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Director of Photography @ft_weekend Educator @lcclondon @goldsmithsphoto Curator London
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Recent posts
So grateful to Nathan Langston Palmer for revisiting and connecting with his home turf for Ed Luce’s @ft_weekend cover story REPOST• @langstonpalmer Recently photographed my hometown DC for the cover of @ft_weekend. This was a special shoot for me, getting to spend some time in DC, walking around and rediscovering things. It was also strange to see some of the things Trump has done to personally reshape the city, like messing up the reflecting pool, chopping down the trees at Hains Point, putting his face on buildings, and being so embarrassed about having to take his name off of the Kennedy Center that he closed it down and put scaffolding up to hide his name not being there. At the end of the day the best and most overlooked part of the city are the people, always accommodating the swinging pendulum of political leadership in DC.
Thanks @emma_bowkett for the invitation and everybody else who helped out 🩵🩵
02 Nov 2026
Jordan Casteel photographed by @lauermanenti @ft_weekend 🙏🩷 REPOST• @jordanmcasteel For my show “Winter Sun” at @thaddaeusropac currently on view in Paris, my own vulnerability is on full display. Thank you @ohgazielum for seeing me and writing this thoughtful portrait out today in the @financialtimes 🙏🏽⛰️ photography by @lauermanenti whose images echoed the quiet strength of my spirit in this moment.
Jordan Casteel on the art of being seen
In the quiet of New York’s Hudson Valley, the painter is building a life and a studio around the risks, and rewards, of being known.
24 Oct 2026
REPOST ♥️• @markarmijomcknight Nice couple of pages in @financialtimes @ft_weekend by the brilliant @gemfletcher / big thank you Gem and @emma_bowkett ❤️ show is up through 10/24 @klausgallery
15 Sep 2026
A thing of great beauty. Thank you so much both ♥️ REPOST• @marloeshaarmans Martini hour with @timhayward for @financialtimes @ft_weekend
Assistant: @_______petar
15 Sep 2026
Will the most ornery state in the conservative Midwest, one of the places that brought Trump to power, finally reject his politics? A report from the Indiana State Fair. By @rana.foroohar — An incredible shoot by @kristine_potter. Thank you @emma_bowkett 👈 the best ❤️
29 Aug 2026
@susanderges @ft_weekend with words from “Little Rivers: A Book of Essays in Profitable Idleness” by Henry van Dyke, first published in 1895
23 Aug 2026
@subashphoto @ft_weekend @tanvimishra “The Vaigai exists both in the consciousness of Sagar’s present-day lived experience and within the subconscious chronicles of his past. Sagar describes his reacquaintance with the river as “revisiting the magical charm of childhood and the mythical nature of memory”. In his framing, where a star appears to shine through a bed of stones and bodies morph to create a three-legged being, Sagar conjures his own myth and rituals.”
23 Aug 2026
@subashphoto @tanvimishra @ft_weekend 🙏 “Sagar relates this duality of mudskippers to “reality and myth, and perhaps more accurately, with the waking state and the dream”. His photographs lead us not only into the landscape beside the river that flows through his hometown, but also into our inner worlds that linger between the corporeal and the mystical. While making images of young boys and men, Sagar identifies himself as a protagonist as well. “If you ask me who the mudskippers are,” he says, “I’d say that, in a way, we all are.”
23 Aug 2026
@subashphoto On weaving myths and water @ft_weekend with words @tanvimishra Thank you both for your wonderful work for the Rivers photography special ♥️ “In Mudskippers, Subash Sagar’s images reverberate with this sentiment, distilled through the connection that both human and non-human life have with the land. The freedom to wander, to play and to rest. Photographed in his home town Madurai, Tamil Nadu, along the Vaigai river, Sagar’s images recall a childhood that today often only exists as longing for past generations. His gaze foregrounds a relationship with nature and the landscape that is charged and alive — not just for those in the photographs, but for Sagar himself. At the river long after his childhood, he remembers his early years spent alongside its waters. Sagar recalls “playing hide and seek around the majestic neem trees” before his family’s ties to the land were severed. Tinged with the distortions that nostalgia imposes on the past, Sagar’s images take a fantastical turn.”
23 Aug 2026
Honoured to present the @ft_weekend photography special. Incredibly proud to work with these wonderful artists on this important story. Very grateful to them and to Carlo for his beautiful design. Thank you to the mag team as always ♥️REPOST • @carloapostoli RIVERS. A PHOTOGRAPHY SPECIAL — Curated by @emma_bowkett. Central to the issue is this incredible report by FT’s Gill Plimmer on the scandal of how privatised water suppliers got away with poisoning British rivers for decades.
Emma commissioned @yanwangpreston @dafnatalmor @hannahmarymorgan the beautiful and haunting images you see in the piece. Such a privilege working on stories like these. Thank you @emma_bowkett for trusting me with this and thanks to @cordeliaj and Neil O’Sullivan
22 Aug 2026
I absolutely loved working on this story thank you all 🩷REPOST • @ovalpress Beautiful 8 pages on @suziehowell_’s ‘a bowl of tears to drink’ in the @ft_weekend magazine this weekend.
Thank you @lamornaaash for the thoughtful and caring article. And to @emma_bowkett @carloapostoli @joshklustig for giving Suzie’s book so much space and time.
Link in bio to get the book.
16 Aug 2026
Last night at Luma, thank you Patti Smith 🙏 Repost • @valenzuela_escobedo The question of politics in art is always in the air. Patti Smith was poetically razor-sharp last night, reminding us that the stakes are no longer abstract. We should fear a world without artists. Yet censorship is redrawing the world, and power is turning openly against imagination. The questions feel increasingly urgent: how do we resist authoritarian, dogmatic, totalizing, and coercive ideologies? How do we continue to make, and think under censorship? What will the platforms of the future be? And when governments become fascist, what role will private institutions play? Can they become spaces of resistance, or will they simply mirror the structures of power?
Thinking about the future is always dangerous, it can lead to paralysis, even despair. Yet perhaps the challenge is not to predict what comes next, but to keep imagining otherwise. For now, a moment to breathe. We, as artists, possess a weapon. The question is whether we are ready to learn how to use it.
“Passolini is dead
And life, like a film continue”
Correspondences (live)
By Soundwalk Collective @soundwalkcollective
& Patty Smith @thisispattismith
05 Jul 2026
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