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@edit.cllctv

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Edit Space and Objects Edit is a feminist design collective working to challenge biases embedded in the built environment. Based in London.

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editcollective.uk

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Sad to be leaving our residency and the warm orange glow of the @architecturefoundation x @zahahadidfoundation Post Press space as part of the New Architects 5 program. It's been an inspiring 8 weeks of conversations and potential new collaborations. 💥 Installation & zine by @raft.quest 💥 NA5 book by @studiochristophervictor 09 Aug 2026

Home Discomforts, an exhibition about a future less sleek but nonetheless happy, is open until 11 July 2026 at Viper Gallery in Prague. How will we feed ourselves in the future? Do laundry? Stay comfortable? Care for one another? With Rising sea levels, increasing air temperatures, scarcer resources, and new energy regimes, the future of domesticity will require radical changes in rituals and behaviours: a redesign. The show features D.A.M.P. (Drying And Moisture Performance) by @edit.cllctv - an installation that uses moisture in the gallery’s air to comment on the impossibility of individual laundry routines. Two Stools by @enno.poetschke and @lisavanheyden is a thermal piece of furniture that negotiates comfort using commonplace domestic appliances. This is a new piece of work commissioned for the exhibition. Pleasure in Scarcity by @danipar__ is one of a family of rocket ovens - built from waste materials during a workshop, a project that speaks to joy that can be derived from communal rituals of building and preparing food. The exhibition also shows Mitigation of Shock (London 2050), a film by @superfluxstudio showing a future of food and energy scarcity from the perspective of an ordinary London flat. On the gallery walls projects by @lacolarq @we_are_takk and Ankit Kumar Singh show tangible ways in which pooling resources, living seasonally and developing infrastructures of care might look like. The public programme will be concluded by a talk by Elke Krasny at 1pm GMT on Wednesday 1st July, titled Dirty Laundry: Washing the World. 24 Jun 2026

The Reformers are represented by a fish, its scales arranged like piano keys, celebrating the lively street culture of Somers Town where music and gatherings brought people together. Buttons such as an architectural compass can be seen to commend the work done by Irene Barclay, the first women surveyor and mastermind behind the housing association, as well as the feminist architecture collective Edit (🥲) who brought this commission to life alongside The People’s Museum. The playful spirit of the radical theatres can be seen in a pantomime performer’s face mid-song. Overlapping histories of community day trips, pub pram races, and the pearly motif for the circle of life, are represented by a wheel. Many people have worked to improve lives in Somers Town since Abbé Carron founded his school. In 1872, Elizabeth Garrett Anderson opened the New Hospital for Women on Euston Road, offering poor women treatment from qualified female doctors and nurses. Shortly after, local Henry Croft donned his pearly suit to raise money for charities including the London Temperance Hospital. In 1895, Mary Neal set up her Espérance Club in Cumberland Market, teaching girls folk songs, dances, and dressmaking. Later reformers like Basil Jellicoe and Irene Barclay came to build housing and improve living conditions — shaping the Somers Town we see today, with over 100 years of social housing history. The three new Somers Town finials represent different groups from the area — Reformers, Radicals and Uncommon People — and were developed through workshops with local community groups. Their surfaces are layered with button-like forms referencing the tradition of the Pearly Kings and Queens. Like the pearly costumes, the sculptures by Camilla Bliss are rich with symbols of shared history and collective identity. People’s Museum Somers Town @aspaceforusnow Finials @camilla_bliss Post fabrication & install @i.danny.may Aluminium & bronze fabrication @jamps_studio_london Engineering @conisbee_uk Funding @mayorofldn Support & funding wemakecamden Photography @alexreiddop Excited the finials have been nominated for 2026 PSSA Marsh Award for Excellence in Public Sculpture @pssa_sculpture 15 Jun 2026

The Radicals finial takes the form of a diving bird, descending towards a cluster of nuts and bolts in a nod to local protests against redevelopment, often described as the “attack of the cranes.” Knitted patterns stretch across its wings, recalling scarves tied to trees in acts of resistance, while a stitched scar along its neck references Mary Shelley’s Frankenstein alongside the bolts. A small golden chip is hidden among the bolts as a tribute to a much-loved local fish and chip shop. The London pigeon doesn’t follow convention, much like the Somers Town radicals. Over a hundred years after Mary Wollstonecraft was advocating for women's rights, George Padmore lived just a couple of blocks away, where they spearheaded the Pan-Africanist movement. Later the disability rights activist Keith Armstrong lived in Somers Town, as did HS2 protesters of the 21st century. The three new Somers Town finials represent different groups from the area — Reformers, Radicals and Uncommon People — and were developed through workshops with local community groups. Their surfaces are layered with button-like forms referencing the tradition of the Pearly Kings and Queens, and Henry Croft, the original Pearly King, who was born in Somers Town. Like the pearly costumes, the sculptures by Camilla Bliss are rich with symbols of shared history and collective identity. People’s Museum Somers Town @aspaceforusnow Finials @camilla_bliss Post fabrication & install @i.danny.may Aluminium & bronze fabrication @jamps_studio_london Engineering @conisbee_uk Funding @mayorofldn Support & funding wemakecamden Photography @alexreiddop Super excited the finials have been nominated for 2026 PSSA Marsh Award for Excellence in Public Sculpture @pssa_sculpture 10 Jun 2026

Art in Everyday Life with the People’s Museum Somers Town Tucked into the pavements of Phoenix Road, these hand-turned Douglas fir posts crowned with cast aluminium and bronze sculptures celebrate the working-class history of Somers Town. Inspired by the neighbourhood's laundry drying yards with fluted posts topped with Gilbert Bayes finials, three new posts form part of a heritage trail telling peoples’ histories. The original drying yards were designed with care, proudly celebrating the gendered and everyday domestic labour of laundry which is typically designed out of public-facing spaces in the contemporary city. Most posts still stand, but the majority of the ceramic finials have since been lost or stolen. The new posts are located in the main thoroughfare through Somers Town, between the encroaching developments of Kings Cross and Euston, demanding that the history and community isn’t forgotten and as a protest to the idea that communal laundry infrastructure isn't welcome in the public realm. The aluminium cleat hooks add to the existing infrastructure of trees, lampposts and shopfronts used by local businesses and annual street festival for stringing up decorations and lighting. The three new finials — the Reformers, Radicals and Uncommon People — were developed through workshops with local community groups, their surfaces layered with button-like forms referencing the tradition of the Pearly Kings and Queens, and Henry Croft, the original Pearly King, who was born in Somers Town. Like the pearly costumes, the sculptures by Camilla Bliss are rich with symbols of shared history and collective identity. People’s Museum Somers Town @aspaceforusnow Finials @camilla_bliss Posts and install @i.danny.may Aluminium & bronze fabrication @jamps_studio_london Engineering @conisbee_uk Funding @mayorofldn Support & funding wemakecamden Photography @alexreiddop Super excited the finials have been nominated for 2026 PSSA Marsh Award for Excellence in Public Sculpture @pssa_sculpture 💙 09 Jun 2026

Home Discomforts, on view at @vipergallery until July 11, explores how climate change, resource scarcity, and shifting energy systems may transform everyday domestic life. Challenging the promise of technological efficiency and convenience, the exhibition presents architectural and design proposals for living with less consumption, shared resources, and new forms of care—suggesting that a future with fewer comforts could also be a more sustainable and fulfilling one. Curator @marianna.jano introduces the concept behind the exhibition, while @lina.community Fellows @lisavanheyden and @enno.poetschke discuss their newly commissioned installation, Two Stools. This exhibition is supported by the University for the Creative Arts and the LINA platform, together with Creative Europe. #homediscomforts #exhibition #vipergallery #vipergalleryprague #linacommunity 08 Jun 2026

Join us on Tuesday, 19 May, at 6 pm for the opening of Home Discomforts, curated by Marianna Janowicz (@marianna.jano). The event will begin with a lecture by Daniel Barber (@abdbcb), followed by a discussion and a guided tour of the exhibition. How will we feed ourselves in the future? Do laundry? Stay comfortable? Care for one another? With rising sea levels, increasing air temperatures, scarcer resources, and new energy regimes, the future of domesticity will require radical changes in rituals and behaviours: a redesign. What does the market offer today? More efficient air conditioning, smart appliances, faster deliveries — comforts that often shift rather than reduce energy use and labour. Better insulation brings only temporary savings, while washing machines led to more water use and more frequent laundry. The culture of efficiency has failed us. Home Discomforts explores alternative ways of living that rely less on sealed, perfectly controlled indoor environments. The Global North has long overconsumed at the expense of the Global South, and overdeveloped regions may now need to learn to live with less comfort. Could lower consumption, shared resources, and collective care create a future that is less comfortable but ultimately happier? Participants: Ankit Kumar Singh, @danipar__ , @edit.cllctv, HVAC (@lisavanheyden & @enno.poetschke), @lacolarq, @superfluxstudio & @we_are_takk This exhibition is supported by the University for the Creative Arts and the LINA platform, together with Creative Europe. Poster: @anezka_ciglerova @publikum.design #homediscomforts #exhibition #prague #vipergallery #vipergalleryprague 11 May 2026

Apropos of the endless rain, here are a couple of photos of a wet (almost finished) Purchese Street Social Space. 🍁 @dsdha_architecture @stcayouthclub @wemakecamden Photos by Alex Reid 08 Mar 2026

We like our collaborators like we like our buildings. Well-grounded, thoughtfully designed, and feminist at the foundations. Say hello to our latest Emergency Contact, @edit.cllctv 🤍 One of our most precious, long-standing and incredibly talented collaborators. 04 Dec 2025

It was a pleasure to moderate ‘Architecture for a Non-Precarious Future: Voices from Emerging Practice’, an official London Festival of Architecture @londonfestivalofarchitecture panel discussion at @czechcentrelondon featuring curators and architects from the UK and across Europe. Thank you all for joining at the Czech Embassy’s cinema despite the beautiful weather outside! #LFA2025 #voices With Marianna Janowicz (Edit @edit.cllctv, UK), Krištof Hanzlík (Collcoll @collcoll.cc, CZ), Roland Reemaa (LLRRLLRR @llrrllrr_studio, UK/EST) and Maria McLintock (curator @mariaemclintock, formerly Curator of Architecture and Design at the Design Museum). Chaired by Helena Huber-Doudová (curator, Národní galerie Praha @ngprague, CZ). Graphic design of publication: @publikum.design Photos by Marek Bero 19 Jun 2025

OPENING NIGHT OF PUBLIC CARE Last week at Espace Témoin in Geneva, we had the pleasure of welcoming Hannah Rozenberg and Alice Meyer from EDIT Collective. They shared their reflections on space, gender, standards, and care practices, and introduced us to their thoughtful and inspiring project methodology. 📸 @valentine_blaimont @edit.cllctv @alis.meyer @hannahroze — SOIRÉE D’OUVERTURE DE PUBLIC CARE La semaine dernière, nous avons eu le plaisir d’accueillir Hannah Rozenberg et Alice Meyer du collectif EDIT à l’Espace Témoin, à Genève. Elles ont partagé leurs réflexions sur l’espace, le genre, les standards et les pratiques de soin, et nous ont présenté leur brillante méthodologie de projet. 📸 @valentine_blaimont @edit.cllctv @alis.meyer @hannahroze 01 May 2025

🟣 Une soirée avec EDIT – conférence du programme Public Care 🟣 An Evening with EDIT – Lecture from the Public Care Program ✨ Nous sommes ravi·e·x·s d’accueillir EDIT, un collectif féministe d’architecture engagé la recherche et la pratique, pour une conférence publique dans le cadre de l’exposition Public Care. EDIT interroge les biais et les hiérarchies persistants inscrits dans l’environnement bâti, à travers des projets allant de l’objet et du film, à la scénographie d’exposition et aux espace publiques. 🌿 Public Care s’inscrit dans Public Affairs, un projet curatorial en trois volets (Public Love, Public Care, Public Dance) qui questionne le rôle de l’espace dans la (re)production des inégalités de genre et de sexe.Cette deuxième session examine comment le soin est spatialisé, invisibilisé, ou confiné, tout en ouvrant des imaginaires interconnectés et solidaires. Public Affairs propose une réflexion d’architecture réaffirmant avec force que « le privé est politique ». 📅 Date : jeudi 24 avril 🕖 Heure : 18h 📍 Lieu : ET–Espace Témoin, Rue des Vieux-Grenadiers 10, 1205 Genève Entrée libre – venez touxtes ! — ✨ We’re thrilled to welcome EDIT, a feminist architecture collective engaged in both research and practice, for a public lecture as part of the Public Care exhibition. EDIT investigates the enduring biases and hierarchies embedded in the built environment, through projects ranging from objects and film to exhibition design and public spaces. 🌿 Public Care is part of Public Affairs, a three-part curatorial project (Public Love, Public Care, Public Dance) that explores the role of space in the (re)production of gender and sex-based inequalities. This second session examines how care is spatialized, rendered invisible, or confined— while opening up networks of interdependence and solidarity. Public Affairs offers an architectural reflection that firmly reaffirms the idea that “the personal is political.” Images: 1. Gross Domestic Product, 2019 2. Home Revolution, 2020 3. Laundry Day, a film by Edit, 2021 #EDITcollective #PublicCare #PublicAffairs #FeministArchitecture #CareWork #EspaceTémoin #ArchitecturePolitics #thepersonalispolitical 16 Apr 2025

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Db0twfwCGb6	Sad to be leaving our residency and the warm ora…
DZ9qtdWDRjs	Home Discomforts, an exhibition about a future l…
DZms-zbiI40	The Reformers are represented by a fish, its sca…

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shortcode	caption	likes	comments
Db0twfwCGb6	Sad to be leaving our residency and the warm ora…
DZ9qtdWDRjs	Home Discomforts, an exhibition about a future l…
DZms-zbiI40	The Reformers are represented by a fish, its sca…

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