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Bio
A New York-based floral studio that works primarily with local ingredients. Services include interiors and events led and founded by @alexwcrowder.
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Recent posts
Kloris No.6, shown here in agate. Holds approximately one modest meadow.
05 Aug 2026
Placing value in the peculiar, @ShopQuarters is an account that lingers on the details. We approach all of our projects with the same sentiment, mimicking the wild ephemerality of landscape instead of caging it, but at Quarters, this way of seeing is penned into the brief itself.
22 Aug 2026
We’re pleased to debut a collection of objects that support the work of floristry—encouraging the process of collection, preparation, and arrangement, sharpening sensitivity to site and season. Tools influence how we observe, collect, and work, shaping the ideas that unfold for us when working in a pastoral landscape or within our studio in New York City.
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Each object in this collection has been selected not only for its utility, but for the attentiveness it cultivates. Explore them all, available now through the studio store at fieldstudiesflora.com.
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Many brilliant people helped bring this collection to life. A few select thanks in particular to Vogue’s @liamnhess for such an astute conversation about the work we do at Field Studies; to @maureenme and @BrentGoldsmith for their incredible work behind their respective cameras; to @haideefindlaylevin for her generous spirit and thoughtful styling along with @reinaldoriveranunez, to @marcoamazonico for the earthy glow; to @erinjennie of @underwater_weaving and @SamuelSnider for their collaborative spirit; @sarahnatkins for her advice and encouragement; and to those embedded in the root system of our studio, for all they do: @dirtcoveredhands, @daffodilrecords, Ben Lavely, and @ladyfingersfloral.
28 Apr 2026
The Butterfly: Life Cycle of an Insect (revised), a 16mm educational film made for classrooms.
01 Nov 2026
Plate VII from W. J. Holland’s The Butterfly Book, 1898, and was among the early field guides to use color photographs of real specimens. At center, the monarch; above, its southern cousin, the queen; below, the viceroy, a near-twin from another family entirely. If you can’t tell the monarch and viceroy apart, neither can most birds, and that’s exactly what keeps them both alive. The monarch butterfly has latex stored in it’s body from devouring the leaves of milkweed during its larval stage. The viceroy larvae dine on willow and therefore do not carry the chemical weapon that is so toxic to birds; but the birds cannot tell a difference and the viceroy is a harmless impostor copying a poisonous model (though research has found it’s wings tastes terrible, too.)
01 Nov 2026
Botanists have a name for the habit of looking straight past plants, treating them as backdrop rather than living things: plant blindness, a term coined in the late 1990s and more recently softened to “plant awareness disparity.” The studio is our working cure. Here, we treat the space like a lab: gathering, pressing, pinning, labeling, returning to the same specimen until it stops being background and starts being a subject. A frond curls on the wall like a question mark. Grasses dry overhead, turning the color of paper. Every record is a small correction to the habit of not looking, and a step toward living with plants rather than simply around them.
30 Oct 2026
Nature Is for People (1969). Weekdays scatter the Harrangs across the city like seeds on pavement, each to an orbit of school, office, and errand; the weekend gathers them back into the slower grammar of the wilderness. Directed by Stuart Roe and photographed by John Lindstrom, this nine-minute conservation short makes its case not by sermon but by tempo, setting the clock of the city against the patience of the trees.
Its title has the plainspoken confidence of 1969: nature is for people, a premise that now reads as both an invitation and, perhaps, the very problem the film hoped to solve. What lingers is the thesis that a family, like a forest, flourishes best where something has been left untouched.
29 Oct 2026
“What do plants do when life gets hard? Strew the world with floral beauty.” -@davidgeorgehaskell. Full of poetic writing, history and botany, “Wildflower Beauty and the Search for Home,” is David’s most recent piece for studio favorite, @emergencemagazine. In this essay, he makes the case for wildflower knowledge as an essential guide to understanding place and, reading it, you can easily imagine what his lectures at Emory University must be like! He opens his written lesson with “To know the seasons, look to plants. Wildflowers, especially, are excellent teachers. Their extravagant displays catch our attention. Their small, delicate bodies are beautifully, frighteningly permeable to the changing pulses of the world.”
The last slide is from an older interview between @emergencemagazine founder Emmanuel Vaughan-Lee and David G. Haskell, in which Emmanuel essentially asked how do we stay tuned in to the needs of the other species in our ecosystem. David’s answer is seen here, underlined by Alex, and reflected in our manifesto.
28 Oct 2026
As Neruda wrote, “you can cut all the flowers, but you cannot keep spring from coming.” Film by @kenwheel with editing by @joeytuzz and audio by @osment.mov.
15 Oct 2026
Today, @alexwcrowder will have the privilege of sharing the stage with @davidgeorgehaskell at @thebatterynyc Gardeners Luncheon, following David’s lecture on How Flowers Made Our World. It’s the start of our new partnership with The Battery, a park that has been a fort, an immigration station and a concert hall. Today it’s 25 waterfront acres of perennial gardens, woodland and an urban farm at the tip of Manhattan.
13 Oct 2026
“One massive stone.” That’s how @pietoudolf described @thebatterynyc before he began planting it. Where there was once hard, grey edge at the tip of Manhattan, there’s now a garden that never really stops moving: alliums in early summer giving way to grasses and goatsbeard, drifts of scabiosa by the water, and seedheads that hold their shape through winter against the harbor. Nothing is planted for a single moment of bloom. That way of thinking shaped how we work as a studio. Oudolf taught us to design for the whole year, to let form carry a space when flowers fade, and to treat decay as part of the beauty instead of something to hide.
Shown here is a collection of archival images from The Battery gardens, along with a few favorite Oudolf gardens, scanned from our Library.
12 Oct 2026
A Hosta leaf, captured, dried, preserved, and soon to decay. A preview of a printed matter project for the festive and ambitious @atmosfloric Emporium from @sean_anthony_pritchard in London next month.
11 Oct 2026
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