Emma Webster

Emma Webster

@emma_webstah

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Los Angeles @petzelgallery & @perrotin “Rues and Leaves Themselves Alone” @ Petzel NYC till 6/6

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Inside Emma Webster’s (@emma_webstah) studio, worlds are built, landscapes are pruned, and paintings are painted. Her process is not as straightforward as you might think. Sometimes they begin as sketches or watercolors, made en plein air. Othertimes they start as clay sculptures, 3D-scanned and molded digitally. Dioramas are made on her computer. Images collected from a vast number of resources. Artwork is made virtually, then physically, then back and forth again. Her landscapes don’t simply depict nature. She moves beyond the eye-level view of traditional landscape painting. Aerial perspectives, warped distances, impossible light, and invented creatures build an entire world. Familiar forests and fields begin to feel like dreams or spaces from a video game. Seen together, the works feel less like separate paintings and more like fragments of one unfolding world. That world soon opens at Petzel in New York (@petzelgallery). Emma Webster: Rues and Leaves Themselves Alone Apr 30–Jun 6, 2026 Petzel New York 🇺🇸 26 Apr 2026 Installation pics of my current show @petzelgallery … and an additional painting at @friezenewyork in @perrotin booth tomorrow! @friezeofficial “Last Unicorn” 2026 Oil on linen 60 x 84in / 152 x 213cm 12 May 2026 📣Les œuvres du « PROJET 12 » dévoilées à l’@operadeparis 👀Une exposition à découvrir jusqu’au 30 octobre au Palais Garnier dans une scénographie signée par l’architecte Aline Asmar d’Amman (@alineasmardamman). 🖼️Des balcons du Grand Escalier aux Foyers, le parcours se construit à travers un jeu d’échos visuels et narratifs entre l’architecture du théâtre et le langage vivant de l’art. 👉 Organisée par @sothebys à Paris le 3 décembre 2026, la vente aux enchères de ces œuvres permettra aux mécènes et amateurs d’art de soutenir la création contemporaine et de contribuer au rayonnement de l’Opéra national de Paris, tout en prolongeant la tradition artistique qui a façonné le Palais Garnier. © @studiolazareff / Arop #operadeparis #arop 22 Oct 2026 This one up at @artbasel Paris with @perrotin this week… Swipe for 3d printed studies 🐑 “Lambs” 2025 Oil on linen 72 x 96in / 183 x 244cm 19 Oct 2026 On view through tomorrow, October 3, 2026, Emma Webster’s “Decimate” (2026) is featured as part of “The Window,” a public art initiative by CHANEL Culture Fund at the Time & Life building on Bruton Street in London. “The Window” provides public access to cutting-edge works by artists exploring the possibilities of today’s digital technologies. Inviting viewers to wander through the constructed landscapes behind her paintings, “Decimate” offers a window into Webster’s (@emma_webstah) practice of building digital dioramas populated by invented plants, animals, and ecosystems, approaching landscape through the lens of still life. Photo & Video: Installation view, Emma Webster, “The Window,” CHANEL Culture Fund, Time & Life building on Bruton Street, London, 2026. #emmawebster #digitalart #vignette #mustsee #artist 02 Oct 2026 “The Window,” a public art initiative by CHANEL Culture Fund, presents “Decimate” (2026), a digital artwork by Emma Webster on view 24-hours a day until October 3, 2026, at the Time & Life building on Bruton Street in London. “The Window” provides access to cutting-edge artworks by artists exploring the breadth of today’s digital technologies. ⁠ ⁠ Inviting viewers on a wander through the constructed landscapes behind her paintings, “Decimate” illuminates Webster’s (@emma_webstah) practice of building digital dioramas populated with invented plants, animals, and ecosystems, exploring landscape through the lens of still life. ⁠ ⁠ Webster's fictitious wilds come alive in “Decimate” with strange beasts and otherworldly flora. Light dapples the canopy, filtering through stretched trees and warped foliage to cast dramatic shadows across the scene. Vignettes emerge as the eye moves: a collaged deer grazing in an open meadow, a spotlit flower conjured from digital clay, the deer's own texture hinting at its amalgamated origins, each lending volume and form to an illusionistic space. Webster arrives at these scenes through a hybrid sketching-sculpting process, working across clay, papier-mâché, photography, VR sculpting, and LiDAR scanning to build virtual environments she then stages with theatrical illumination, embracing artifice, drama, and distortion. ⁠ ⁠ Photo: Installation view, Emma Webster, “The Window,” CHANEL Culture Fund, Time & Life building on Bruton Street, London, 2026. ⁠ ⁠ #emmawebster #digitalart #vignette #mustsee #artist 29 Jul 2026 Also at @artbasel with @petzelgallery ! “Suckling Soil” 2026 Oil on linen 84 x 60in 17 Jun 2026 This painting will be at @artbasel with @perrotin this week; slide for studies. “Cross the River and Over the Hills” 2026 Oil on linen 84 x 60in / 213 x 152cm 📷 @img2121.jpeg 15 Jun 2026 Today Sat June 6 is the LAST DAY of my show @petzelgallery Grateful for the support & love for this exhibition - thank you! 📷 @img2121.jpeg 06 Jun 2026 CLOSING TOMORROW ⁠ ⁠ Emma Webster’s (@emma_webstah) “Rues and Leaves Themselves Alone” closes tomorrow June 6, 2026, at 520 W 25th Street. You can see the exhibition from 10am–6pm. ⁠ ⁠ Photos: Installation view, Emma Webster, “Rues and Leaves Themselves Alone,” Petzel, 2026. Photos by Thomas Barratt. ⁠ ⁠ #emmawebster #petzel #paintings #interactive #digital #mustsee #nycshows 05 Jun 2026 Last week to see my show @petzelgallery ! “Ranger” 2026 Oil on linen 84 x 120in / 213 x 305cm 02 Jun 2026 “Rues and Leaves Themselves Alone” is an @artforum must see :) check out show @petzelgallery till next Sat June 6. Last pic in studio w @img2121.jpeg 29 May 2026

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DXl1xECk-v5Inside Emma Webster’s (@emma_webstah) studio, wo…
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