@ericfirestonegallery

Eric Firestone Gallery

Threads

46.3K

Followers

4,080

Following

983

Posts

N/A

Reels

N/A

Highlights

6/6

Photos/Videos in last 12

Bio

New York City, East Hampton, and West Palm Beach

Links

linktr.ee/ericfirestonegallery

Avg likes

Avg comments

Engagement

1.9/wk

Posting

Likes and comments are still being collected for this account. Check back shortly.

#adaagalleries #ericfirestonegallery #womenartists #patpasslof #womenacrossamerica #melcasasmelcasas #chicano #popart #1960s #melcasas

Recent posts

CLOSING TOMORROW 11/8 + CLOSING EVENT @ 3PM — “After Magic” will close this Sunday, November 8 with a Divination Workshop hosted by Dannielle Tegeder (RSVP at the link in bio) Casting the Net: A Divination Workshop With Dannielle Tegeder Sunday, November 8 | 3PM 40 Great Jones Street, New York, NY 10012 RSVP in bio 📷 Installation view of “After Magic: Early Works by Pat Passlof, 1948–1962,” New York, 2026. Announcement for Passlof’s 1961 solo exhibition at Green Gallery, New York. Pat Passlof, Astrology chart for Esteban Vicente, 2003. After Magic: Early Works by Pat Passlof, 1948–1962 Open through November 8, 2026 Eric Firestone Gallery 40 Great Jones St, New York, NY 10012 #EricFirestoneGallery #womenartists #PatPasslof 07 Nov 2026

THE ADAA SHOW 2026, BOOTH A7 — OPEN THURSDAY 11/12 | For the 2026 ADAA Fair, Eric Firestone Gallery is pleased to present an installation of New York School women artists. The installation showcases the diversity and experimentation of women artists in this period, drawing from estates that the gallery represents, as well as major works coming out of private hands for the first time in decades. The presentation includes both painting and sculpture in varied mediums, creating a dramatic environment. Elise Asher · Sari Dienes · Helen Frankenthaler · Adaline Kent · Pat Passlof · Jeanne Reynal · Miriam Schapiro · Hedda Sterne While each of these artists experimented in their own practice, they also fundamentally altered the art world around them, creating community and platforms for other artists. The presentation honors this spirit of collaboration and experimentation, and highlights the gallery’s ongoing commitment to re-examining the canon of 20th-century American art. 📷 Elise Asher The Thing That Eats the Heart, 1960 oil on canvas 72 x 48 in. Pat Passlof in her studio on Forsyth Street, 1964. Photograph by Jack Lloyd Taylor. Helen Frankenthaler Untitled, 1951 oil and black pencil on palette paper 12 x 15 in. Harry Redl, Adaline Kent in her studio at 523 Francisco Street, San Francisco, 1956. Black & white photograph. Nevada Museum of Art, Institute for Art + Environment Archive Collections. Purchased with funds from deaccessioning Sari Dienes Burnt Totem, 1961 found wood objects 108 x 36 x 36 in. Jeanne Reynal in her Sierra Nevada studio, 1943. Miriam Schapiro Flying Carpet, 1972 acrylic and collage on canvas 60.0h x 50.0w in The ADAA Show 2026 Benefit Preview: Thursday, November 12, 2026 November 12–16, 2026 Park Avenue Armory #adaagalleries #womenartists #womenacrossamerica 06 Nov 2026

MEL CASAS: DOUBLE FEATURE — OPEN WEDNESDAY 11/11 @ 6PM | Eric Firestone Gallery is delighted to present “Mel Casas: Double Feature,” an exhibition of Mel Casas’s “Humanscape” paintings. Mel Casas (b.1929, El Paso, TX; d. 2014, San Antonio, TX) was a pioneering member of the Chicano Arts Movement who is best known for his “Humanscapes,” a sweeping series made between 1965 and 1989 that address various aspects of U.S. visual culture and identity through biting humor, stereotypes, and pop imagery. 📷 Mel Casas Carnival (Humanscape No. 48), 1968 acrylic on canvas 72 x 96 in. Mel Casas Greening of America (Humanscape No. 64), 1971 acrylic on canvas 72 x 96 in. Mel Casas Lichtenstein in a Comic Spot (Humanscape No. 75), 1975 acrylic on canvas 72 x 96 in. Mel Casas, c. 1970. Photo: Mel Casas Papers, Archives of American Art, Smithsonian Institution, Washington, DC.Mel Casas Mel Casas: Double Feature Opening Reception: Wednesday, November 11 | 6–8PM November 11, 2026 – January 10, 2027 Eric Firestone Gallery 40 Great Jones St, New York, NY 10012 #MelCasasMelCasas #adaagalleries #chicano #popart #1960s 05 Nov 2026

OPEN WEDNESDAY 11/11 — MEL CASAS: DOUBLE FEATURE | Eric Firestone Gallery is delighted to present “Mel Casas: Double Feature,” an exhibition of Mel Casas’s “Humanscape” paintings. Mel Casas (b.1929, El Paso, TX; d. 2014, San Antonio, TX) was a pioneering member of the Chicano Arts Movement who is best known for his “Humanscapes,” a sweeping series made between 1965 and 1989 that address various aspects of U.S. visual culture and identity through biting humor, stereotypes, and pop imagery. The exhibition will be the artist’s first show with the gallery and his first-ever solo exhibition in New York. Casas’s “Humanscapes” take the form of theater scenes, with a large image in the background acting as a movie screen and related action in the foreground. Focusing on these works, the gallery presentation invites visitors to step inside Casas’s theater and experience these radical paintings. Just like the double feature, a movie industry practice that brought film-goers into two films for the price of one, Casas offers viewers more than they bargained for: he lures you in with seductive imagery, then gets you to stay with visual puns, prescient truths, and quick wit. Mel Casas: Double Feature Opening Reception: Wednesday, November 11 | 6–8PM November 11, 2026 – January 10, 2027 Eric Firestone Gallery 40 Great Jones St, New York, NY 10012 #MelCasas #adaagalleries 05 Nov 2026

BEHIND THE MAGIC | CLOSING SUNDAY + CLOSING EVENT — “After Magic” will close this Sunday, November 8 with a Divination Workshop hosted by Danielle Tegeder (RSVP at the link in bio) | Associate Director Alabel Chapin discusses Pat Passlof’s “Atheneum” (1960–61) “Atheneum” (1960–61) is an enchanting monumental painting from the early 1960s, when Passlof embraced a lighter palette of pastels, bright greens and purples. She used repeated patterns and marks across the canvas to create dynamic rhythms and vibrational energy. Passlof’s titles, like this one, were often literary odes, illustrating the integration of writing and poetry with her practice. Pat Passlof Atheneum, 1960-61 oil on canvas 77 x 144 in. Casting the Net: A Divination Workshop With Dannielle Tegeder Sunday, November 8 | 3PM 40 Great Jones Street, New York, NY 10012 RSVP in bio After Magic: Early Works by Pat Passlof, 1948–1962 Open through November 8, 2026 Eric Firestone Gallery 40 Great Jones St, New York, NY 10012 #EricFirestoneGallery #womenartists #PatPasslof 03 Nov 2026

REMINDER: Panel Discussion — Today, Wednesday, 10/28 at 6:00 PM • In conjunction with the exhibition “After Magic: Early Works by Pat Passlof,” Eric Firestone Gallery invites you to a panel discussion with Rachel Federman, Jenni Quilter, and Judith Stein, moderated by Jennifer Samet. The exhibition is open through November 8, 2026. Eric Firestone Gallery is pleased to announce After Magic, an exhibition of early works by Pat Passlof. Passlof, a major figure of the New York School of Abstract Expressionists, was fundamental in downtown galleries and the intellectual milieu of the 1950s. After Magic is the gallery’s second solo exhibition of Passlof’s work, following a strong five-year period in which institutions, writers, and the market have reinforced her position in the canon, and its historical re-investigation. *This conversation will be held exclusively in-person with a recording to be posted at a later date* 📷 Assembled artists on East 10th Street in front of Tanager Gallery (90 East 10th Street), by James Burke for Life Magazine, 1956. The LIFE Picture Collection/Getty Images. Pictured: Pat Passlof, Alfred Jensen, Milton Resnick, Angelo Ippolito, Ludwig Sander, Esteban Vicente, George Spaventa Panel Discussion with Rachel Federman, Jenni Quilter, and Judith Stein, moderated by Jennifer Samet Thursday, October 28, 2026 | 6:00 PM Eric Firestone Gallery 40 Great Jones Street, New York, NY 10012 #EricFirestoneGallery #PatPasslof #adaagalleries #womenartists 28 Oct 2026

Celebrating Scholarship in Postmodern Art in New York City Galleries — Gallery principal Eric Firestone encourages you to visit several exhibitions highlighting the work of historic New York women artists across NYC galleries that are on view concurrently with the monumental Pollock-Krasner exhibition at the Metropolitan Museum of Art. Including the gallery’s own exhibition “After Magic: Early Work by Pat Passlof, 1948–1962,” “There are numerous New York galleries that are doing historical reexamination of New York women artists.” “Other galleries in New York, who are my contemporaries, have put together shows, including Ortuzar Projects of Claire Falkenstein; Berry Campbell of Perle Fine and Elaine DeKooning, upcoming; Yvonne Jacquette at Karma Gallery; and the west-coast artist Zoe Longfield is at Van Doren Waxter. It’s a very impressive roster of exhibitions in New York right now, and I hope you make the time to visit these galleries.” After Magic: Early Work by Pat Passlof, 1948–1962 Eric Firestone Gallery Through November 8, 2026 Krasner and Pollock: Past Continuous The Metropolitan Museum of Art Through January 31, 2027 Claire Falkenstein: SAN FRANCISCO, PARIS, ROME Ortuzar (@ortuzargallery) Through October 31, 2026 Perle Fine: Ninth Street Woman Berry Campbell (@berrycampbell) Through October 24, 2026 Yvonne Jacquette: From the Air KARMA (@karmakarma9) Through October 31, 2026 Zoe Longfield: A World of One’s Own Van Doren Waxter (@vandorenwaxter) Through November 14, 2026 #EricFirestoneGallery #adaagalleries #womenartists 22 Oct 2026

Panel Discussion — Wednesday, 10/28 at 6:00 PM • In conjunction with the exhibition “After Magic: Early Works by Pat Passlof,” Eric Firestone Gallery invites you to a panel discussion with Rachel Federman, Jenni Quilter, and Judith Stein, moderated by Jennifer Samet. The exhibition is open through November 8, 2026. Eric Firestone Gallery is pleased to announce After Magic, an exhibition of early works by Pat Passlof. Passlof, a major figure of the New York School of Abstract Expressionists, was fundamental in downtown galleries and the intellectual milieu of the 1950s. After Magic is the gallery’s second solo exhibition of Passlof’s work, following a strong five-year period in which institutions, writers, and the market have reinforced her position in the canon, and its historical re-investigation. *This conversation will be held exclusively in-person with a recording to be posted at a later date* Panel Discussion with Rachel Federman, Jenni Quilter, and Judith Stein, moderated by Jennifer Samet Thursday, October 28, 2026 | 6:00 PM Eric Firestone Gallery 40 Great Jones Street, New York, NY 10012 #EricFirestoneGallery #PatPasslof #adaagalleries #womenartists 22 Oct 2026

ON THIS DAY - Sari Dienes (1898–1992) was born in Debrecen, Hungary. Her work is currently on view in two exhibitions at The Musée d’art moderne et contemporain de Saint-Étienne Métropole “To Be Deciphered” and “Flying Colors—A Dialogue with the Collection of the Minneapolis Institute of Art” (both open through January 3, 2027). Sari Dienes (pron. SHAR-ee deens) was a groundbreaking experimental artist whose career links European Surrealism, American Neo-Dada, and Pop art. Dienes is best known for her mixed media frottage paintings (painterly rubbings from textured surfaces) of rural and urban environments. Dienes’s foremost artistic belief was that raw materials and forms existed everywhere, and her goal was to see and reflect them. This attitude influenced her younger contemporaries and friends, including Robert Rauschenberg and Jasper Johns, who, like Dienes, began using found objects and iconic visual symbols as the basis of their compositions and assemblage works. 📷 Sari Dienes painting outside of the Cedar Tavern, New York, 1970 Installation view of “Flying Colors,” The Musée d’art moderne et contemporain de Saint-Étienne Métropole, 2026. Photo Credit: Marc Domage / MAMC+ Saint-Étienne Métropole Installation view of “To Be Deciphered,” The Musée d’art moderne et contemporain de Saint-Étienne Métropole, 2026. Photo Credit: Marc Domage / MAMC+ Saint-Étienne Métropole #EricFirestoneGallery #SariDienes #adaagalleries 08 Oct 2026

BEHIND THE MAGIC — Exhibition extended through Sunday, November 8, 2026 | Associate Director Alabel Chapin discusses Pat Passlof, “Spire,” 1958 and “Sky Pasture,” 1961–63—part of the now-open exhibition “After Magic: Early Works by Pat Passlof, 1948–1962”. Spire (1958) and Sky Pasture (1961-63) demonstrate the evolution of Passlof’s aesthetic approach across two significant touch points in her career, where interiors and landscapes provided jumping-off points for the artist’s imagination. Pat Passlof Spire, 1958 oil on paper mounted on canvas 31 x 23 in. Pat Passlof Sky Pasture, 1961-63 oil on linen 68 x 156 in. After Magic: Early Works by Pat Passlof, 1948–1962 Open through November 8, 2026 Eric Firestone Gallery 40 Great Jones St, New York, NY 10012 #EricFirestoneGallery #womenartists #PatPasslof #adaagalleries 07 Oct 2026

BEHIND THE MAGIC — PAT PASSLOF: AFTER MAGIC, OPEN THROUGH END OF OCTOBER + NYC OPEN MONDAY–SUNDAY | Associate Director Alabel Chapin discusses Pat Passlof, “Untitled,” 1949—part of the now-open exhibition “After Magic: Early Works by Pat Passlof, 1948–1962”. Pat Passlof (b. Brunswick, GA, 1928; d. New York, NY, 2011) was an abstract painter of the New York School whose tireless exploration of color and form gave her work a distinct voice. This Untitled work from 1949 was completed during the period in which Passlof studied privately with Willem de Kooning. Under his instruction, Passlof made a series of detailed pencil drawings from still life set ups, while continuing to paint abstractly on the side. This formal foundation, despite her innovative and expressive style, runs through Passlof’s work. Pat Passlof Untitled, 1949 oil and enamel on paper mounted on canvas 22 x 30 in. After Magic: Early Works by Pat Passlof, 1948–1962 Open through October 31, 2026 Eric Firestone Gallery 40 Great Jones St, New York, NY 10012 #EricFirestoneGallery #womenartists #PatPasslof #adaagalleries 27 Sep 2026

OPEN NOW • The Armory Show, Booth 417 | Eric Firestone Gallery is pleased to announce its participation in the 2026 edition of the Armory Show, with a presentation juxtaposing contemporary and historic artists. Elise Asher · Mel Casas · Elaine de Kooning · Lauren dela Roche · Martha Edelheit · Elise Ferguson · Torben Gammelgaard · Grace Hartigan · Colleen Herman · Huê Thi Hoffmaster · Kim Levin · Jay Milder · Joe Overstreet · Betty Parsons · Pat Passlof · Jeanne Reynal · Thomas Sills · Anita Steckel · Almo Talud · Jon Tierney · Paul Waters · Nadia Yaron The Armory Show Eric Firestone Gallery, Booth 417 The Javits Center, New York, NY VIP Preview: September 24, 2026 Public Days: September 25-27, 2026 #EricFirestoneGallery #TheArmoryShow #adaagalleries 24 Sep 2026

Follower tracking

We have started recording @ericfirestonegallery, but only 1 observation so far — not enough to show a trend yet. Track it daily →

Download @ericfirestonegallery's data

Everything below is derived from this account, priced on the counts shown. Delivered as CSV by emailed link.

Data

Records

What you get

Price

Every post & reel

983 posts & reels

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
DfcjNY-kewJ	CLOSING TOMORROW 11/8 + CLOSING EVENT @ 3PM — “A…
DfaJUe7n1WC	THE ADAA SHOW 2026, BOOTH A7 — OPEN THURSDAY 11/…
DfX87GtHzfA	MEL CASAS: DOUBLE FEATURE — OPEN WEDNESDAY 11/11…

Real rows from this account. The file continues in the same shape.

$9.99

minimum

Everyone who follows them

up to 46,272 followers

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$231.36

Everyone they follow

up to 4,080 accounts

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$20.40

Every post & reel

983 posts & reels

$9.99

minimum

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
DfcjNY-kewJ	CLOSING TOMORROW 11/8 + CLOSING EVENT @ 3PM — “A…
DfaJUe7n1WC	THE ADAA SHOW 2026, BOOTH A7 — OPEN THURSDAY 11/…
DfX87GtHzfA	MEL CASAS: DOUBLE FEATURE — OPEN WEDNESDAY 11/11…

Real rows from this account. The file continues in the same shape.

Everyone who follows them

up to 46,272 followers

$231.36

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

Everyone they follow

up to 4,080 accounts

$20.40

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 14 hours, 56 minutes ago.

Tracking

A monthly plan, not a download: we keep reading @ericfirestonegallery and email you what changed.

Track @ericfirestonegallery every day · up to 5 accounts

We read @ericfirestonegallery daily from today and email you the week's follower, following and post changes, with every reading so far as a CSV. Add up to 4 more accounts on the same plan. Cancel any time.

See the columns