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Independent, progressive film magazine. We ❤️ films!
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filminquiry.com-
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Recent posts
What if monsters weren’t meant to scare us away — but bring us closer?
Our latest feature dives inside Good Fiend Films, from good monsters to found family, it’s a conversation about empathy, creativity, and why genre has always been a home for outsiders. Read the full article on our website!
#filminquiry #goodfiendfilms #daviddastmalchian #horrormovies #interview
“We’re fascinated by how society labels monsters. Often, the things we call monsters are misunderstood. Humans tend to be the real monsters, and genre gives us a safe way to explore that.”
— Leah Kilpatrick
“If you say you haven’t seen something, no one shames you. They’re excited to share it.”
— Jennie Iacobino
“It feels important to say that there are good monsters. It can seem like there are a lot of bad monsters right now — but there are good ones.”
— Natasha Preston
“I don’t think everybody has been a bad monster, but I think everybody thinks they have.”
— David Dastmalchian
27 Feb 2026
Join our community! We now offer discount codes and referral benefits!
Yearly Patrons receive a merch item of their choice.
Bi-annual Patrons will receive a sticker or pin.
All members receive: access to our discord channel, instant entry into all contests. Exclusive content and the first to hear about updates!
Coming soon: an exclusive weekly podcast!
03 Dec 2023
Considering how gorgeous it is to look at, and how subpar previous physical media releases have been, it’s hard to think of a film in recent memory more deserving of a shiny new 4K restoration than Raise the Red Lantern. Lee Jutton reviews:
#raisetheredlantern #4k #filminquiry
06 Nov 2026
We spoke with the film’s director, Rachel Klein, about earning the trust of the Golden Gate Bridge District, gaining access to never-before-released CCTV footage, climbing the bridge itself, and the emotional reality of living with a story about suicide prevention for six years.
#interview #goldengatebridge #savingfourseconds #filminquiry
04 Nov 2026
The Liberation wants to explore how people’s pasts, and the personalities they shape, can make them vulnerable to exploitation. It only half succeeds. Paddy Wilson reviews:
#theliberationfilm #lff #filminquiry
28 Oct 2026
Film Inquiry spoke with American Baby director Ellen Rodnianski, about the film’s origins, her documentary-inspired visual language, the importance of debate, and more!
#interview #filminquiry
23 Oct 2026
As Vincent Grashaw arrived at Locarno with another film in a remarkable streak of projects, our conversation ranged from prison memoirs and Native representation to the realities of independent filmmaking, editing his own work, and why relationships remain the true currency of a creative life. Check out the #filminquiry #interview with the very talented #vincentgrashaw
23 Oct 2026
The overwhelming impression I’m left with from Cat Cam is the stench of a great opportunity squandered. Clement Tyler Obropta reviews:
#catcam #horror #filminquiry
23 Oct 2026
Lee Chang-dong’s Possible Love is one of the more affecting and incisive portrayals of worker exploitation and class conflict of recent years. Soham Gadre reviews from #nyff:
#possiblelove #filminquiry
19 Oct 2026
An adaptation of Andrea Weiss’s 1995 book of the same name, the 1996 documentary Paris Was a Woman shines a light on the women artists, writers, and cultural trendsetters that populated Paris at the turn of the 20th century. Lee Jutton reviews:
#pariswasawoman #documentary #filminquiry
16 Oct 2026
Ink doesn’t threaten to take a place in Boyle’s best work, but his usual kinetic style is a good match for the story two of the most important figures in the story of the media industry – then and today. Paddy Wilson reviews:
#lff #inkfilm #dannyboyle #filminquiry
16 Oct 2026
Mike Flanagan‘s #Carrie is a gentle, alluring take that finally lets us meet the title character. This time, for a new generation. Which is fitting, as Flanagan is one of the greatest horror storytellers of our time.
#mikeflanagan #horror #filminquiry
15 Oct 2026
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