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Los Angeles @petzelgallery & @perrotin “Rues and Leaves Themselves Alone” @ Petzel NYC till 6/6
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Inside Emma Webster’s (@emma_webstah) studio, worlds are built, landscapes are pruned, and paintings are painted.
Her process is not as straightforward as you might think. Sometimes they begin as sketches or watercolors, made en plein air. Othertimes they start as clay sculptures, 3D-scanned and molded digitally. Dioramas are made on her computer. Images collected from a vast number of resources. Artwork is made virtually, then physically, then back and forth again.
Her landscapes don’t simply depict nature. She moves beyond the eye-level view of traditional landscape painting. Aerial perspectives, warped distances, impossible light, and invented creatures build an entire world. Familiar forests and fields begin to feel like dreams or spaces from a video game.
Seen together, the works feel less like separate paintings and more like fragments of one unfolding world.
That world soon opens at Petzel in New York (@petzelgallery).
Emma Webster: Rues and Leaves Themselves Alone
Apr 30–Jun 6, 2026
Petzel
New York 🇺🇸
26 Apr 2026
Installation pics of my current show @petzelgallery … and an additional painting at @friezenewyork in @perrotin booth tomorrow! @friezeofficial
“Last Unicorn”
2026
Oil on linen
60 x 84in / 152 x 213cm
12 May 2026
📣Les œuvres du « PROJET 12 » dévoilées à l’@operadeparis
👀Une exposition à découvrir jusqu’au 30 octobre au Palais Garnier dans une scénographie signée par l’architecte Aline Asmar d’Amman (@alineasmardamman).
🖼️Des balcons du Grand Escalier aux Foyers, le parcours se construit à travers un jeu d’échos visuels et narratifs entre l’architecture du théâtre et le langage vivant de l’art.
👉 Organisée par @sothebys à Paris le 3 décembre 2026, la vente aux enchères de ces œuvres permettra aux mécènes et amateurs d’art de soutenir la création contemporaine et de contribuer au rayonnement de l’Opéra national de Paris, tout en prolongeant la tradition artistique qui a façonné le Palais Garnier.
© @studiolazareff / Arop
#operadeparis #arop
22 Oct 2026
This one up at @artbasel Paris with @perrotin this week… Swipe for 3d printed studies 🐑
“Lambs”
2025
Oil on linen
72 x 96in / 183 x 244cm
19 Oct 2026
On view through tomorrow, October 3, 2026, Emma Webster’s “Decimate” (2026) is featured as part of “The Window,” a public art initiative by CHANEL Culture Fund at the Time & Life building on Bruton Street in London. “The Window” provides public access to cutting-edge works by artists exploring the possibilities of today’s digital technologies.
Inviting viewers to wander through the constructed landscapes behind her paintings, “Decimate” offers a window into Webster’s (@emma_webstah) practice of building digital dioramas populated by invented plants, animals, and ecosystems, approaching landscape through the lens of still life.
Photo & Video: Installation view, Emma Webster, “The Window,” CHANEL Culture Fund, Time & Life building on Bruton Street, London, 2026.
#emmawebster #digitalart #vignette #mustsee #artist
02 Oct 2026
“The Window,” a public art initiative by CHANEL Culture Fund, presents “Decimate” (2026), a digital artwork by Emma Webster on view 24-hours a day until October 3, 2026, at the Time & Life building on Bruton Street in London. “The Window” provides access to cutting-edge artworks by artists exploring the breadth of today’s digital technologies.
Inviting viewers on a wander through the constructed landscapes behind her paintings, “Decimate” illuminates Webster’s (@emma_webstah) practice of building digital dioramas populated with invented plants, animals, and ecosystems, exploring landscape through the lens of still life.
Webster's fictitious wilds come alive in “Decimate” with strange beasts and otherworldly flora. Light dapples the canopy, filtering through stretched trees and warped foliage to cast dramatic shadows across the scene. Vignettes emerge as the eye moves: a collaged deer grazing in an open meadow, a spotlit flower conjured from digital clay, the deer's own texture hinting at its amalgamated origins, each lending volume and form to an illusionistic space. Webster arrives at these scenes through a hybrid sketching-sculpting process, working across clay, papier-mâché, photography, VR sculpting, and LiDAR scanning to build virtual environments she then stages with theatrical illumination, embracing artifice, drama, and distortion.
Photo: Installation view, Emma Webster, “The Window,” CHANEL Culture Fund, Time & Life building on Bruton Street, London, 2026.
#emmawebster #digitalart #vignette #mustsee #artist
29 Jul 2026
Also at @artbasel with @petzelgallery !
“Suckling Soil”
2026
Oil on linen
84 x 60in
17 Jun 2026
This painting will be at @artbasel with @perrotin this week; slide for studies.
“Cross the River and Over the Hills”
2026
Oil on linen
84 x 60in / 213 x 152cm
📷 @img2121.jpeg
15 Jun 2026
Today Sat June 6 is the LAST DAY of my show @petzelgallery
Grateful for the support & love for this exhibition - thank you!
📷 @img2121.jpeg
06 Jun 2026
CLOSING TOMORROW
Emma Webster’s (@emma_webstah) “Rues and Leaves Themselves Alone” closes tomorrow June 6, 2026, at 520 W 25th Street. You can see the exhibition from 10am–6pm.
Photos: Installation view, Emma Webster, “Rues and Leaves Themselves Alone,” Petzel, 2026. Photos by Thomas Barratt.
#emmawebster #petzel #paintings #interactive #digital #mustsee #nycshows
05 Jun 2026
Last week to see my show @petzelgallery !
“Ranger”
2026
Oil on linen
84 x 120in / 213 x 305cm
02 Jun 2026
“Rues and Leaves Themselves Alone” is an @artforum must see :) check out show @petzelgallery till next Sat June 6.
Last pic in studio w @img2121.jpeg
29 May 2026
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