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Contemporary art space founded by collector and philanthropist Jorge M. Pérez. 📍 2270 NW 23rd St, Miami Fl, 33142
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Recent posts
Earlier this week in New York
Esteban Cabeza de Baca, Ancestral Dreams
MoMA PS1
Teresa Margolles, La promesa (2012)
Made from the rubble of a home in Ciudad Juárez
MoMA PS1
Teresa Margolles, En el lugar de los hechos (At the Scene)
MoMA PS1
Cristina Iglesias, Possible Matter
Hauser & Wirth
CInside Cristina Iglesias’s sculptural dome
Possible Matter at Hauser & Wirth
Another view of Possible Matter
Hauser & Wirth
With Ximena Garrido-Lecca’s The Golden Crop
The High Line
Ximena Garrido-Lecca, The Golden Crop
A bronze corn cob fountain on the High Line, Chelsea
Roy Lichtenstein: Like New
Whitney Museum of American Art
Lee Krasner in Krasner and Pollock: Past Continuous
The Met
Jackson Pollock in Krasner and Pollock: Past Continuous
The Met
Opening night of Here There Are Blueberries
Ethel Barrymore Theatre
The play was also presented in Miami Beach by Miami New Drama, a Pérez CreARTE grantee.
Tschabalala Self, Tools of Worship
Petzel
Tschabalala Self, Gift No.1 (2026)
Concrete with metal armature and paint
On view at Petzel and newly acquired by The Jorge M. Pérez Collection
13 Nov 2026
This weekend our members joined us for a tour of the Related Groups office collection! And we were beyond impressed. ✨
#miamiartscene
09 Nov 2026
NEW Entrepreneurial Spotlight 🔍🎬 — From Argentina to Miami
Season 3 | Episode 05
🎨Art historian and curator Sebastián Vidal Makinson shares insights from his experience at El Espacio 23 in Miami, where he explored the connections between Latin American artists and the global art scene.
➡️In this episode, Sebastián discusses how artistic value is built, why negotiation matters, and the importance of understanding the art market while staying true to one’s creative vision.
🎥 Full episode this Friday on YouTube. Produced by @jeromura
@fiucarta @fiuart @fiu_carta_dean @elespacio23 @sebastianvidalmackinson
#cartacreativeforcesatwork #art #entreprenuer
05 Nov 2026
A look back at Open Studios with Gonzalo Guzmán, Ulises Mazzucca, and Mariana Rocha during Allapattah Night ✨
Thank you to everyone who joined us at El Espacio 23 to meet the artists and spend an evening in the studios.
Special thanks to Cervecería La Tropical for the drinks!
Photos by Evelyn Sosa @evelyn._.sosa @neutralroomstudio
03 Nov 2026
Last open studio! 💫
Final week to visit artist-in-residence Mariana Rocha (@anairamachor ). Join us this Wednesday, November 4, 1–5 pm, at @elespacio23
You’ll also see works by Gonzalo Guzmán (@gzl.gzm ) and Ulises Mazzucca (@ulises.mzc ), who shared the residency with her throughout the month.
Thank you to the curators and directors who supported the 2026 Open Call: Sergio Fontanella (Cifo), Anelys Álvarez (El Espacio 23), Jennifer Inacio (PAMM), Ana Clara Silva, and Flavia Macuco (The55Project).
See you there!
#The55Project #opencall #artistresidency
03 Nov 2026
PRIMARY is pleased to announce the acquisition of Luna Palazzolo-Daboul’s This Violent Principle in a Violent Way (2026) into the Jorge M. Pérez Collection / El Espacio 23.
The work is part of the artist’s first solo exhibition with PRIMARY, Of Ivory and Flesh, and marks an important moment in the growing institutional recognition of her practice.
We extend our sincere appreciation to Jorge M. Pérez and the team at El Espacio 23 for their support and commitment to Luna’s work.
Luna Palazzolo-Daboul
This Violent Principle in a Violent Way, 2026
Concrete beads, aircraft cable, galvanized pipe
66 × 114 × 36 inches
Portrait of the artist: @laurenmbouza
Installation photography: @orioltarridasphoto
@lunapalazzolo
@elespacio23
@primaryprojects
@__tunnel
31 Oct 2026
En Améfrica. Conexiones diaspóricas en la Colección Jorge M. Pérez, la obra de Emanoel Araujo (Brasil, 1940–2022) nos invita a explorar los vínculos entre geometría, espiritualidad, identidad y memoria histórica de la diáspora negra.
En Tótem (2014), realizada en madera y pintura automotriz, Araujo desarrolla una composición vertical y monumental que evoca estructuras simbólicas de protección y ancestralidad. Los recortes geométricos generan juegos de luz y sombra que transforman la percepción del volumen y establecen un diálogo entre la materia, el espacio y el vacío.
Su lenguaje formal conecta la geometría moderna con los repertorios simbólicos de las tradiciones afrorreligiosas, en diálogo con la investigación plástica de Rubem Valentim y su riscadura brasileira. De este modo, la escultura trasciende su dimensión formal para convertirse en un espacio de memoria y afirmación cultural.
La trayectoria de Araujo estuvo marcada por su compromiso con la reivindicación de la cultura afrobrasileña, tanto a través de su producción artística como de su labor como coleccionista y fundador del Museo Afro Brasil, en São Paulo, en 2004.
En el contexto de Améfrica, Tótem pone de manifiesto cómo las formas, los símbolos y la memoria pueden articular un lenguaje artístico que reivindica la identidad afrobrasileña y las conexiones históricas de la diáspora.
——
In Améfrica: Diasporic Connections in the Jorge M. Pérez Collection, Emanoel Araujo’s Totem (2014) explores the connections between geometry, spirituality, identity, and ancestral memory. Through its monumental wooden structure and geometric forms, the sculpture evokes Afro-religious symbolism, protection, and cultural heritage.
Araujo’s work celebrates Afro-Brazilian identity and reflects his lifelong commitment to preserving and reclaiming Black culture, highlighting the historical connections of the African diaspora.
@culturaand @c3a_andalucia @helio.menezes @elespacio23
#CAAC #Amefrica
30 Oct 2026
Opening soon at El Espacio 23!
We’re excited to announce our seventh exhibition, Nothing Is Linear: Relations Across Latin America and Its Diasporas.
Featuring more than 130 works from the Jorge M. Pérez Collection, the exhibition brings together different histories, perspectives, and connections to Latin America and its diasporas.
Developed through a curatorial dialogue among Patricia Hanna and Anelys Alvarez of El Espacio 23; Taiyana Pimentel, Director of Museo de Arte Contemporáneo de Monterrey (MARCO); and Patrick Charpenel, Executive Director of El Museo del Barrio, Nothing Is Linear will debut in Miami before traveling to MARCO @museomarco in Monterrey and El Museo del Barrio @elmuseo in New York.
Details about our opening day coming soon!
🎥 Julio Le Parc, Sphère Rouge, 2001–13
©️ 2026 Julio Le Parc / Artists Rights Society (ARS), New York / ADAGP, Paris
Shoutout to Miami Art Services for the installation!
27 Oct 2026
A few moments from this week in Paris, visiting Art Basel Paris, exhibitions, and artists’ studios. Especially excited about the collection’s recent acquisition, Tracey Emin’s I lay here for you (2018), on view at the Trocadéro.
23 Oct 2026
En “Améfrica”, la obra de Nandipha Mntambo ocupa un lugar desde el que abordar cuestiones como el cuerpo, el género, el poder y la herencia colonial.
Nandipha Mntambo (Sudáfrica, 1982), Plaza de toros, 2008, pertenece a una serie fotográfica realizada en plazas de toros abandonadas de Portugal. En ellas, la artista utiliza su propio cuerpo para activar un espacio históricamente asociado a la masculinidad, el espectáculo y la violencia.
A través de una presencia contenida y casi escultórica, Mntambo explora las relaciones entre cuerpo y territorio, vulnerabilidad y resistencia, cuestionando los rituales y las estructuras de poder vinculadas a estos espacios.
Plaza de toros forma parte de Améfrica. Conexiones diaspóricas en la Colección Jorge M. Pérez, exposición que reúne obras de artistas de distintas geografías y generaciones para explorar las conexiones, intercambios y experiencias compartidas de las diásporas africanas y afrodescendientes.
Hasta el 10 de enero.
———
In Améfrica, Nandipha Mntambo’s work offers a perspective from which to explore questions of the body, gender, power, and colonial heritage.
Nandipha Mntambo (South Africa, 1982), Bullring, 2008, belongs to a photographic series created in abandoned bullrings in Portugal. In these works, the artist uses her own body to activate a space historically associated with masculinity, spectacle, and violence.
Through a restrained, almost sculptural presence, Mntambo explores the relationship between body and territory, vulnerability and resistance, questioning the rituals and power structures associated with these spaces.
Bullring is part of Améfrica. Diasporic Connections in the Jorge M. Pérez Collection, an exhibition bringing together works by artists from different geographies and generations to explore the connections, exchanges, and shared experiences of African and Afro-descendant diasporas.
On view through January 10.
@culturaand @c3a_andalucia @helio.menezes @elespacio23
#CAAC #Amefrica
22 Oct 2026
🎬NEW episode with @villaresrafael from @elespacio23 !
📲Entrepreneurial Spotlight 🔍🎬 — From Cuba to America
Season 3 | Episode 04
🇨🇺From Cuba to the United States, artist Rafael Villares has built a career exploring the connections between art, nature, history, and immigration.
🎨Following his artist residency at El Espacio 23 in Miami, Rafael reflects on the challenges of building a sustainable art career and why artists must also think like entrepreneurs.
🎥 Full episode this Friday on YouTube.
@fiucarta @fiu_carta_dean @fiuart
#cartacreativeforcesatwork
21 Oct 2026
Join us for Open Studios as part of Allapattah Night! Stop by to meet Gonzalo Guzmán @gzl.gzm, Ulises Mazzucca @ulises.mzc, and Mariana Rocha @anairamachor, whose residency is in collaboration with @the55project. See what they’ve been working on and enjoy a beer courtesy of @latropicalbeer.
📅 Wednesday, October 28 | 6–9 PM
📍 El Espacio 23 | 2270 NW 23rd St, Miami
Free and open to everyone!
We’re joining our neighbors for an evening of art and community across Allapattah, with exhibitions and special programming at:
@andrewreedgallery @antoniourrutia.art @bakerhall.art @kdr305 @galerialacometa @mahara_and_co @mindysolomongallery @panamericanartprojects @rubellmuseum @tomasredradoart @voloshyngallery
20 Oct 2026
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