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Bio
Electronic Music Producer Quito, Ecuador 🇪🇨 Albañil en @six.eight.music Contact:••• Bookings🇺🇸🇪🇺: @termi4eva •••
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Recent posts
We have exciting news:
@entranas_ – Los Cueros al Sol (SE001) is now available on vinyl 💿
Get your copy on our Bandcamp or via Rubadub.
🔗 Links in bio.
Artwork: @azpeger.tat
Distribution: @rubadubgla
21 Dec 2025
Entrañas
El Que Pida Picante, Que Se Lo Aguante
This EP was born during the power outages that hit Ecuador between September and November 2024, when people across the country faced blackouts of up to 16 hours. During that time, Entrañas began working with a simple exercise in mind: seeing how far he could push a track before his laptop battery ran out.
The phrase El Que Pida Picante, Que Se Lo Aguante points to the idea that, at this moment, anyone coming from Ecuador and trying to make a living from electronic music will face a difficult path. The country is going through serious cultural challenges, marked by a lack of funding for the arts and a constant sense of uncertainty. It is unclear whether things will improve anytime soon, or if power outages will return this year—or even be worse than they were two years ago.
Across seven tracks, El Que Pida Picante, Que Se Lo Aguante moves through denser passages, sharper turns and more direct club energy. Low end, distortion and movement hold the release together from start to finish.
Out now on Terminal.
🔗 terminalrec.bandcamp.com/music
Link in bio.
Produced by @entranas_ in Quito, Ecuador
Track 4 co-produced with @_ene_ese
Mastered by @imaabs at Modos Studios, Mexico City
Cover art by @indigomendigo
19 Apr 2026
Spring Tour Recap Europe + NYC ❤️🔥
🇫🇷🇪🇸🇩🇪🇨🇭🇨🇿🇮🇹🇺🇸
Eternally grateful with all the collectives and promotors for having me
@tetevide.tv @menaceprogressive @stationgaredesmines @mondoclubvigo @felinaaaaaaaaaa_ @xxco.rexx @calentura.berlin @pankeculture @yingyangminiclub @ledouze_usine @real_hyper_real @fuchs2stvanice @spumisha @razzmatazzclubs @ephemeralobjects_ @ommayarecords @delusional_records @moodringnyc @thelotradio @thedancepit
Los kiero mucho.
Much love to @indigomendigo @termi4eva for the amazing work, eres lo max gracias por ayudar a los latinos a cruzar el charco a girar ❤️🔥✈️
10 May 2026
This Saturday Nov. 14 early show @ Roundhouse Theatre
✨ Membranes / Mutations / Migration with Entrañas, Sewa Choki, Benfika, Clara ✨
Neptune 7 and CADENA proudly present an evening of electronic music that explores experimentation and sound migration; blurring lines between popular and sacred, the balance between traditional and futuristic & beyond spaces of deep listening and the club.
Borders act like semi-permeable membranes, but a membrane is not a wall. It is a living tissue that is dynamic and in constant negotiation with what passes through it, in contrast to nation-state borders, which are restrictive by Machiavellian design.
The tissue that binds cultures and histories is neither permeable nor fixed. It gains and grows through sharing; stories migrate, sounds travel from sound system to sound system, ideas cross borders that some bodies (by design) cannot; seeding new combinations, new pathways and new forms of ecological and cultural resilience.
Current Latin American and electronic music from Abya Yala & Bwia doesn’t exist in a vacuum. It comes from a long lineage of sounds originating in Precolumbian times that survived conquest, alongside ancestors that survived Middle Passage and imposed/shifting borders. They come from a long bloodline of resilience that survived extraction, dictatorships and genocide. Against all odds these ancestors created revolutions and achieved homeostasis and even peace within ustopia*. Their sounds have traveled, merged, migrated and changed through time. And although some popular genres have mutated, their successors contain and honour the same genetic makeup of their source.
These mutations are not errors. They exist because of that moment when an artist takes the chance to rewrite, mold, and to breathe new life into a form. The genetic makeup of genres are not fixed codes but living sequences, patterns and signatures, rewritten across borders, oceans, generations & time. They are vessels for new stories left by previous generations for new ones to fill and express themselves through.
RSVP link in bio | PWYC option available
Sewa Choki is a Producer/DJ based out of Austin, TX pushing the limits of Tribal (3ba
10 Nov 2026
Esta fue la visita de @entranas_ y @miel.oficial en @radionopal desde Quito, Ecuador.
Esta fue una conversación sobre identidad, territorio y raíces musicales; desde la construcción de un lenguaje sonoro propio, hasta los desafíos de crear y sostener una escena independiente en Ecuador.
Dos conversaciones sobre cómo imaginar nuevas posibilidades sonoras desde Ecuador
¡Gracias por la visita, @miel.oficial y @entranas_!
El registro audiovisual y la edición del vídeo son de @sidona_sss.
Gracias especiales a @___labii por el enlace.
#radionopal
10 Nov 2026
AlóoOoo 😈 calling all big bASS bad bitches 🗣️ to our last club night of the year with you none other than @entranas_ from Ecuador, for his long overdue Veneno debut!!!
Entrañas is one of our all-time favourite producers (if you know you know that his tracks are played literally every Veneno) and one of Latin America’s electronic music young prodigies
In his sets and productions, Entrañas makes electronic music from the middle of the world 🇪🇨and infuses a wide range of Latin American rhythms into club-ready fare
PLUS
★ the anticipated return of Sofia Fly, now DJing under her new moniker V1N0V1NA!
★ the dangeorus duo Ana Luisa b2b Geezr!
★ and our beloved mo.fede!
@entranas_
@v1n0v1na
@analuisaaaaaa
@geeezrr
@mo.fede_
fun and propulsive latin club ammunition all night, with heavy low-end para tus entrañas mixed with rhythms for your hips, el perreíto que te gusta, el dembow dame hombro y más 🕺
💋November 20
📍Cafeteria
🎟️ Tickets on Resident Advisor
🖌️ Artwork and design by @boquitadebratz
09 Nov 2026
Introducing Sonoplexia: 3. Artefactos by @entranas_
Artefactos, by Entrañas from Ecuador, is a dark piece of experimental club music. It combines clicks, metallic rattles and grainy, atmospheric tones with a broken rhythm and a heavy low end.
🔸🌳Sonoplexia is available on every platform.
08 Nov 2026
@relaxerelaxer - Serrations (@entranas_ Remix)
Out now on @ommayarecords
06 Nov 2026
@relaxerelaxer - Serrations is out now 🪚🔊
Our first 12" is finally here! Five tracks to sinkkkk into this weekend, start to finish:
01 - Serrations: slow-boiling, ear-ringing pressure
02 - Web: threshed music box
03 - Leviathan: deep water, endless dark
04 - Silver Salamander: dying-generator head-knocker
05 - Serrations (@entranas_ Remix): a floor-shaking spin on the original's razor-edged sound design
Couldn't have asked for a better way to welcome @relaxerelaxer to the label… and maybe keep your eyes open for something else in 2027 👀
Vinyl and digital at the link in bio
Mastered by @norecallkekoa
Artwork by @sawyerjames__
06 Nov 2026
We were lucky enough to have @entranas_ apply his expert touch to ‘Murciélago’ - the title track from @bbsanii ’s EP - and what an absolute weapon he’s blessed us with !! It’s nearly that time (Bandcamp Friday) if you’d like to support directly via the Night Shop Records Bandcamp ⭐️🌀
05 Nov 2026
🎵[Sat. Nov 14] Membranes / Mutations / Migration with Entrañas, Sewa Choki, Benfika, Clara
co-presented by CADENA & Neptune7
@neptune7_ and @c_a_d_e_n_a_ proudly present an evening of electronic music that explores experimentation and sound migration; blurring lines between popular and sacred, the balance between traditional and futuristic & beyond spaces of deep listening and the club.
Borders act like semi-permeable membranes, but a membrane is not a wall. It is a living tissue that is dynamic and in constant negotiation with what passes through it, in contrast to nation-state borders, which are restrictive by Machiavellian design.
The tissue that binds cultures and histories is neither permeable nor fixed. It gains and grows through sharing; stories migrate, sounds travel from sound system to sound system, ideas cross borders that some bodies (by design) cannot; seeding new combinations, new pathways and new forms of ecological and cultural resilience.
Current Latin American and electronic music from Abya Yala & Bwia doesn’t exist in a vacuum. It comes from a long lineage of sounds originating in Precolumbian times that survived conquest, alongside ancestors that survived Middle Passage and imposed/shifting borders. They come from a long bloodline of resilience that survived extraction, dictatorships and genocide. Against all odds these ancestors created revolutions and achieved homeostasis and even peace within ustopia*. Their sounds have traveled, merged, migrated and changed through time. And although some popular genres have mutated, their successors contain and honour the same genetic makeup of their source.
These mutations are not errors. They exist because of that moment when an artist takes the chance to rewrite, mold, and to breathe new life into a form. The genetic makeup of genres are not fixed codes but living sequences, patterns and signatures, rewritten across borders, oceans, generations & time. They are vessels for new stories left by previous generations for new ones to fill and express themselves through.
💫 CONSTELLATION FESTIVAL 🌟 is a result of a two year cultural production mentorship program with Chapel Sound.
Sewa Choki @se
03 Nov 2026
@entranas_ has established himself as one of the leading figures of today’s Latin American bass scene. His sound draws on the richness of Latin American musical heritage, which he constantly deconstructs and reinterprets through his own distinctive approach to club music.
Across his productions, heavy basslines and upfront percussion collide with Latin American rhythms, grime, UK bass, electro and other forms of club music, creating a sound that is both distinctive and unmistakably his.
Uno by @entranas_ is our first single on new @ultra__suave compilation SUDOR VITAE. Pre-order in bio
01 Nov 2026
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