by @adrianolsen.mp3
Mastered by @jackdoutt
Cover photo: @misterrichter
Design and layout by @5pt5panoramic
All other photos: @francescablanchard
2H Logo by @sabrinanichols
12 May 2026
My third full-length record, The Life You Save, is officially released today.
To celebrate, here's the final video I made with @spncklly, for “Keep Me in the Dark.” This song is deeply meaningful to me, and I’m so happy it’s finally out in the world. Photos from the blue room by @elizabethrweinberg
I produced this record myself. I believe it’s the best thing I’ve ever made, and it was, musically and personally, also the hardest to make. It’s about codependency, addiction, and generational trauma. It’s about the loneliness of being trapped between two worlds—the one you came from, and the one you’ve escaped to—and the grief of realizing that the only person you can save is yourself.
I couldn’t have made it alone.
Deep, heartfelt thanks to everyone who trusted me and lent their unmistakable talents:
@alangoodparker- electric bass, acoustic, electric and tenor guitars, pedal and lap steel, mandolin, cello
@jungerleiderr- piano, synthesizers, pump organ, tenor guitar
@roundhousekick- drums and electronics
@tjmaiani- drums
@madeofoak- synthesizer and modular processing
@landladyband- saxophone and electronics
@handhabits- acoustic guitar and sustainer guitar
@carolineadelaideshaw - violin
@adrianolsen.mp3 - modular processing
Engineered by @adrianolsen.mp3 & @alliblois
Mixed by @adrianolsen.mp3
Mastered by @huntleymiller
Cover photo by @grahamtlbrtfoto, with design by @dustysummers and script by @sabrinanichols
Deeply grateful for everyone who’s currently working behind the scenes to help shepherd this record into the world: Thank you to @subpop for believing in me, and to everyone @theglowmgmt for working tirelessly on my behalf.
Whether you’re new here, or have been following my career from the beginning—I want you to know how profoundly grateful I am for your support of my work. The audience I do have is more than most people could ever hope for, and yet it is certainly not so vast that the ripples of support don’t make their way back to me. I feel them all, even if I don’t have time to respond to every one.
No matter what happens from here on out—making this record changed my life. From the bottom of my heart, thank you so much for listening.
10 Oct 2025
At long last, I’m happy to announce that my next record, The Life You Save, will be released on @subpop records on October 10th, 2025. Today you can listen to the first single, “Long After Midnight,” and watch its accompanying video, directed by @spncklly.
Put succinctly, this record is about addiction, codependency, and trying to learn how to find peace in the face of others’ suffering. The story of this record is one that I’ve shied away from addressing directly, because in many ways I didn’t yet have the perspective I needed to understand that it was also mine to tell.
I am so proud of this record—not just because of the songs, but because the fact that it exists and I am sharing it with you means that I am further along on my own path towards peace than I ever dreamed I could go. If you see yourself in any part of this short description, this record is also for you.
I produced this record myself with indispensable help from Adrian Olsen (engineer/mixer), Nick Sanborn (additional production), and many brilliant musicians: Alan Good Parker, TJ Maiani, Jacob Ungerleider, Matt McCaughan, Adam Schatz, Meg Duffy, and Caroline Shaw. It was recorded at Betty’s in NC (add. engineering by Alli Rogers) and at Montrose Recordings in LA, and was mastered by Huntley Miller. Photos are by Graham Tolbert (cover, slide 3) and Elizabeth Weinberg (slide 5). Handwritten script by Sabrina Nichols.
Last but not least: I’m going on tour! I’ll be taking a killer band out for a handful of east and west coast shows. Ticket link in bio, catch us if you can.
I’ll write more about the song and video in the coming days, but my deepest gratitude to the following crew who brought this vision to life:
Director + Producer : Spencer Kelly (@spncklly)
Director of Photography : Gray McClamrock (@grandma_camera)
1st AC : Richard Song (@rich.song_)
Gaffer : Tom Peake (@para_lighting_instruments)
Grip : Kevin Woodruff (@kdubz_grip)
Colorist : Kyle Messina (@messina.color)
Extras: Adrian Olsen, Alexandra Spalding, Jacob Ungerleider, Lex Ulibarri
23 Jul 2025
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06 Nov 2026
VESPER by @alangoodparker
out now on 2 Heads
Video by @otium
art by @phat_wes
All sounds and instruments by Alan Good Parker except:
Nate Smith - drums
Devonne Harris - bass on “d’alangelo”
Caroline Shaw - sampled violin on “the den”
Mixed by Adrian Olsen
Mastered by Jack Doutt
Engineered by Alex De Jong (drums), Alli Rogers (cello), Adrian Olsen (cello) and Jenn Wasner (guitar, pedal steel, lap steel)
Special thanks to the Messina-Nishimura family for the use of their home
04 Nov 2026
I am so thrilled to share with you another stunning record, the second I’m releasing on my very own label, 2 Heads: VESPER by @alangoodparker
This record is especially near to my heart—many of you will recognize Alan as my partner and collaborator, and those of you have made it out to one of my @undertowmusic shows have already seen us perform as duo. I also co-produced this record, and like many of the most magical pieces of music, it happened largely by accident and happenstance. You can read more about that story in the usual places, or you can ask me when I see you and I will tell you all about it.
The record is now available digitally, on all DSPs and Bandcamp. In addition, we have pressed a short run of LPs that are !!!available for pre-order now!!! and will ship in mid-November.
The record features Alan’s beautiful playing, as well as an absolutely jaw-dropping one-take performance from drumming legend @natesmithdrums. Mixed by @adrianolsen.mp3 @montroserecording, mastered by @jackdoutt, recorded by @dejongja @spacebombstudio, @alliblois at Betty’s, and by me, at home in our house.
Additionally, you absolutely must watch this gorgeous long-form video (shot in one unedited take by @otium) of Alan’s extremely talented younger brother Wes Parker (@phat_wes) painting what became the cover of the record in real-time. A brilliant concept (Alan’s, not mine) executed beautifully by all involved.
I feel endlessly overjoyed and empowered by the process of getting to share the music I am most excited about with you directly and without compromise. Thank you endlessly for your curiosity, attention and support.
26 Oct 2026
I’m pleased to finally present the official website of artist, musician, and producer Jenn Wasner! We sought to capture the breadth of Jenn’s career in a sort of digital exhibit, resulting in the interactive “Enoki” concept that you see here. Head to JennWasner.com to explore and discover more! #websitedesign #jennwasner #webdesigner
24 Sep 2026
As you get older, life starts getting measured less in years and more in decades.
My first album as Flock of Dimes, If You See Me, Say Yes, was released ten years ago this month.
I wrote more about it on my Patreon (free!) and shared an unreleased b-side from this era (for subscribers!) called “Daisies.” Go there if you want to read/listen—link is in my bio. It’s really nice over there, distinctly less IG-icky.
As for the future of this project—who can say? I’ve been feeling a pull, like I often do, to wipe the slate clean, hit the eject button, and start fresh. I do think there’s a type of healthy destruction that is (or, perhaps, should be) baked into the creative process—I think we are meant to step out of our old selves once they no longer serve us, and it’s hard to tell how much of my choice to inhabit this alias at this point in time is simply a practical one.
Fortunately, one thing I have gotten (slightly!) better at over the past ten years is: patience. I’m going to try to give myself the time and space to figure out the answer to this question, and try to make sure that the next time I ask for your attention it will be because I actually have something to say.
For now, a massive thanks to my old friends and collaborators who supported this record, and this project, in its early days—you know who you are, thank you.
22 Sep 2026
Ow ∞ is out now
massive thank yous to our collaborators - @daniel.aged + @tjmaiani + @flockofdimes + @grrlmusic + @buddyross + @mattybonez + @lupin + @joewesterlund + @glennkotche + @rodaidh + @heba_kadry + @alliblois + @erictimothycarlson + @grahamtlbrtfoto + @aaron_anderson
+ to the whole SE & @psychichotline team
:: we couldn’t have done this without you
a month ago i put my phone through both the washer and dryer so i don’t have many pics from recording lol but that feels appropriate for this one
thank you for always coming back, thank you for listening 🤍
+ i love you randy let’s keep doing this forever
11 Sep 2026
The very first 2 Heads release—Congratulations by @jungerrleider— is out today!
It’s obvious when someone is obsessed with their craft. Or at least, it should be—often, our culture’s various obsessions (youth, money, fame, a very narrow sort of conventional attractiveness) succeed in distracting from a lack of substance in the work itself.
The first time I heard Jacob’s songs I could tell that his dedication to his craft was complete, and seemingly effortless in a way that I think is truly rare. Musically, it was enough to turn my head, but it was the words—aching, full of pathos and humor and self-deprecation and yearning—that won my heart. I elbowed my way into the making of this record with all of the subtlety of a bull in a china shop, and I became obsessed with the goal of seeing this project to the finish line, no matter what.
I think Jacob’s songs are absolutely some of the finest and most affecting that I will ever work on; it’s possible that they will also be some of the least visible. Frankly, who cares?
External validation is cold and fleeting, and pales in comparison to finding a song that makes you smile, that makes you cry, that gives you the feeling that maybe you might just have it in you to keep on fighting for just one more day. That kind of song is worth its weight in gold. This record is full of them. I know because they worked for me—and now, even after hundreds, if not thousands of listens, they still are.
I don’t think many of my favorite artists would have stood much of a chance in this current landscape—and likewise many of my favorite contemporary artists hone their craft in relative obscurity. I don’t feel the same level of righteous anger about this fact as I used to—the game is not for everyone, and over the years I’ve learned exactly how much time, effort and energy the myth-building part of being a capital-P Professional artist requires. Does it come at the expense of the creative process, of one’s relationship to the work? Maybe not for everyone, but for me, at least—it does. Maybe this is one reason getting a chance to help bring these songs to life brought me so much comfort. For me, it’s been a reminder of a place I can
26 Jun 2026
My first release on 2 Heads comes out in ONE WEEK 👀
19 Jun 2026
@flockofdimes from Los Angeles, CA.
Her latest record, “The Life You Save,” is out now on @subpop.
Listen to Music Person anywhere you get your podcasts — link in bio.
06 May 2026
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